MACQUEEN-POPE

[The Royal General Theatrical Fund Association, London.] Three copies of drafts of an advertisement, composed by theatre historian W. Macqueen-Pope, with copy of covering letter to Secretary J. Mayhew Allen; and later corrected draft of circular.

Author: 
Royal Theatrical Fund, London, for retired actors, founded 1839 with Charles Dickens as its first chairman [J. Mayhew Allen, Secretary]; W. Macqueen-Pope (1888-1960), theatre historian
Theatrical Fund
Publication details: 
Copy of Macqueen-Pope’s letter: 15 May 1953. Circular: 27 November 1957; on letterhead of the Royal General Theatrical Fund Association, 11 Garrick Street, London WC2.
£180.00
Theatrical Fund

See Wendy Trewin, ‘The Royal General Theatrical Fund: a history, 1838-1988’ (1989), and Macqueen-Pope’s entry in the Oxford DNB. ONE: Carbon copy of letter from Macqueen-Pope to Allen, 15 May 1953, with three drafts of advertisement. 4pp, 4to. On four leaves. The letter, on the first page, is somewhat grubby, with rust spotting from paper clip, the other three leaves, each of which carries a proposed version of the advertisment, in good condition, lightly aged. The letter begins: ‘Dear Jack Allen, / Herewith three rough samples for the proposed advertisement concerning the Fund.

[Ruby Miller, actress, one of the ‘Gaiety Girls’.] Autograph Letter Signed to ‘Popie’ (the theatre historian W. Macqueen-Pope), regarding BBC TV, ‘the Gaiety fiasco’ and ‘Gaiety Girls who married out of the peerage & retired into the country’.

Author: 
Ruby Miller [Ruby Laura Rose Miller] (1889-1976), actress, one of George Edwardes' 'Gaiety Girls' [W. J. MacQueen-Pope [‘Popie’] (1888-1960), theatre historian]
Publication details: 
16 July 1957; on her letterhead.
£50.00

See her entry and his in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded for postage. Signed ‘Ruby’. Begins: ‘Popie, darling, / What are we coming to? / You - as a pierrot with the “Fol-de-Rols”! / BBC/TV must be mad not to let you do a talk on the St. James’s. / But after the Gaiety fiasco I can believe anything of them.

[Berta Ruck, popular writer of romantic fiction.] Typed Letter Signed to the theatre historian W. Macqueen-Pope, asking for advice and praising his later book, with observations on reminiscence.

Author: 
Berta Ruck [Amy Roberta Ruck, Mrs. Oliver Onions] (1878-1978), prolific writer of romantic fiction, born in India of Welsh extraction [W. Macqueen-Pope [‘Popie’] (1888-1960), theatre historian]
Publication details: 
2 June 1950; Pomona, Aberdovey, Merioneth.
£56.00

See her entry and his in the Oxford DNB. 1p, 4to. In fair condition, lightly aged and slightly creased at extremities. Addressed to ‘My Dear Mr. MacQueen Pope’ and signed (in block capitals) ‘BERTA RUCK’.

[Theatre Royal, Drury Lane.] Carbon of Typed BBC script of ‘2nd Broadcast’ in the series ‘Theatre Songs and Stories / by / W. Macqueen-Pope’, on the Theatre Royal, Drury Lane.

Author: 
Theatre Royal, Drury Lane, and its historian, W. Macqueen-Pope [Walter James Macqueen-Pope] (1888-1960) [BBC Radio]
Publication details: 
Undated, but shortly after the death of Ivor Novello on 6 March 1951. [BBC Radio, London.]
£120.00

From the Macqueen-Pope papers. His entry in the Oxford DNB describes how, in the 1950s, he was ‘in demand as a lecturer on the theatrical subjects he loved, and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment, and television in particular, as representing a serious threat to the survival of theatre, about which he cared passionately’.

[Tom Arnold, ‘Napoleon of Show Business’.] Eleven items, including six Signed and Typed communications to W. Macqueen-Pope; biography of Arnold by MP; ‘Memorandum of Agreement’ with MP; poster for Arnold’s ‘Cinderella’ at Glasgow Alhambra.

Author: 
Tom Arnold [Thomas Charles Arnold] (1897-1969), international impressario of everything from opera to rodeos, circus and seaside piers [W. Macqueen-Pope (1888-1960), theatre historian and press agent]
Arnold
Publication details: 
Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead, two others from the same address, and two from 112 Jermyn Street, London. Agreement: 15 April 1943. Poster: 1950 / 1951, Glasgow Alhambra.
£120.00
Arnold

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items, in fair overall condition, on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these (1p, landscape 8vo) he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this, and the speed with which you tackled it for me.

