EMILE

See his entry in Encyclopaedia Britannica. 1p, 12mo. In good condition, lightly aged, on laid paper. Neatly folded. Good tight signature ?Emile Ollivier?. Addressed to ?Mon cher Monsieur?. Due to an event concerning ?le Prince Napoleon? and ?le petit prince?, he asks to reschedule a meeting, ?si cela ne vous g?ne pas?.

See his entry in the Oxford DNB. Stuart was at the time actor-manager of the Adelphi Theatre, London. Both items in good condition, lightly aged, and folded for postage. ONE: 3pp, 12mo (the third page carrying a postscript written lengthwise). Bifolium. Begins: ?Dear Sir / I have a new play which I should like to read to you if you would care to hear it.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, on aged and worn paper, with rusting from a paperclip to both leaves. Addressed to 'Mr Texeira [sic] de Mattos' and signed 'S John E. C. Hankin'. He thanks him for the cheque and is sorry to hear that the recipient's 'great project has come to nought - at least for the moment'. He expects that de Mattos saw 'the Bankruptcy of the New Saturday duly chronicled? You were a true prophet. I gather it will pay nothing in the ?'. The New Saturday was a short-lived newspaper, going to the wall after a few issues in 1897.

The material is in fair condition, lightly aged and worn. Items Two and Three are addressed to ‘Cher ami’. De Cottens’ handwriting is somewhat opaque. ONE: ANS, 14 May [no year]. The letterhead includes an engraved illustration of the Queen’s Hotel in Leicester Square. 1p, 12mo. ‘Cher Monsieur Clarkson / tous mes bien vifs remerciements pour votre aimable envoi de tickets. / Bien votre / Victor de Cottens.’ TWO: ALS, 26 [March? 1910?]. 1p, 12mo. He wonders whether the recipient might put his ‘experience à la disposition’ of a named colleague from Brussels. THREE: ALS, 1p, 16mo.

Rieu was the son of Charles Pierre Henri Rieu (1820-1902) of Geneva, Keeper of Oriental Manuscripts at the British Museum, and elder brother of Emile Victor Rieu (1887-1972), both of whom have DNB entries. In 1947 he had privately printed (as’J. L. R.’) a ‘Chronicle of the Rieu Family now settled in England’. 2pp, 12mo. In fair condition, lightly aged and creased. Folded twice. Signed ‘J. L Rieu / Commissioner in Sind’. An nice sidelight on the workings of the Raj. He has been asked for a letter by ‘Mr. Mansing Ramsing’, on behalf of his son ‘Mr. Bhojraj M.

For information on Littler see the entry in the Oxford DNB of his brother Prince Frank Littler (1901-1973), who did not share Emile’s ‘affection for plays or players individually’. Also see Macqueen-Pope’s entry in the same work. The three items in fair condition, lightly aged and creased. Both signed ‘Emile’. ONE: TLS of 15 November 1957. 1p, 4to. Reads: ‘My dear Popie, / You know about everything in the Theatre, and I am wondering if you could tell me how many London pantomimes Julian Wylie did, either by himself or as the Wylie-Tate organisation.

16pp., 8vo. Disbound. In original grey-paper wraps, with title printed on front. In fair condition, on aged high-acidity paper. A few marks and a quotation in English in light pencil. Dated 12 August 1899, and signed (printed) at end 'H. RIALÈSE'.

Printed in black on one side of a 49.5 x 65 cm. piece of thick paper. In fair condition, aged and rolled into a tube. A tasteful design, featuring an engaving of a palm leaf. Signed at foot by 'Paul Chabas' and 'A. Bréauté'.

1p., 12mo. In fair condition, with light signs of age. Addressed to 'My dear Percy' and headed 'Love's Strategy'. Regarding the play (which was based on Goldsmith's 'She Stoops to Conquer') Littler writes: 'I don't think the idea appeals to me very much, and I am not going to do any more productions in the West End until after Christmas.' He gives his phone number, writing that he would 'be very pleased to see you or have a word with you'. In the carbon of Nash's letter (dated 27 May 1948) he writes that he has 'not messed about with the Author.

99pp., 8vo. Each page typed on a separate piece of paper ruled with red marginal borders. The manuscript housed in a contemporary thumb-indexed ledger, with each leaf tipped-in onto the recto of a leaf of the ledger. The manuscript in good condition, lightly-aged and worn; the ledger heavily worn and shaken, and lacking covers. Andreoli's name is not given anwhere in this item. Title-page with typed title 'Siberian Convicts' Life'. Above the title, in manuscript is '? Convict-Life', and typed beneath the title is a six-line epigram from Goethe.

1p., 12mo. In good condition, on lightly aged and worn paper. The poem, of 60 irregular lines, is placed (with a facsimile of Verhaeren's signature at the foot) within a thick floral border, reminiscent of the Arts and Crafts movement. It begins: 'Ce n'est qu'un bout de sol dans l'infini du monde. | Le Nord | Y déchaîne le vent qui mord. | Ce n'est qu'un peu de terre avec sa mer au bord | Et le déroulement de sa dune inféconde.' Scarce: no copy in the Bibliotheque Nationale, on COPAC or in the Imperial War Museum.

Four pages, 12mo (letter), all items in good condition. He will fulfil his promise of some autograph letters, le plus notable et vivid, which had been relegated to the country but retrieved the day before. He describes a Michelet manuscript, notes taken après la lecture d'un ouvrage de M. Dupanloup before he became bishop. He discusses Dupanloup's character and achievements at length. He continues J'ajoute une lettre . . . Saul Meyer [NOT present] et une carte de visite . . .

Belgian writer (1878-1953), author of the fairy-tale 'The two hunchbacks', set to music by Frank Bridge. One page, quarto. Poor, on discoloured, creased paper with several closed tears. He thanks her for her letter and has 'written to Miss Sands to ask her if she could not possibly alter the date as I have another lecture on the same day, at night. But if impossible, I will come all the same.' Signed 'Em Cammaerts'. Docked in pencil, by 'HSJ', 'Dec: 4. 1915. I heard M.