DAME

1p, 4to. In fair condition, lightly aged and worn, with the top part of the blank reverse pasted onto a slip of paper cut from an album. Adressed to 'Miss Constance M. Evans, | Raventhorpe, | Carmel Road N., | Darlington.' She begins by stating that Evans's letter has been forwarded to her by Julian Herbage.

11 + [1]pp, 4to. Stitched with pink thread and unbound. In fair condition, lightly aged. Nicely printed on laid paper, with cover illustration in black and green of view from back of stage of dancer receiving a bouquet from an audience. The second page gives details of the performance, with a list of the names of the 'Executive Committee'. The programme is on pp.3-11. Divided into 16 numbers. After five songs, the main feature (numbers 6-15 pp.4-8) is 'Chelsea on Tiptoe | New Version', with 'A Prologue | Written specially for “Ellen Terry's Bouquet” | By E. V.

2pp, 12mo. In good condition, lightly aged, with lightly-rusted indentation from a paperclip. She thanks him for the 'lovely form of intrusion your letter proved to be - as though you could ever intrude!' She wonders whether, if she had been 'a more patient patient' the 'second attack' might not have happened' (a heart attack had forced her to retire from the stage), 'but I was never one for sitting and doing nothing'. She is 'trying very hard now as I have learnt my lesson'. She has 'so many interests that retirement is beginning to become a pleasure, thank heavens'.

On one side of 9 x 14 cm leaf of cream paper. In good condition, lightly aged and worn. Reads: "'Sincerely Yours' | Very Lynn". A good, firm underlined signature, in a large sloping hand, with the words 'Sincerely Yours' in single quotation marks.

In fair condition, lightly aged, with punch holes for ring binder. Addressed to 'John M[?] Esq. | (Far Eastern Section) | B.B.C. | 200 Oxford St | London W'. Text reads 'Alas, I have been ill with a virus infection and am going to France for a holiday with Henry, who has been ill too, and I don't think I had better undertake anything. Can I leave it till I come back – that will be at the end of September? | R. W.' In addition to two date stamps and a reference number the card carries two initialled manuscript notes on the address side.

Ballet Today was a monthly magazine founded in 1946 by Phyllis Winifred Manchester (1907-1998). In 1951 Manchester settled in New York, leaving four colleagues, one of whom was Janet Sinclair (c.1922-1999), in joint charge of the magazine. The present item is a volume from the editorial office of 'Ballet Today', containing numerous cuttings of photographs and reviews from the magazine, with typed captions and manuscript annotations, also a few photographic prints, laid down over 104pp., 4to, of a scrapbook bound in green cloth.

On 8 x 12.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and lightly spotted. On one side of the slip is the conclusion of the letter: '[...] | Yours very sincerely | Edith Sitwell'. On the other side is the following autograph fragment: '[...] kind of you to invite me to your lumcheon party on Tuesday, and I am looking forward to it so much. I have not seen you for [...]'.

2pp., 12mo. Bifolium. Addressed on reverse of second leaf 'To the Reporter of the Globe Newspaper'. He points out that in 'the Division which took place last night upon the Belfast and Cave-hill Railway Bill' his name 'was placed in the Majority whereas it should have been in the Minority', and he asks him to correct the error.

In black and white on 34 x 23 cm shiny art paper. Possibly extracted from an unnamed periodical. Lightly aged and worn, and ruckled from being laid down on paper backing. Tiny chip lost at foot. Sixteen female figures are shown, in costumes representing newspapers from the 'Daily Mail' to 'The Sketch', and including 'Mdlle. Zangfretta as Fashion', around a central representation of a scene from the ballet, featuring Adeline Genée as the Liberty of the Press.

1p., 12mo. In good condition, on lightly-aged paper. Docketed in manuscript above text of letter. The typed portion reads: 'Dame Adelaide Anderson presents her compliments and is very glad to receive the card of invitation to the Lecture by Laurence Binyon LL.D. on Persian Painting, to which she looks forward to [sic] on Wednesday, 19th November, at 8.30 p.m.' Autograph addition: 'Her address is now as above (not as hitherton, 21 Allen House, Allen Street, Kensington)'.

