VERSE

One printed page, 12mo, the first page of four in a greyish bifolium, fold marks, minor staining of fourth page, good condition. Verse, 5.5 x 11cm on Page 11 x 18cm. First two lines: There's silence fallen on the land, | Unwonted dread; [...]. Last two lines: And leaving on the dead its trace, - | A loving smile. See Image for complete text. Apparently no other copy listed

Bailey’s entry in the Oxford DNB describes the ‘remarkable popularity’ of the second edition of Festus in America: ‘seventeen ‘editions’ of a version pirated in Boston were called for in the first nine years, and it was also reprinted numerous times in Philadelphia, Louisville, and New York. Bailey became something of a 'lion' for visiting Americans of the transcendental stamp’, with Hawthorne visiting in the 1850s. 1p, 8vo. On brittle woodpulp paper, now discoloured with chipping to edges (resulting in loss to the word ‘Festus’ at the head) and with closed tears to the two folds.

See his entry in the Oxford DNB. The poem, one of Watkins’ best, is printed under the heading ‘VERNON WATKINS | Poet and Goldsmith’ on both sides of a 12mo leaf, paginated 13-14. In fair condition, lightly aged and creased. On the lower part of the second page is a reproduction of an attractive pen drawing of Richmond Bridge by Eleanor Poore. After the end of the poem and above the illustration is Watkins’ assured signature, good and clear: ‘Vernon Watkins’.

See the two men’s entries in the Oxford DNB. In good condition. 11.5 x 9 cm card, without illustration. Printed in red at head: ‘MICHAEL REDGRAVE.’ The message concerns the London production of Fry’s ‘The Lark’ (a translation of Anouilh’s ‘L’Alouette’), which opened at the Lyric Theatre, Hammersmith, on 11 May 1955. Redgrave would star in Fry’s next play, ‘Tiger at the Gates’ (a translation of Giraudoux’s ‘La guerre de Troie n'aura pas lieu’), which premiered in New York on 3 October 1955.

See Tony Lopez's obituary in the Guardian, 11 April 2021.The letter was sent, with Items One and Two at least, while Guest was Lecturer in English at Yokohama National University, 1966-1972. All four items are neatly written in black ink in a close hand. The first three items are in good condition; Item Four is in fair condition, on aged paper and with wear to the outer edges. The parallel drafts of ‘Climbing a Volcano’ in Item One present an excellent example of the working process of a poet in the pre-digital age. ONE: Autograph Manuscript (2pp, folio) on one leaf.

A total of 8pp of closely-typed text. In good condition. Also present are an additional four-page copy on pink paper of the first letter and its enclosure. First letter signed 'Kevin Bailey', two others signed 'Kevin B.' aq2 One letter lacks its last page and signature.

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.

3pp, 4to, each page on a separate leaf. In fair condition, lightly aged and worn. Folded once. There is no indication that either item was published, nor even that the poem is connected to the 'programme'. (If unpublished the poem may have found its way into Fry's papers from Hassall's.) The 'programme' - with no title or heading - is two pages long (with slight damage from a small staple to corners of both leaves) and complete, being divided into six numbered sections.

Contemporary duplicated typescript, from the Christopher Fry papers. 14pp, 8vo. Each page on a separate leaf. In fair condition, lightly aged. Fry's introductory talk is present in its entirety on pp.1-5, this is followed by an unpaginated page, then pp.8-15 with p.[10] also unpaginated. Hence p.6 or p.7, beginning the extracts from the play, would appear to be absent. On the front page, between the heading and transmission details is: 'Rehearsal: Thursday 4th June 1953: 10.00 onwards | Recording: Thursday 4th June 1953: 12.15 - 1.00 p.m. 3A | Recording of Insert: [BLANK]'.

Stanford's study of Fry in the British Council's 'Writers and their Work' series was re-published several times, and the early letters in the present collection refer to the preparation of the fourth edition, published by Longmans in 1971 (the bibliography to which Stanford refers as 'CHRISTOPHER STATE PAPERS'). A total of twenty-six items. The material in good condition, lightly aged. Stanford's nineteen letters total 65pp, 12mo. In an undisciplined hand, in different-coloured ink, on different-coloured paper. Stanford's 19 letters between 17 February 1970 and 31 October 1978.

