[Carlo Marochetti, distinguished Italian sculptor, responsible for statue of Richard the Lionheart outside the Palace of Westminster.] Autograph Letter Signed (‘Marochetti’), in French, thanking the recipient for the gifts he has found in his pantry.

Carlo Marochetti [Baron Pietro Carlo Giovanni Battista Marochetti] (1805-1867), RA, Italian sculptor, active in France and settled in England, gaining commissions from Queen Victoria and Prince Albert
Publication details: 
6 January 1859; on letterhead of 34 Onslow Square, Brompton [London].

See his entry in the Oxford DNB. There is a blue plaque at his house in Onslow Square, announcing that he lived there from 1851 to his death in 1867. 2pp, 12mo. On first leaf of bifolium with mourning border. In good condition, lightly aged. Folded twice. Addressed to ‘Mon cher Monsieur’. He has returned home after several days in the country, to find his ‘garde manger si bien rempli des preuves de votre bon et bienveillant souvenir’.

[Pietro Annigoni: personal reminiscences of John Phillips.] Privately-printed pamphlet: 'Maestro Annigoni', containing stories relating to the Queen, Princess Margaret, the Duke of Bedford and Violet Trefusis. Inscribed to Barbara Reed.

John Phillips (1926-2017), flâneur and executor of Violet Trefusis (1894-1972; née Keppel), English socialite and author, lover of Vita Sackville-West [Pietro Annigoni (1910-1988, Italian painter]
Publication details: 
[Phuket, Thailand.] 2012.

After a twelve-year 'amitié amoureuse' with Phillips, Violet Trefusis died in 1972, appointing him her literary executor and leaving him her last home, La Tour de Saint Loup. The present item – only one other copy of which has been traced – is from a collection of Phillips's papers amassed by his friend Barbara Reed, containing pamphlets privately printed by him between 2009 and 2014.

Autograph Letter Signed ('Brassey') from Brassey to 'P. Michelli [later Sir Pietro James Michelli], Esq | Secretary | Seaman's Hospital', regretting that he was not able to visit the Albert Docks.

Thomas Brassey, 1st Earl Brassey [Lord Brassey] (1836-1918), Liberal politician [Sir Pietro James Michelli (1853–1935), Secretary, Seaman's Hospital; Albert Dock Seaman's Hospital]
Publication details: 
On letterhead of 24 Park Lane, W. [London]. 16 July 1889.

1p., 12mo. Fair, on lightly-aged paper, with short closed tear to one edge and traces of mount on blank second leaf of bifolium. Signature slightly smudged. Brassey writes that he has been 'detained at the House of Lords, where I have been acting as chairman of a private committee', and as a result 'found it impossible to go down to the Albert Docks yesterday afternoon'. The letter almost certainly relates to the Albert Dock Seaman's Hospital, which was officially opened the following year, as a branch of the Dreadnought Seamen's Hospital, Greenwich.

Photographic portrait by '<Vican?>', inscribed 'Al Carissimo Generale Carlo De Ambrosis, per ricordo grato ed affettuoso'.

Pietro Mascagni (1863-1945), Italian composer
Publication details: 
Torino, 8 October 1938. XXI.' Signed in top left-hand corner '<Vican?> | XVIIe'.

Printed on piece of thick paper 31.5 x 22.5 cm. Dimensions of image 24 x 18 cm. Removed from mount, and with glue adhering to reverse and in thin strip at head (not affecting image). Small closed tear in border at foot, just beneath Mascagni's dating of his note. Soft-focus black and white head and shoulders shot, showing a firm-jawed jowlly bow-tied Mascagni staring abstractedly to his right, with a medal in his buttonhole.

Engraving, with portrait of the artist, of Carracci's funeral memorial.

Annibale Carracci (1560-1609)
Publication details: 
[Circa 1690?]

Dimensions of print roughly ten inches by six and a half wide. Mounted on a slightly larger piece of laid paper. Rubbed, worn and heavily aged, with small wormhole at foot. Ornate tomb with sphinxes, ivy, masks, palette, laurel wreath, etc. Central head and shoulders image of Carracci, above caption 'ANNIBALI CARRACCIO BONON. AETATIS SVAE ANN.XLIX Romae MDCXLVI'. 'A. Del.' in bottom left-hand corner. This is NOT the engraving by Pietro Aquila, after Carlo Maratta, in Aquila's 'Galeriae Farnesianae Icones' (1674).

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