BAROQUE

[Anatomical plates by Carlo Cesio, published by Luis Fabri.] ‘Cognizione de Muscoli del Corpo Umano / Per uso di disegno / Opera / di Carlo Cesio’.

Author: 
Carlo Cesio [Carlo Cesi] (1622-1682), Baroque painter and engraver of the Roman school; Luigi Fabri [Aloisio Fabri; Luis Fabri] (1777-1835), Roman engraver and publisher
Publication details: 
[Early nineteenth century.] ‘In Roma presso Luigi Fabri, Via del Bufalo No. 141.’
£350.00

First published in Rome in 1679 as ‘Cognitione [sic] de muscoli del corpo humano per il disegno’. The present edition is scarce. JISC LHD suggests that there is no copy in the United Kingdom (not even at the Wellcome), and WorldCat lists only four: at Harvard, Boston Athenaeum, Michigan and Padua University. 18pp, folio, on the rectos of eighteen leaves, of which the first is a new title-page and the second carries the text ‘A chi studio il disegno’ by ‘Carlo Cesio’. Dimensions of plate 21 x 34 cm; dimensions of leaf 33 x 44 cm.

Frontispiece (?) to 'Dianæ Fabulas olim a Dominico Zamperio pictore vulgo Domenichino in Palatio Bassani Principis Justiniani depictas'

Author: 
Domenico Zampieri (or Domenichino) (1581-1641) [Giovanni Girolamo Frezza (1659-1741)]
Publication details: 
Io. Hieronymus Frezza Sculp. Rome Sup. Lic. Ann. 1713, e dal Medemo Frezza si vendano in Piazza Barberini
£85.00

Dimensions of paper roughly twelve and a half inches by fifteen and a half. Dimensions of plate roughly eleven inches by six and a half. On top of a stone plinth two eagles support a crowned crest with shell motif, showing a crowned eagle over a castle. The inscription on the base reads 'DIANAE FABVLAS | OLIM | A DOMINICO ZAMPERIO | PICTORE | VVLGO DOMENICHINO | IN PALATIO BASSANI | PRINCIPIS IVSTINIANI | DE PICTAS'. Apparently the frontispiece or engraved title to an oblong folio volume published in 1713.

Engraving, with portrait of the artist, of Carracci's funeral memorial.

Author: 
Annibale Carracci (1560-1609)
Publication details: 
[Circa 1690?]
£86.00

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

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