DAN

[‘Compo’ in ‘Last of the Summer Wine’.] Typed Letter Signed from the actor Bill Owen to the theatre historian W. Macqueen-Pope, asking for advice on a script he wishes to write about Dan Leno.

Author: 
Bill Owen [William John Owen Rowbotham (1914-1999)], English actor and songwriter, best-known for playing ‘Compo’ in the BBC TV series ‘Last of the Summer Wine’ [W. Macqueen-Pope, theatre historian]
Publication details: 
15 April 1953; on letterhead of Lavender Lodge, Maidenhead Court, Maidenhead.
£45.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 16mo. Signed ‘Bill Owen’. In fair condition, lightly aged and creased. Hailing him as ‘the greatest living authority on British Theatre’, he asks for advice. ‘My job is acting, and it has always been an ambition of mine to portray the life of Dan Leno, either on film or TV.

[Greville Poke, arts administrator with the English Stage Company at the Royal Court Theatre.] Two Typed Letters, one Signed, as editor of ‘Everybody’s’ magazine, to W. Macqueen-Pope, one discussing an article on music hall, with carbons of 3 replies

Author: 
Greville Poke [Greville John Poke] (1912-2000), editor of ‘Everybody’s’ magazine, arts administrator with the English Stage Company at the Royal Court Theatre, London [Walter James Macqueen-Pope]
Publication details: 
Poke’s two letters: 12 March and 27 May 1951; both on letterhead of ‘Everybody’s’ magazine, 114 Fleet Street, London. Carbons of the three letters to Poke from Maqueen-Pope: 27 March and 16 and 23 May 1951.
£120.00

From the Macqueen-Pope papers. See the two men’s entries in the Oxford DNB. Poke’s two letters are in good condition, lightly aged, the second with slight rust spotting from paperclip; the carbons of MP’s letters to Poke on aged, worn and discoloured cartridge paper. ONE: Poke to MP, 12 March 1951. 3pp, small 4to.

[Percy Nash, British cinema pioneer.] Eight Typed Letters Signed to theatre historian W. J. Macqueen-Pope, with personal reminiscences. With carbons of two replies, and typescript of reminiscences titled ‘The Tragic Comedians / Laughter and Tears’.

Author: 
Percy Nash (1869-1958), British film producer and director, key figure in the creation of Elstree Studios [W. J. Macqueen-Pope, theatre historian]
Publication details: 
Nash’s eight TLsS from between 4 July 1949 and 10 October 1951; all on letterheads of 2 Bristol Court West, Marine Parade, Brighton. Macqueen-Pope’s carbons from 1949 and 1951. ‘The Tragic Comedians’ undated.
£450.00

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

[ Walter James Macqueen-Pope, theatre historian. ] Two Typed Drafts of article: 'It Was Top of the Bill | The Story of Music Hall.' One draft with autograph emendations. With copy of covering letter to Greville Poke, editor of 'Everybody's' magazine.

Author: 
W. Macqueen-Pope [ Walter James Macqueen-Pope ] (1888-1960), theatre historian
Publication details: 
Drafts without place or date. Covering letter to Poke dated 20 January 1951 [ without place ].
£450.00

ONE: The earlier of the two drafts, titled 'It Was Top of the Bill | The Story of Music Hall. | by | W. Macqueen-Pope.' 14pp., 4to. Paginated 1-12, with two further pages carrying material to be inserted. With a few autograph emendations, including an addition to the ending. Macqueen-Pope writes knowledgeably and with a passion for his theme, which is that 'Music Hall reflected public taste even more accurately than did the "legitimate" Theatre because it was created by the people themselves. The basis of the Drama of the Theatre - was religion.

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