producer

[Lawrence P. Bachmann, American film producer, head of Paramount British Productions Ltd.] Typed Letter Signed to ‘Miss Cond’, regarding two German films in the pipeline, 'The Phoenix' and 'The Lorelei', and her restaurant.

Author: 
Lawrence P. Bachmann [Lawrence Paul Bachmann], American film producer who settled in Britain as head of Paramount British Productions Ltd and then MGM British [Eileen M. Cond, autograph collector]
Publication details: 
2 December 1957. On letterhead of Paramount British Productions Ltd, Plaza Theatre Offices, Jermyn Street, London, S.W.1.
£120.00

1p, 4to. Addressed to 'Dear Miss Cond' and signed 'G P Bachmann'. In fair condition, lightly aged and creased. Folded twice for postage. He apologises for the late reply to her ‘nice note and the book-plate’. He gives details of two films he has been ‘terribly busy making’, ‘neither of them stories I wrote’: ‘The Phoenix is to start in Berlin this winter as a very big film with three big stars.

[Tom Arnold, ‘Napoleon of Show Business’.] Eleven items, including six Signed and Typed communications to W. Macqueen-Pope; biography of Arnold by MP; ‘Memorandum of Agreement’ with MP; poster for Arnold’s ‘Cinderella’ at Glasgow Alhambra.

Author: 
Tom Arnold [Thomas Charles Arnold] (1897-1969), international impressario of everything from opera to rodeos, circus and seaside piers [W. Macqueen-Pope (1888-1960), theatre historian and press agent]
Arnold
Publication details: 
Arnold’s six communications between 1942 and 1959; two on his Shaftesbury Avenue letterhead, two others from the same address, and two from 112 Jermyn Street, London. Agreement: 15 April 1943. Poster: 1950 / 1951, Glasgow Alhambra.
£120.00
Arnold

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Eleven items, in fair overall condition, on lightly aged and creased paper. All six of Arnold’s communications are signed ‘Tom Arnold’. Arnold’s two TLsS are dated 2 October 1942 and 23 July 1959. In the second of these (1p, landscape 8vo) he thanks MP for a producing a piece of writing which ‘suits the mood’: ‘I appreciate your doing this, and the speed with which you tackled it for me.

[Reginald Denham, English actor, writer and Broadway director.] Four chatty Autograph Letters Signed to the theatre historian W. Macqueen-Pope, with carbon of a reply by MP, and two associated items from other parties.

Author: 
Reginald Denham (1894-1983), English actor, writer and Broadway director [W. Macqueen-Pope (1888-1960), theatre historian]
Publication details: 
One of Denham’s letters dated 8 June 1951; the others without year but from the same time. All four from 100 Central Park South, New York 19. Macqueen-Pope’s letter dated 5 October 1951; 359 Strand, WC2 [London]. The other two items also from 1951.
£135.00

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The seven items are in good condition, though one of Denham’s letters has slight wear to one edge. All date from the same period. The four Denham letters total 5pp, foolscap 8vo; three are signed ‘Reg’ and the other ‘Reginald’; two are on his letterhead. The fully-dated Denham letter (8 June 1951) is the longest at 2pp, 8vo. Addressed to ‘My dear Mac’, he gives details of a visit he is paying to England to settle his late mother’s affairs (‘She was 83.’) He is also going to ‘confer with Edward Percy.

[Percy Nash, British cinema pioneer.] Eight Typed Letters Signed to theatre historian W. J. Macqueen-Pope, with personal reminiscences. With carbons of two replies, and typescript of reminiscences titled ‘The Tragic Comedians / Laughter and Tears’.

Author: 
Percy Nash (1869-1958), British film producer and director, key figure in the creation of Elstree Studios [W. J. Macqueen-Pope, theatre historian]
Publication details: 
Nash’s eight TLsS from between 4 July 1949 and 10 October 1951; all on letterheads of 2 Bristol Court West, Marine Parade, Brighton. Macqueen-Pope’s carbons from 1949 and 1951. ‘The Tragic Comedians’ undated.
£450.00

Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. See also Macqueen-Pope’s entry in the Oxford DNB. The collection of eleven items is in fair overall condition, with minor creasing and aging to some items.

[Percy Nash, pioneering British film director rewrites Oliver Goldsmith’s ‘She Stoops to Conquer’.] File of related material, including a typescript of Nash’s version, and letters from theatre impressario Jack Gladwyn and Stanford Robinson of BBC.

