CLASSICAL

On piece of laid paper (roughly 8.5 x 16 cm) cut from diary. On aged paper with wear and 1 cm closed tear at head. Clear and clean signature, beneath the heading 'July 17'.

On leaf (roughly 10 x 15 cm) torn from autograph album. Good, on lightly aged paper. Signed 'Hugo Rignold' with another signature ('John <?> | <?>') in pencil above it. Docketed in pencil.

On a piece of laid watermarked paper roughly 11.5 cm square. Good firm underlined signature, about 8 cm long. On aged paper, with pin holes above and below, and a vertical fold about 1 cm above.

Dimensions of paper 3 x 8 cm. Good, firm signature, on lightly aged and spotted paper. The flourish beneath the signature (paraph) has been cropped.

8vo, 3 pp. Bifolium with dimensions of leaf 18.5 x 14 cm. Good, on slightly grubby and lightly creased paper. Small slip of paper mount adhering to one margin (not affecting text). Written in a bold and distinctive hand. He will not be able to make 'an appearance with "Lhada" [?]' as he is 'sorry to see that I am in Brighton the 22nd and 23rd of April, where I sing with Madame Donalda'.

8vo, 47 pp. In original grey printed wraps. With frontispiece portrait of Madvig and one plate. Good, in dusty wraps. Presentation copy, with card 'With the compliments of Dr B. A. Van Proosdij, Scientific Advisor to Messrs. Brill' loosely inserted. Divided into four parts: 'The Intellectual Background', 'Preparations and the Eve of the Day', 'The Dies Natalis' and 'Epilogue', with six appendices of passages from original sources, and a postscript of 'Four Letters from Madvig to Geel, Bake, and Cobet'.

On a leaf from an autograph album, 11 x 17 cm. Good, on lightly aged paper. First line by Landauer. Reads 'With best wishes | [signed] Walter Landauer | [signed] Maryan Rawicz'.

4to, 1 p, 22 lines. On aged paper, with chipping at extremities neatly repaired with archival tape. Text clear and entire. He thanks him for his 'interesting paper', commenting on the 'Lucretian passage'. Postgate's 're-arrangement [...] is undoubtedly more attractive & logical than the ordinary arrangment, and as such I welcome it: but must we suppose always that artists do as well instinctively as they might if they had taken counsel?' 'Ex silentio I judge that all is well with you, as far as anything can be well for any of us these terrible times.

12mo, 1 p, 14 lines. Good, on light-brown paper, with the address, stamps, and postmarks on the reverse. In French. He sends his thanks to the 'Journal de Bruxelles' for reproducing his 'article sur la réforme de l'orthographe'. He is sending a petition (not present) which 'en ce moment ce couvre de signatures à Paris', and will be personally grateful if his correspondent can see to it that it is reproduced 'avec les indications qui l'accompagnent'. Loose in blue paper folder with catalogue entry for the previous sale of the letter laid down on front.

4to (26.5 x 22 cm), 2 pp, 30 lines of text. On discoloured and lightly creased and stained paper, with some chipping to extremities, but with text clear and entire.

One page, 12mo. Very good, with a little light spotting at foot. 'Dear Sir, | I suppose it will suffice if I sign myself | Yours faithfully | Geo: Macdonald'. Docketed in pencil at foot.

Paper dimensions: five inches by eight inches wide. Good, on lightly aged and creased paper. Good clear signature reads 'Yours sincerely | Gilbert Murray. | August 6. 1930.'

One page, octavo. Very good, on lightly aged paper, with embossed blue ink monogram at head. 'Dear Sir | My Sister Isabella, just arrived, tells me you desire my autograph, I have great pleasure in complying with your flattering request. [...]' The blank second leaf of the bifolium is carefully attached to a larger piece of neatly-docketed paper, and has the two newspaper cuttings partially laid down on it. The short Times obituary, dated 17 March 1908, states that 'She must surely have been the last person alive to whom Charles Lamb addressed a poem'.

One page, 12mo. Very good. 'I have much pleasure in sending you my signature, as I am told you wd. care to have it.

Dimensions roughly 14 x 9 cm. Very good. The photograph, captioned 'Anneliese Rothenberger', is a head and shoulders shot of a smiling Rothenberger. The note on the reverse, in green ink, reads 'dir, liebe Liesel, alles ! | diese | [signed] Anneliese | 1956'.

12mo: 2 pp. Eleven lines of text. Very good. Having just received it from London, Rodd is sending Crawford the book he could not get in Rome which he wanted to send him as a birthday present. 'It is written by a great friend of mine who knows better than any one the history of the first voyages to America and the discovery of the Great Southern Sea. I think you will like it.' In an envelope, on aged paper, with postmarks and Italian postage stamp. Addressed to 'Harold Crawford, Villa Crawford, St Agnello di Sorrento'.

On a piece of paper roughly 3.5 x 9 cm, with embossed details of stationers. Good, with tiny crease to one corner. A clear signature, in pencil.

12mo: 1 p. Very good. Reads 'January 1866 | [signed] Jules Benedict'.

