COOKE

See Smirke’s entry, and those of Cooke and Heath, in the Oxford DNB. His most celebrated design is the Reading Room of the British Museum. 2pp, 12mo. With monogram and mourning border. On first leaf of a bifolium. In good condition, lightly aged. Folded for postage. Begins: ‘My dear Sir, / Vernon Heath, of Piccadilly, has made me a photograph of our new front, which is I think fairly satisfactory.’ He has told Heath to deliver a copy ‘addressed to you at the R. Academy’. As it is ‘rather large’, he did not like to send it ‘by post or Parcel’, as it ‘might get crushed on its way to you.

See his entry, and those of his father and Cooke, in the Oxford DNB. 2pp, 16mo. In fair condition, lightly aged, with dab or red wax to one corner, and part of another corner torn away, presumably in breaking open the seal. Folded diagonally for postage. Addressed to 'My dear Mr Cooke' (the recipient's identity is beyond doubt) and signed 'Richd Westmacott'.

Thirty-six works by Cooke are listed between 1790 and 1843. The present item, along with its companion piece ‘Carte de la basse Egypte: dressée d'après les observations astronomiques de C. Nouet, et les reconnaissances des ingénieurs et officiers employés à l'Armée d'Orient’, appeared in ‘Planches du Voyage dans la Basse et la haute Egypte, par Vivant Denon’, published in Paris by P. Didot in 1802. Both have the engraved signature ‘John Cooke, sc, 50 Howland St.’ The dimensions of the map are approximately 31.5 x 23.5 cm.

See the entries for Robinson and Cooke in the Oxford DNB. 3pp, 12mo. Bifolium. In good condition, folded twice. Addressed to ‘My dear Mr Cooke’. Cooke’s ‘friendly note’ about the time he ‘proposed setting out for Deal’ was received on the Thursday, and the Robinsons are ‘glad indeed to hear that your dear Mother is again restored to her usual health’. The Robinsons think that ‘change of occupation & fresh air together, may have the desired effect both as regards yourself & your son Conrad’.

3pp, 4to. Bifolium. In fair condition, aged and worn, with closed tears and thin vertical strip of paper on reverse of second leaf, which carries a seal in black wax and Yates's address to 'T. P. Cooke Esqre. | 28 Manchester Street | Manchester Square'. An interesting letter regarding a Victorian stage dispute. In an understated style, Yates makes a serious accusation: Cooke has broken his word over the manuscript of Fitzball's play 'The Red Rover' (Yates had produced the piece with himself in the title role in 1828, and would do so again in 1831).

An attractive artefact, printed in black on one side of a 46 x 34 cm piece of thick paper, with the embossed circular 'lyre' seal of the Society added in red ink in the left-hand margin. Completed in manuscript with the details of the election as a fellow of 'The Right Honourable Lord Alverstone G. C. M. G.', on 17 May 1909. In fair condition, lightly aged and worn. Ornate heading of the Philharmonic Society, with royal crest (the society being 'Under the immediate patronage of | Their Most Gracious Majesties The King & Queen Alexandra') and the engraved names of the principal officers.

1p., 4to. In fair condition, lightly aged and worn. Docketed on reverse: 'Acct. | Capt W. Cooke | £51.2.9.' A bill for wages, in Cooke's autograph, headed 'Ship Queen of France | To William Cooke . . . Dr.' Listing monies due with dates and details. For example: '7 Jan [1789] wages . . .@ 18 dollars p. mo[nth]  30.9.7' (Other sums also on 7 Jan. and 12 April.) At the foot Cooke has written "Rec[eive]d Wilmington 12th April 1789 from Francis Peyrimant the above bal[anc]e. in full. | Wm Cooke.' The year of this transaction was also the year of the French Revolution.

2pp., 12mo. Bifolium. In good condition, lightly aged. He begins by explaining that he has been 'too much engaged' since last writing to Ollier 'to come so far westward', or he would not intrude on his time. He asks him to return 'the letter of Mr Cooke, that I enclosed to you, under cover and a line just to say, whether there were two parcels, as he mentions, or only the one, that I took, as he desires great care and a return of them'.

1p., 16mo. In good condition, lightly aged and worn. He thanks her 'for the opportunity she has afforded him of attending her concert, which he trusts to do accompanied by his mother'. He also 'acknowledges Miss Macirone's graceful compliments to the Art which he professes'. Little is known of Miss Macerone, but on 26 October 1846 the Boston 'Musical Gazette' reported: 'A young lady, Miss Macerone, who excels as a pianist and composer ! recently gave her first concert in London. She performed Mendelssohn's trio in D, ( in which Messrs.

12pp., 8vo. In good condition, no wraps, disbound. In manuscript at head of title: 'With the Author's Compts' and, in another hand, 'C. A. Biggs'. No copy traced, either on COPAC or WorldCat.

