PICKWICK

[DICKENSIANA. Set of six ‘Pickwick Papers’ shadow casters (Mr Pickwick; Mr. Weller, Senr., Sam Weller, Jingle, [J]ob Trotter, Fat Boy) on card, four of them with dark areas carefully cut away, of which one is completed.

Author: 
DICKENSIANA. Six ‘Pickwick Papers’ shadow casters. [Charles Dickens; Magic Lantern Show]
DICKENSIANA
Publication details: 
No date. [Edwardian?] London?
£400.00
DICKENSIANA

A set of six scarce pieces of unusual Dickensiana. Difficult to date: the nature of the illustrations (printed in negative) gives them a modernist feel, but their purpose would place them before the 1920s. The six items, printed in black on pieces of grey-white card, range in size from 12 x 16.5 cm (‘SAM WELLER.’) to 4.5 x 6 cm (‘JOB TROTTER’). In good condition, lightly aged. Four of the six have soot stains on their blank reverses, presumably caused by the hot lantern.

[Sir Thomas Noon Talfourd, dramatist, judge, and friend of Charles Lamb, dedicatee of Pickwick Papers.] Autograph Letter in the third person to ‘Mrs Walter’, presenting a copy of ‘a little dramatic poem’ (i.e. his celebrated play ‘Ion’).

Author: 
Sir Thomas Noon Talfourd (1795-1854), dramatist, judge, Radical politician, friend of Charles Dickens (dedicatee of Pickwick Papers) and Charles Lamb, advocate of copyright reform
Talfourd
Publication details: 
21 October 1835; Reading [Berkshire].
£320.00
Talfourd

It is hard to overestimate the impact of ‘Ion’ on Victorian audiences in Britain and America. According to Talfourd’s entry in the Oxford DNB, the play was ‘first performed at Covent Garden Theatre, London, on his birthday, 26 May 1836.

[Edmund Boyle, 7th Earl of Cork and 7th Earl of Orrery, Irish peer ] Autograph Signature ('Cork') to part of document addressed to the Duke of York (as Commander in Chief of the British Army).

Author: 
Earl of Cork [Edmund Boyle, 7th Earl of Cork and 7th Earl of Orrery] (1742-1798), Irish peer, on whose wife Mary Monckton Dickens modelled Mrs Leo Hunter in 'Pickwick Papers'
Publication details: 
[November 1795]; no place.
£35.00

On one side of 8 x 18.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and worn, with traces of brown paper from mount adhering to the blank reverse. The item would appear to be entirely in the hand of the Earl, but the matter is not quite certain, and it may be in a secretarial hand, with only Cork's signature in autograph. It reads: '[...] | Sir | Your Royal Highness's | very obedient | and very humble Servant | Cork | Col | [Som.?] Reg.] Addressed to 'His R. H. | The Duke of York | &c &c &c'. Annotated, in two separate contemporary hands: 'Novr. 1795' and 'Nov.

[ Printed item. ] Twelve Extra Illustrations to the Pickwick Papers by Charles E. Brock.

Author: 
Charles E. Brock [ Charles Edmund Brock (1870-1938) ] [ Charles Dickens; Pickwick Papers ]
Publication details: 
Published by Arthur W. Waters 64 Bath St. Leamington Spa & Holland Bros. 21 John Bright St. Birmingham. 1921.
£50.00

Twelve captioned black and white prints, each on a loose 22 x 28 cm. leaf of cream wove paper. All in good condition, lightly aged. In worn paper bifoliate wallet, the leaves of which have become detached from one another, with title printed on front, and two-pages of illustrative quotations from Dickens's book on verso of first leaf and recto of second. Twelve characteristic illustrations by Brock, in his attractive and characteristic style. No copy at the British Library. COPAC lists five copies.

Unpublished early nineteenth-century manuscript poem, titled 'The Cockney Quack Doctor', satirising the London working clases and medical profession around the time of Dickens's 'Pickwick Papers'.

Author: 
[Anonymous nineteenth-century manuscript poem, satirising the London working classes and the medical profession; Charles Dickens; Pickwick Papers]
Publication details: 
Without place or date. [London, 1830s?]
£250.00

1p., 8vo. Aged and worn, having previously been folded into a tight packet, and laid down on a paper backing. Headed with the title, and neatly written in two columns. The poem consists of 60 lines arranged in six stanzas. The first and last stanzas indicate the tone.

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