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A contemporary manuscript note to the present item reveals for the first time the identity of ‘Niger’, one of the two correspondents of whose letters it consists. (And minor manuscript corrections to the last of the four letters would seem to suggest the involvement of the author.) This is Sir James Robert Carmichael (1817-1883), 2nd Bart, who was intimately connected with British Guiana through his father Sir James Carmichael-Smyth (1779-1838).

An interesting document, neatly laid out in black with red underlining on both sides of 29 x 42 cm leaf. Painted in black lengthwise near one edge is ‘Winchelsea / 1805’, and 1805 would be a good year for the document’s composition, with Britain fighting the Napoleonic Wars and in the midst of invasion fears around the time of the Battle of Trafalgar. 2pp, large folio. On thick laid paper watermarked either ‘VI’ or ‘IV’ (depending on which side you look from). In fair condition, on aged and worn paper, with closed tears and one nick (not affecting text) along central horizontal fold.

A good letter, not the least of whose interest lies in the fact that it provides first-hand information about the Duke of Wellington. See Martin’s entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged. Folded once. Begins: ‘Dear Mrs. Thomas, / Your variant of the King Lear story will, I am sure, delight Mr. Furness. Unfortunately King Lear has already been dealt with by him. It forms one volume of his magnificent Edition. But he loves every thing that concerns old England.

See his entry in the Oxford DNB, which states: ‘After the death of his first wife he married second, on 24 June 1933, Caroline Maud Abadie (1863–1948), the widow of General Sir Henry Richard Abadie; she was the daughter of Colonel Fanshawe Gostling, of the Royal Berkshire regiment.’ In addition to the two letters apiece from Sir Reginald and Lady Tupper, the material includes, as Item Five, a leaf carrying a 26-line postscript from Lady Tupper to a lost letter. All but Item Five below are on uniform 12mo leaves of grey paper.

A scarce and interesting piece of Queen Mary ephemera. No other copy traced. 13 x 16 cm bifolium card. In fair condition, lighly aged and worn. Printed on the front cover in metallic grey and bronze is an image captioned on the back cover: 'One of the three large mural carvings by John Skeaping, Starboard Gallery, Promenade Deck, R.M.S. Queen Mary.' On reverse of cover: 'KOCKTAILS / AND / KISSES / With HARRY HAYES / To-day's great thought: / Are You happy in your work?' On recto of second leaf: 'Amongst the Guests: / Bill Bailey and Liverpool Staff / Dr.

[Copy, from the 'Barrack Office' at Chatham, printed ] 4to: 120 + [19] pp. The last 19 unpaginated pages comprise the appendix, divided into 18 parts. Text clear and complete. On aged and foxed paper. Original boards rebacked in leather, with title on spine and new free endpapers. Title-leaf carries no date or printing details. In manuscript scored through on reverse: 'Adjutants Office by order | [signed?] T. G. Gascoigne | Adjutant', with crude drawings.

Something akin to a CV in a neat contemporary hand (perhaps Ord’s own, in pursuit of preferment or a pension?). A useful summary of Ord’s career features in ‘Commissary Wilson’s Orderly Book. Expedition of the British and Provincial Army, under Maj. Gen. Jeffrey Amherst, against Ticonderoga and Crown Point. 1759.’ (New York, 1857): ‘THOMAS ORD was appointed Captain in the Royal Artillery on 1st March, 1746. He was an excellent Officer, and stood high in the Duke of Cumberland’s esteem, by whom he was selected to Command the Artillery in Braddock’s Expedition.

See his entry in the Oxford DNB. 3pp, 4to. Bifolium. Fifty-eight lines of text. In good condition, lightly aged and worn. Folded three times. Minor traces of grey-paper mount adhering to the blank reverse of the second leaf. Addressed to ‘George Anderson Esq / M.P. / House of Commons’, and signed ‘W. G. Dickson’. Two annotations in a contemporary hand, one beneath the signature. The first paragraph reads: ‘My dear Sir / I have to thank you for the copy of your bill “to extend the jurisdiction of Sheriff Courts in Scotland,” which I received this morning.

The Shakespeare Memorial Theatre was founded through the efforts of local brewer Charles Edward Flower (1830-1892), after whose death its management was taken over by his brother Edgar Flower (1833-1903), also Chairman of the Shakespeare Birthplace Trust. On Edgar’s death these duties fell to his son Archibald Flower (1865-1950), several times mayor of Stratford-upon-Avon. The present correspondence concerns a gift to Shakespeare Memorial Association by the appropriately-named anatomist Evan Marlett Boddy.

