CLARENCE

See the entry for the ‘Sailor King’ in the Oxford DNB. On 12 x 7 cm piece of paper, cut from the cover of a frank. In fair condition, lightly aged and worn, with slight smudging and a small patch of light discoloration at centre (away from signature). Set out in customary fashion, and addressed by the future king (with the year cropped): ‘London. December fourth [...] / Dr: Carmichael Smith / M. D. / Upper [?] / Near Staines / Middlesex’. Firm signature at bottom left, with slight smudging to loops of the initial ‘C’: ‘Clarence’. See Image.

1p, 4to. On lightly aged and somewhat creased paper. Folded twice for postage. Addressed to ‘Leonard Hyman, Esq.’ and signed ‘Clarence Raybould’. He has received his Catalogue No. 87 and is sorry to learn of his ‘impending retirement from your business’. ‘The world is always the poor when someone of your integrity decides he has had enough of the intrigues of present-day life!’ He wishes him ‘a happy period of quieter days’: ‘I myself cease to bulk of my work in June of this present year, when I terminate a long association with the Senior Orchestra of the Royal Academy of Music.

William IV ceased to be styled the Duke of Clarence on his accession to the throne in 1830. For 'the family of Griffinhoofe, Saffron Walden', see Charles K. Probert's piece in Notes and Queries, 14 November 1874, which states that 'The first of the family who came to this country was a Mr. Griffinhoofe, who, as Court Apothecary, accompanied George I. from Hanover.' The family clearly continued their connection with royalty, as the author of this document W. J.

2pp., 12mo. Bifolium. In good condition, lightly aged, with minor traces of glue on reverse of blank second leaf. He thanks him for his 'kind remembrance', and undertakes to 'come with much pleasure to Clarence House, a little before the time of Inspection and bring two friends'. The letter concludes: 'Meantime we must not forget that you and I are going to set apart some afternoon to make a sentimental pilgrimage into the Past in some corner of old London!'

2pp., 4to. In good condition, lightly aged. Cockburn is not named as the recipient, but the item comes from his papers. William (at the time the Duke of Clarence) writes: 'I rejoice exceedingly at the favourable account you are enabled to give me concerning the late examination for Adjutants amongs the Royal Marine Officers'. He is anxious to have Cockburn's 'various reports from the different Divisions'.

2pp., 4to. In good condition, on lightly-aged paper, with slight tear to one edge. Cockburn is not named as the recipient, but the item comes from his papers. William (at the time the Duke of Clarence) writes that he is enclosing Moncrieff's letter, 'by which you will perceive he is acting foolishly not to use a harsher term. My determination therefore is when I arrive tomorrow afternoon at Portsmouth to be informed by you whether he sells or goes on the Half pay of a Colonel which is Fourteen Shillings and Six Pence pr: diem.

159pp., 4to. Typed in red and black. In good condition, on aged paper, in worn green card covers. TWO: Typed Note, signed by Enid Reynolds, 'Secretary to Mr. David Henley', sending the play to Macqueen-Pope. In good condition on aged paper. 1p., landscape 12mo. Lindsay and Crouse's 1939 adaptation of Clarence Day's book was the longest running non-musical Broadway play in history, spawning a film and television series.

Large (35 x 25 cm.) sumptuously-printed stitched pamphlet, in printed wraps. 16pp., with one additional collotype plate (stamped 'Specimen Colour Plate') and one tipped-in plate (of the binding), both coloured, and three full-page half-tone plates. Subscription form (The British Book Centre, Inc., New York), in red and black at rear. Aged and worn, with creasing to front cover. Includes three-page 'Commentary on a Unique Volume' by Winchester, and the first three pages of Wilson's text, two pages listing the contents, and specimen pages.

4pp., 4to. Bifolium. In very good condition. Covering the whole of the front page is a beautiful coloured illustration of the Imperial State Crown, with no text. The following three pages are printed in black and purple, with the second page carrying the publication details; the third page a full-page note from the editor; and the last page an advertisement for Sir John Wilson's 'Royal Philatelic Collection'. No copies of this item traced on either COPAC or OCLC WorldCat.

The three items are in good condition, on lightly-aged paper. One is slightly creased, and the other two carry minor traces of rust from a paperclip. All three are accompanied by their envelopes, each bearing a circular royal stamp in purple, and a 'LONDON SW1 OFFICIAL PAID' postmark in red. ONE: 28 May 1954. 1p., 12mo. 'I am commanded by Queen Elizabeth The Queen Mother to thank you for your letter, and for the leaflet announcing a reproduction of the "Album of Redouté".

