WALLACE

Two pages, 12mo, bifolium, fold marks, good condition. With envelope addressed by Bates to Piffard (Royal Geographical Society insignia). Text: It gave me great pleasure to find that you had not forgotten me. Your memory with us is kept alive by occasional news of you given to us by Dr or Mrs Knaggs [see Note below]. Thankls for the Report of your Nat.Hist. Society. The accounts of your excursions are extremely interesting & I have found much that is new to me in the explanation of ancient British place-names given by the local antiquarians who guided your parties.

See his entry in the Oxford DNB. On 13 x 6.5 cm piece of thin paper, apparently cut from the end of a letter for an autograph hunter. In good condition, lightly aged and creased, folded twice. Reads: ‘Francis Grenfell / Maj Genl / April 16 / 1892.’ See image.

The circumstances surrounding this extraordinary original composition in Latin verse are obscure. See Phillips’s entry in the Oxford DNB, which notes that there was ‘an air of Proust’ about him, and quotes Oliver Brown’s description of him as ‘a stout man, immaculately dressed and heavily scented, who talked continuously while he looked at the pictures'. It may be that Phillips and the author of the poem had been educated together, or that they were members of the same club (the Athenaeum for example).

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice. Sixteen closely- and neatly-written lines. After thanking him for his ‘kind and seasonable letter’, he states that he is ‘not much affected by rude abuse in parliament or through the press’ as he is ‘pretty well hardened in that respect’, and that he ‘may possibly have an opportunity’, in his own ‘proper place’, ‘of explaining & vindicating’ his position, for the purpose of which he asks Allan ‘for somewhat more particular information in regard to monumental inscriptions in Christian communities’.

Clearly produced for an autograph collector. On one side of a 12.5 x 8.5 cm cream card. In good condition, lightly aged. The inscription reads: ‘For Janis / Merry Xmas to you / Sincerely / Noah Beery’. Affixed in the top right-hand corner, partially covering the word ‘you’ in the inscription, is a black and white stamp, with photographic portrait captioned at foot ‘NOAH BEERY’. Dated in pencil at bottom-right ‘Dec 1936’.

See his entry in the Oxford DNB. 4pp, 12mo. On bifolium. A thin strip (no more than 1 cm deep) has been cut away at the head of the first leaf, with no loss of text, otherwise in good condition. Folded once. Written a few months after Wallace’s return from his duties as Private Secretary to the future King George V on his world tour on HMS Ophir, and during the Second Boer War. Wallace has just been struck by the thought that ‘though I returned the Volume on South Africa to the address in Victoria Street’ he forgot to give her his opinion of it.

For a detailed report of the Incorporated Society of Musicians conference at which these autographs were given, and which took place in Birmingham over the five days between 30 December 1912 and 3 January 1913, see Musical Times, 1 February 1913, pp.113-114. Thirteen signatures of British pre-war musical figures, on ten pieces of paper, ranging from 16 x 19 cm to 7 x 13 cm, nine of them on parts leaves of various colours cut from an album. In good condition, lightly aged. In only two cases are the signatures on both sides of the paper, on the other eight the reverse is blank.

Total 7 pp., 8vo, bifoliums, sl. battered but text clear and complete, if a bit of a scrawl. Letter One (Ashburn Place): He wants to meet up soon, and gives response to a performance of Gotterdammerung - "no impression". But he goes again "for his sins". Letter Two (Munich): He wonders if his "Friend" has been suffering, wondering what cure he's tried (active or "peace and rest"). He describes his reponse to such a situation. "I fidget and worry too much about things, and wear myself to death when my mind is not occupied". He's been away from Engand for three weeks, "suffering".

He asks Streatfeild to advise him in a matter 'which speaks for itself'. He reports that 'poor Lady Elgar is greatly distressed – and not without reason – at the treatment of the two great oratorios'. Phillips does not 'quite see what is to be done in the way of protest', although he finds that the 'statement that they “fail with audiences &c” is certainly false in fact, [last three words underlined] and therefore almost libellous'. Phillips considers 'the rest […] a matter of opinion. Perhaps even more false and absurd is the statement, or opinion, that they appeal only to the intellect.

Scarce: no other copy traced, either on OCLC WorldCat or on COPAC. 16pp., 12mo. With an additional two central pages of illustrations on shiny art paper. Stapled and unbound. In fair condition, aged and worn, with light pen mark at foot of cover. A final page headed 'A Sunset Abroad. | (From a Tourist's Diary)' is preceded by eight numbered sections: 'List of Members, 1931' (pp.3-5); '1931 Chronicle' (pp.6-9); 'Other News', 'Obituary', 'The Old Albemarlian Association', 'The Year at Albemarle' (pp.11-14), 'Games Notice' and 'Editor's Notes'. On the final page is an appeal for 'St.

