DRAWINGS

Printed on one side of a piece of rough laid paper, approximately 24.5 x 8.5 cm. Crude circular woodcut of pedlar at head, diameter 3.5 cm. Good, on aged paper with a little creasing at head and foot. Consists of four four-line stanzas with refrain 'Doodle, doodle, doo.' First stanza, heavy with double-entendre, reads 'HEAV'N bless my dearest little dear, | The wind is not quite fair, | From Portland Road I write this here - | Oh! bless your little hair. | Doodle, doodle, doo.' Clearly refers to a high society Regency scandal, possibly that concerning the Duke of York and Mary Anne Clarke.

Printed on one side of a piece of rough wove paper, 25 x 9 cm. At the head is a crude woodcut of lady playing keyboard, dimensions 2 x 3 cm. On aged, creased paper with wear to extremities. Text clear and entire, but not properly centred, with the result that the last two letters of the word 'Gre' in the address cropped. The poem consists of six stanzas of six lines each. First stanza 'YOU have heard of Mrs.

Printed on one side only of a piece of watermarked laid paper, dimensions 32.5 x 19.5 cm. Folded twice for insertion in the magazine. Good, apart from strip of approximately 0.5 x 5.5 cm loss along top fold, affecting one word of text, and neatly repaired with archival tape. At head of page clean impression of satirical engraving (roughly 8.5 x 13 cm), showing Beckford (father of the connoisseur), in Lord Mayor's robes, telling Harley to 'Receive Instructions & not Silver'. Harley, holding a jacket, tailor's iron and shears, replies 'Teach us our Lesson! Are we then School Boys?

12mo, 4 pp. Good, on aged paper with a little light staining at head. A significant letter, in which Warren gives information of those of Warren's 'poor works' which have been engraved: 'they have been chiefly for book illustration and are spread through many publishers'. Begins by describing how 'Murray's Childe Harold has many vignettes, very well engraved from my drawings'. Ends by saying that 'There is also a print in the mixed style of considerable size engraved by Humphreys but not yet published. It is from my picture of a story teller reciting in a coffee house of Damascus'.

On a piece of paper 24 x 15.5 cm. Dimensions of image roughly 6.5 x 6 cm. Paper heavily foxed and creased at foot. Image clear and uncreased. Titled 'CHAPELLE.' Head-and-shoulders engraving of a tousle-haired Chapelle, with open white shirt, waistcoat and cloak hanging off shoulders.

12mo, 1 p, 12 lines of text. Good, on lightly aged paper. The second leaf of the bifolium is docketed in a contemporary hand. Le Blanc has received Weigel's twenty-second catalogue, and it has given him pleasure. Like the others it is full of curious details, and is extremely useful to Le Blanc, being full of curious details. He orders several items (crossed through by the firm), the last of which he desires 'vivement' to own.

12mo, 3 pp. Very good. Nichols regrets not seeing the recipient 'again before I left the Institution on Tuesday, to thank you for your kind attention' [Upcott was sub-librarian at the London Institution]. He is sending him a proof (presumably of an article in the Gentleman's Magazine), 'that you may see what I have said about your Album, and also what about modern collectors, and make any emendation you think fit in either place'. Discussion of 'the earliest Album in the Museum', about the date of which the recipient has been misled by a misprint.

Three pages, on quarto leaf folded vertically to make narrow bifolium. Very good, with minor aging and creasing. Under each of the six years details are given of the date, amount and individual from whom the sum is received. Includes £18.15.0 from John Sampson of York for 'Signing 150 proofs Lord ', £28.0.0 of 'Ellis (Bookdealer of Bond St., for 4 old books)', £29.8.0 of Mr. Garnett-Orme, 'For picture of Auck Lodge', and £75.0.0 and 'Mr. Savill (for 9 Engravings by Bartolozzi)'. Other names include Lawrence & Bullen Ltd, Mr Partingdon (picture restorer), Captain Frank Forester, H. P.