2pp., 12mo. In good condition, lightly aged. In 1857 O'Neill married Emma Stuart Callcott, granddaughter of the artist Sir Augustus Wall Callcott, from whose house the present letter is addressed. He informs Cooke that he has 'asked Mr. Callcott [probably O'Neill's father-in-law William Hutchins Callcott (1807-1882)] to come & take a "friendly cup" with me on Thursday Evg. & we shall be glad of your company if you can favour us'. In a postscript O'Neill states that Callcott has promised to let him have 'the sketches I spoke to you of, in case you should come'.

1p., 12mo. In good condition, on lightly-aged paper. He writes 'My dear Sir | I have the pleasure to accept your kind Invitation to Dine with you on the 4th March [amended from '28 Inst'] to meet the President and Council of the Royal Academy.' For more information about both men, see their entries in the Oxford DNB.

92pp., 4to. In good condition, in worn blue leather binding, with marbled endpapers. A strip cut out of the first leaf by Evans, with note by him: 'Signatures of Marie & self to other book'. Rather than short entries for each day, the journal contains longer occasional entries detailing significant events. The diary is a mixture of domestic news and detailed accounts of Evans's business affairs, with frequent descriptions of his financial position, on one occasion 'for the information of my darling wife & her Trustees'). .

3pp., 12mo. Bifolium, with Foss's letter (33 lines) on both sides of the first leaf, and the page of extracts by the recipient (38 lines) on the recto of the second leaf. Good, on lightly-aged paper, with one corner of the first leaf cut away. The letter is addressed to 'My dear Sir', without any indication of the recipient's identity.

2pp., 4to. Bifolium. Very good, on lightly-aged paper. Addressed by Waylett on reverse of second leaf 'To/ | J. M. Donnell Esq | Theatre Royal | Cork', with oval postmark in red, in two parts: 'MIDDAY MAIL | 20 AP | 1829'. According to Waylett's entry in the Oxford DNB, 'On 12 May 1825 she made, as Zephyrina in The Lady and the Devil, her first appearance at the Haymarket, under D. E. Morris. It was a successful début, but she was not encouraged by the managers, and after playing many different parts, some original, she went to Dublin.

Consisting of a manuscript transcription of a document allotting portions of the forest 'for the exclusive pasturage of the Commonable Cattle', and an accompanying coloured map or plan on cloth. The whole folded into a 34 x 12 cm. packet, within a covering leaf docketed: 'Dated 8th. July 1856 | Extract from Award of Commissioners under the Whittlewood Disafforesting Act of 1855 -'. In good condition, on lightly-aged paper, but with the covering leaf heavily aged and discoloured. The transcription consists of 3pp., 4to, neatly written out on three stamped 41.5 x 34 cm.

4pp., 4to. Bifolium. Good, on lightly-aged paper. Addressed on the reverse of the second leaf to 'T: P: Cooke Esqre | Royal Coburg Theatre', with two postmarks. The two men do not appear to have been related. TSC requests TPC's 'friendly interference to endeavour at getting from Mr.

Full title: 'The Universal Letter-Writer; or, New Art of Polite Correspondence: Containing A Course of Interesting Original Letters, on the Most Important, Instructive, and Entertaining Subjects, which may serve as copies for inditing letters on the various Occurrences in Life. With a new plain and easy Grammar of the English Language. To which are added, Forms of Mortgages, Letters of License, Bonds, Indentures, Wills and Powers, Letters of Attorney, &c. &c. &c.

Four plates, each roughly 39.5 x 22 cm. Good, clear impressions. The first two plates have a little light staining in the margins, and the first has some light foxing. The other two in very good condition, and the set good overall. An attractive series, each plate containing twelve main engravings, mainly of an infantryman with his musket in various positions, but also of an officer with sword. Begins with 'Dress to the Right' and ends with 'Sword Salute'. Mains numbered series begins '1st. Poise Firelock' and ends '35th. Shoulder Firelock'. Occasional smaller engravings in the background.

Varying in size from a few lines to a column nineteen inches in length, and on aged high-acidity paper. In good condition, though frail, and with a few closed tears. Texts clear and complete. In the remains of a stamped envelope (postmarked Philadelphia, 21 February 1912), addressed to E. H. Lauer of the Cadmus Book Company. Fewer than half the items are dated. The dated items include a long and interesting article on a forgotten English-born Philadelphian forger, headed 'A FORGER OF AUTOGRAPHS. | ROBERT SPRING'S SUCCESS IN BOLD LITERARY FRAUDS.

On India paper roughly three and a half inches by six and a half wide, mounted on a thick piece of wove paper ten inches by fourteen and a half. Cooke's name is engraved on the illustration, and printed on the mount are the title, Lewis's name and a double ruled border. Good clear impression. The mount is a tad grubby, with foxing to the extremities. Atmospheric representation of a populated pier snaking to the left, with a number of sailing ships and a row boat taking advantage of the low tide nearby. No reference found.