On one side of a 9 x 11.5 cm piece of card. In good condition, lightly-aged and with a couple of minor spots. Reads: 'New York, Novr. 14th. 1890 | Dear Mrs. Ferris, | In 1850, [date underlined] Alfred Tennyson married Miss Emily Sellwood, daughter of Henry Sellwood, of Horncastle, & took up his residence at Twickenham. He was made Poet Laureate the same year, & was then 41 years old. | Sincerely yrs., | Edmund C. Stedman.'

2pp., 12mo. Bifolium, with the blank second leaf laid down on page removed from album, which bears on the reverse a biography of Windham in a nineteenth-century hand. The letter begins: 'Dear Robert | I have seen the Pr. of Wales, & have written to the D. of Clarence, as well as to some others - It just occurs to me, that you shd get at University the address of Simpson formerly Tutor there who has a living somewhere in Dorsetshire, & endeavour to learn whether he is likely to be affected by the <?> question. Some of those on the spot will perhaps write, & explain why I have not.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 12mo. Fair, on aged, creased paper with slight rust spotting. Mawson begins: 'Mr. H. Clarence Whaite first came under my notice a few years ago when attending my lecture on Decoration & Ornamental Design at the Slade School - and from the first I was much struck with his understanding and grasp of the principles[.] This enabled him to carry out work of exceptional merit.

2pp., 12mo. Good, on lightly-aged paper with small pin-holes to one corner. 'Mr. H. Clarence Whaite is a part time art master in this School. [...] He succeeds in stimulating an interest in art & has conducted parties of boys over the Dulwich Gallery with that end in view. Of course the post he holds here does not offer much opportunity for the exercise of his powers either as an artist or a teacher of art & he is therefore justified in seeking a position more in accordance with his qualifications.' From the Whaite papers. Whaite was first cousin twice removed of his more famous namesake.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. LETTER: 1p., 4to. Fair, on lightly-aged and creased paper. He begins: 'I am just trying to get away for a short holiday, so I have crafted your testimonial at once. [...] We should miss you badly if it should so happen that you left us, but that consideration need not stand in the way of my offering you the heartiest good wishes for your success.' TESTIMONIAL: 1p., foolscap 8vo.

Two extraordinarily positive testimonials, especially significant coming from one of the leading educationalists of his age, and also of interest considering the fact that Whaite would follow Nunn to the London Institute. (Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester.) ONE: Written by Nunn as Principal, London County Council, London Day Training College (University of London), Southampton Row, London, WC1. On College letterhead; 28 June 1928.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 2pp., 8vo. In good condition, on lightly aged and creased paper. The testimonial begins: 'Mr. H. C. Whaite has been on my Staff as visiting Art Master since January 1929, and I am very glad to write in support of his application for an Inspectorship of Art. Mr. Whaite has had wide experience of Art teaching, and has done remarkably successful work here with boys of 14 to 18 years of age.

1p., 8vo. In good condition, on lightly-aged paper. 'Mr. H. Clarence Whaite has held Art classes at Queen's College since Janary, 1934. [...] He has been most successful in encouraging the students to do individual work and the results have been excellent. | It has been of the greatest value to the College to have a visiting teacher who could bring such freshness and originality to the Art lessons and who, at the same time, took a keen interest in other subjects and in the general welfare of the students.' From the Whaite papers.

Whaite was first cousin twice removed of his more famous namesake. He was himself an excellent artist and teacher, and there is a large collection of his work at the Whitworth Gallery in Manchester. 1p., 4to. In fair condition, on aged and dusty paper. 'Mr. H. C. Whaite, after attending at the Slade School, joined this School as an evening student in September 1925, since which time he has studied Pottery, Design and Decoration.

12mo, 4 pp. Bifolium. Forty-eight lines. Text clear and complete. Good, on aged paper. Begins 'One must needs be a churl indeed to be a laggard in his response to a letter containing words of so sweet breath composed as yours!' He thanks Baron for his 'kind & encouraging letter', and considers that an author 'has no keener or more lawful pleasure than to find that the errors of his song or tale has [sic] lodged (as Longfellow says) in the heart of some far-off and unknown friend'.

Foolscap bifolium: 1 p. Worn, and on discoloured paper, but with text clear and entire. Thirteen lines of text.

First edition. 12mo. Pages: 2 ('BIBLIOGRAPHY OF LAPSUS CALAMI.') + x + 84 + 4 pages of publishers' advertisements. Very good in original worn light-blue cloth with heavily-worn label on spine. Ownership inscription of Richard E. Benson (1892) on front free endpaper. Stephen was first put forward as Jack the Ripper in Michael Harrison's biography of Prince Albert Victor, 'Clarence' (1972).