Olympic

1p, 4to. In fair condition, lightly aged and worn. Thin strip of paper from mount adhering to edge on blank reverse. Folded three times. Signed and dated at foot: 'Leman Rede/ | 31. May 1841'. Addressed at bottom left: 'To | Mrs.

1p, 12mo. In good condition, lightly aged. The recipient is not named. An interesting letter, indicating the relationship between two major theatrical figures in Victorian London. The main body of the letter reads: 'Dear Sir, | You really must excuse my incurring any such responsibility as that you would impose upon me. I am unable to controul Mr.

1p, 4to. In fair condition, lightly aged and worn. Thin strip of paper from mount adhering to edge on blank reverse. Folded three times. Signed and dated at foot: 'Leman Rede/ | 31. May 1841'. Addressed at bottom left: 'To | Mrs.

4pp., 4to. On three leaves. In fair condition, aged and creased. The poem, headed 'Titanic', is 64 lines long, divided into 15 stanzas (the first ten numbered), and is signed and dated at the end, following 'R.I.P.', 'William Hall | May 1912'. The verse is heartfelt and devout, in style something of a cross between Walt Whitman and William McGonagall. Apparently unpublished. The author is unknown, but the poem reflects the popular response to the celebrated maritime disaster.

1p., 12mo. In fair condition, on aged and worn paper. He apologises for being unable to 'get out of' his 'other engagement' after his committee the following next Wednesday, and asks for 'another opportunity of coming to see you.' He continues: 'I saw Streatfield [sic] from afar the other night at Bach's mass in B. Minor. He was magnificent in evening dress next to Claude Phillips even more magnificent.' He concludes: 'I expect you Wednesday afternoon at Rossetti Studios, Flood St.

2pp., 12mo. Bifolium. In good condition, lightly aged and worn. He writes that 'The passing on of such a dear man as Herman leaves a blank in many many peoples lives & those who had the priviledge [sic] of his friendship can the better realise all you must be suffering at the present time.' He concludes by telling her that her 'grief is shared' by Finck's 'countless friends', and that she must have a 'sweet solace' in the memory of 'the many joyous times spent in his company'. The word 'Answered' is written at the head.

38pp., 8vo. In fair condition, lightly aged and worn. In 'Note Book Made of paper Specially prepared in Japan'. On front cover: 'J. GROSE | British Equestrian Team | Yo-yogi Village | Olympic Diary'. Begins on 23 September with flight from London Airport via Bombay. In Hong Kong he dines with 'Algie (Lady O'Connor)' at Flagstaff House. In the Olympic Village at Yoyogi on 26 September he discusses problems 'in our hut (448)', before inspecting 'the Equestrian Centre (Baji-Koen)'.

12mo, 1 p. Text clear and entire, on lightly creased blue paper, with a thin docketed strip neatly cut away at the foot of the letter. Traces of cream paper mount adhering to the blank reverse. Presumably refers to the play 'Alone in London', which debuted at the Olympic Theatre in 1885. Buchanan trusts that Fenn 'will be present in production of my new play & Miss Jay's debut on Wednesday next'. He asks whether to send the stalls, 'or do you get them from the Office? It will be indeed disappointing if you do not come, this time.'

English actress (1839-1895), for a time manageress of the Olympic Theatre. 2 pp, 12mo. "I enclose you the Stalls with much pleasure - and I hope you will enjoy the performance. Please place the enclosed cheque for £25 - to my account and oblige / Yours sincerely / Ada Cavendish". Traces of glue and paper from previous mounting at foot of second page.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. "Sir / I have much pleasure in forwarding you my autograph / Yours truly / Ada Cavendish". One of the edges unevenly cropped, and slight traces of previous mounting on the reverse.

English actress (1839-1895), for a time manageress of the Olympic Theatre. One page, 12mo. Written in a bold hand, clearly in reply to a request for an autograph. " "Tell me thy reason / Why thou wilt marry " / "All's well that ends well" / Ada Cavendish". In reasonable condition, despite a tear almost halfway down a crease running vertically down the centre of the paper, and traces of glue and paper from previous mounting on the reverse.