PHOTOGRAPHS

189 black and white photographs, ranging in size from 15 x 10.5 cm to 4.5 x 7 cm, loosely inserted (i.e. not mounted but removable) on the fifty leaves of a 20 x 30 cm album. While the photographs themselves are in good condition, the album is somewhat worn and aged. Painted in large Gothic letters at centre of front cover is 'Camp Snaps'; with the name of the compiler 'E. TAIT' at top right. Inscribed inside cover 'From ?Porky? | September 4th, 1934'. The leaves of the album are made of thick black paper, and more than three-quarters of the photographs are neatly captioned in white ink.

1p, 4to. On discoloured and somewhat grubby paper, folded twice for postage. Addressed to ‘S. Hodgson Esq.’ and signed ‘H M. Hake’. Hodgson has sent Hake ‘a manuscript fragment’, which does not seem to indicate either of ‘the portraits in the Gallery’. He has ‘looked up the record of portraits offered in the past but there is no mention of Mrs. Cruikshank or her executors.’ He asks a related question before turning to the subject of the physician Sir Benjamin Ward Richardson (1828-1896), who was in Hake’s opinion ‘more of a professional worthy than a national one’.

1p., 12mo. In good condition, on aged and worn paper, folded twice. Written in a late Victorian or Edwardian hand. The 'Address' is an interesting survival: the sort of ribald saloon-bar joke through which male opponents of the movement sought to tame it through ridicule. Similar examples survive, attributed to Lady Astor speaking in parliament, but this version clearly predates these. Here is a transcript of what is a concentrated dose of double-entendre: 'Mrs.

All photographic prints and negatives roughly 8.5 x 14.5 cm. Prints all black and white. The collection aged, but in good condition overall. The pictures of inmates all landscape, and the two of the officer portrait. The boys are arranged in three or four rows, with as many as forty present in one image. The images are all taken outdoors and in front of prison buildings, the windows in the Feltham images being barred, and the windows in the Borstal images plain glass.

The six small black and white photographs are all in good condition in a Kodac 'snapshot' card wallet. The captions, in pencil on the reverse and all dated 'April 40', read: [ONE] 'Aerodrome at South Cerney' [an aerial shot]; [TWO] 'Officers' Mess No 3 F.T.S. S. Cerney' [exterior of building]; [THREE] 'Oxfords at No 3 FTS' [three grounded planes]; [FOUR] 'Interior of Oxford' [instrument panel]; [FIVE] 'Interior of Oxford' [back of seats and instrument panel]; [SIX] 'Oxford at No 3 FTS' [grounded].

All twenty-one slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded, with only one slide damaged (glass shattered in a corner, not affecting image). All with labels numbered 394.5.

Three striking unfamiliar photographs (the last two in particular excellent compositions) of a significant historical event. The three slides are bound in 8 cm glass squares, with none of the glass shattered, and the images themselves in good condition, clear and unfaded. Each mount carries the stamp of the photographers Gibson & Sons. With numbered labels carrying a shelfmark. Each mount titled in manuscript. ONE: ' Schiller" wreck. Lifeboat in which Survivors came ashore'.

Evocative picture with docks to the right viewed through tree branches, and a number of boats and ships clearly visible, with three three-masted ones in the foreground, one sideways on and the two beside it viewed from the bows. Dimensions: 2¼ inches by 3¾ inches. Mounted on a piece of pink board which is docketed on reverse in nineteenth century hand: 'Hudson River. N.Y. from Hoboken Docks.' The picture is a little creased in the bottom left-hand corner and there is minor discolouration due to ink stains and grime.