LANCE

Lansing Van der Heyden Hammond (b.1906), son of the distinguished organist and choirmaster of Mount Holyoake College William Churchill Hammond, was for many years Director of the Commonwealth Fund Division of International Fellowships. For Bonham Carter, see his entry in the Oxford DNB. The present group of six items shed light on the 1940s administration of the Commonwealth Fund. They are in good condition, lightly aged and creased. The autograph letter is 1p, 12mo; the five single-spaced typed letters total 6pp, 4to. All six are signed ‘Lance’. ONE: ALS, 10 January 1948. 1p, 12mo.

See the two men’s entries in the Oxford DNB. 2pp, 12mo. On the first leaf of a bifolium, the second leaf being blank, apart from the end of the signature ‘Jas Sant’, which has extended across from the bottom right corner of the reverse of the first leaf. In good condition, lightly aged, with the reverse of the second leaf laid down on a rectangle of grey paper cut from a leaf of an album. Addressed to ‘G. Lance Esqr.’ The letter begins: ‘My Dear Sir / My best thanks for your note. Depend upon it I will look to myself and in doing so look to yr.

A nice collection of souvenirs of a very exciting and interesting tour. The West Indies did very well indeed, beating England in the test series 3-1. ONE: The signatures on four pieces of paper, laid down on green 8vo paper backing, with card carrying maroon and black logo of 'West Indies | 1963 | England'. All in good condition, lightly-aged. First, signature of 'G Sobers' written across 22.5 x 11.5 cm magazine photograph of Sobers at the crease. Second, signature of 'W Hall' across 8 x 5 cm magazine photograph of face of 'WESLEY HALL (Barbados), age 25.', with swollen left eye.

2pp., 12mo. 36 lines. She begins by accepting an invitation to give a talk to Wiener's 'Society', about which she has 'hears so much'. She is 'honoured to add my name to such a distinguished roll of speakers'. She next explains why she believes radio to be 'infinitely superior to TV'. She next turns to 'Mr. Sieveking's adaptation', which she considers 'very clever, as he had to leave out the descriptions which formed such an important part of the book. He allowed me to see and criticise all his scripts, too. I'm so glad you are liking the result. Isn't the signature-tune pleasing?

1p., 12mo. In good condition, on lightly-aged paper. He begins by informing Alvarez that the periodical 'somehow made a sad hash of the printing of ye last No. which I have sent to the works | As you are now definitely engaged to read, I will tell you our system. | No high pointing, the other plan being both more scholarlike & less expensive. | All proofs read after my signature is attached (in page) to be only altered for literals.' He ends by informing Alvarez that he has 'sent on something of yrs'.

69 engravings, in brown 4to quarter-binding, with 'BIBLIO- | THEQUES' in gilt at head of spine, and 'PARIS | 1855' at foot. In fair condition, on aged paper, in binding worn at hinges. All engravings in 4to, with 12 double-page and 57 single-page. Two are in colour, the rest in black and white. Binder's stamp on front pastedown: 'BOUND BY G. PYMM'.

The collection as a whole is in good condition on aged paper. ITEM ONE: 90-page typescript headed 'II | ANTECEDENT', beginnning 'It has become a commonplace of musicology, at least in this country, that the first two decades of the Twentieth Century show an immense increase of creative activity in the composition of works of music by an astonishingly rich group of their [sic] young composers.