14 x 9 cm black and white postcard. In good condition, lightly aged.. A head and shoulders image, with Turner's face looking to the left, looking downwards, hands clasped under her chin. Inscribed at foot: 'To Mr A Watt | Best Wishes | Eva Turner'.

Three plain postcards (no illustrations), with stamps and postmarks, all addressed to Gilruth (author of seven crime novels punlished between 1951 and 1963) at 7 Reston Place, Hyde Park, London. The three cards in fair condition, aged and worn, with staining to corners from mounting, and two of the signatures only half-legible through fading. In the first she says that she is in London until the end of February, and 'would like so much' to see her again: 'Could you come in for drinks with a few friends on Tuesday Feb 17th?' The second begins: 'Thank you ever so much.

1p., 8vo. In fair condition, aged and worn, with slight loss to one corner and creasing to another. Strengthened on reverse with a small piece of tape. Letterhead in red, with Tempest writing in green ink. She writes warmly: 'I've read your Play, and I think it charming up to the point of the two people who are crooks! It suffers from the same thing that our present Play suffers from. Too sudden a jump!' She invites him to go and see the play, 'and you will gather what I mean'. She ends by describing his play as 'amusing and witty'.

The six items in fair condition, with light signs of age and wear. The four letters all with Morley's expansive signature ('Sheridan Morley').

On 6 x 14 cm piece of paper torn from letter. In good condition, lightly-aged. Cut from the valediction to a letter and reads: 'from Yrs most sincerely | Nellie Melba'.

1p., 4to. In fair condition, aged and creased, with slight tearing at edges. She begins: 'Please forgive me for not answering your letter before, but I have been so rushed!' She is not able to 'sit for Mr. Priest just at present': 'We are just on the point of starting rehearsals for several plays to be toured and, in addition, my two small girls are ill, so that I want to spend all my spare time with them.' She is trying to 'get out of' sittings for another artist.

All four items in good condition, lightly aged and worn. All four in a bold, expansive hand. The two letters accompanied by their envelopes, addressed to Child in London. Letter One: Address: 'c/o Mr & Mrs G. W. Williams, | 615 East Genesee, | Saginaw | Michigan. U.S.A.' 4 July 1957. 4pp., 4to. She is 'on the first lap of my Vacation' and has asked 'Anne' to contact him. 'During the University year I am so frightfully taxed for time - my own correspondence and my personal affairs suffer in consequence and are perforce relegated to the background.

The material is loosely inserted in a copy of 'Passionate Nomad. The Life of Freya Stark' by Jane Fletcher Geniesse (New York: Random House, 1999). xxvi + 402 + [2]pp., 8vo. Very good, in like price-clipped dustwrapper, and inscribed to Drower by her daughter. Drower is described on p.296 as 'daughter of Freya's old Baghdad friend Lady Drower, [who] followed Pam Hore-Ruthven as her assistant and spent two years trying to get repaid for the cost, not to mention the enormous effort, of packing up Freya's belongings and sending them to Asolo after the war'.

3pp., 12mo. On bifolium with mourning border. In good condition, on aged paper. Her letter to him is 'the essence of sweetness': it has 'touched me deeply and will not soon be forgotten'. He supposes that she is unaware that 'Parratt and I travelled down to Windsor in the same train with you - indeed in the same carriage'.

In black ink on 5 x 8 cm card, with rounded edges. In very good condition, lightly aged, with evidence of previous mounting on the marbled reverse. Reads 'Alicia Markova | 1933.'

2pp., 12mo. Bifolium. Good, on lightly-aged paper, with small hole through both leaves. He will be too busy over the following days to visit Clark in person, 'and so I send you the first act of the MSS I talked to you about - I may say I read the 1st. act one afternoon to Miss Terry who wanted to take it to Webster - but I was disinclined'. If Clark 'had anything to do with it - the Blacksmith would be the [last word underlined] part'. He asks Clark to return it as soon as he can: 'as this is the American copy - and they expect it (but of course won't get it) by next mail'.

