AUCKLAND

The recipient is not named (the salutation is to ‘Mylord’), but William ends with compliments to ‘Lady Auckland’, and the letter also contains a reference to Eden Park. 1p, landscape 12mo. In fair condition, on aged paper, laid down on part of leaf cut from album. Signed ‘G. F. Pr Hed.d’Orange’. The mount is captioned, in a contemporary hand, ‘George [sic] Prince of Orange (Holland) date 1798’.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, on the first leaf of a bifolium, the blank second of which carries traces of mount. Folded twice. Begins: ‘My dear FitzGerald / I thank you very much for your obliging note - and I rejoice greatly that you have obtained for Capt Macgregor this mark of favor and distinction. India has no better soldier, nor has any political agent, placed in trying circumstances, shewn a better nerve or a sounder discretion’. FitzGerald’s ‘just notice of him’ will be ‘well appreciated’ by others.

Margaret Ramshaw of Bishop Auckland married the industrialist William George Armstrong (1810-1900), 1st Baron Armstrong, in 1835. She played an important role in the design of the gardens at Jesmond Dene, the couple’s house in Newcastle, and later at Cragside, which is now a National Trust property. 2pp., 12mo. Bifolium. In good condition, lightly aged. Folded twice, and with traces of mount on blank second leaf.

2pp., 12mo. Bifolium. Cut down at margins, with loss to part of letterhead. Addressed to 'S Hague Smith Esqr | Pitt St North'. He writes that he has not yet received a sample for 'the slabs of white marble 12 inches square', and asks him to 'give an answer to Odling Bros', as he wishes to know 'what quantity I could get from the person whom you <?>, & about the quantity also'.

1p., 12mo. In good condition, on lightly-aged paper. Docketed: '20 August 1835 | Lord Auckland to R L'. Reads 'Lord Auckland would be much obliged to Mr Lambert if he would call here tomorrow soon after two o'clock -'.

2pp., 4to. Bifolium. In good condition, on lightly-aged paper. Should Auckland's statement become 'the subject of enquiry' it will be deemed 'perfectly satisfactory', there being 'no question as to the right of appointing a deputy, altho' there might be aas to the reduction of his salary, which was the circumstance referred to me'. The subject is one which must 'necessarily come within the view of the Committee of Finance, whose observations upon every public department it is my anxious wish that we may be enabled to anticipate'.

The manuscript material is on 109pp. of the 12mo printed diary. On aged paper, with manuscript entirely legible, but some staining to printed matter, in original worn calf binding. The manuscript paints a vivid picture of the life of a prosperous Georgian agriculturalist in all its aspects, from itemised financial accounts to country pastimes and the weather. It is presumably in the hand of George Pattison, whose name is given prominence among those of other members of the Pattison family written out over two pages at the rear of the volume.

4to: 22 pp. Leaf dimensions roughly 280 x 210 mm. Ring binder in original card wraps printed in red. Very good in lightly-spotted wraps. Ring binding slightly rusted. Features ten pages of bright, striking and attractive label designs. The first page shows four 'Colours of Design Separated' for 'William's Extra Stout'. The second page shows, in four diagrams, how 'The colours are printed one after the other' on a label for American Cream Soda. Another page shows the design for 'Smith & Jones Ltd Nut Brown Ale in three colour combinations. Other products include S.

4to, 1 p, 8 lines. Lightly creased and with a little smudging from a carbon and some minor paperclip staining (none of which affects the signature). He is sending 'a short article [not present] - "Art in the Post War World", and a copy of an address to "The Auckland Society of Arts." ' He believes 'that countries like New Zealand, cut off from the inspiration and example of what is best in European Art, are prone to be dazzled by Materialistic Efficiency; even when linked with the best technical flavourings through Art in industry.'