NETHERLANDS

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

Haghe features prominently in William Day’s entry in the Oxford DNB, in which their firm’s publication of Robert’s ‘Holy Land’ (1842-49) is described as ‘the most ambitious lithographic work ever published’, for which ‘Haghe, praised by Roberts for the faithful and artistic interpretation of his drawings, must bear most of the credit for the success of this publication’. See also the entry on the recipient Charles Manby (1804-1884), Secretary of the Institution of Civil Engineers. 2pp, 12mo. On the first leaf of a 12mo bifolium.

See his entry in the Oxford DNB. In 1787 he had been appointed equerry to the Duke of York, and he accompanied him to the Netherlands as Aide-de-Camp. The present item was written a three months before the Battle of Villers-en-Cauchies, at which Craufurd, at the head of two squadrons, is said to have captured three guns and a thousand men. 1p, 12mo. On watermarked laid paper. In good condition, lightly aged, with creases from having been folded into a packet. Docketed on reverse. Reads: ‘Major Craufurd’s Account. / Paid to the Russian Minister at Brussels for a Pellice for the Duke ..

The recipient is not named (the salutation is to ‘Mylord’), but William ends with compliments to ‘Lady Auckland’, and the letter also contains a reference to Eden Park. 1p, landscape 12mo. In fair condition, on aged paper, laid down on part of leaf cut from album. Signed ‘G. F. Pr Hed.d’Orange’. The mount is captioned, in a contemporary hand, ‘George [sic] Prince of Orange (Holland) date 1798’.

Campbell was Librarian of the Koninklijke Bibliotheek, and Chief Director of the Museum Meermanno-Westreenianum. 4pp, 12mo. Bifolium. Neatly and closely written. In good condition, lightly aged. The recipient ('Cher Monsieur') is not named, but the context of the letter identifies him the London publisher and bookseller Basil Montagu Pickering, who in 1874 published 'Calcoen, A Dutch narrative of the Second Voyage of Vasco da Gama to Calicut, Printed at Antwerp circa 1504', edited by Jean Philibert Berjeau (1809-1891).

Guttman was, as one of his wife's letters in this collection states, Fry's 'prophet' in Holland, supporting his work from the earliest days. In 1961 Guttman directed the world premiere of Fry's 'Curtmantle' at Tilburg, and in 1981 he directed a production of 'The Lady's not for Burning' in Vienna. The collection is in good condition, with light signs of age and wear. The letters are all in English, long and intimate, addressed to 'Kit' and sometimes to 'Phyl', i.e. Fry's wife Phyllis.

3pp., 12mo. Bifolium. The letter begins: 'My dear Lord Stratford | The 5th November, the day of Inckerman, [sic] is passed – I had not the courage to write. There was such a weight of grief in my heart, it was very difficult to give any utterance to it. Yet I will not let this disastrous year come to its close, without sending you a few words of remembrance, of sincere friendship. Since I left you in London, how many are gone!

Five items in good condition, lightly aged. All items with the Society's stamp. ONE: TLS. 20 September 1921. 1p., 4to. Agreeing to the Society's request for 'an authoritative paper on the subject of trade with the Netherlands East Indies', and asking for the proposed date ('approximately'), as he will be 'in Holland in the latter part of October, when I shall be in a position to get all the latest and most reliable information obtainable upon this interesting and very important subject'. TWO: TLS. 30 September 1921. 1p., 4to.

1p., 8vo. On aged and worn paper, with damage and loss along one edge (not affecting signature). Set out in the usual way, with printed text completed in manuscript. Begins (with manuscript text in square brackets): 'Annuity for Life, 1746. | Record' [24 Septr. 1765] | Received the [28] Day of [Septr.] 176[5] by me [Wolf Van Hemert Atty to Herman Vander Heere, & Adriaen Verstolk'. Recording a payment of £45 on an annuity. Witness signature of ' Newland'. Van Hemert was born in Amsterdam and is buried in Austin Friars churchyard, London, with a memorial to him inside the church. London.

68pp., 8vo. In good condition, lightly aged and worn. The diary has been published in a scholarly edition, edited by Marie de Jong-Ijsellstein (Hilversum: Verloren, 1999), where it is described as 'an excellent example of an early nineteenth-century journal intime'. The present typescript, which appears to date from the 1930s or 1940s, is a carbon copy of a typescript of Anna Elizabeth Groeninx van Zoelen's manuscript transcript of her grandmother's diary.