Possibly the author's first book (see below), from the Christopher Fry papers (despite the ownership inscription). 54pp, 12mo. Stapled into green printed wraps (title and words '(ALL RIGHTS RESERVED)'). Tiny ownership signature in initials ('R. G.') in top right-hand corner of title-page. No details of publication or date, other than the printers' slug at bottom left of title-page.

From the Christopher Fry papers. PLAY: [1] + 47pp, 12mo. Stapled into buff wraps printed in red, including the statement that it is the 'Friends of Canterbury Cathedral Edition'. In fair condition, lightly aged, in worn wraps, with a trace of rust to staples. This edition of the play (the first?) is uncommon: the only copies on OCLC WorldCat at the British Library and University of British Columbia. COPY LETTER: 4pp, 12mo. In good condition, lightly aged. Written out in two hands, Recipient not named. With salutation 'Dear Sir,' and valediction 'I am | Yrs truly,'.

1p, 12mo. Folded twice. In good condition. Presumably in response to a request for an autograph, the central third of the page carries Patmore's signature ('Coventry Patmore.') beneath a four-line quotation from Patmore's best-remembered poem, 'The Angel in the House': 'Spirit of Knowledge, grant me this: | A simple heart and subtle wit | To praise the thing whose praise it is | That all which can be praised is it!'

The item derives from the papers of Sir Richard Harington, 12th Baronet of Ridlington (1861-1931), who volunteered for the Royal Naval Volunteer Reserve on the outbreak of the First World War, and was promoted to the rank of Chief Petty Officer in the Anti-Aircraft Corps, serving in that capacity until 1916. 2pp., foolscap folio. On both sides of a leaf of paper with embossed Government crest. In fair condition, lightly-aged and worn, with a few short closed tears to edges. Mimeographed duplication of a manuscript poem parodying Thomas Moore's poem 'The Minstrel Boy'.

On 2 x 6cm strip of paper, cut from a letter. In good condition, lightly aged. A good firm signature, underlined, with the tiniest part of the head of the loop of the iniitial 'E' of 'Edwd' has been shaved off.

24pp., 12mo. Stapled. Lacking title-leaf (publication details quoted from another copy) and with damage to last leaf, on aged and lightly-creased cheap paper stock. Ten poems, five of them dated: 'Aux Affamés' (8 January 1917), 'Le Bon Fermier' (15 January 1917), 'Le Crime', La Grève Judiciaire' (September 1918), 'Le Retour du Soldat' (10 October 1918), 'Les Pauvres Gens sont comme les Pavés', 'Assez!', 'L'Abdication' (15 October 1918, regarding the Kaiser's abdication), 'Ce que demande le Peuple!', 'La Plainte du Soldat'. The item featured in the 1919 'Belgische Bibliografie'.

In good condition, lightly-aged, with thin strip from stub to one edge of address side of card. Message reads: 'It will give me great pleasure for you to copy the 2nd. volume of the Torch-Bearers, as you suggest, for the Blind. | With my best wishes, | Alfred Noyes.'

2pp., on both sides of a strip of 35.5 x 11.5 cm laid paper with fleur-de-lys watermark. In a secretary hand employing the thorn and long s. In fair condition, on aged and worn paper. An untitled forty-line poem, divided into five numbered eight-line stanzas. The narrator is an older married woman, advising a younger woman not to marry, with observations on the frailties of the male sex. The first stanza reads: 'Ere ye. read ys. ye. may suppose. | That some new listed Lover. | By means of Poetry has chose. | His Passion to discover.

1p., 4to. In good condition, on a lightly aged and worn leaf removed from an album. The poem is twenty lines long, arranged in five four-line stanzas. The first stanza reads 'Dear Sister, Christian Heroine! | Stranger to me thy form & voice - | I venerate that zeal of thine, | And while I blush, for thee rejoice'. The second stanza is somewhat heretical: 'Nor Male nor Female is in Him | Who Born of Woman, both hath sav'd: | She conquers every terror grim, - | She thousand deaths for Him has brav'd!' The third stanza begins: '"A woman slew him:" Gideon'ss son'.