[W. Macqueen-Pope, theatre historian and broadcaster, and Drury Lane press agent.] Fifteen Typed Newspaper Articles [for the magazine 'Everybody's'] giving weekly news of 'The London Theatre', with newspaper cuttings, TLS from editor Greville Poke.

Author: 
W. Macqueen-Pope [Walter James Macqueen-Pope, ‘Popie’] (1888-1960), theatre historian, broadcaster and journalist, archivist and Drury Lane press agent [Greville Poke, editor, Everybody's magazine]
Publication details: 
One of the articles from December 1948; two from November and December 1951 (with two drafts of the second of these); and the other twelve articles from between January to March 1957. ['Everybody's' magazine, Fleet Street, London.]
£450.00

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

[Reginald Denham, English actor, writer and Broadway director.] Four chatty Autograph Letters Signed to the theatre historian W. Macqueen-Pope, with carbon of a reply by MP, and two associated items from other parties.

Author: 
Reginald Denham (1894-1983), English actor, writer and Broadway director [W. Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
One of Denham’s letters dated 8 June 1951; the others without year but from the same time. All four from 100 Central Park South, New York 19. Macqueen-Pope’s letter dated 5 October 1951; 359 Strand, WC2 [London]. The other two items also from 1951.
£135.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The seven items are in good condition, though one of Denham’s letters has slight wear to one edge. All date from the same period. The four Denham letters total 5pp, foolscap 8vo; three are signed ‘Reg’ and the other ‘Reginald’; two are on his letterhead. The fully-dated Denham letter (8 June 1951) is the longest at 2pp, 8vo. Addressed to ‘My dear Mac’, he gives details of a visit he is paying to England to settle his late mother’s affairs (‘She was 83.’) He is also going to ‘confer with Edward Percy.

[Compton Mackenzie and Christina Foyle.] Seven items relating to a ‘Foyles Literary Lunch’ for . Macqueen-Pope: Two Typed Letters Signed from CM to MP, TLS from Foyle to MP, and carbons of three letters from MP, and four related carbons.

Author: 
Sir Compton Mackenzie (1883-1972), novelist; Christina Foyle (1911-1999), owner of Foyles bookshop, London, who put on the ‘Foyles Literary Lunches’ [W. Macqueen-Pope, theatre historian]
Publication details: 
Dating from between 26 February and 15 May 1951. Mackenzie’s two letters on Denchworth Manor letterhead; Foyle’s letter on letterhead of W. & G. Foyle Ltd., Booksellers, 119-125 Charing Cross Road, London.
£120.00

From the Macqueen-Pope papers. (See his entry, and those of Foyle and Mackenzie, in the Oxford DNB.) Apart from damage and rust staining from paperclips, the seven items are in good condition. The correspondence mainly concerns a Foyles Literary Lunch for Macqueen-Pope, which Mackenzie was unable to chair because of an attack of bronchitis. All items 1p, 8vo. Mackenzie’s two letters signed ‘Compton Mackenzie’ and Foyle’s signed ‘Christina Foyle’. ONE: Foyle to MP, 26 February 1951. She is forwarding a letter from Mackenzie.

[‘Suzette Tarri’, music hall comedienne.] Typed Letter Signed to P. W. Kerby and Typed Letter (signed on her behalf by her husband David Jenkins) to ‘Mr. Horsfield’, regarding bookings, with Autograph Letter Signed to W. Macqueen-Pope from Jenkins.

Author: 
Suzette Tarri [stage name of Ada Barbara Harriett Tarry (1881-1955), music hall and 'radio comedienne'; her husband and accompanist David Edmund Jenkins [W. Macqueen-Pope, theatre historian]
Publication details: 
ONE (ST to Kerby): 23 January 1944; her Southgate letterhead. TWO (ST to Horsfield): 29 March [no year]. THREE (Jenkins to Macqueen-Pope): 23 June 1950; different Southgate letterhead.
£100.00

From the papers of theatre historian Walter James Macqueen-Pope (1888-1960). (See his entry in the Oxford DNB.) The three items are in fair condition, lightly aged and worn. Her two letters are pinned together. The letter to Kerby has the large and firm signature ‘Suzette Tarri’; the letter to Horsfield is evidently signed ‘Suzette Terri’ on her behalf by her husband. ONE (ST to P. W. Kerby): 23 January 1944. Letterhead of ‘“Suda” / 25 Manor Drive, Southgate, N. 14’ (‘SUZETTE TARRI / RADIO COMEDIENNE / WITH / DAVID JENKINS / THE POPULAR PIANIST-VOCALIST’). 1p, 4to.

