CLASSICAL

2pp. 8vo. In good condition, lightly-aged. Making arrangements for a visit by Lynd's daughter Maire, 'with Thomas', the following week. 'Please let Miss Maire stay as long as possible as it is a long journey - I asked Thomas if they could not stay over the 19th when Vera Moore & Antonia Butler will be playing for me in Alnwick but I am afraid he said Term began before then but anyhow I hope they will stay as long as they possible can & get some music as I believe Vera Moore comes here about the 12th -'.

4pp., 4to, on four leaves held together with a brass stud. Typewritten in purple, with underlining in red. In good condition, on lightly-aged and folded paper. The first two entries read: '1857 During the famous Art Treasures Exhibition held in Manchester in 1857, the late Sir Charles Hallé formed and conducted a Band which played at the Exhibition. | 1858 On Saturday January 30th, Hallé commenced his own Concerts under the title: | [First Season] MR. CHARLES HALLÉ'S GRAND ORCHESTRAL CONCERTS.

Disbound pamphlet,[i-ii] title; [1]-35pp.; [36]colophon, foxing. ow good. Eight copies (or so) on WorldCat; BL copy on COPAC. This work was originally in a volume from the Library of Henry Drury, friend of Byron, on the front endpaper of which is inscribed by Drury "coll.perf. | H.Drury. Harrow.| 1823.c.135.3", AND in Drury's hand also, "In this Volume are contained || W. Scott's Halidon Hill. Edinburgh. 1822. | Harroviensis on Lord Byron. London. 1822. | Lord Byron on Bowles. London.1821 | A Remonstrance addressed to Mr. John Murray respecting a recent Publication. Lond. 1822.

[32]pp., 8vo. Stitched and unbound. Internally in good condition, on aged paper, in covers spotted with ink, with slight staining at head of first few leaves, and one corner dogeared. Nicely printed, with lists of meritorious boys, a full-page transcript of a letter from Rev. B. Whitelock to Earl, and examination papers in Greek, Latin, French, geography, algebra and other fields. Scarce: no copies on COPAC or WorldCat, although a similar item for 1852 is held by the British Library. In 1855 it was reported that the school counted 109 scholars, of whom 72 were boarders.

1p., 4to. In fair condition, on lightly aged and creased paper. He thanks her 'for giving me the wrongly addressed envelope'. He has tried ringing her 'a dozen times' and gives her number for checking. He ends by inviting her to dinner.

Both items 1p., 16mo, and both in good codition, on lightly-aged paper. The first note reads: 'Mr. Charles Hallé presents his respectful compliments to Lady Blanche Drummond and would feel greatly obliged if she would kindly take his lesson to-morrow at 4 o'clock instead of half past three.' The second confirms the time for a second lesson.

Both items in good condition, on lightly-aged paper. ONE (letter): 1p., 12mo. In a neat and elegant hand, it reads: 'Tuesday Night | Dear Laura | I send the tickets; as Goldsmith sent the portion of Lord Clare's haunch of venison to Sir Joshua - | "To paint it or eat it, whichever he pleased" | I am glad you like the Philharmonia | Your affecte. Friend | John Hullah'. TWO (cutting of sheet music): Written in pencil on one side of a 6.5 x 15 cm piece of paper, docketted 'Written by John Hullah 1861 | for

'. With a few words in Hullah's hand at head.

1p., landscape 12mo. In fair condition, on aged and lightly-creased paper. He begins: 'This is just a line to say how very good I thought your answer to Quintin Hogg.' He next turns to his desire for a meeting and 'walk in the afternoon', although he knows 'this is a long way off and you are very busy'. He ends with transport information and the news: 'However I am going away on Monday for 3 weeks.' The valediction is in Murray's autograph: 'Yours sincerely, | G. M.'

3pp., 16mo. 25 lines of text. Bifolium. Good, on lightly-aged paper, with slight traces of mount adhering to the blank reverse of the second leaf. The letter begins: 'Dear Miss Paget | Miss Martin has just forwarded me your note so I will send you a few lines to-night. I am very pleased you are singing my song on the 27th., & will be pleased to go over the song with you before the concert.' She gives details of her movements over the next few days before concluding: 'I hope it will not trouble you much to come out here -.

3pp., 12mo. On bifolium with mourning border. In good condition, on aged paper. Her letter to him is 'the essence of sweetness': it has 'touched me deeply and will not soon be forgotten'. He supposes that she is unaware that 'Parratt and I travelled down to Windsor in the same train with you - indeed in the same carriage'.