A charming and evocative production. Cards in very good condition; album in good condition, with light signs of age and wear. Initial note: 'This Travel Album is issued without charge to hold a complete set of twenty-five "A Day on the Airway" pictures, as issued with all packings of Sarony Virginia Cigarettes, plain or cork tipped.' The album comprises eight pages printed in black and green, on thick paper, stitched into black card wraps. Embossed on the front cover in faded gold is the title and an illustration of the plane (an Imperial Airways 'Argosy') flying in clouds.

[2] + 45 + [1]pp., 12mo. Stapled. In fair condition, on aged and worn paper. 568 items. Text in English. Scarce: no copies on COPAC or WorldCat

1p., 12mo. In good condition, on lightly-aged paper. The note reads: 'Dear Mr. Sparks | I am so sorry to be unable to comply with your request, being previously engaged for the 23d. inst | yours sincerely | L Alma Tadema'.

The signature is part of a frank, and is on an 8 x 13 cm piece of grey paper cut from the front of an envelope. In fair condition, on lightly-aged paper. Reads: 'To/ | His Lordship | Baron Willoughby de Eresby | Lord Chamberlain of England | &c &c | 142 Piccadilly | Count Schimmelpenninck'. Schimmelpenninck was Dutch envoy in London between 1846 and 1852.

380pp., 4to. Carbon copies on rectos of numbered leaves. Preceded by an eleven-leaf thumb index (not complete). In original brown leather half-binding, marbled boards and endpapers. Internally sound and tight, in heavily-worn binding lacking spine. At the heart of the correspondence are eight letters to the artist with whom Lowenstam is most of all associated, Sir Lawrence Alma Tadema. These date from the 1890s, and are all addressed to 'My dear Tadema'.

Total 48pp, 8vo, including alternate blanks for notes,with handwritten information about prices, etc. (seller's marked copy presumably), marbled wraps, worn, contents sl. worn at edges but complete, with ill-defined stamps at beginning and end (one has phrase Noord Holland). REST Of title-page: "Op Zaturday den XVIII Junij 1842, | zullen Nayler & Co. met hunne | Ongebonden- Verkooping | een aanvang maken, | in het Logement DE ZON, op Nieuwen-Dijk, No. 234, | te Amsterdam [...] Uren van Verkoop: | 9 tot 12 - 1 tot 4 - 6 tot 10 - met Klokstage.

The seven engravings are on 8vo leaves extracted from the volume. All roughly 12 x 15cm, in text. All in good condition, on lightly aged paper. They comprise: 'OUDE NIEUWE-BRUG' (p.625), 'KOLVENIERS DOELEN' (p.665), 'STADS WAPEN | ofte Artellery-Huysen.' (p.668), 'OUDE STADTS HERBERGH' (p.673), 'NIEUWE STADTS HERBERGH' (p.675), 'SCHEEPS-KRANEN' (p.711), 'GESCHUDT en KLOKGIETERY' (p.721)

In good condition, on lightly-aged paper, tipped in onto a grey paper mount. Engraved on 13 x 8 cm piece of wove paper, with no margin. The firm's shop was at the sign of Horace's head in the Strand, and the engraving depicts a lapidary carving off the head and shoulders of the poet, with laurel leaf above, in an oval frame, around which are 'carved' decorations (including lyre and grapes).

2pp., 12mo. 49 lines of text. Bifolium. In very good condition, on lightly-aged paper. Addressed, on reverse of second leaf (which also carries his seal): 'For Sr Richard Bulstrode | Envoy from his Matie of greate Brittaine Att ye Court | Att Bruxells | these'.

4pp., foolscap 8vo, on the rectos of four leaves. In fair condition, on aged and worn paper. The first two pages carry the French text ('C.I.J.') and the last two the English text ('I.C.J.'). One page carries instructions for the 'Audience de la Reine des Pays-Bas' ('Audience with the Queen of the Netherlands'), and the next carries an 'Annexe a Distr.272' ('Annex to Distr. 272'). The latter is a copy of a letter from Hardenbroek, Grand-Master of the Court of Her Majesty the Queen, to 'Monsieur le Président of the International Court of Justice, Peace Palace, The Hague'.