[Michel Kovatchévitch [Kovatchevitch], Paris-based Slav actor and author.] Typed Letter Signed, in French [to English theatre historian W. Macqueen-Pope], requesting information for his book on the Anglo-American black actor Frederick Aldridge.

Author: 
Michel Kovatchévitch [Kovatchevitch] (1891-1961), Paris-based Slav actor and writer in French on the theatre [W. Macqueen-Pope, theatre historian; Ira Frederick Aldridge, Anglo-American black actor]
Publication details: 
4 May 1956; on his letterhead, 36 Rue de la Clef, Paris.
£120.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 2pp, 4to. Signed ‘Michel Kovatchévitch’. On aged and worn paper. Folded twice for postage, with closed tears at edges of vertical fold, and nicks and creasing along one edge. He is working on a biography of Frederick Aldridge, ‘tragédien noir de langue anglaise (1807-1867)’, and asks for help in establishing the date of his debut, ‘dans le rôle d’Othello, au Royalty Theatre’.

[Gustavus Brooke, celebrated Irish actor.] Two drafts of Typed Article on ‘The Tragic Tragedian’ by theatre historian W. Macqueen-Pope, with carbon of letter to the editor of ‘Everybody’s’ magazine Greville Poke, and reply.

Author: 
Gustavus Brooke [Gustavus Vaughan Brooke] (1818-1866), celebrated Irish actor [W. Macqueen-Pope (1888-1960), theatre historian; 'Everybody's' magazine, London]
Publication details: 
Material all dating from 1950. [‘Everybody’s’, magazine, 114 Fleet Street, London.]
£180.00

From the Macqueen-Pope papers. See his entry, and that of Brooke, in the Oxford DNB. The five items are in good condition, lightly aged and worn. ONE: Carbon of Typed Article titled ‘London Was Unlucky to Him / The Story of Gustavus Brooke, The Tragic Tragedian’. 11pp, 4to, on eleven leaves. Begins: There is nothing so ephemeral as the art of the actor. Very very few of the names live on. Yet there are some, who in their day were of the first magnitude and are now forgotten, save for the delving historian.

[Will Fyffe, Scottish comedian and music hall entertainer.] Two drafts of Typed Obituary of Fyffe [by theatre historian W. Macqueen-Pope].

Author: 
[Will Fyffe (1885-1947), Scottish comedian and music hall entertainer] W. Macqueen-Pope (1888-1960), theatre historian
Publication details: 
No date or place. [1947. London.]
£90.00

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. MP is not named as the author, but there is no doubt that he is. Item one has corrections in his hand. Both versions are simply titled ‘Will Fyffe’. The two versions exhibit a number of differences from one another. It is not clear where the obituary was published, but it was probably the London magazine ‘Everybody’s’, for which MP contributed a weekly column. ONE: 4pp, 4to, double-spaced, on four leaves.

[Clarkson Rose, pantomime dame.] Typed Letter Signed to theatre historian W. Macqueen-Pope, asking for his ‘opinion’ of his autobiography, for publicity purposes.

Author: 
Clarkson Rose [Arthur Clarkson Rose] (1890-1968), popular entertainer, a notable pantomime dame, e.g. ‘Widow Twankey’ in ‘Aladdin’ [W. Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
17 January 1952; The Wimbledon Theatre, Wimbledon, London SW19, on letterhead of ‘Clarkson Rose Productions Ltd. / Twinkle’.
£56.00

From the Macqueen-Pope papers. See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged and folded for postage. Addressed to ‘My dear Popie’ and signed ‘Yours / Clarke’ [sic]. In the previous year CR had published his autobiography ‘With a Twinkle in my Eye’, and he is now looking for an ‘opinion’ from MP that he can use for publicity purposes.

[Charles Dickens.] Typed Notes for ‘Dickens Fellowship Speech’ by W. Macqueen-Pope, championing Dickens as ‘the great man of the Middle Classes’, and suggesting a cabinet of his characters, with him as Prime Minister. With second copy.