Card, 11 x 9", stuck on to piece of blank paper with stamp hinges, carefully put together after having been torn into pieces, joints showing but text readable: "Dear Madam, | This letter of your late husband has turned up after my first answer to your request. so I send it in pursuance of your wish."

4pp., 12mo. 65 lines of text. Bifolium. In fair condition: on aged paper with one dogeared corner. He begins by apologising for not returning her manuscript sooner: 'what with my Doctorate exam: and other things, I have been specially busy'. Having been 'completely through the MSS' he lists those he likes best: 'the Rhapsodies (especially No. 1 - also No. 5 and No. 3 - especially the opening subject of No. 5).

2pp., 12mo. On bifolium. In fair condition, on lightly-aged and worn paper. Wood writes: 'Dear Mr. Williams | Will you kindly borrow from Mr. Pheasant tonight the 3rd Trumpet part of Rimsky-Korsakoff Ballet Music "Mlada" as there is a Tromba Alta part which according to the Score & as far as I can judge you can play, please take it home and let me know the result of your studies | Faithfully | Henry J. Wood'. In pencil at the foot of the second page, presumably by Williams, are a couple of bars of musical notation.

2pp., 4to. In good condition, on lightly aged and creased paper. He writes that he is sorry that he could not sing the song 'Nancy's Hair' at Preston. He had not brought it: '(I only got your letter on arrival at the concert hall.) Funnily enough I picked it up before leaving home to put in my case as a possible encore & then put it back.' He is 'delighted to know that your mother liked my singing of it, I most certainly enjoy singing it & I hope to be able to help it along'.

8pp., 12mo. Stapled into beige wraps with deckled edges, with attractive illustration of street musicians on front in brown and red. In good condition, with rusting to staple having loosened the central bifolium. A pleasing memento of an early concert by Elman (he was fifteen at the time). Pp.4-8 carry the 'Words of the Songs'. 'At the Piano - Mr. Charlton Keith. Piano by Bechstein. Suppied by Mr. Arthur Wood, Redhill.' Scarce: no copy on COPAC.

The five items in good condition, on lightly-aged paper. Item One: Autograph Letter Signed (with a crude drawing of Buckle sitting on a rope slung between the printed names of the two magazines). 1p., 4to. On Fleet Street letterhead of 'Ballet Publications Ltd.' Dated by Alport 14 February 1950. The letter concerns an article on the conductor Karl Rankl, and begins: 'Dear Erich | I have just spoken to Harewood [the Earl of Harewood, co-founder with Buckle of 'Opera' magazine].

2pp., 12mo. Very good, on lightly-aged paper. 36 lines. Harewood explains that he 'originally asked Mrs Rankl to think of someone who had known her husband for, at any rate, a portion of his continental career who would be prepared to review his career before he came to this country, and also to give some idea of what he had achieved since arriving here [...] when the moment came she had to say that there appeared to be nobody who had known him abroad who had the necessary musical qualifications. When I saw her about 10 days ago I said I would find someone myself.

On 8.5 x 11 cm piece of paper, cut from the bottom of a letter. In good condition, lightly-aged. Entirely in German's hand. The side of the letter with the signature reads: '[...] write you, & I hope we may be able to arrange a meeting. | Yours sincerely | Edward German'. The other side reads: '[...] you at Sidcup with the Georges many years ago. | I should be very pleased to meet you again, but at present I seem to be fully occupied [...]'.

Printed on one side of a 9 x 10.5 cm card. In good condition, lightly-aged and with a couple of corners slightly worn. The notice reads: 'Change of Address | Please note that | Sir Eugene Goossens | is now residing at | 76 Hamilton Terrace, London, N.W.8. | Telephone: CUNningham 9383'. Docketed in pencil at head (by Rostal?) 'Received 17th Sept.' Addressed on reverse, with stamp and postmark, to 'Max Rostal Esq., Highflower, 45, Brondesbury Park, London, NW6.

On one side of a 16 x 20 cm piece of light-green paper, removed from an album. In good condition, lightly-aged. Thalben-Ball's signature is the upper of the two, and reads 'To | [bar of music in 3/4 time] | G. G. Thalben-Ball | 22. v. 41'. Parry's signatuer is towards the centre of the page, and simply reads 'Parry Jones.' From album which also contained the signatures of many performers at the Denbigh Eisteddford in 1939.

1p., 16mo. Fair, on lightly-aged paper, and laid down on a leaf removed from an album. The note reads: 'Sir | can you offer me an engagement on either the 16th., 18th., 20th. or 24th. December, as I am engaged in your neighbourhood about those dates. | Requesting your immediate reply, | I remain, Sir, | yours truly | [signed] Erminia Rudersdorff | J. M. Wiske, Esq.'

