ARTS

See his entry in the Oxford DNB. The fibre-glass dress in which his second wife Helen married him is exhibited in his museum at the University of Sheffield, and was included in the 2010 BBC radio series A History of the Word in 100 Objects. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. The nine items are in good condition, on lightly aged paper, and are folded for postage. All nine are signed 'W. E. S. Turner'. Each bears the stamp of the RSA, some with manuscript docketting.

In one of the present letters Hay signs himself as ‘Retired Behar Indigo planter’, and the material provides an knowledgeable commentry on the colonial textiles industry at the beginning of the First World War. Some of the material was printed in the Journal of the Royal Society of Arts. The recipient George Kenneth Menzies (1869-1954) was Secretary to the Royal Society of Arts between 1917 and 1935. A total of 21pp, 4to. Each bears the stamp of the RSA, some with manuscript docketting.

See his entry in the Oxford DNB. (In his Who’s Who entry he stated that he was ‘author of a great number of papers and articles in the Journals of Scientific Societies’.) 1p, landscape 12mo. In good condition, lightly aged. Folded once. With stamp and manuscript docketting of the RSA. He writes: ‘In 1900 (I think) I gave a lecture on Round About the Andamans & Nicobars published in vol XLVIII. If you have a separate copy left I shall be glad if you can send me one on payment / from Yrs trly / R. C. Temple’.

See his entry in the Oxford DNB. On 13 x 8 cm piece of paper, cut from the end of a letter. The valediction, firmly written in Angerstein’s hand, reading: ‘I am / D. Sir / Your Mt Obt Sert / J J. Angerstein’. First initial of the signature lightly inked. In good condition, lightly aged.

See his entry in the Oxford DNB. 3pp, 12mo. On bifolium. In good condition, lightly aged. He thanks him for ?letting me try the little horse which I returned to Banks?s. I wrote to them to say that I found him too small for the Victoria. This & his taking too much interest in the subterranian openings alone prevented me from keeping him at once for a hack as his paces & temper seemed to me perfect.? He sends his compliments to Bristow?s family, ?if they should still recollect me - and the terrible ascent on the ?Monks cap? - never to be attempted again by me -?.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. The year of the letter looks more like ‘1901’ than ‘1961’, but the letterhead names the writer as ‘Charles Wheeler, C.B.E., R.A.’ Addressed to ‘Dear Sir’ and signed ‘Charles Wheeler’. Having received two letters from the unnamed recipient, he explains that the first ‘got mixed with some papers sent to my Accountant and therefore was not answered’. He apologises for ‘the consequent neglect’.

See his entry in the Oxford DNB. 2pp, 4to. In good condition, lightly aged and with two creases from folding for postage. Addressed to ‘Carmichael Thomas, Esq., / Mount Cottage, / Borough Green, / Kent.’ Cyclostyled signature of ‘Ben Purser.’ Begins: ‘For some time I have been desirous of becoming a member of the Royal Society of Arts. Mentioning this matter to your daughter a few days ago, Miss Thomas thought that if I wrote you in this connection you might possibly be able to arrange this matter for me.

Despite the fact that Reynolds and Crookes’s X-ray apparatus is now in the Science Museum at South Kensington, Reynolds has no entry in the Oxford DNB, although Crookes’s entry can be consulted. The two items are in good condition, lightly aged and worn. Both folded several times. Both 1p, 4to, and both signed ‘Russell J. Reynolds’. ONE: Addressed to G. K. Menzies of the Royal Society of Arts. With recipient's red pencil tick.

See his entries in the Oxford DNB and History of Parliament. A loyal Pittite (‘publicity agent for the ministry’, and founder of the Tory ‘Sun’ newspaper) who served as Irish Secretary. As a connoisseur he had a strong influence on the taste of the Prince of Wales, besides recommending the purchase for the nation of the Elgin Marbles. He bequeathed fifteen paintings to the new National Gallery. 2pp, 12mo. Signed ‘Farnborough’. The circumstances of the present item are unknown. In good condition, lightly aged and worn. Folded twice.