Author: 
[Charles Dickens; The Dickens Fellowship] W. Macqueen-Pope [Walter James Macqueen-Pope] (1888-1960), theatre historian
Publication details: 
No place or date. [1940s? London.]
£120.00

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Three items: a page with a quotation from Dickens, and list of characters in MP’s autograph; and two copies of the speech. Text entirely legible throughout, but on worn and creased paper MP is not named as the author, but the item is undoubtedly his work: one of the two copies has autograph emendations in pencil. ONE: Typed Notes for ‘Dickens Fellowship Speech’. 2pp, 4to. Begins: ‘Comment on previous speaker’s points. / Dickens the great Englishman - more than that the great man of the Middle Classes.

[Hannen Swaffer, Fleet Street journalist and spiritualist.] Typed Letter Signed to theatre historian W. Macqueen-Pope, with carbon of the reply, regarding the music hall artiste Belle Bilton, who became Lady Dunlo.

Author: 
Hannen Swaffer [Frederic Charles Hannen Swaffer] (1879-1962), Fleet Street journalist and spiritualist [Walter James Macqueen-Pope, theatre historian; Belle Bilton, music hall artiste [Lady Dunlo]]
Publication details: 
Swaffer’s letter: 9 May 1951; 8 St Martin’s Place, Trafalgar Square, WC2 [London]. Carbon of Macqueen-Pope’s letter: 11 May 1951; 359 Strand, WC2 [London].
£45.00

See the two men’s entries in the Oxford DNB. From the Macqueen-Pope papers. Each item in good condition, lightly aged, with creasing and rust staining to one corner from a paperclip. ONE: Swaffer to MP. TLS, signed ‘Swaff’. 1p, 4to. ‘Dear Popey, / Do you know anything about this woman? [From the context he is sending MP an enquiry he has received from ‘Mr. Le Poer Trench’] I presume she was a legitimate actress.

[‘Britain's first recorded broadcast comedian’.] Autograph Letter Signed and Typed Letter Signed from Helena Millais to W. Macqueen-Pope, with printed press release for her show ‘Songs and Laughter’.

Author: 
Helena Millais [stage name of Helena Catherine Marriott] (1886-1970), Britain's first recorded broadcast comedian, actress and writer.
Publication details: 
TLS: 8 August 1957. ALS: 14 August 1959. Both from 5 Riverview Gardens, Barnes, SW13 [London].
£150.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) On 20 October 1922 Millais broadcast on 2LO radio, becoming the first comedian on what was later to become the BBC. In a performance on 21 November 1922 she became the third entertainer to appear on the week-old BBC. All three items in good condition, lightly aged, though the autograph letter has pin holes to a corner, and the typed letter rust from a paperclip. Both letters signed ‘Helena Millais’. ONE: TLS. 3pp, 12mo. Having met him ‘at various C.A.A. evenings, she asks him for advice about several books.

[John Vickers, theatre photographer.] Duplicated Typed set of terms for ‘THEATRE PHOTOGRAPHY’, on his letterhead.

Author: 
John Vickers, theatre photographer [W. Macqueen-Pope (1888-1960), theatre historian and press agent for the Theatre Royal, Drury Lane]
Publication details: 
Dated September 1951. On his letterhead: ‘John Vickers / Photographer * 29B Belgrave Road, London, S.W.1 * Victoria 4915’.
£180.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) A nice piece of theatre and photographic ephemera. Vickers has five items in the National Portrait Gallery, which provides the following information: ‘John Vickers began his career by working as assistant to photographer Angus McBean in the 1930s. From 1939 until the time of his death, he ran his own studio. After the war he became well known as a theatre photographer working for theatres including the Old Vic.

[Donovan Maule, English actor and theatre director.] Autograph Letter Signed to W. Macqueen-Pope, describing difficulties in establishing ‘the first professional theatre’ in Kenya, and discussing MP’s book on the Haymarket. With carbon of reply.