32pp., 8vo. In good condition, lightly aged. A previous owner has thought well enough of this item to have it put in a sturdy binding of black cloth, with title in gilt on spine. The binding is in very good condition, but a bookplate has been removed from the front pastedown. An interesting catalogue (especially when compared with the staid British book catalogues of the period), with each of the 108 items presented, four to a page, each with accompanying photograph of the covers of the book. The most expensive item, at $100, is a 1902 first edition of 'The Cruise of the Dazzler'.

1p., 12mo. In fair condition, with light signs of age. He hopes to make his Breakfast Club 'debut' the following Saturday morning.

Both items nicely printed and in good condition, with light signs of age and wear. ONE: 'The Encyclopaedia Britannica Dinner given by Sir Donald Mackenzie Wallace. Hotel Cecil, Friday Evening, November 21st, 1902. Plan of Tables.' 28.5 x 80 cm, folding up into a 28.5 x 13.5 cm packet. Printed in black and red on the whole of one side, with the other side carrying a 'Programme of Music' ('M. G. Fericescu, Musical Director'), an alphabetical table, and a cover with engraved illustration. Made out in pencil to 'Mr. A. Williams | K24' (i.e. the Liberal MP Aneurin Williams).

Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art. He exhibited at the Royal Academy from 1922, and at the Royal Institute of Oil Painters, the Royal Institute of Watercolour Painters, and with the Lake Artists' Society. He was a full member of the Royal Society of British Artists. The present collection casts an interesting light on the efforts of a good English artist to be of use to the war effort. Ten items.

On watermarked laid paper. Dimensions of paper: 23 x 32cm. Dimensions of plate: 14 x 20cm. In fair condition, aged and lightly stained, with creasing and short closed tear to right-hand margin, but with the engraving good and clear. A windy scene, with a turbulent cloudy sky weighing heavily over a disheveled windswept landscape, in which two small figures can be made out on a bridge. Inscribed in pencil beneath the plate: 'Oliver Hall | To R. Wallace | Ed: 40.' The title 'Hayling Island' is in pencil in the bottom right-hand corner.

On F. J. Head & Co. laid paper. Dimensions of paper: 23 x 29cm. Dimensions of plate: 17.5 x 25cm. In fair condition, lightly aged and creased. A wonderful watery view of a winding country river and trees. Inscribed in pencil on the reverse: 'To Father Richard. This is working Proof for drypoint "The River" | Robin Wallace July 1927'. Wallace, a well-known painter of landscapes and still life subjects in oil and water-colour, was born at Kendal in the Lake District and studied in Kensington at the Byam Shaw and Vicat Cole School of Art.

On 5 x 11cm. piece of paper, torn from the conclusion to a typed letter. In good condition, lightly aged. Reads: '[...] myself, you would write to me. | Yours very truly, | Edgar Wallace'.

Printed on one side of a 9.5 x 15 cm piece of green paper. In good condition, lightly-aged and sunned, with one corner slightly-dogeared. The text reads: 'Marianne Craig Moore | Distinguished Alumna of Bryn Mawr College | will present | A Poetry Reading and Commentary | on Monday, January 20, 1958 | at 8:30 o'clock | at Cooper Union | 7th Street and 4th Avenue, New York | Admission free'.

Regarded as lost for 35 years this drama documentary, directed by John Alaimo, was discovered in a Barcelona bank vault in 2009, and has recently been released on DVD. The nine items are in good condition, on lightly-aged paper. One: 'Gaudi | Treatment by Michael J. Cooper | April 1974'. [i] + 4pp., foolscap 8vo, in plastic folder. Two: 'Story Outline' for 'Antonio Gaudi | The Unfinished Vision | A Special Television Film Production'.

1p., 4to. On aged paper. Printed in block capitals at head of letter: 'Experienced actor-dramatist and film adapter. Author of plays and films produced in England and America. Expert in "Dramatic Construction" gained in years of practical experience on the stage, and in films. Adapts stories to the talking films, the bigger the story with opportunities of being developed on a large scale, the better.' Addressed to 'Commander L. A. da Costa Ricci | Naval & Military Club, | 94 Piccadilly | W'.

All three letters 12mo: the first of three pages, and the last two one page apiece. Texts clear and complete. Good, on lightly-aged paper. Letter One: Sir Henry Vansittart Neale will be pleased to allow Grundy 'a look at his pictures' at Bisham Abbey. Gives directions. Discusses Grundy's letter in the Daily Express, complaining about the 'crowding out' of pictures at the Royal Academy.

One page, 12mo. Good, on aged and lightly spotted paper, but with blank verso showing traces of previous mounting. Nine-line printed biographical cutting laid down in top left-hand corner. Reads 'Madam, In accordance with your request I enclose my autograph'.

Two pages, on letterhead of roughly 13.5 x 17.5 cms. He has sent a wire accepting the 'kind invitation'. '[A]s you can imagine we are rehearsing all day and every day at the present [...] The only thing thaht could stop me being with you is that we are, I understand, to record the "Fanny" music for a long-playing record on that Saturday'.