Katherine

See her entry, and that of her husband, in the Oxford DNB. Black and white print postcard, on shiny paper stock. In good condition, lightly aged. Showing image of waterfall in thick foliage, with caption at foot ‘The Waterfall, Earby.’ Photographers’ details at bottom right.

Five copies listed on JISC. Now scarce. 8pp, 16mo. Stitched pamphlet, on good wove paper. In fair condition, lightly aged, with small closed tear at head of first leaf. First two leaves with light crease. Enfolded in ‘wallet’ of the same paper, repeating the title on the front (differently positioned), and also giving the price as sixpence. The poem, covering pp.2-7, is in small print, and the first stanza reads: ‘I bind upon myself to-day / The Strength of the Holy Trinity: / That mighty Breastplate be my Stay! / I here invoke . . . I here confess . . .

1p., folio. In poor condition, on aged and worn paper, with chips and loss along edges repaired with archival tape, and repairs to Hall's signature. Some biographical information in a light contemporary hand at head. The document reads: 'Sir, | I have the honor to acknowledge receipt of your Circular of the 9th. instant, and to state that in consequence of the construction of the St.

4pp., 12mo. Bifolium. In good condition, lightly aged. The recipient's name, at the foot of the last page, has been scored through. The letter begins: 'My dear Friend, | A note from our mutual friend Sawyer received this Evening informs me that he had transmitted to you some enquiries from me on ye. subject of Church Psalmody - & ye.

4pp., 16mo. Bifolium. In good condition, lightly-aged. She assumes that her work ('Celebrated Friendships', 1861), 'published with Messrs Hogg', has attracted his attention. 'Now about my novel, about which you have been very kind. Till the storm of adverse criticism is over, I think it will be much better to delay the work. Any notice it may have, will be cursory, & slight.' She wishes to postpone publication: 'My name will not appear in any book next year, that I know of, at present.' She will be in Derby for a few days, and will be happy to hear from him.

Good, firm signature in blue ink, 7cm. long, on a piece of paper laid down on a 16 x 25cm. piece of card, beside a magazine cutting of a photograph of Rogers, the two protected by a loose plastic sheet. In good condition, on lightly-aged paper.

3 ALsS, on letterhead of The Athenaeum journal, 12 March 1919; 102 Edith Grove, Chelsea, 16 July [no year]; on letterhead of 5 Acacia Road, St John's Wood, 'Sunday' [no date], total 5pp., 8vo and 12mo.First, he begins: 'You know I've been put in charge of this. Probably you were responsible for the job being offered me - at least I don't know who was, if it wasn't you. | I hope you will be able to write for us.' Postscript reads: 'As for Bertrand Russell, I haven't read the book. But I warn you that it is difficult for me to be humourous at any time, and impossible in this case. B. R.

ALS, 5 Acacia Road, St John's Wood; 10 Sept. 1935. He writes regarding the plans for the publication of Dorothy Richardson's novel Clear Horizon.

The three items form a letter of 4pp., foolscap 8vo. In good condition, on lightly-aged paper. Addressed on reverse of second leaf: 'Bill loading | Messrs. Hankeys Plummer & Wilson | Mincing Lane | London | Lady Kathe Barham'. Docketed '97 Robert Locke | 10 | 28 July 1837 | Received 20 September [1837]'. The bill of loading covers the whole of the first page, with two columns of closely written items, ranging from '2300 yds Osnabury 8lbs do thread' to quinine, opium and '1 Box Hydrometer proof Bubbles from 15 to 30'.

3 ALsS, on letterhead of The Athenaeum journal, 12 March 1919; 102 Edith Grove, Chelsea, 16 July [no year]; on letterhead of 5 Acacia Road, St John's Wood, 'Sunday' [no date], total 5pp., 8vo and 12mo.First, he begins: 'You know I've been put in charge of this. Probably you were responsible for the job being offered me - at least I don't know who was, if it wasn't you. | I hope you will be able to write for us.' Postscript reads: 'As for Bertrand Russell, I haven't read the book. But I warn you that it is difficult for me to be humourous at any time, and impossible in this case. B. R.

219pp., 4to. Good, on lightly-aged paper, in worn red-cloth binding. Closely and neatly written in a ruled exercise book, with frank and detailed entries throughout providing much information relating to the day-to-day life of women of the rural middle-classes ('country families') in wartime England. A few items including newspaper cuttings loosely inserted. Like her husband, Mrs Stopford came from a military family (her father was Captain G.

4to, 2 pp. Sixteen lines. Text clear and complete. Good, on lightly-aged paper. He congratulates her on her 'success in the Saturday Westminster Essay Competition'. He is grateful to her for 'guessing that I should be interested in this work of yours after having plied my scalpel upon your novel "The Sword of Love".' He regrets that 'for many a long year' he has 'done no general reviewing outside the publisher's office. There the flood of MSS. that poured in furnished effectual occupation.

One page, obl.12mo, fold marks, mainly good. ... It was king of you to write, and Iappreciate it. In candour, I ought to say that [William] Morris was a revelation to me also when I came to read him for the purposes of your brother's book [The Great Victorians pubd 1932, ed. Massingham and his brother]. He was one of the people I had taken as read. I was fairly overwhelmed by the profound insight of his later writings. | I agree with you about Chesterton's 'Chaucer'. I liked it very much indeed.

Film director (1926-), husband of the actress Wendy Hiller (1912-). The note, 9 December, 1971, one page, 4to. "Here is David's response to my cry for help. Could you read it and give me a ring suggesting what should be done next. And please send David's letter back to me. The photo of the poster is, of course, yours." Signed "Karel". The letter, 10 November 1972, one page, 4to. "How nice to have your note. Yes, indeed, I am sending Mother out to work again! What's more with Tony!