Juliette Huxley's letter is 4to: 2 pp. Good, though lightly creased and attached to the other items by a paperclip. The correspondence mainly concerns a book by Cowell's eventually published under the title 'The garden as a fine art: from antiquity to modern times' (1978). She begins by describing Mary Wellesley: 'quite a character [...] lives in a small house off St. James's Palace, and entertains by candlelight.

Good, in felt-tip pen on piece of blue paper, roughly 8 x 13 cms, with the slightest discoloration at extremities.

Octavo bifolium on shiny art paper. A bit grubby, with two horizontal fold lines across photograph of Miss Doniach's head and shoulders in profile. Signed beneath photograph in blue ink. Central section contains twelve press opinions, ranging from Ernest Newman in the Sunday Times to the Amsterdam Handelsblatt.

Dimensions of photograph roughly nine inches by seven wide. Aged, lightly creased and a little scuffed. Slight loss to bottom right-hand corner of border, not affecting image. A bespectacled Malko in a double-breasted pinstripe jacket, in the act of conducting, baton aloft, and with violinist in the background. Malko has written his inscription over his torso, beginning 'Cnacudo', and giving the date 1949.

Both letters two pages, quarto. LETTER ONE (annotated in ink with some ink marks in the blank space beneath Goold's signature): Written at the point at which Goold was relinquishing the University College Latin Chair to return to Yale. 'I told you I should be visiting Yale this autumn; and now I have to tell you that I shall be going on to Stanford after Christmas till March. Still, if I shan't have the pleasure of coming in occassionally to the bookshop, it probably means that I shall be ordering more books from you!' Orders a couple of copies of Austin's 'Aeneid'.

Two pages, 12mo. Very good. He was absent when the letter to his wife (the English contralto Charlotte Dolby) arrived. He has heard 'the little boy', and thinks that 'with proper care he may turn out a good Violinist, but he hs to undo every thing and to be guided in the right Way. He has undoubtedly great disposition. If he is persevering and hard Worker (the Violin being the most difficult instrument) I believe he can be one day a very good player'. It is however 'impossible for me to forsee in the future before he has a good start in his Studies.'

Three pages, octavo. Very good on lightly aged paper. Kenyon's paper was 'much enjoyed' when read on Saturday, and there was 'a good attendance'. '[T]he pleasantries were not missed': '1. the confusion of the inexhaustible emender; 2. the thrift of the canny Odysseus in his role of wooer; 3. Burne Jones's Law.' 'At the end some interesting questiosn were asked', for example, 'why second-rate Greek annalists shd. seemingly have been preferred to Herodotus & Thucydides'.

Both cards self-stamped. CARD ONE is very good and has printed on it a stamp of Queen Elizabeth II. Addressed to Powell and his wife, it does not appear to have gone through the mails. 'Most kind of you to write - we led a quick <?> in the car, & then a meeting in the afternoon. We <?>: Jill also, who we havent seen lately. | Many thanks | [signed] Adrian C. B.' CARD TWO is somewhat aged, with a stain and some wear on the address side. It reads 'I too have written to Kellogg's! | [signed] Adrian C Boult'.

Srimathi Mirabai, Indian Classical Dancer - "India's Pavlova". One page each, large 4to, good condition, the second has a representation of an Indian dancer cut from corner (present in first), with some additions in Mirabai's hand. (6 Dec.) She gives information about her activities, the tour, her studies, her performances in India and Ceylon, enclosing a photo (not present). (21 Dec.) She gives some idea of the thinking behind the tour, testing whether Indian Classical Dancing would be successful in London and Europe. Her partner has returned to India but she has her eye on another.

Flemyng was a noted authority in the field of Irish lepidoptery, and published a number of papers on the subject between 1877 and 1919. Both items concern the Latin saying 'ne sutor ultra crepidam' or 'sutor ne supra crepidam judicaret'. HENRY BROUGHAM'S CARD: one page, five and a half inches by three and a half; addressed, with postmarked stamp, on reverse. Extremely grubby. Reads 'Dear Granpy | The Dictionary references to Sutor, ne supra crepidam (judicaret) are | PLINY 35, 10, 36, 85 | c.f. Val. Max. 8, 12, fin. | Papim is sending a few pansy-blossoms hoping you won't be jealous.

English oboist (1897-1988). One page, octavo. Good, on thick laid paper. Pin marks in one corner and neat red stamp '20 MAR 1942'. He 'would like to see the proofs of the Mozart Quartet to check up the crescendo's and diminuendos just in case they are not correct.' He agrees with the 'scheme of marking only the parts'. 'With regard to Boughton's times I have them safe, I hope to play them in the near future but am rather at the mercy of the BBC.'

British composer (1876-1968) of light classical music and singer. 16mo. 2 pages. In good condition, with one neat vertical crease and one dog-eared corner. She thanks him for the 'charming lyrics'. 'I don't think I had better embark on any more at present, as I find it increasingly difficult to get things published, & my Store of MSS. is very large!' The two letters of his that she has are signed 'Grey' and she will be interested to see his 'real signature'. She wonders whether he has a spare copy of 'A recall'.