[1] + 38pp., 12mo. Stapled into brown printed wraps, with the title and printer's slug on the cover, which also carries the price of two shillings and sixpence. In good condition, on lightly-aged paper. Introductory note reads: 'These few pages refer to war-time troubles at home and in hospital, and other people's love laments. C.P.' Unpretentious poetry, giving an insight into the work of a V.A.D.

[2] + 8 + [1] pp., small (18 x 14 cm.) 4to. Sewn with green ribbon into white wraps, with 'Pattie's Christmas Tree' in gilt on front. In good condition, with the wraps slightly sunned in panels. Inscribed at head of title-page 'With kind regards'. The pamphlet contains a single poem titled 'Pattie's Christmas Tree', printed on eight pages each with decorative border in gilt. Printer's slug on revers of title, and colophon on last page. The beginning and end of the poem indicate the theme.

Both items in good condition, on lightly-aged paper. Poem: 1p., 4to. Titled at head: 'Forbearing Love | Romans XII 19-21.' Signed at foot: 'John S. Broad | Newcastle under Lyme'. The poem consists of 24 lines in six four-line stanzas. The first stanza reads: 'Heap coals of fire upon the guilty head, | And melt its malice down; | Let flames of love around it be outspread | And charm away its frown.' The last stanza: 'Thus shall it win its conquering way in peace, | Raise trophies free from blood; | Thus make the storms of sinful passion cease | And bow the heart to God!' Letter: 1p., 12mo.

Totalling 36pp., 4to. In fair condition, bound by Escott with brown paper into paper wraps, with the front wrap signed by Escott and bearing the typed label 'LETTERS from HERBERT PALMER on "Minstrels of Christ" and my second book of verse "Soar for Victory", amended in February 1948 to "Back to the Fountain."' An interesting correspondence, casting light on the workings of the mid-twentieth century publishing industry, from the point of view of a successful traditional poet strongly opposed to modernism.

One page, 8vo, total 40 lines, heavily stained (from being laid down in album, text clear and complete). A weaving together of Welsh names and place names (in bold) in simple verse, commencing, My song is of a meeting which took place with friendly greeting | In an ancient hall in London not many weeks ago, | When from the principality of Wales, all in equality, | Assembled jovial Welshmen a score and half or so. | There was William Jones from Bala, John Price from Cwrt yr Ala, | John Thomas from the Ogmore, and James from Llanuwchllyn ...

Folio, 11 pp. On the rectos of eleven leaves of Britannia paper watermarked 'W H FELLOWS | 1841'. Held together with string. Text clear and complete. In ink, with deletions and emendations in pencil. Good, on aged paper. Docketed on reverse of last leaf. The subject of the poem is the execution of Conradine in the market square in Naples, 29 October 1268. The first section (3 pp) begins 'Italia fair Italia unto thee, | Was beauty given twice with misery, | At once the loveliest and the loveliest clime, | Thou wert the seat of Empire, and of crime; [...]'.

64 pages, 16mo. In original printed wraps. In poor condition. Ownership inscription at head of front wrap. The two binding staples rusted, and the wraps in particular grubby, torn and worn. Photograph of 'Private JENKIN THOMAS' in what appears to be World War I uniform on front wrap. Illustration of the 'SINKING OF THE "TITANIC." ' on page 9; photograph of 'WILLIAM HERBERT HARRIS, A.L.C.M.' on page 47.

12mo: 24 pp. In original pink printed wraps: the front wrap bearing the title; the recto and verso of the rear carrying newspaper reviews of works by 'Scribble'. Stitched. On aged and spotted paper. Wraps heavily worn. A worn presentation inscription can be made out at the head of the title: 'Dr <?> With the Authors Best regards'. Pp.1-2: Introduction and Author's Preface (the latter dated 'Dublin, May, 1864.').

One page, quarto. Good, on lightly aged paper. Some offsetting and smudging from Denwood's folding of letter. Reads '72 Kirkgate | Cockermouth | Aug 8 - 1931 | Jonathan. Mawson. Denwood | Dear Sir, | I send you autograph. I cannot write further At the moment I can scarcely hold a pen.'