Author: 
Donovan Maule (1899-1982), British actor and theatre director, husband of actress Mollie Shiells [Donovan Maule Theatre, Nairobi, Kenya; W. Macqueen-Pope, theatre historian]
Publication details: 
Maule’s letter: 10 September 1949; from ‘Kenya Colony, / British East Africa’, on letterhead of The Donovan Maule Players, Nairobi. Carbon of Macqueen-Pope’s reply: 15 September 1949; 359 Strand, WC2 [London].
£50.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Both items in fair condition, lightly aged and creased. Pinned together. ONE: DM to MP. Signed ‘Mollie and Donovan Maule. / (Mollie Shiells)’, but the husband is clearly the author. 1p, 4to. Folded twice for postage. He thanks him for his ‘inspiring book’ on the Haymarket Theatre. ‘My wife and I (both ex-Haymarket artists) feel inseminated ith fresh optimism and jope while battling with the municipal authorities and Kenya Government to establish the first professional theatre ever known here.

[Drury Lane Ghost.] Carbon of typewritten letter from W. Macqueen-Pope to Jack Todd of New York, giving an account of the ghost at the Theatre Royal, Drury Lane, which he has seen ‘on very many occasions’, and of his own association with the place.

Author: 
Drury Lane Ghost [Theatre Royal, Drury Lane, London; Walter James Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
16 December 1957. [London.]
£120.00

From the papers of theatre historian W. Macqueen-Pope, who was for more than twenty years press representative for Drury Lane. (See his entry in the Oxford DNB.) The recipient is given by MP as ‘Jack Todd Esq / 446, Dimmick Street, Waterton, New York’. 2pp, 4to. 59 lines of text, single-spaced. An unsigned carbon copy, in fair condition, on lightly-aged and creasted cartridge paper.

[E. Winnie Burnand, one of the earliest female cartoonists.] Two amusing original caricatures of herself, one posting a letter, the other carrying a cricket bat, in an effusive letter to theatre historian W. Macqueen-Pope.

Author: 
E. Winnie Burnand [Edith Winifred Burnand, latterly Parsons] (b.1881), one of the earliest female cartoonists, daughter of Sir Francis Cowley Burnand, editor of ‘Punch’ [W. Macqueen-Pope (1888-1960)]
Parson
Publication details: 
23 August 1957. On letterhead of Crossway Green, Chepstow, Mon. SEE IMAGE.
£250.00
Parson

From the Macqueen-Pope papers. (See his entry and that of her father in the Oxford DNB.) 6pp, the first four on two 4to leaves, the last two on a 12mo leaf. Signed ‘E. Winnie Parsons / nee / Winnie Burnand’. In fair condition, lightly aged and with some creasing, particularly to the last (12mo) leaf. Slight rust staining from paperclip. A delightful letter, written in a strong and energetic hand, with various words underlined in red pencil for emphasis. She is staying with Desmond Lysart, ‘who in his lovely study has all your delightful books’, and they are both great admirers of MP.

[Fred Lewis, ‘The Well-known Character Impressionist and Entertainer’.] Autograph Letter Signed to theatre historian W. Macqueen-Pope, on striking illustrated letterhead, with copy of his publicity leaflet, with photographic portrait.

Author: 
Fred Lewis, ‘The Well-known Character Impressionist and Entertainer’ [W. Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
Letter: 30 June 1957; 44 Montagu Street, Kettering, Northants. Leaflet without date or place.
£56.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Letter: 1p, 4to. On cream paper. In good condition, lightly aged and creased. Folded twice for postage. The letterhead, headed ‘”The Meaning of Versatility” / Fred Lewis / Creating a good impression.’, has an illustration of a series of footprints up the left margin, some with faces in them, and such slogans as ‘Mirthful Medleys’ and ‘Brilliant Burlesque’. The feet creating these ‘impressions’ are disappearing at the head of the page.

[Guido Orlando, Italian-American press agent.] Copy of Typed Article on Orlando by W. Macqueen-Pope titled ‘“Enfant Terrible” of Public Relations’, with TLS to MP from Sidney Gordon of ‘Everybody’s’ magazine, rejecting the article as too scandalous.

Author: 
[Guido Orlando (1906-1988), Italian-American press agent.] Walter James Macqueen-Pope (1888-1960), theatre historian and journalist; Sidney Gordon, journalist with ‘Everybody’s’ magazine
Publication details: 
Gordon’s letter to Macqueen-Pope is dated 28 December 1950; on letterhead of ‘Everybody’s’, 114 Fleet Street, London, EC4. Macqueen-Pope’s article without date or place, but contemporaneous.
£125.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The subject of MP’s article is the press agent and publicist Guido Orlando who came to the United States from Italy with his family in 1917. (MP may have come into contact with Orlando in his own position as press agent for Drury Lane and other theatres.) He was most active in Hollywood from the 1930s to 1960s. His papers are in the Academy of Motion Picture Arts and Sciences Margaret Herrick Library.