See his entry in the Oxford DNB. 1p, foolscap 8vo. Thirty lines of text. Signed ‘Stan Barstow’. One of a number of letters to Furness by writers, responding to his enquiry about socialist authors and British pubs. Barstow begins by discussing ‘The Fenton in Woodhouse Lane, Leeds’, which had ‘proximity to the BBC, where Alfred Bradley ran the radio drama studio.

See his entry in the Oxford DNB. For the context see Irina and Dmitri Gouzevitch, ‘Travelling interchanges between the Russian Empire and Western Europe / The Travels of Engineers during the First Half of the Nineteenth Century’, in Simões, Carneiro and Diogo eds, ‘Travels of Learning / A Geography of Science in Europe’ (Boston, 2003). 1p, 8vo. Nineteen lines of closely-written text. On aged and worn paper. The item has been torn away from a mount, resulting in damage to the two outer corners, with the area immediately to the right of the signature ‘St Helens’ lacking.

See the two men’s entries in the Oxford DNB. 2pp, 16mo. Eighteen lines. On first leaf of bifolium. In good condition, on lightly aged paper. Folded once. Addressed to ‘Dear Ilbert’ and signed ‘James W Lowther’. He has ‘prepared a series of telegram [sic] to all the news agencies and to the Clerk of the Works at Westminster’, and will dispatch them as soon as he receives ‘any intimation from the P.M’. He has another telegram ready for the London Gazette. ‘I think we can reasonably expect that, with 48 hrs notice, all M Ps and the staff would have sufficient notice’.

See his entry in Encyclopaedia Britannica, and Taylor's in the Oxford DNB. 1p, 12mo. In good condition, lightly aged, and folded once. In worn envelope with Penny Red stamp and postmark, and slight loss around flap. The envelope was no doubt retained because it was addressed by Delaunay to 'Sir Tom Taylor / Lavender Sweet [sic] / Wandsworth'. A neatly laid written and laid out communication, addressed to ‘Cher Monsieur Taylor’ and signed ‘Yours truly / L Delaunay / de la Comedie française’.

See his entry in the Oxford DNB. 1p, 8vo. Sixteen lines of closely-written text. In fair condition, lightly aged and worn, with short closed tears along the five creases from the folding of the item into a packet. Docketed on the reverse of the leaf: ‘May 2d 1810 / Lord St Helens / Authy to charge Agency at the rate of 1 P Ct on Monies recovered on accot of Land Tax refunded to Foreign Ministers &cr.’ Signed St Helens.

A tenuous Titanic item: at the time of writing Simon, as solicitor-general, was representing the Board of Trade at the British enquiry into the sinking, at the address on the letterhead. See his entry and Ilbert's in the Oxford DNB. Joyce Violet Ilbert (1890-1957) was the youngest of Sir Courtenay's five daughters. 3pp, 12mo. On bifolium. In good condition, lightly aged and worn. Folded twice. Written in pencil. Signed ‘John Ilbert’.

Showing signs of the early stirrings of the Great Game. See Canning's entry, and that of Fitzgerald, in the Oxford DNB. At the time of the letter Canning was serving in his first governmental appointment, as Under-Secretary to Lord Aberdeen in the Foreign Office, in Peel’s administration, while Fitzgerald was President of the Board of Control. The ‘Baron Brunow’ referred to in the letter is Russian Ambassador in London, Philipp Graf von Brunnow (1797-1895). 2pp, 12mo. On first leaf of a bifolium. Docketed on second leaf, ‘Lord Canning / respecting Baron Brunow Novr 11/41’.

See her entry in the Oxford DNB. 2pp, 12mo. Twenty-three lines of text. In fair condition, lightly aged, but with slight creasing at head of leaf. Folded twice. Financial calculations written lengthwise underneath signature, with light smudging.

A jaunty missive. Lady Eastlake and her husband have separate entries in the Oxford DNB. 1p, 16mo. Eighteen lines. In good condition, lightly aged. Folded twice. Addressed to 'Dear Mrs Ford' and signed 'Eliz Eastlake'. A 'kind friend in the country' is insisting on sending her 'early strawberries & grapes' and she asks Mrs Ford not to 'commit the extravagance of orderg any yourself, but trust to me to have the offering transferred to 123 Park Street'. She will be sending for the fruit at Euston Station around 2 o'clock on the Saturday, '& they shall be shortly after that with you'.

See the entry for Grey and Taylor in the Oxford DNB. 2pp, 12mo. On first leaf of bifolium. In good condition, lightly aged. Folded twice. Begins: ‘Dear Mr Taylor - / I am just come home from seeing “the ticket of leave man,” & before I go to bed I must thank you for an evening of very great enjoyment.’ It pleased him ‘to see so good a play, not taken from the French, but really English, [the play was in fact adapted from the French] & teaching the public what is true instead of encouraging a popular delusion of the day’.

