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See the two men’s entries in the Oxford DNB. The present item, is on one side of an 11 x 6.5 cm slip of paper, cut from a letter and laid down on a 12.5 x 8 cm piece of card. In good condition, lightly aged. Very slightly smudged by Leech. Reads: ‘[...] very low. until I see / you Believe me / Yours Ever Faithfully / John Leech. / Martin . F. Tupper Esq / &c. &c. &c.’ See Image. Leech illustrated at least one book by Tupper (The Crock of Gold).

An interesting indicator of the economic impact of the continental blockade in the year of the Battle of Trafalgar. Roger Knight provides an excellent overview of the background to the present document in his ‘Convoys: The British Struggle against Napoleonic Europe and America’ (2022), and in particular the fifth chapter, which deals with North Sea Convoys between 1804 and 1812.

The present item - presumably autobiographical and definitely unpublished - is in a disordered state, and certainly not in the best of condition, with some parts apparently missing; but it is certainly worthy of attention, as a well-written production over which the author has taken some pains, with numerous manuscript additions and emendations in green and black felt-tip pen, describing from the point of view of a young Englishman 1960s Anglo-Japanese culture shock. 239pp, all but two of which are 4to, the two being foolscap.

Richard Colley Wellesley (1760-1842), 1st Marquess Wellesley [as Earl of Mornington]; John Jeffreys Pratt (1759-1840), 1st Marquess Camden [as Viscount Bayham]; John Thomas Townshend (1764-1831), 2nd Viscount Sydney of St Leonards. See their entries in the Oxford DNB. On 5.5 x 15.5 cm strip extracted from a document, and laid down on 8 x 21.5 cm part of gilt-edged leaf from an album. In good condition, lightly aged on aged and creased mount. The signatures are written above one another: 'Mornington / Bayham / J. Th. Townshend'.

An interesting glimpse into the late-Victorian world of English art. Corbet and Swan were close friends - one of Corbet’s paintings remained in Swan’s family until the 1990s. See the two men’s entries in the Oxford DNB. The three letters are addressed to ‘Dear Swan’ and signed ‘M. R. Corbet’. All three on grey paper, lightly aged and worn, with creasing to Letter One.

An interesting and sprightly correspondence, mainly concerned with the practicalities of the vocation of a minor provincial poet. See David Gaskin’s obituary of Vanson, Independent, 27 July 1993, and Fry’s entry in the Oxford DNB. A second slice of Vanson material from the Christopher Fry papers (the other collection is offered separately). The collection consists of twenty-one items: nineteen letters from Vanson to Fry, a one-page typescript of three of Vanson’s poems, and a draft of an introduction by Fry to a proposed collection of poems by Vanson.

Henley?s poem ?Invictus?, with its conclusion ?I am the master of my fate, / I am the captain of my soul?, is one of the most popular in the English language, and has inspired individuals as diverse as Nelson Mandela and Ron Kray. See Henley?s entry in the Oxford DNB. He was a friend of both Sylvia Llewelyn Davies and J. M. Barrie, and his daughter Margaret inspired the ?Peter Pan? character ?Wendy?. 1p, 8vo. In fair condition, lightly aged and worn. Folded three times for postage. The letterhead has a thin black mourning border. Henley?s poem featured as the ?Envoy?

2pp, 8vo. In fair condition, lightly aged and worn, with slight spotting and single punch hole centred above letterhead. Folded twice. The letter is addressed to 'My dear Vice-Chancellor' without further elaboration, but the item comes from the Ross papers. Temple explains that it has been ?difficult to foresee how this summer could be arranged: the planning of domestic life in two houses under present conditions of staffing is very complicated!? His wife will not be joining him in the visit, as she ?feels obliged to spend that week-end at Canterbury?.

See the entries on Thornycroft and Allingham in the Oxford DNB. The letterhead is also of interest: 'One-Oak' is a notable example of the work of the Arts and Crafts architect A. H. Mackmurdo. 1p, 12mo. On grey paper. In fair condition, lightly aged and worn, with traces of mount adhering to blank reverse. Folded twice. Initial ?H? of signature slightly smidged. Reads: ?Dear Mrs Allingham / I have only [?] got your note. / I enclose two cards for RA. Hoping to see you there / Yours very sincerely / Hamo Thornycroft?. See Image.

