SIMS

See his entry in the Oxford DNB. 1p, landscape 8vo. In good condition, lightly aged, with four small gummed squared as mounts adhering to the four corners. Folded for postage. Large firm signature and handwriting. Reads: 'Dear Miss Thompson / The piece is not mine and I am sorry I cannot inform you to whom the acting rights, if any, belong. / Your sincerely / Geo R Sims'.

See his entry in the Oxford DNB. Even towards the end of his life Bernard Shaw could remark that ‘he can still leave the next best tenor in England an immeasurable distance behind’. 1p, 12mo. In good condition, lightly aged, with minor traces of mount to inner margin. Folded once. Very nice embossed letterhead, printed in gold, brown, green and red, with bird perched on top of a treble clef, entwined with foliage and a twisted branch in the shape of the ‘R’ of ‘Reeves’. Reads: ‘Sir / This autograph with pleasure, according to your request / Yours faithfully / June 1872 / J. Sims Reeves’.

1p., 4to. In good condition, lightly aged. The main topic of the letter is Marshall's work preparing his book 'Prepare to shed them now. The Ballads of George R. Sims' (London: Hutchinson, 1968). A long and characteristic letter. After references to their meeting at the British Museum and to 'that excellent bookseller, Mr Wallace of The Guild Hall Bookshop' ('he showed me a selection of the Dagonet Ballads – nothing like as good as the copy you saw'), he turns to a 'Sims letter' which Spilstead sent him: 'I cant at the moment date it.

Aged and worn postcard. Written in pencil, and addressed to 'The Mac Finck | 21 Heatherfield Pk | Willesden Green | NW'. Reads 'All right Sunny | See you soon. So busy. No time to Finck of ennyfinck for a week | Yours | GRS'. The image of 'MR. GEORGE ROBERT SIMS' on the front of the card shows a seated Sims pondering what to write with pen in hand and finger on cheek, seated surrounded by curios in what is probably his study. Finck's 'In the Shadows' was one of the last songs played while RMS TItanic went down.

4pp., 12mo. Bifolium. Aged and stained, with creasing along one edge. A wonderful letter, linking two notable figures in late-Victorian society, beginning: 'Do I remember it? how can I ever forget it, considering that we introduced ourselves to each other, without any introduction; & that casual acquaintanceship has developed into a friendship (without a discordant note) which has lasted for about 38 years.' Regarding their first meeting he writes: 'I was not subpoenaed as a short hand writer, as no such functionary was engaged at Bow St.

2pp., 4to. In good condition, lightly-aged. Unsigned copy of typed letter., with one autograph emendation. Addressed to 'My dear Harry'. He begins by explaining that he is in Eastbourne recuperating from the flu. 'As I did not rise until Monday last I missed the Sunday papers including alas, the Referee. [ amended in autograph from 'the Rat' ] | A cutting, however (from the Ref) reached me here today containing an article of yours, wherein you place me among your Hebrew musical collaborators.

In good condition, on loose leaves, with light signs of age and wear. ONE: 'Green Roomers by the Rags Wags.' A large collection of original jokes. Around 140pp., mostly 8vo. On different papers, including letterheads of 212 Finchley Road, London, the Burlington in Folkestone, and the Hermitage Hotel, Le Touquet. Hundreds of unconnected gags, each of them framed as a rhetorical question, mostly relating to the London entertainment world. The humour is now mostly impenetrable. Individuals referred to include: C. B. Cochran, H. G.

1p., 12mo. In very good condition, lightly-aged, with parts of red wax wafer at each corner. Reads 'En route | Royal Hotel Cardiff | Sir | Here is my autograph according to your wish. | Yours faithfully | J. Sims Reeves | April 21st. 1876.' Good, strong signature, with a final flourish continuing in a circle, and enclosign the whole of it.

Printed in black ink on 8 x 12 cm piece of thick watermarked laid paper. In very good condition. Sims acquired the Gill archive from the artist's widow, and it seems likely that he had the illustration made from one of the artist's blocks. The illustration shows a bearded man in loincloth, trailing a sword along the ground as he runs from a tree. Printed beneath the illustration: 'With the compliments of | George Sims'. Above the illustration is typed 'for Tony & Jean', and below the printed text 'just before it was remaindered'.

First edition. 8vo, 32pp., original mottled blue cloth, gilt titling to spine, bumped, dustwrapper, browned at edges. Small bump to front board, good copy in good dustwrapper. Enclosed more by accident than design: George Sims' Compliments slip, 11.5 x 7.5, light blue, edges browned, featuring a design by Eric Gill (whose archive Sims rescued) of an athleticllly poised swordsman. Sims has typed on the verso, "for the Rota Foundation - this good piece of printing - these [the Gill engraving presumably] passed through my hands 25 years ago!".

1p., 12mo. In good condition, on lightly-aged paper. He begins by informing Alvarez that the periodical 'somehow made a sad hash of the printing of ye last No. which I have sent to the works | As you are now definitely engaged to read, I will tell you our system. | No high pointing, the other plan being both more scholarlike & less expensive. | All proofs read after my signature is attached (in page) to be only altered for literals.' He ends by informing Alvarez that he has 'sent on something of yrs'.

The letterhead includes a facsimile of Sims's signature. Six lines, on one side of the card. Addressed at foot to 'Thos Hutchinson Esq.' Fair, on aged paper, with strip of gummed paper from mount at head of blank reverse. He sends 'a thousand thanks' for Hutchinson's 'kind letter on Sep 2', which he would have answered earlier, had he not been 'away at Liverpool'. He concludes: 'Your good wishes lay upon my table to welcome me home.'

Both 4to, 1 p. Texts clear and complete. Both on aged and worn paper. Autograph Letter: He apologises for not acknowledging her letter ('I have been so busy and away a great deal') and regrets that he does not 'for the moment remember anything which would be of service to you'. Typed Letter: He regrets that 'the present is rather a bad time for what we call the free lance in literature'. He is not himself 'very much in Fleet Street and the neighbourhood', the 'bulk' of his work being done 'far from the madding crowd'.

4to: 1 p. Text complete and clear, on aged, spotted and lightly-creased paper. He has exchanged letters with 'Mr Morell' 'with reference to "Faust up to Date" ', but does not believe any contract has yet been arranged. He does not have a copy of 'the Score and Band Parts': 'I should say Mr Geo. Edwardes or Mr Meyer Lutz has these.' Sims co-wrote 'Faust up to Date' with Henry Pettitt. The music was by Lutz. It was produced by Edwardes, and first performed at the Gaiety Theatre, London, on 30 October 1888.

Eighteen pages, octavo, with four plates on art paper. In original grey printed wraps. Some light staining, creasing and wear. One of 600 copies. Lists seventy-seven items, with addenda of a further eleven. This milestone catalogue was published, according to Sims (A Life in Catalogues, 1994), in May 1949. At foot of title-page: 'N.B. This collection, with the exception of the Addenda of Books, has been sold.'