On wove paper, with watermark '179< >'. Dimensions roughly 22.5 x 39 cm. Very good on lightly aged paper. One small unobtrusive spot of foxing. The illustration is within an oval roughly 21.5 cm wide, enclosed in a decorative box of dimensions 18 x 27.5 cm. A couple of bishops with croziers and a mass of nobles in ermine look on in a vaulted castle hall while Henry II presents what looks like a pie to his bemused offspring, who is seated beneath a canopy.

12mo bifolium: 2 pp. On laid paper, with strip from previous mount in right-hand margin of recto of first leaf. Good, with a little wear at gutter, and slight damage (not affecting text) to second leaf from breaking open of red wax seal, parts of which still adhere. Twenty-two lines of text, clear and entire. Smith's uncle 'Mr ' is 'very glad to hear that you are well & desires to be remembered'. Asks if Smith has 'ever found me a portrait of Sr yet'.

Landscape sketchbook of twelve leaves. Dimensions of each leaf roughly 26.5 x 38 cm. Unbound and stitched. In original brown patterned wraps. Good, on lightly discoloured and spotted drawing paper, with some wear to extremities, heavy wear at head of spine, and in heavily-worn wraps. The first leaf, otherwise blank, has had a small square taken out of it, and there are stubs indicating the removal of a couple of leaves.

12mo: 1 p. Somewjhhat grubby, but with text clear and entire. Caulfield 'has been misled in supposing Mr Coutts is inclined to collect Hogarth's or any other pictures as he has hardly ever had any taste or inclination for that Line.'

Octavo: 16 pp. Stitched and unbound. Grubby and a tad creased. Items, in alphabetical order from H (beginning with the Earl of Hardwick) to J (ending with Dorothy Jordan), with a few miscellaneous items on the last page, numbered 3002 to 3837. Interesting for the information it provides about minor English celebrities ('3651 JACKSON, Joseph, letter founder, nat. Old-street, 1733, res. Cock-lane and Dorset-street, London, ob.

Octavo: 18 pp. Unbound: stabbed and unstitched. First leaf and leaves with pp. 15/16 and 17/18 loose. Leaves with pp.3/4 and 15/16 half-separated. Paper discoloured and chipping at edges. Extends to 918 lots. The odd number of leaves implies the loss of a final leaf, possibly bearing text. Stamp of the Public Library Ford Collection. Docketing in pencil notes a duplicate at the New York Public Library. No other copy traced.

All five items good, on lightly aged paper. All five bifoliums, bearing traces of previous grey paper mount on the verso of the second leaf. LETTER ONE (one page, 12mo, 30 May 1865): He is 'very poorly', with a 'bad bilious attack which has threatened to turn into jaundice'. 'Yesterday I met Mr Herbert in Regent Street. We talked for a few minutes at cross purposes, my thoughts running on his journalistic prospects and projects, while he was thinking and speaking about his election at the Savage Club.

On wove paper roughly eleven inches by seven and three-quarters; dimensions of print roughly seven inches by four and a half. Image clear and unaffected, on paper aged and creased, with some staining to extremities. Smith's monogram in bottom left-hand corner. The figure is formally dressed, in frock-coat and stockings, with his hat tucked under his left arm. Clearly a portrait, but of whom is uncertain: it is not among the six works by Smith catalogued by the National Portrait Gallery. A charming evocation of print culture in the early part of the nineteenth century.

Paper dimensions roughly ten and a half inches by eleven and a half; print dimensions eight and a half inches by ten and a half. Aged and with three inch strip, roughly half an inch wide, torn away from surface of print in top left-hand corner. Depicts a crowded and rather grand hall, containing a long horseshoe-shaped table around which are crowded connoisseurs of both sexes contemplating engravings and illustrated books or engaged in discussion. Arti et Amicitiae is an Amsterdam society of artists and art lovers, founded in 1839.

On good thick wove paper, roughly six and a quarter inches by four and three-quarters wide. Dimensions of plate indentation five inches by three wide. Good, on aged and lightly-foxed paper, left edge irregular indicating extraction. A very attractive card, carrying an engraving of a sylvan scene giving a very good idea of Sandon's qualities. Reads, in a variety of hands, 'EVERY | Description | OF | ENGRAVING & PRINTING | Neatly executed. | [vignette] | HENRY SANDON, | 60, Wellington Street, Goswell Street, | London.' Sandon does not feature in BBTI. is he real?