1p, 4to. In fair condition, on aged and somewhat brittle paper, with unobtrusive repair to one corner. Folded three times. Certainly not in Wellington's distinctive hand. Reads: 'The Duke of Wellington presents his Compliments to Mr: Briggs and begs to acquaint him that he is going out of Town this night. / But he will be happy to receive the Gentleman mentioned in Mr. Briggs's note at the Ordnance Office Pall Mall on Friday next at three oClock. / London / 27th: Novr: 1826.' See Image.

Lightly-written signature (?Cliff Richard?) in blue ink at bottom left of 21 x 16 cm photographic print on glossy paper of black and white publicity photograph of a tanned Richard sitting in swimming trunks with his hands on his knees, looking at the viewer between two rather plain brunettes in bikinis. The print is somewhat creased and worn, with minor discoloration to white border at the top edge. See Image.

See his entry in the Oxford DNB. 2pp, 12mo. On his letterhead of coronet and letter R. In good condition, lightly aged. Folded once. He is sorry to refuse the Duke, ?but I could not really take the chair at a dinner in aid of the Westminster Hospital Funds?, as he has ?promised Lord Cadogan to to [sic] act in that capacity in aid of [same?] Chelsea Hospital. Under these circumstances, I am sure you will excuse me.?

A good example of Nash’s attractive and distinctive signature ‘John Nash’ on a very light dotted line, a piece of paper cut into an oval roughly 5 cm wide and 2.5 cm high. In good condition, lightly aged, laid down on an irregularly-shaped piece of card. See Image

See his entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The twenty items are in good condition, lightly aged. Of Powell’s fifteen letters (all signed ‘J. Enoch Powell’) five on House of Commons letterheads, four on his Eaton Place letterhead, and the others with the latter address typed.

See his entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 2pp, 4to. The letterhead, on both leaves, is topped by a pleasing 10 x 6 cm woodcut of Combe Florey House. The paper is creased, otherwise in good condition, and entirely legible.

See Richard Wollheim’s appreciative entry on Ayer in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The three items are each 1p, small 4to. All three in good condition, each folded twice. All three signed ‘A. J. Ayer’, with typed name beneath, ‘Sir Alfred Ayer’.

An attractive item by a leading exponent of ‘English pastoralism’. See his entry in the Oxford DNB. Bass and treble notation of opening bars, headed ‘Romance / Andante ma non molto’. On one side of 9 x 11 cm card with rounded edges. Firm signature at bottom right: ‘Martin Shaw / May 1921’. In good condition, lightly aged. See Image.

An interesting agglomeration of ephemera London cinematic information. The author is working-class or lower-middle-class. Two sturdy ruled small 4to exercise books, with black covers of ribbed watered cloth and spine of red cloth. In fair condition, lightly aged and worn. ONE: 150pp. Ownership inscription on inside of front cover: ‘Miss Renee Fish, / 112, Allerford Road / Catford, / S.E.6.’ The first page is headed: ‘31. 12. 29. Films I have seen during 1930.’ Each of the volume’ The entries are numbered from 1 to 272, with an additional numeration for each year from the second year onwards.

See his entry in the Oxford DNB. 2pp, 12mo. In good condition, lightly aged, and folded once for postage. With the item’s worn envelope, with ‘British Embassy, / Berlin.’ printed on the damaged flap, addressed by Malet to ‘Sir Robert Head Bt. / 97 Zimmer Strasse’, and initialed by him at bottom-left, ‘R B Malet’. The letter, which is signed ‘Edward B Malet’, begins: ‘Dear Sir Robert Head, / My wife will be very happy to take you and Lady Head to Countess Brockdorff’s on Monday at 3 1/2.

1p, 12mo. On grey paper. In fair condition, lightly aged and with slight creasing. Large firm signature. Presumably responding to a request for an autograph. Reads: ‘With my most abject apologies - but I have been away for three months / Robert Morley. See Image.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged and creased. Folded twice for postage. The letterhead is somewhat striking, with a band of green printed along the top, and the charity’s logo featuring prominently. The names of many officers and committe members are printed down the left-hand margin, headed by President Noel Coward, and including ‘Miss Gladys Cooper’, ‘Dame Edith Evans’, ‘Lady Du Maurier’, ‘Sir Laurence Olivier’, ‘Mr. Michael Redgrave’, ‘Mr. Jack Hawkins’ and ‘Mr. Kenneth More’. Attenborough features both as Hon.