Betjeman’s daughter Candida Lycett Green, in her edition of her father’s later letters, refers to Moore as the his ‘gentle secretary’, ‘whom he always called “Dorinda,” and who lived on the other side of the street’. She also states that after his stroke in 1981, the poet could no longer sign his name, and dictated letters to Moore. 1p, foolscap 12mo. In good condition, lightly aged and creased. Folded once for postage. On his letterhead (‘Sir John Betjeman’ at top left, and address at top right) printed in brown ink on cream paper. Addressed to ‘Mr. Furness’.

See his entry in the Oxford DNB. 1p, 8vo. Large bold signature - ‘Richard F. Phillimore / 1920.’, a third of the way down the page on what is clearly the fly leaf of a book. The rest of the leaf is blank. The side of the leaf with the signature is somewhat discoloured, the reverse not so much. In good condition otherwise.

See his entry, with those of his father and son (all three named Charles Wentworth Dilke) in the Oxford DNB. With regard to the present item the ODNB states: 'His deep involvement in the project [i.e. the 1851 Great Exhibition] is demonstrated by his massive bequest of exhibition material now held at the Victoria and Albert Museum.' 1p, 12mo. In fair condition, lightly aged, with a crease to one corner. Folded twice for postage. Addressed to 'Henry Maudsley Esq' and signed 'C Wentworth Dilke'.

See his entry in the Oxford DNB. 4pp, 12mo. Bifolium. Fifty-eight lines of text. In good condition, lightly aged. Folded twice for postage. Begins: Dear M. Van de Weyer / Altho' I had been prudent enough to preserve the appeal of M. Derôme to the Times in its original form, not the less welcome was the glorified text which I found on my table yesterday on our return from a short visit to Brighton. That charming appeal acted as a mental Conserve alimentaire to me, when it first appeared, and it shall be placed with certain other valued opuscules, where I can offen turn it to the like account.

See his entry, and those of his father and Cooke, in the Oxford DNB. 2pp, 16mo. In fair condition, lightly aged, with dab or red wax to one corner, and part of another corner torn away, presumably in breaking open the seal. Folded diagonally for postage. Addressed to 'My dear Mr Cooke' (the recipient's identity is beyond doubt) and signed 'Richd Westmacott'.

See his entry, and Hawkins’s, in the Oxford DNB. The subject of the letter, William Beetham, was an early emigrant to New Zealand, where he was one of the colony’s first European artists. 1p, 12mo. With mourning border. In fair condition, aged and worn, with a tiny piece of loss to one corner. Traces of paper mount adhering to blank reverse. Folded twice for postage. Addressed to ‘Edwd. Hawkins Esqr.’ and signed ‘F Chantrey’. Begins: ‘My Dear Sir / The bearer Wm.

Coleridge was the nephew of the poet Samuel Taylor Coleridge. See his entry, and that of Cranworth, in the Oxford DNB. The letter relates to Palmerston’s first ministry. 1p, 16mo (cut down to a 12 x 10 cm piece of wove paper). In fair condition, lightly aged and discoloured, with traces of glue from mount adhering to one edge of blank reverse. Signing himself ‘J. T C’, Coleridge writes: ‘My dear Awdry / I have been with the Chancellor in consequence of the above - & promised to send him a minute in writing - where we have had trouble. Can you help me with your recollection. / In haste.

See his entry, and that of his father, in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, with neatly-trimmed remnants of a windowpane mount adhering to the edges of the leaf. Folded twice for postage. Addressed to ‘My dear Madam’ and signed ‘R. W:’, followed by odd flourish.

Olivier’s luminous achievements are well described in his entry in the Oxford DNB. An 8 x 11 cm photographic image, printed in black and white on an 8.5t x 13.5 cm card, with the actor's autograph signature mostly on the blank area beneath the image: ‘L Olivier’. In fair condition, lightly aged and worn. An attractive image of the head of the young thespian, staring moodily to his right, hair slicked back, with part of white shirt and smart dark jacket just visible. Not present among the 114 portraits of Olivier in the National Portrait Gallery inventory.

See her entry in the Oxford DNB, which describes how she accepted Max Reinhardt's offer ‘to play the Madonna in a mime play, The Miracle. This was first staged in the USA from November 1923 to the following May, and again for the following three autumns and winters. It toured Europe in 1927, and London and the provinces in 1932; the last performance was in January 1933.

Three pages,12mo, bifolium, corner marked, mainly good condition. Text: The Grand Duke is desirous to see the Docks [underlined] on Wednesday, & we thought the best way of peforming it would be in going there by water. | Could we therefore have your Barge on that day - when [underlined] should we embark & at what o'clock [phrase underlined] - for the tide.