NASH

A good example of Nash’s attractive and distinctive signature ‘John Nash’ on a very light dotted line, a piece of paper cut into an oval roughly 5 cm wide and 2.5 cm high. In good condition, lightly aged, laid down on an irregularly-shaped piece of card. See Image

From the Macqueen-Pope papers. (See MP's entry in the Oxford DNB.) Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. Both items in good condition, lightly aged, each with light rust staining at one corner from paper clip. LETTER: 1p, 4to. Signed ‘Percy Nash’.

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

Ten items relating to Percy Nash’s unsuccessful attempt to turn Goldsmith’s ‘She Stoops to Conquer’ into a musical, casting light on English theatre production practices in the immediate postwar period. Despite interest from the theatre impressario Jack Gladwyn, the project stalls. Percy Nash (1868-1958), who made around 70 films between 1912 and 1927, was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'.

1p, 12mo. On aged paper, with closed tear repaired on reverse with brown paper. Folded twice. Addressed to 'Dear Sir William'. The prime minister (Asquith) has asked him to say that he is 'quite at a loss to understand how he came to be so misinformed as to the progress of the negotiations connected with the appointment of the Royal Commission'. All the prime minister can do is 'express his regret at the misunderstanding'.

1p, 12mo. On aged paper, with closed tear repaired on reverse with brown paper. Folded twice. Addressed to 'Dear Sir William'. The prime minister (Asquith) has asked him to say that he is 'quite at a loss to understand how he came to be so misinformed as to the progress of the negotiations connected with the appointment of the Royal Commission'. All the prime minister can do is 'express his regret at the misunderstanding'.

An interesting period piece. Two synopses of Percy Nash's review 'The Charm', the second dated by him to 1951, and with reference to the nationalisation of the coal industry. Together with the typescript of a song from the play about the 'Man of Might' Winston Churchill, and the Labour Party, who 'Have sullied the Fair name | of dear old England'. Also present is a watercolour drawing by Percy Nash's nephew the Bournemouth artist Eustace Nash of the intended backdrop to the first act of the review, together with an ALS discussing his ideas for the design of the piece.

Printed on one side of a 75 x 56 cm piece of thick wove paper. In fair condition, lightly aged and worn, with short closed tearing to edges and two light vertical fold lines. The lower part of the page carries the almanack, flanked on the right by a list of the 'University Officers', and on the left by the 'Heads of Colleges'. The upper part of the page carries a fine 31 x 44 cm aerial view, in colours, of 'THE UNIVERSITY PRESS | From a drawing by David Gentleman for its quincentenary year', A nice item, now uncommon.

1p., 12mo. In fair condition, with light signs of age. Addressed to 'My dear Percy' and headed 'Love's Strategy'. Regarding the play (which was based on Goldsmith's 'She Stoops to Conquer') Littler writes: 'I don't think the idea appeals to me very much, and I am not going to do any more productions in the West End until after Christmas.' He gives his phone number, writing that he would 'be very pleased to see you or have a word with you'. In the carbon of Nash's letter (dated 27 May 1948) he writes that he has 'not messed about with the Author.

1p., 4to. In good condition, lightly aged. Nash is named on the letterhead as the Association's president, and Morgan as Honorary Secretary and Treasurer. The letter begins: Dear Percy / | For various reasons we did not get a largely attended meeting on Friday, but the better feeling between members seems still to grow.' Nash's 'protracted illness' has clearly necessitated his stepping down as president, and '[a]fter considerable discussion it was decided to ask Pearson & Elvey [i.e. George Pearson (1875-1973) and Maurice Elvey (1887-1967)] to be President & Vice with myself to continue'.

3pp., 12mo. Bifolium. In good condition, on lightly-aged paper. The letter begins: 'My dear Lady Evans - | Last week my publishers Messrs Tuttle Morehouse & Taylor sent you the two copies of "Fifty Puritan Ancestors" ordered so long ago. I trust you will find it as satisfactory as the rest of the Ward kin have done.' She apologises for a misunderstanding over the sending of a letter by Lady Evans 'to cousin Frank Ward - as I supposed you intended me to do'. 'Fifty Puritan Ancestors, 1628-1660. Genealogical notes 1560-1900. By their lineal descendant, E. T.

4to, 1 p, 7 lines. Text clear and entire on lightly aged and discoloured paper. Nicely connecting two notable nineteenth-century London architects. I'Anson has 'great pleasure in stating from long and intimate personal acquaintance with Mr Robert Abraham that his experience Talent and integrity qualify him to fill any office connected with his profession creditably to himself and beneficially to his patrons'. Docketed on reverse of second leaf of bifolium 'No 9 | Edwd I'Anson Esq'.

Politician and essayist (1780-1857). The recipient (1788-1864) was an antiquary and member of the Roxburghe Club. Four pages, 12mo. In very good condition, although rather grubby and with traces of stub adhering to one edge. He finds 'a letter of Pope to Beau Nash transmitting him an inscription [^ (not copied)] for, as I guess, a statue or bust of Fredk. Prince of Wales.