See his entry in the Oxford DNB. 2pp, 12mo. On a leaf of grey paper. In good condition, lightly aged. The recipient was studying at the Royal Academy Schools. Begins: ‘Dear Miss Towgood / Thanks for your letter and enclosed statement by Mr Percy Young.’ He asks to be sent ‘the names of the authors of the various “Cartoons” and “Creswick”’, so that he may have all his material ‘ready for the Council on Tuesday next’. He intended to ask her for the names in ‘the Schools’ (of the Royal Academy at Burlington House), ‘but a sudden attack of Influenza confines me to my room by the Doctor’s order’.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

In 1867 Starr was the first woman to win a gold medal for painting at the Royal Academy, having won a silver two years before. 2pp, 12mo. On bifolium. In good condition, lightly aged, with minor traces of mount on blank reverse of second leaf. Folded twice. She has ‘just received the ticket for the lecture at the Associated Arts Institute’ which he sent, and is afraid she will not be able to use it herself: ‘as we are going to the Opera’. She wonders whether she ‘may be allowed’ to ‘give it to some friends who I think would like to come very much’.

See his entry in the Oxford DNB. There is a blue plaque at his house in Onslow Square, announcing that he lived there from 1851 to his death in 1867. 2pp, 12mo. On first leaf of bifolium with mourning border. In good condition, lightly aged. Folded twice. Addressed to ‘Mon cher Monsieur’. He has returned home after several days in the country, to find his ‘garde manger si bien rempli des preuves de votre bon et bienveillant souvenir’.

See Webb's entry in the Oxford DNB. 1p, 4to. In fair condition, aged and worn with traces of glue from mount at head. Folded twice. Addressed to ‘Rev. A. R. F. Hyslop, M.A. / Warden, / Glenalmond College, PERTHSHIRE.’ Following on from previous correspondence, Webb is ‘desired to explain’ that ‘the Board feels strongly the advantage of a training in freehand drawing as a preliminary to architectural training’, and that they do not consider ‘the geometrical drawing of architecture more particularly from plates’ ‘generally helpful’.

See the entries for Jones and Chantry in the Oxford DNB. 3pp, 12mo. On bifolium. An interesting letter of 39 lines with text intact, in poor condition, aged and with closed tears, and discoloration from tape used in repair, and ink blot to first page. The surname of the recipient is not given, but the close friendship between the two men (Jones published a memoir of Chantrey in 1849) puts Chantrey’s identity beyond doubt.

John Bromfield Gay Rees (1912 - 1965), known to his family and friends as Brom, was a Welsh painter whose work was admired by such eminent figures as Dylan Thomas, Augustus John, William Rothenstein and Eardley Knollys, among others. Introspective and private, he was practically unknown to the general public during his lifetime, and the first major exhibition devoted solely to his work was in 1989.

One page, 8vo, fold marks, very good condition. Text: I enclose two letters from Maitland, the Malta Area Manager of Shell, whose sway extends over the Shelkl Company in Tripoli, one addressed to yoy and the other to the Tripoli Manager. | I have probably done you wrong in saying that this is the first time you are visiting an Arab country, but anyway your presumed naivete will, I hope, only make them the more helpful. | I hope it all works out, and that you find Libya as rewarding as I did.

Stanford's study of Fry in the British Council's 'Writers and their Work' series was re-published several times, and the early letters in the present collection refer to the preparation of the fourth edition, published by Longmans in 1971 (the bibliography to which Stanford refers as 'CHRISTOPHER STATE PAPERS'). A total of twenty-six items. The material in good condition, lightly aged. Stanford's nineteen letters total 65pp, 12mo. In an undisciplined hand, in different-coloured ink, on different-coloured paper. Stanford's 19 letters between 17 February 1970 and 31 October 1978.

Four items, in good condition, lightly aged. The three letters with date stamps of the Society of Arts, and two with pencil annotations. All three signed 'Cloudesley Brereton'. ONE: ALS of 4 January 1900. 2pp, 12mo. He thanks him for his 'kindly intervention with the Board of Education', which he believes 'will in time bear good fruit'. He has been 'thinking over' Wood's 'suggestion of giving a lecture on the Rural Schools of France', and would 'much like to take it up if you have still a vacant date & you do not want it too soon - as I am just now overwhelmed with work'.

1p, 4to. In good condition, lightly aged. With date stamp of the RSA. In response to a letter from Wood, he writes that he is 'highly honoured by the election to the membership of the Council of your Society', but that he is 'obliged to communicate to you my inability to accept it'. He explains: 'My work at the Royal Society has, in consequence of the War, increased to such an extent that I do not feel justified in undertaking any additional duties'.