The signature, cut from a letter is on a strip of paper roughly 1.5 x 10 cm, laid down on a piece of paper, 7 x 11.5 cm. Lindpaintner's signature ('Js. Lindpaintner') is bold and florid; a small part at the head has been trimmed away in cutting the strip. In fair condition, on lightly-aged paper, with one pinhole at head of mount, and traces of grey paper on reverse. The mount is neatly captioned 'Autograph of Lindpaintner, composer of "The Standard Bearer" | &c. &c. &c. | Recd. from Wessel & Co - 1859'.

2pp., 12mo. In a windowpane mount on a leaf removed from an album. The letter itself very good, on aged paper; the mount worn at extremities. He begins by informing the recipient that his 'last Letter has made ample atonement for the provocation of the preceding', and he has 'ever been the foremost, both in word & deed, to keep my wings in motion. I speak this seriously: my former note was only a temporary petulance'. The second paragraph begins: 'I must positively have another Paper for my Orators'. He has 'run to a fearful length, & yet have cramped myself all the way.

2pp., 12mo. On bifolium. Fair, on lightly-aged paper, with strip of tape from previous mounting adhering at the foot of the recto of the second leaf. He asks her to send 'cards for your afternoon Friday' to 'our dear friends Mr. and Mrs. Koecher (and the Misses Koecher)', who would 'enjoy every minute'. He gives the Koecher's address as de Keyser's Royal Hotel, Blackfriars, and ends by conveying his wife's love.

The nine items are in good condition, on lightly-aged paper. Items One, Three and Four, from 1962, and stapled together, as are the other six items, dating from 1964-5. ONE: Autograph Letter Signed ('Benjamin Britten') from Britten to Juda. On letterhead of The Red House, Aldeburgh, Suffolk. 25 July 1962. Responding to Item Three below, Britten thanks Juda for 'sending the magnificent book on Graham Sutherland', which Britten is 'very glad indeed to have'.

8pp., 12mo. On shiny art paper. On aged paper, with the two staples rusted. Sammons has signed over the cover portrait of him by 'Haile, Bognor', 'Sincerely Yrs | Albert Sammons'. Including texts by Mary E. Coleridge, Lord Lytton and Sir Rabindranath Tagore. Central opening carries an advertisement stating that 'ALBERT SAMMONS Records ONLY for COLUMBIA Records', with list of eight 'Recent ALBERT SAMMONS Records'.

The two leaves were evidently disbound from a copy of an edition of Dryden's Plutarch, in which the grey 4to leaf of writing paper following the 12mo printed leaf was one of those that interleaved the volume. In fair conditon, on lightly-aged paper. The two leaves are tipped in onto a larger leaf removed from an album. The printed leaf is 12mo, from volume 5 of Dryden's translation, with the pages numbered 511 and 612 [sic]. The two sides of the leaf carry a total of approximately 25 emendations and deletions.

2pp., 12mo. On a leaf of wove paper with Britannia watermark. In fair condition, on aged paper with slight wear to extremities. In pencil at head 'Rev. J. Keate | Head Master of Eton'. Tipped in at the head is a slip of paper with an entry from a Victorian manuscripts catalogue describing the item, reading: 'KEATE (The Rev. John, D.D.). Head Master of Eton.

On one side of piece of paper approximately 18 x 8.5 cm. Neatly placed in a windowpane mount of laid paper, 25 x 20 cm. Good, on lightly-aged paper. Written in a clear, firm hand: 'John Hunter LL.D. | Profr. of Humanity | St. Andrews. | Fife.' Beneath this, along the foot of the page, in a small hand (identified in note on mount as 'The writing of Dr Dick, author of "The Christian Philosopher &c'): 'Dr Hunter is about 90 years of age, and still retains his bodily & mental vigour | This Autograph was written in Feby. 1834. T. D.'

Totalling 5 pp, 4to. All texts clear and complete. Fair, on aged paper. He begins the first letter 'I am venturing to address you on the assumption that you are the son of the revered singer DAME EMMA ALBANI, and most sincerely trust that my letter may not come amiss.' Harvey is writing an article for Albani's centenary the following year 'for Sir Compton Mackenzie's magazine The Gramophone - for November, 1952' and is 'very anxious to obtain definite details of the two UNPUBLISHED Records which Madame ALBANI made for The Gramophone Company in 1904', of which he gives the details.