PHOTOGRAPHS

1p, 4to. On discoloured and somewhat grubby paper, folded twice for postage. Addressed to ‘S. Hodgson Esq.’ and signed ‘H M. Hake’. Hodgson has sent Hake ‘a manuscript fragment’, which does not seem to indicate either of ‘the portraits in the Gallery’. He has ‘looked up the record of portraits offered in the past but there is no mention of Mrs. Cruikshank or her executors.’ He asks a related question before turning to the subject of the physician Sir Benjamin Ward Richardson (1828-1896), who was in Hake’s opinion ‘more of a professional worthy than a national one’.

53 items, in good overall condition, with light signs of age and wear. An interesting collection, not only recording an interesting event in the history of a national institution, but also recording the practices of art restoration in Edwardian England. Including forty original photographs by Carey himself (one of them, signed, a splendid image of the school in Horsham under construction), a long draft report and correspondence between Carey and R. L. Frank's, the school's 'Clerk'. The following description is divided into seven sections.

A contemporary oriental album, 19 x 27cm., with oat cloth boards, green ribbon and embroidered spine, containing a beautiful collection of vintage 9 x 14cm. postcards in near-mint condition. None of the postcards has any manuscript marks or sign of postage.

Typed transcript of 21pp., landscape 8vo, followed by six 9.5 x 12 cm. black and white photographs, captioned in pencil and detachable, with the seventh photograph on the front cover. In card landscape 8vo album with green cloth spine. In fair condition, lightly aged and worn, except for the cover photograph which is heavily worn. In pencil at front: '1850 | Notes made by Anne Rolleston on a visit to her brother Robert Rolleston, Curate at Rydal.' The location of the original diary is unclear, and there is no record of its having been published. The first entry sets the tone: 'Thursday, Oct.

189 black and white photographs, ranging in size from 15 x 10.5 cm to 4.5 x 7 cm, loosely inserted (i.e. not mounted but removable) on the fifty leaves of a 20 x 30 cm album. While the photographs themselves are in good condition, the album is somewhat worn and aged. Painted in large Gothic letters at centre of front cover is 'Camp Snaps'; with the name of the compiler 'E. TAIT' at top right. Inscribed inside cover 'From “Porky” | September 4th, 1934'. The leaves of the album are made of thick black paper, and more than three-quarters of the photographs are neatly captioned in white ink.

72 stereoscopic views of aspects on the Second Boer War, numbered 1-72 inclusive, hence assumed to be a complete set, in custom-made box with image of a (soldier's) belt, with a motto, "For Empire Queen and Flag" within the belt-circle, and "South Africa | 1900, within the image and a motif, "Sun Sculpture" within a rising sun. [The National Army Museum catalogues one of 89 that they have as "produced by Works and Sun Sculpture Studios, 1900" for Underwood & Underwood.

1p., 12mo. In good condition, on aged and worn paper, folded twice. Written in a late Victorian or Edwardian hand. The 'Address' is an interesting survival: the sort of ribald saloon-bar joke through which male opponents of the movement sought to tame it through ridicule. Similar examples survive, attributed to Lady Astor speaking in parliament, but this version clearly predates these. Here is a transcript of what is a concentrated dose of double-entendre: 'Mrs.

99 + [3] pp., 4to, of which 31pp. are original photographs, on grey card mounts, each with tissue guard and manuscript caption in white ink. A further five small photographs laid down on pages of the typed text. In very good condition, on aged paper, in modern green leather quarter-binding with cloth boards and misleading title on spine 'THE BUDGET | CAMBRIDGE' In a contemporary hand on leaf preceding title-page: 'Please return to | Chas Nunneley | (Room 1, 3rd Floor) | A & R Branch | A. G. Dept | General Post Office (North) | (London) | E.C. | or to | C. O.

Helm's promotion on 3 September 1940 to the rank of Flying Officer (41020) is recorded in the London Gazette, 15 October 1940. After the war he joined the International Civil Aviation Authority, working in Iran and Zambia, and was elected to the Membership of the Institute of Navigation, Royal Geological Society, in 1971. A total of 59pp., 8vo, of pencil notes and tables by Helm, relating to the RAF in the Second World War, with 6 original photographs.

Black and white photograph. Dimensions 15.5 x 21 cm. In good condition, with slight wear to edges. Head and shoulders studio shot of a fresh-faced Rogers, looking slightly upwards with enigmatic half-smile. Caption, at foot, reads, 'To Titania from her loving Bottom.' Rogers acted in several of Jill Balcon's father Michael's films.

