JAZZ

See the biography of this much-beloved figure in the Oxford DNB. Stylish signature ‘Humphrey Lyttelton’, on irregularly-shaped piece of paper, roughly 7.5 x 4.5 cm, torn from an envelope flap. Somewhat worn and a little creased.

See the article ‘Glory days of the man with the golden trumpet’ in the Lancashire Post, 17 March 2017. On one side of 12 x 8.5 cm leaf of cream paper with rounded outer edges, torn from an autograph album. In good condition, with blank reverse. Large sprawling signature covering the whole page. Reads ‘Sincerely / Eddie Calvert’. See Image.

A good letter, full of content. 2pp, 8vo. Air mail letter with New York postmark, 30 September 1963. Signed ‘Marian’ and addressed to ‘Mr. Les Tompkins / 96, St Helier Ave / Morden / Surrey’. Writing after the publication of an interview with her by Tompkins in ‘Crescendo’, she begins: ‘Dear Les. Thank you, & Tony also, for the copies of Crescendo - Boy! I was verbose, wasn’t I! I got a kick out of the record review, & thought everyone was very complimentary. Wish Steve Race had been there! He always insists you can tell a female player (and of course I think that is a lot of you-know-what)’.

See Roy’s entry in the Oxford DNB. He part-wrote and performed the perennially popular ‘My Girl’s Pussy’, with other songs with suggestive titles. The two men’s careers both began in the 1920s, and Daniels played in the band of Roy’s brother Sid Roy. The two signatures laid down on an 8.5 x 7 piece cut from the leaf from an autograph album. Somewhat discoloured, otherwise in good condition. ONE: Signature of ‘Harry Roy’. On 6 x 4.5 cm slip of paper. Large signature, with the downstrokes of the final letter y’s extending unusually far. TWO: Signature of ‘Joe Daniels’.

A nice piece of ephemera, associated with a landmark concert in the history of British popular music. 1p, 8vo. Twenty-three-line typed circular, with perforated order slip for tickets at end. In fair condition, lightly aged. Signed ‘Donegall’ and with autograph address to ‘Dear Mac Queen Pope’ (i.e. the theatre historian W. P. MacQueen Pope). The circular begins: ‘I am writing to you because H. R. H.

On 11 x 17.5 piece of shiny art paper, cut from a programme. The signature ?Paul Robeson? is written across Robeson?s front, beneath his smiling face in a black and white photograph. Beneath the photograph is the caption: ? ?A voice like his is worth waiting ten years to hear, and an art like his comes once in a generation.? / THE TORONTO EVENING TELEGRAM?. On the reverse are part of the lyrics from two songs, the second being ?Short?nin? bread?.

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud” – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'.

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud”' – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging.

The interview – retitled 'Duke looks back – and forward | in an interview with Les Tompkins' – features on pp.6-7 of the April 1964 number of 'Crescendo'. (Sammy Davis Jr features on the cover, with the announcement 'NOT A WORD ABOUT THE BEATLES!') Three items, the typescript of the interview and two accompanying pieces (one not used). All three in good condition, lightly aged. ONE: Carbon typescript, titled 'That's where the tailoring comes in | Duke Ellington talks to Les Tomkins'. 6pp, 4to. On six leaves, stapled together at a corner.

One page, 8vo, fold mark, good condition. "I am sending you the photographs as you asked. | I read your lyrics but quite honestly I don't think they are really suitable for me. | I have already written three volumes of autobiography and enclose an order form for all of them."

One page, 8vo, good condition. Text commences: "club - I can easily attange it - and all you have to do - is say that you are friends of mine, and ask for the doormanb called 'Bill' - who will look after you. | I go on - at about 11.30. Maybe will see you on Saturday - all the best, [...]"

[40]pp., small 4to. Stapled in brown printed wraps. In fair condition, lightly aged and worn. Title from cover, where it is printed in blue, enclosed in a border of US flags, with clutch of four flags (UK Red Ensign, Cuban, French, US) in blue and red at head. Filled with advertisements, including an illustrated full-page one inside the front cover for 'Dodge Brothers | Convertible Car'.

12mo, 2pp. On bifolium. Aged and grubby. Testimony to the popularity of the black and white minstrel genre, at an early date. The drawing, beside the letterhead, is approximately 3.5 x 5 cm, in black and red. On the soles of the banjo-player's shoes is 'S M | 1908', and beneath it the caption 'Lessons'. Gives dates and times of lessons to 'Rackham', 'Miss Tipper', 'Matthias', 'Clayson', 'Mauchel' and others.

On a leaf of blue paper (roughly 11 x 14 cm), removed from an autograph album. Good: lightly aged and spotted. Reads 'With best wishes The Hedley Ward Trio | Jack Mckechnie | Derek Franklin | Bob Carter'. Docketed, presumably by the recipient, with the members' instruments. Hedley Ward was one of the foremost British bandleaders of the 30s, 40s and 50s, and his Trio featured in many radio and television broadcasts, and are still to be heard on archive programmes.

4to, 4 pp. Good, on lightly creased paper. From the Ken Ryan collection. Long, rambling, good-humoured letter on the . 'Here it is New Years Eve and I'm at home, and being quiet. - I was tired as we have worked hard all week. - and its good to be quiet. [...] London must have been interesting during the holiday season - I hope to some day see it but when I ever will is the question I'm never to [sic] good to save money. - Next week we have the Monte Carlo Ballet. Russe. and I am looking forward to seeing it. with pleasure. I've always been so fond of ballet.'