Most of de Lairesse's plates were, as the British Museum Department of Prints and Drawings notes, 'originally published by Nicolaes Visscher, who published a collected edition under the title "Opus Elegantissimum" in c.1675. The BM holds an album bound in vellum containing the Gerard Valck edition of 'Opus Elegantissimum', a selection of numbered etchings by Lairesse and 13 unnumbered etchings and mezzotints by other printmakers (Valck, van den Berghe and Blooteling) after Lairesse'.

Both prints in very good condition. David Teniers the Elder: Dimensions of paper 22 x 17.5; dimensions of plate 18 x 14 cm. Captioned 'DAVID TENIERS SENIOR' and numbered 26. Brief biography in French beneath image, and 'P. V. Mol pinxit P. V. Leysebetten sculp'. David Teniers the Younger: Dimensions of page 20.5 x 15.5 cm; dimensions of plate 16.5 x 11.5 cm. Captioned 'DAVID TENIERS' and numbered 58. Short biography in French, followed by: 'Dav. Teniers pinxit Pet. de Iode sculpsit Io. Meyssens excudie.'

4pp., [pp.1-4], disbound, twoo leaves almost detached from eachother, edges chipped and stained, some other marking, text clear and complete.

On a piece of watermarked laid paper, roughly 26.5 x 20 cm. Dimensions of image 18 x 13.5 cm. The image and text are clear and complete. Fair, on foxed and aged paper, with fraying to margin at edges. Complete text reads 'Seecker dat is geen Roy, wat mach dat varcken drincken | Die Reuck is niet heel moy, gans velten is dat stincken.' Depicts a group of five peasants in the countryside, one sitting on a tree stump vomiting, while another puts her hand on his head, and two hold their noses. The attribution is in the entry on the copy in the Wellcome Library (no.

The collection in good condition, on lightly-aged paper, with each item carrying a punch-hole in top left-hand corner of first page. Letter One: in manuscript; to Cross; 3 September 1949; on 'Edvard Hambro' letterhead; 8vo, 2 pp. Affectionate letter on Cross's retirement from the Registry of the International Court. '[...] I find the Peace Palace curiously empty without you. I am going to miss your visits to my room and mine to yours.

Both letters 4to, 2 pp. Both texts clear and complete, and both in fair condition, with dog-eared corners. In the first letter O'Conor writes that he has 'heard from Miss Maartens', and that he is sending 'Dr van Maanen's' study of the author. 'Miss Maartens suggests that you and I might meet, which appeals greatly to me, for I enjoyed your review of the Maarten Maartens letters and have also heard about you from my friend John Gould Fletcher.' Gives a time when 'Miss Maartens is coming to the London Library to read some Dutch' for him, and he suggests that Burdett join them.

4to, 2 pp. Thirty-two lines. Text clear and complete. Good, on lightly-aged and creased paper. A tactful letter in response to an enquiry concerning the possibility of employment as a translator of Dutch publications. Unwins 'very seldom have occasion to translate from Dutch, but we should always be glad to give consideration to any important Dutch book which you were able to bring to our attention'. He suggests times when Thompson might be able to meet Stanley Unwin, who is travelling on the continent.

4to, 2 pp. Text clear and entire. On aged paper with a few closed tears to extremities and a thin strip of discoloration along one margin on reverse. 'The Royal Netherland Navy have made use of Coaltar for preserving certain parts of vessels of war from decay', but 'the Medical Department in the Netherlands' have confirmed that the use of Coaltar for that purpose has a prejudicial effect on the health of the Ships crews'. Asks to be informed 'of the results of any enquiries instituted on this Subject by order of the British Admiralty'. Docketed 'Netherland's under Secretary'.

Paper dimensions roughly ten and a half inches by eleven and a half; print dimensions eight and a half inches by ten and a half. Aged and with three inch strip, roughly half an inch wide, torn away from surface of print in top left-hand corner. Depicts a crowded and rather grand hall, containing a long horseshoe-shaped table around which are crowded connoisseurs of both sexes contemplating engravings and illustrated books or engaged in discussion. Arti et Amicitiae is an Amsterdam society of artists and art lovers, founded in 1839.

On piece of aged, laid paper roughly six inches by eight and a quarter wide. Two inch closed tear at head, and three-quarters of an inch closed tear, with a little loss, to the right. Quarter-inch hole towards top right-hand corner, in sky above archway. Mounted on piece of grey paper. Negligible wear to bottom left-hand corner.