See her entry in the Oxford DNB. 2pp, 8vo. In good condition, lightly aged. Folded once for postage. Addressed to ‘Dear Miss Scott’ and with good clear signature ‘Myra Hess’. She regrets that it will not be possible for her to join Miss Scott for dinner. ‘I shall probably have to work, rehearse all day on Tuesday [corrected by Hess to ‘Wednesday!’] - so shall have to try & get a rest before 8.30 - (& probably have a scrambled egg at the last minute!!’ She ends ‘Forgive this in haste / Again thanking you’.

See his entry in the Oxford DNB. Simply Grote's stylish Autograph Signature, 'G. Grote', on a 6 x 3 cm piece of light-grey paper. In good condition, lightly aged. See Image.

Plain white card, blank on reverse. In good condition, lightly aged. Reads: ‘I’m sorry I don’t have any photographs - there’s not much demand. / My second TV play (1974) was about Morecambe. Sunset Across The Bay - probably still available from the BBC / All good wishes / Alan Bennet.’

In good condition. Printed on one side of the card is one of Bennett's self-caricatures, and printed on the other, on a left hand panel, a note apologising for not writing in autograph, as answering so much mail would take away 'time which I would like to spend working'. On the right-hand panel, in actual autograph, is the following: 'Thank you for yr letter and I hope 2021 is a better year for you. I gather from Sam Barnett (ex History Boys) that the Nottingham Playhouse is keeping going. I'm getting slower but still coming to my desk every day. / All good wishes / Alan Bennett.'

On a ‘Lion Brand’ plain post card. In good condition, but with the hurriedly-written text somewhat smudged, and a small staple at one corner. Addressed to ‘Robt J Drury / 141 Chichester Rd / Cleethorpes / S. Humberside / DN35 OJL.’ The message on the other side is hurriedly written: ‘August 1 1995 / Dear Mr. Drury / I’ve no thought on the Academy Awards I’m afraid. Some are well deserved some not - but thats true of a [?] Alan Bennett.’

1p, 12mo. On grey paper. In good condition, lightly aged. Addressed ‘Dear Mr Robinson’ and signed ‘Alan Bennett.’ A short response to a letter about his play ‘The Old Country’, whose run at the Queen’s Theatre had started on 7 September 1977. He thanks him for his kind letter, and states that ‘It’s nice to hear from people in the audience as I often feel the play goes on night after night & has nothing to do with me at all - one penalty for not performing very much.’ See Image.

None of the boats and captains named in the present item are present in contemporary Navy Lists, so they would appear to be merchant ships. 2pp, foolscap 8vo. Aged and worn, with slight loss along edges and faded to a small portion of text. Folded four times into a packet, named (on the reverse): ‘Respecting Arming Pilot Boates / Account of Stores’. The whole of the recto is filled with text, divided into six rectangles in two columns of three rectangles each, under the heading ‘Account of Sundry Stores received from the Pilot Boates’.

See his appreciative entry in the Oxford DNB, concluding with praise of his ‘undeniable’ achievements.2pp, 12mo. On bifolium. In good condition; folded once for postage, and with the blank reverse of the first leaf laid down on part of a leaf from the autograph album of the novelist George Meredith's daughter Marie Eveleen (‘Mariette’; 1871-1933), wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Addressed to 'Miss Marie E. Meredith' and signed 'Arthur W. Pinero'. Begins: 'It is with a heavy heart that I tell you I am pledged, wit h Mrs.

Langford trained as an industrial chemist and was a member of Royal Chemical Society. In later life he turned to mathematics, and published thirty articles in the Mathematical Gazette. One of these (‘Problem’) appeared in 1958 and concerned what came to be known as the Langford Sequence. Its significance is discussed by Martin Gardner, in his ‘Mathematical Magic Show’ (1978). Both items aged and creased, with closed tears, but with text complete and legible. Both are addressed to ‘Dear Sir Richard’ and signed ‘C Dudley Langford’. ONE: 3pp, 12mo. On two leaves.