Dimensions of paper roughly twelve inches by ten; dimensions of print roughly nine and a half inches by seven and a half. A good clear impression, on aged, creased paper, of a striking illustration showing a portly and sleek Asperne, beautifully turned out in Freemason's robes and paraphernalia, holding a leather-bound book, and seated in an ornately carved wooden chair with the Freemasons' eye in a triangle at its head. Captioned 'Mr James Asperne | BOOKSELLER, CORNHILL, | Past Master of the FOUNDATION LODGE NO. 96 And St. Peter's No.. 249 | P.S.D. of the LODGE of Antiquity No.

Good clean image of a seventeenth-century engraving, from an earlier idealised portrait of the putative 'father of printing'. It is of irregular shape, the background having been carefully cut away. Neatly mounted on piece of beige paper, illustrated with a brown pseudo-frame with decorative book devices in the four corners. Half-length portrait of a bearded Gutenberg in fur-lined hat and coat, with composing stick in left hand and stylus in right. Dimensions roughly eight and a quarter inches by seven wide. Engraved beneath is 'P Stent Excudit: R Gaywood fecit'.

Dimensions of paper roughly eight and a half inches by six and a half wide. Illustration roughly five and a half inches by five wide. Good on slightly aged and creased paper. A grey-haired Gregory, fashionably dressed in striped waistcoat and cravat, and wearing a white apron, stares at the viewer while holding a book in his left hand and writing its details in a ledger with a quill in his right hand. BBTI gives Robert Loder's trading dates as 1822-39, and Gregory's as 1793-1851.

One page, octavo. On aged, grubby paper with minor staining at foot. He has spent 'all his monney for prints & Books I bought at Sale last Week. I have no balance in my Bank at all. (ganz nichts) if you are not inconvenient [sic] Please bring some L. S. D. on Saturday next'. Postscript: 'My business is Ratton N. B. G.' It is thought that Kato obtained a large portion of the Japanese prints for Sir Edmund Walker's celebrated collection.

Dimensions of paper approximately 36 x 25 cms. Good, though lightly foxed and with corners a little dog-eared. His Lordship, in full-sleeved clericals, is seated, and bare-headed, looking to his right with a piercing stare. Dated 1815 by the National Portrait Gallery.

On piece of paper roughly three and a half inches by three wide. Good, lightly aged with a little creasing to one corner. Pleasant armorial design within floral arrangement. Motto 'VIGILANS' on scroll above 'Sir Richard Burton' in copperplate at foot. Indentation of plate around edge.

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.

Leaflet. Two pages, 12mo. Tasteful bifolium on cream wove paper. Unbound. Good, though a tad grubby. Gill woodcut (roughly two inches by one and a half) on front: two hands around the front of a large 'V' with rest of word 'Veritas' on stem and cross at head. Apparently numbered in pencil bottom-right of woodcut 579.

Sambourne (1844-1910) contributed illustrations to Punch for more than forty years. On good laid paper, dimensions roughly 22 inches by 17 1/2. With facsimile signature and date. Folded twice. Slightly discoloured and a little creased, but suitable for framing. Depicts Mr Punch, with his dog Toby, sitting atop a pile of the 'evolutions of the century' (including a bicycle and typewriter), and waving to 116 of the century's worthies, including Bismark, General Tom Thumb and the jockey Fred Archer, but without Karl Marx.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.

Dimensions of plate roughly four and a half inches by six and a half wide. Dimensions of paper roughly five inches by seven wide. Clear image on stained, grubby laid paper. Shows mythological figure with helmet and shield holding up a book, within a monumental border with coins, ivy, statuary, etc. This bookplate has been found in conjunction with another reading "Ex Libris Alexandri Torrigiani Med. Doct. Coll. Parmensis", and this may provide a clue to the provenance.

Dimensions of paper roughly eleven and a half inches by eight wide. A good clean impression on grubby and lightly foxed paper. A meticulous head and shoulders view of a seated Hearne, in profile, facing to his left. One of the 72 engravings from chalk portraits by Dance of his friends which were published between 1808 and 1814.