4to, 27 pp. Stitched with red thread. In original buff wraps, printed in red and black, with photograph of a Masai woman tipped in on front cover. Fair: slightly dog-eared, in worn wraps, with ownership inscription on front wrap. Printed on twenty-six leaves of art paper. Consisting of a covering page of text and 24 pp of captioned black-and-white photographs, two to each page, with two pages of advertisements at rear. Photographs of wildlife and members of the Meru, Masai, Wakamba, Samburu, Turkana, Waikikuyu tribes. Printed on rectos only, except for last page.

All photographic prints and negatives roughly 8.5 x 14.5 cm. Prints all black and white. The collection aged, but in good condition overall. The pictures of inmates all landscape, and the two of the officer portrait. The boys are arranged in three or four rows, with as many as forty present in one image. The images are all taken outdoors and in front of prison buildings, the windows in the Feltham images being barred, and the windows in the Borstal images plain glass.

The six small black and white photographs are all in good condition in a Kodac 'snapshot' card wallet. The captions, in pencil on the reverse and all dated 'April 40', read: [ONE] 'Aerodrome at South Cerney' [an aerial shot]; [TWO] 'Officers' Mess No 3 F.T.S. S. Cerney' [exterior of building]; [THREE] 'Oxfords at No 3 FTS' [three grounded planes]; [FOUR] 'Interior of Oxford' [instrument panel]; [FIVE] 'Interior of Oxford' [back of seats and instrument panel]; [SIX] 'Oxford at No 3 FTS' [grounded].

All forty-five slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded. The slides, apparently from a newspaper picture library, all carry the label 'M57 637.1 Box 286', and are almost all captioned in manuscript. A good range of photographs, apparently taken in the nineteen-twenties.

All twenty-one slides bound in 8 cm glass squares, with the black and white images themselves in good condition and unfaded, with only one slide damaged (glass shattered in a corner, not affecting image). All with labels numbered 394.5.

Three striking unfamiliar photographs (the last two in particular excellent compositions) of a significant historical event. The three slides are bound in 8 cm glass squares, with none of the glass shattered, and the images themselves in good condition, clear and unfaded. Each mount carries the stamp of the photographers Gibson & Sons. With numbered labels carrying a shelfmark. Each mount titled in manuscript. ONE: ' Schiller" wreck. Lifeboat in which Survivors came ashore'.

The five photographs are all in sepia and 15 x 20 cm. Each is mounted, with a 17.5 x 22.5 white backing, on a piece of grey 25 x 30 cm card. Each is neatly captioned in black copperplate, with red underlining. The photographs are all in good condition, on discoloured and worn mounts. The items were clearly produced for display by the company, as they all have pinholes in their mounts. The captions read: 'G.E. Rly Restaurant Cars.' [exterior shot]; 'G.E. Rly Restaurant Car - Kitchen', 'G.E. Rly. Restaurant Car Third Class Compartment', 'G.E. Rly Restaurant Car.

The photographs vary in size from 24 x 18.5 cm to 8 x 6.5 cm. The overall condition is good, with one chipped along the edges. 13 have been touched up for publication, a few quite heavily. Annotated, with dimensions, on backs.

African-American entertainer and film actor. Minor parts in at least six films in the 50s and 60s, including Dreamboat and Sweet Charity. The photograph measures roughly seven and a half inches by nine inches. Charming shot of a smiling Radcliffe, besuited and behatted and with hands crossed over knee. Stamp of Lewis of Charing Cross Rd on reverse. Inscription reads 'To you Ken I wish the Best Always and I know you are the coming Champ | Frank Radcliffe'. In postmarked 'PHOTOMAILER' envelope with return address given by Radcliffe as 2468 7th Avenue New York City.

Captain Charles Dickson Inglis, R.N. (born c.1835; fl. 1898), is best known for his offer in 1887 to buy South Georgia in the Falkland Islands for the purposes of sheep-farming. This collection of his correspondence is neatly bound in a crude octavo volume, and is preceded by a manuscript index by him. Items in good condition overall, with minor discoloration and spotting, mainly caused by the glue used in mounting the photographs. All the letters are 8vo and smaller, several of them being cropped at the head, but with the cropped strips loosely inserted.

Evocative picture with docks to the right viewed through tree branches, and a number of boats and ships clearly visible, with three three-masted ones in the foreground, one sideways on and the two beside it viewed from the bows. Dimensions: 2¼ inches by 3¾ inches. Mounted on a piece of pink board which is docketed on reverse in nineteenth century hand: 'Hudson River. N.Y. from Hoboken Docks.' The picture is a little creased in the bottom left-hand corner and there is minor discolouration due to ink stains and grime.