1p., 4to. Fair, on aged paper. He offers Gye his 'very best wishes' on his 'new appointment', adding: 'of course do not trouble to answer for this deserves none'.

1p., 4to. Good, on lightly-aged paper. Addressed to 'dear Ernest'. Marked by Gye 'Ansd.' He is sending Gye 'a word of congratulations on the august appointment to Tangier'. He apologises that he cannot be 'part of the celebration on March 23'. He concludes: 'I hope you are pleased and that everything will prosper. | No answer required of course'.

2pp., 12mo. Good, on lightly-aged paper, with a couple of unobtrusive creases. 'We shall be very pleased to come to tea with you on Sunday - I hope you will not mind if we are a little late - I shall be so glad to see Mrs. Arkwright also. With kind regards and many thanks | Believe me | Yours very sincerely | [signed] Emma Albani Gye'.

Each wIndow is 22 x 20 cm, with a central 16 x 14 cm panel of white glass, surrounded by a border made up of eight pieces (2 x 2cm corner squares with stars in orange glass, connected by 2 x 14cm rectangular purple panels). Each window has a set of two metal loops at head, for hanging. Metal frame rusted on both, and two border panels cracked on one, otherwise in good condition, with both white glass reliefs undamaged. The two housed in a contemporary silk-lined black leather box with brass clasps.

Totalling 5 pp, 4to. All texts clear and complete. Fair, on aged paper. He begins the first letter 'I am venturing to address you on the assumption that you are the son of the revered singer DAME EMMA ALBANI, and most sincerely trust that my letter may not come amiss.' Harvey is writing an article for Albani's centenary the following year 'for Sir Compton Mackenzie's magazine The Gramophone - for November, 1952' and is 'very anxious to obtain definite details of the two UNPUBLISHED Records which Madame ALBANI made for The Gramophone Company in 1904', of which he gives the details.

1 p, 4to. 20 lines. Text clear and complete. Fair, on aged and creased paper. In response to a letter from Gye states that he did not hear Albani sing 'until her last two Canadian tours when she was approaching 50', when he 'thought her best in her singing of Mozart, which revealed her rare vocal finesse'. Charlesworth was told by the 'late Edwin R. Parkhurst, a Toronto music critic, 30 years my senior who had heard her frequently in his younger days in London', that 'these appearances gave no adequate idea of how glorious her voice had been in the seventies'.

Colour photograph in grey card wallet frame. Dimensions of photograph 13 x 18 cm. Dimensions of frame 18 x 23 cm. In good condition. A head and shoulders shot of a smiling old Ashcroft in overcoat outdoors in the countryside. Captioned by Balcon on frame at foot of photograph 'Peggy Ashcroft at Vine Cottage (called by her "The Tiny Palace")'. Part of Balcon's own collection.

8vo, 72 pp. Stapled and unbound. Complete. On aged paper. The outer leaves are worn and coming apart at the spine. Otherwise the item is sound and tight. 1976 items. Items 783 to 883 concern 'the Bacon-Shakespeare Controversy'. Items 888 to 893 are 'Books from the Library of the late Dame Ellen Terry.' ('Only a few Books from her Library were sold, and Association Books are very difficult to obtain.'). Items 894 to 982 are 'Books on the Drama and Shakespeare, from the library of Henry Arthur Jones'. Items 983 to 1976 are 'Books on the Drama'.

The six-line letter, which is laid down on a slightly larger piece of lilac paper, was originally on one side of an octavo leaf, but it has had a strip (presumably carrying the name and address of the recipient) beneath the address cut away. It is now in two pieces: 5 x 15.5 and 12 x 15.5 cm. Otherwise very good. Laid down on the top piece is a slip of paper in Hill's hand, reading 'From: Air Commodore Dame Felicity Hill D.B.E. WRAF (retd)'. In the bottom right-hand corner of the second piece of paper is a strip carrying Hill's autograph.