Author: 
Percy Nash (1869-1958), film producer and director, key figure in the creation of Elstree Studios; Jack Gladwyn, theatre impressario; Stanford Robinson of the BBC; Gladys Ripley; Oliver Goldsmith]
Publication details: 
Material dating from 1949 and 1950. Nash’s letterhead of 2 Bristol Court West, Marine Parade, Brighton. Robinson on letterhead of Broadcasting House, London. Gladwyn on his letterhead, Cecil House, 41 Charing Cross Road, London.
£500.00

Ten items relating to Percy Nash’s unsuccessful attempt to turn Goldsmith’s ‘She Stoops to Conquer’ into a musical, casting light on English theatre production practices in the immediate postwar period. Despite interest from the theatre impressario Jack Gladwyn, the project stalls. Percy Nash (1868-1958), who made around 70 films between 1912 and 1927, was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'.

[L. A. G. Strong, novelist and critic.] Autograph Letter Signed ('Leonard.') to 'Terence' [BBC Producer Terence Dudley?], discussing a proposed broadcast lecture.

Author: 
L. A. G. Strong [Leonard Alfred George Strong] (1896-1958), novelist, critic, and poet, a director of the publishers Methuen Ltd [Terence Dudley, BBC producer]
Publication details: 
10 May 1958. On letterhead of Dromore, Old Frensham Road, Farnham, Surrey.
£50.00

2pp, 12mo. On aged and creased paper, with two torn spike holes resulting in loss of a few letters of text. Date stamp on reverse. The recipient is not named, but is presumably the BBC producer Terence Dudley (1919-1988). Writing three months before his death, Strong begins the letter: 'My dear Terence, | How very kind of you! I [d]on't have any dignity in such matters! and I'd love to have a go, whether live or recorded.

[Terence Tiller, poet and radio producer.] Heavily-revised Autograph Draft ['Work-sheet'] of his poem 'Camels', with signed inscription; together with a typescript of the poem, also signed (both signatures 'Terence Rogers Tiller').

Author: 
Terence Rogers Tiller (1916-1987), poet and BBC radio producer, born in Cornwall, educated at Cambridge
Publication details: 
Both items dated May 1965.
£220.00

Tiller's entry in the Oxford DNB explains the background to this poem. In 1939 he 'went to Cairo to teach English literature and history at Fuad I University. During the Second World War he became closely associated with the group surrounding Personal Landscape, a review in the Middle East that had been founded and was edited by Lawrence Durrell, Robin Fedden, and Bernard Spencer'. Two items, both in good condition, lightly aged. ONE: Autograph Draft of the poem, in pencil, with numerous deletions, emendations and rubbings-out. 1p, folio.

Autograph Note Signed from the American theatrical producer and impresario David Belasco to 'Miss Micheline Keating'.

Author: 
David Belasco (1853-1931) American theatrical producer, impresario, director and playwright
Publication details: 
Place not stated. 1924.
£28.00

1p., landscape 12mo. Good, on aged paper, laid down on fly-leaf of book. Bold signature, written in response to a request for an autograph: 'To/ | Miss Micheline Keating | With affectionate good wishes. | David Belasco. | 1924.'

Nine items relating to the film 'Antonio Gaudi, The Unfinished Vision', from the estate of its producer Michael J. Cooper, including a treatment by Cooper, a story outline with covering artwork, a signed contract, a legal letter and five receipts.

Author: 
Michael J. Cooper [Prof. Juan Bassegoda Nonell; Hedger Wallace; Mark Wenborn; John Alaimo; Fernando Rey]
Publication details: 
Mostly from Cooper's company: Michelangelo Productions Ltd., 50 Gray's Inn Road, London. 1973 and 1974.
£320.00

Regarded as lost for 35 years this drama documentary, directed by John Alaimo, was discovered in a Barcelona bank vault in 2009, and has recently been released on DVD. The nine items are in good condition, on lightly-aged paper. One: 'Gaudi | Treatment by Michael J. Cooper | April 1974'. [i] + 4pp., foolscap 8vo, in plastic folder. Two: 'Story Outline' for 'Antonio Gaudi | The Unfinished Vision | A Special Television Film Production'.

One typed note signed to L. E. Berman,

Author: 
Hugh Beaumont
Publication details: 
20 September 1943, on letterhead of H. M. Tennent Ltd.
£25.00

Theatre producer (1908-1973). One page, 8vo. "Thank you very much for letting me have the script of "THE CONCERT" which I shall certainly take great care of and return to you." Not in good condition: creased, grubby and foxed.

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