[‘Compo’ in ‘Last of the Summer Wine’.] Typed Letter Signed from the actor Bill Owen to the theatre historian W. Macqueen-Pope, asking for advice on a script he wishes to write about Dan Leno.

Author: 
Bill Owen [William John Owen Rowbotham (1914-1999)], English actor and songwriter, best-known for playing ‘Compo’ in the BBC TV series ‘Last of the Summer Wine’ [W. Macqueen-Pope, theatre historian]
Publication details: 
15 April 1953; on letterhead of Lavender Lodge, Maidenhead Court, Maidenhead.
£45.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 16mo. Signed ‘Bill Owen’. In fair condition, lightly aged and creased. Hailing him as ‘the greatest living authority on British Theatre’, he asks for advice. ‘My job is acting, and it has always been an ambition of mine to portray the life of Dan Leno, either on film or TV.

[‘Ralom and Rosa’, English clown routine.] Typed Letter Signed from ‘Rosa’ to theatre historian W. Macqueen-Pope, singing the praises of their act, and threatening to leave for the continent if they cannot find ‘the right recognition’ in England.

Author: 
‘Ralom and Rosa’, English clowns (‘International Comedy Musicans with Concertinas & Piano’) [Walter James Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
16 December 1956; on letterhead of ‘International Comedy Musicans with Concertinas & Piano / Clown / Ralom and Rosa’, 29 Hibbert Road, Leyton, London E17.
£120.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. On light-blue paper, with letterhead in dark-blue and red. Signed ‘Ralom’, with ‘RALOM & ROSA’ typed beneath. In good condition, lightly aged. Writing to MP at the Evening News, London. ‘There has [sic] been quite a few remarks passed by critics of the “paucity” of Acts in the Variety profession.

[Dame Sybil Thorndike, distinguished English actress.] Autograph Letter Signed [to theatre historian W. J. Macqueen-Pope], agreeing to do something for the memory of ‘our beloved Ivor’ [i.e. Ivor Novello].

Author: 
Sybil Thorndike [Dame Agnes Sybil Thorndike] (1882-1976), distinguished English actress, wife of Sir Lewis Casson [Walter James Macqueen-Pope, theatre historian; Ivor Novello]
Publication details: 
No date [1952?]: ‘Haymarket [Haymarket Theatre, London] Thursday night’.
£45.00

From the papers of the evident recipient, theatre historian Walter James Macqueen-Pope. See his entry, and hers and her husband’s, in the Oxford DNB. 2pp, 12mo. Large bold signature ‘Sybil’. In fair condition, lightly aged and worn. Folded once for postage. The letter almost certainly relates to the unveiling ceremony of the Ivor Novello Memorial at the Theatre Royal, Drury Lane on 2 May 1952. The bust, by Clemence Dane, was unveiled by Thorndike with the reading of a poem by Mary Ellis. The preent item reads: ‘My dear. Of course I[’]ll do anything you want me to do for our beloved Ivor.

[The Refectory Club, Mayfair, London.] Three items of club ephemera: publicity booklet, application form and notice. With Typed Letter Signd from club secretary David Mallett, regarding theatre historian Maqueen-Pope’s desire to become a member.

Author: 
The Refectory Club, Mayfair, London; David Mallett, Secretary [Walter James Macqueen-Pope, theatre historian; Anna Zinkeisen (1901-1976), Scottish painter]
Publication details: 
Mallett’s letter dated 4 October 1955; on letterhead of The Refectory Club, 10 Tilney Street, Park Lane, W1 [London]. The other three items undated, but slighty earlier in date.
£180.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) Interesting London ephemera: the plans for the Refectory Club were clearly ambitious, but there is little to be gleaned about it, and it is unclear whether it even opened. Zinkeisen and her sister Dora are the subject of a 2022 monograph by Philip Kelleway, Emma Roodhouse and Nicola Evans. The four items in good condition, lightly aged, but with rust staining from a paperclip. Folded for postage. ONE: Typed Letter to MP, signed ‘D Mallett’ (but with ‘For Secretary’ typed beneath this). 1p, 4to.

[‘Can anyone beat my record’: Nat Travers, ‘The Pearly King Cockney Singing Comedian’.] Autograph Letter Signed to theatre historian W. Macqueen-Pope, boasting of sixty years in the theatre and asking for help getting radio and television work.

