Agate

See the entries on author and recipient in the Oxford DNB. The subject of the letter Alan Dent, began his career as a prot?g? of James Agate. Although a somewhat histrionic figure, Wolfit's reputation rivalled that of Gielgud and Olivier, and his influence was acknowledged by both Harold Pinter and Peter O?Toole, and Ronald Harwood based his play and film ?The Dresser? on him. 1p, 4to. In fair condition, on lightly-aged and wrinkled paper, with slight nick to bottom-right, and evidence of paper clip. Folded once.

4pp., 12mo. On bifolium of grey paper. In fair condition, lightly aged and worn. 53 signatures over four pages, written after the following: 'April 1939 | Dear Herman: Keep up your Heart & Get well soon. We need your kingly, cheery presence'. One signatory has written a bar of music, another has drawn a face, another has written after his name 'now then – up beat!' The first signature is that of the Punch cartoonist Bert Thomas (1883-1966), after which he has written '(BLIMEY)'. Among the other signatories are the theatre critic James Agate (1877-1947), the artists C. R. W.

A total of 8 pp, 4to, all on Palace Court letterheads. Dent's notes both signed 'Jock Dent.', and the copies both signed 'James Agate'. Two important, energetic and vivid letters by Agate, totalling 6 pp, 4to, defending Coward's play and his position on 'the intellectual and the popular', against the 'pseudo-intelligentsia' of the barristers Shearman and 'Jack' St John Hutchinson (1884-1942).

English theatre manager (1881-1971). One page, 4to. He thanks him for his note about "A Woman of No Importance". In an apparent reference to a letter written by him to The Sunday Times about that newspaper's drama critic James Agate (1877-1947) he writes: "My letter was somewhat emasculated, as not only was a sentence left out in the middle, but the concluding sentence ran as follows: - / "Mr. Agate will never cease being provocative but his influence will necessarily diminish in proportion to the contempt he feels for his job.