MEDIEVAL

Two sprightly illustrations - bright, fresh and detailed - in vibrant colours (cobalt blue, light blue, pink, red purple, black, green), each with the background painted in gilt. The illustrations would appear to be genuine, but may be copies. Each is on a rectangle of vellum, and both are remarkably clean if indeed seven or eight centuries old. Each has traces of glue from previous mounting on the reverse. No text or other design on either side of the pieces. Both have ‘MISSAL RHEIMS’ in pencil above the illustration, and ‘1ST VELLUM’ at foot. ONE: On 7.5 x 12 cm piece of vellum.

See Oman’s entry in the Oxford DNB. Each letter 1p, 12mo. Each folded once. All three in good condition, lightly aged. The correspondence concerns Harlow’s proposal, according to the letter of 2 June 1937, ‘that All Souls College should present to the Rhodes House Library the comparatively few yearly numbers of the Cape Parliamentary proceedings 1875-1910 which are not already in either the Bodleian or the Rhodes House shelves - keeping for the College the residuence, a broken set of about 200 volumes’.

On one side of a 12.5 x 8.5 cm piece of thin white card. Clearly given in response to a request for an autograph. Written in a large somewhat old-fashioned hand, with ‘Edith Pargeter.’ centred towards the head of the page, and ‘‘Ellis Peters’.’ at bottom right. See image.

Paper: 4to, 6 pp. With addendum slip of a third of a page. Text clear and complete. On aged paper and lightly-creased paper. Closely written, with several deletions. This paper held some significance for Bouthors. The 'Bulletins de la Société des antiquaires de Picardie' (1864) quotes an address by him, in which he describes that society as 'la fille de l'association des Congrès scientifiques de France.

4to: 1 p. 22 lines. Text clear and entire on lightly aged and creased paper, with one 1.5 cm closed tear (not affecting text). Congratulating Place on her 'Assistant Principalship'. He considers she was 'very wise to take the opportunity'. He has discussed 'the house-key question with the Keeper [T. D. Kendrick]', who regards Saturday afternoons 'as a sacred time reserved for peaceful work, undisturbed by ones colleagues'. Consequently 'it would be rather difficult to accommodate you as a helper on Saturdays and after your week's work at the ministry'.

English mediaeval and art historian (1898-1974), Director of the Courtauld Institute of Art. One page, landscape octavo. Good, but with one corner creased and grubby, and with staple holes in another. 'I should be much honoured to be nominated as a Fellow of the Royal Society of Arts and should much appreciate association with that body and all the work it does.' Signed 'T. S. R. Boase.'