3pp., 12mo. On bifolium. In good condition, lightly aged. Folded once. With date stamp of the RSA, and endorsement in blue pencil. He is writing to inform Wood that 'a relative of mine has written a paper on a subject of importance regarding the connection of fat [containing glycerin] with manufacture of explosives in Germany - and showing how that Country is approaching a crisis - when her supply of fat will be approaching exhaustion'.

See the entry for Martin Hope Sutton in the Oxford DNB, and that for his grandson Martin Hubert Fouquet Sutton in Who Was Who. 2pp, 4to. I good condition, lightly aged and worn. Folded three times. With RSA date stamp. Signed 'Martin H F Sutton'. In reply to a letter from Menzies, Sutton expresses regret that 'it will be impossible for you to attend the Demonstration here on the 24th inst.' Sutton will be 'publishing certain particulars for the benefit of those present' and will be glad to send Menzies a copy.

14pp, 4to. Stitched into grey printed wraps. In good condition, lightly aged, with one corner slightly dog-eared. 143 lots, divided into two sections: 'Miniatures and Enamels' and 'Objects of Vertu'. The snuff-boxes feature in the latter, and include: '112 A Louis XVI. plain oblong gold snuff-box, with rounded ends and reeded borders - bearing the mark of Henri Clavel, Paris 1778 - the rim engraved "DU PETIT DUNKERQUE"' and '122 A LOUIS XV.

2pp, folio. In good condition, lightly aged. Folded twice.

An interesting correspondence on theatre matters, from one of Canada's most influential critics and designers to 'a favourite poet', the English verse dramatist Christopher Fry. Whittaker discusses, among other matters, mutual acquaintances including Sir John Gielgud and Leonard White, past productions of Fry's plays, a 1998 meeting with the playwright at his West Dean home, and a reading he organises of Fry's 'A Ringing of Bells' at the Toronto Arts and Letters Club. The eight letters are in good condition, lightly aged.

The recipient is Charles Taylor (d.1816), physician, originally a Manchester calico printer and dyer, who later became Secretary of the Society of Arts, London. 1p, 8vo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to reverse of second leaf, which is addressed, with postmarks to 'Dr. Taylor | Principal Secretary | to the Society of Arts &c | Adelphi'. Folded four times. Reads: 'Dear Doctor | I have this day proposed your name to the Medical Society of London.

2pp, 12mo. In good condition, lightly aged. He thanks her for remembering him and sending 'that splendid photograph of yourself – I really think it is the best I have seen'. He continues: 'I have been “slogging” away at water-colours for a shew in Manchester and so have kept pretty busy.' He is sending 'a Nile water colour to the New Gallery', and has sent 'an oil to the Academy – they are sure to kick it out so I shan't mind'. He hopes that she and her sister 'are all right' and 'enjoying this lovely weather'.

The influential potter Herbert Minton (1793-1858), of the Staffordshire firm Thomas Minton and Sons, had died on 1 April 1858. A couple of months later, on 26 May 1858, Wyatt read before the Society of Arts his paper 'On the Influence exercised on Ceramic Manufactures by the late Mr. Herbert Minton'. The first four letters carry the stamp of the Society of Arts. All five items in good condition, lightly aged. The first two 1p., 12mo; the third 2pp., 12mo. The fourt 3pp., 12mo. The fifth 1p, landscape 12mo. ONE ('Saty'): Reads: 'I have selected at Phillip's (Chamberlaine's) in Bond St.

ONE: Manuscript pedigree. On one side of a 49 x 38 cm piece of thick laid paper, with no watermark. Folded three times. Discoloured and with light damp staining. The greater part of the pedigree is written in ink in a loose hand, and traces the descent of Sir Thomas Lawrence's mother Lucy (née Read) to William the Conqueror.

The author of the text of the present volume, J. B. Payne, was manager of the book's publisher Moxon, and ruined the firm with his sumptuous editions, including one of Tennyson's 'Idylls of the King' with illustrations by Gustav Doré, which determined Tennyson to forbid future illustrated editions of his work. The market for the present volume would have been limited, and the cost of producing it so high, that it is hard to see how it can have covered its costs. [3] + 53pp., 4to. Each of the 56 pages is lithographed in black against a light-brown background, on thick art paper.