Author: 
Nat Travers, music hall artiste (b. c. 1875), ‘The Pearly King Cockney Singing Comedian’ [Walter James Macqueen-Pope, theatre historian]
Publication details: 
14 November 1957. ‘Guest Turn, Royal Oak, Dagenham’. On letterhead of ‘The Grand Old Timer Nat Travers / “The Pearly King Cockney Singing Comedian” / Radio & Television Star’, 265 Bancroft Road, Mile End, E1 [London].
£80.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, foolscap 8vo. In fair condition, lightly aged and creased. Begins: ‘Dear Mac, Im going great and I dont use THE MIKE. I enclose Bill of Last Week / I first Worked 60 Years ago. Mac I want to get. to Broadcast. THIS. IS. Your. LIFE / I Started when I was 9 Year Old. Im now 82. Can anyone beat my Record.’ He gives details of booking at the ‘Metropoliton [sic] Music Hall Edgware Rd. I was first there. 1901. NOVEMBER 4 Weeks / Of cours [sic] I was There many Times. Mac you ought to try and get me on Television. or. Radio.

[Sir Donald Wolfit, Shakespearian actor-manager.] Typed Letter Signed to W. J. Macqueen-Pope regarding the success of his Shakespeare tour; with carbon TL of MP’s reply, giving a synopsis of his planned play about Edmund Kean, with Wolfit to star.

Author: 
Sir Donald Wolfit [formerly Woolfitt] (1902-1968), English Shakespearian actor-manager; Walter James Macqueen-Pope (1888-1960), theatre historian [Edmund Kean (1787-1833), actor]
Publication details: 
Wolfit’s TLS: 25 February 1943; on letterhead of ‘Donald Wolfit / Shakespeare Tour’, with typed current address Wharfenden House, Frimley Green. Carbon TL of MP’s response, 26 February 1943.
£56.00

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. Ronald Harwood’s play and film ‘The Dresser’ are based on his experiences working in that position for Wolfit. From the Macqueen-Pope archive. The two items lightly aged and in fair condition, the first with a little rust spotting to one corner from a paperclip. In Item Two MP describes in detail his plans for a play about the nineteenth-century actor Edmund Kean, with Wolfit clearly envisaged in the leading role.

[Sir Geoffrey Harmsworth, journalist, nephew of Lords Northcliffe and Rothermere.] Three Typed Letters Signed to theatre historian W. J. Maqueen-Pope, discussing his family and asking for information for a biography he is writing of Northcliffe.

Author: 
Sir Geoffrey Harmsworth [Arthur Geoffrey Annesley Harmsworth] (1904-1980), journalist and member of Fleet Street dynasty, nephew of Lords Northcliffe and Rothermere [Walter James Macqueen-Pope]
Publication details: 
9 August, 3 October and 31 December 1951. The first on letterhead of the Harmsworth Press Limited, 8 Stratton Street, London, W1; the other two on letterhead of 8 Stratton Street, with second cancelled in favour of Thorpe Hall, Louth, Lincolnshire.
£80.00

From the Macqueen-Pope papers. See MP’s entry and those of various members of the Harmsworth family in the Oxford DNB. The three items are in good condition, lightly aged, with the first with rust staining from paperclip, and all three folded twice. Each signed ‘Geoffrey Harmsworth’. ONE: 9 August 1951. 1p, 8v. He doubts whether MP will remember their previous meeting. He is ‘engaged on a full-length Life of Northcliffe’ (written with Reginald Pound, and appearing in 1959), and is having to do ‘much digging to find out information about the early days’.

[Sir John Gielgud, distinguished English actor.] Typed Letter Signed to theatre historian W. J. Macqueen-Pope, regarding the press night of his RSC production at London's Phoenix Theatre of ‘Much Ado about Nothing’.

Author: 
Sir John Gielgud [Arthur John Gielgud] (1904-2000), distinguished English actor and theatre director, whose career spanned eight decades [Walter James Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
12 January 1952; from the Phoenix Theatre, WC2 [London], on his letterhead.
£45.00

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. The present item relates to the 1952 RSC production of ‘Much Ado about Nothing’, directed by Gielgud and with him playing Benedick. 1p, landscape 8vo. Red-ink letterhead ‘JOHN GIELGUD’. Signed ‘John Gielgud’ and addressed to ‘Dear Popie’. In good condition, lightly aged and creased. Folded twice. He thanks him for his ‘good wishes and thought of me.

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