ENGLISH

Short Biography by John Munro.Frederick James Furnivall A Volume of Personal Record with List of SubscribersRebound, hf-lea, rubbed, endpapers sl.

It is perhaps appropriate that we should have been left such a collection by an author who made a name for herself with pioneering works on the social history of English literature.

Scarce. xx + 123pp, 8vo. With erratum slip following prelims. Internally good and tight, on slightly-discoloured brittle paper, with one leaf among the prelims with small grease stain in margin; in heavily worn half-calf binding, with loosening boards. The introduction begins, p.ix: ‘The present volume comprises ten of the Charters which were granted to our early American Colonies.

See her entry in the Oxford DNB. 1p, small 4to. On laid light-brown paper. In good condition, with fold for postage. Reads: ‘Dear Miss Cond, / Your nice letter was mislaid in my flitting from the Whitehall to the Victoria Palace, hence the delay in acknowledging it. / Many thanks for your good wishes / Sincerely / Greer Garson.’ Eileen Cond was an enthusiastic autograph collector.

Blackwood’s entry in the Oxford DNB quotes H. P. Lovecraft’s opinion that he was the author of ‘some of the finest spectral literature of this or any age’. On post card with printed stamp. In good condition, lightly worn, on light-brown card. Addressed to ‘Miss Cond, / Deer Park, / Honiton.’ Apart from the signature, Blackwood has added quotation marks and dealt with two typing mistakes in autograph. Good firm signature. Reads: ‘Savile Club, 69 Brook St, W. 1.

See his entry in the Oxford DNB. 2pp, 12mo, with verso paginated 135 and ending ‘FINIS.’ The items are described over forty-five lines. The text is complete and clear, but the laid paper is in a delicate condition, discoloured and with chipping to extremities. The longest title is the first, at ten lines: ‘I. The Practice of Physick, containing seventeen several Books: wherein is plainly set forth, the Nature, Cause, Differences, and several sorts of Signs; together with the Cure of all Diseases in the Body of Man.

The six items - all from Cruikshank’s ‘Comic Almanac’ for 1845 - are in fair condition, lightly aged, and have all been trimmed, with diagonals cut from the corners resulting in minor loss. The last has a small amount of loss to the bottom left-hand corner from removal from a mount. All six are signed in type by Cruikshank at bottom left. They are captioned: ‘Flying Artillery’ (gentlemen on bended knee, declaring their love to ladies, while Cupids shoot arrows from overhead), ‘The Day After - “St.

1p, 12mo. In fair condition, lightly aged and creased, with one dog-eared corner. He writes that he has ‘had the engraving photographed’, and can ‘return it together with the casting’, with ‘very many thanks to you for being so kind as to lend it to me’.

On one side of a 12mo a piece of grey-green paper; creased, worn and torn at the bottom. A fifteen-line poem in five three-line stanzas, titled ‘REST’. At end: ‘JOHN GAWSWORTH’. Proof directions in pencil to convert a full-stop at the end of the fourth stanza to a comma. While the poet's attempt at direct simplicity verges on triteness, one should recall that he served manfully in the RAF: ‘Beneath the oaks the soldiers lie / Staring at the open sky / Drowsily, lazily. / Like England is this plot of green / But in the mountains all unseen / The guns’ complaint affects the scene.

Four copies on JISC (only one in a deposit library, NLS); now scarce. 12pp, 12mo. Disbound. Worn and discoloured. After the end of the prose work are two poems (pp.11-12): ‘Hymn. / Frail Life and Succeeding Eternity’ and ‘The Danger of Delay.’ In addition to being the ‘Godfather of English Hymnody’, Watts was a noted logician, producing a successful work on the subject, and despite the repetition of the phrase ‘Time shall end!’ throughout, the present extract treats the subject of ‘The End of Time’ in an unusually thoughtful way for a work of theology.

From the Macqueen-Pope papers. (See his entry, and those of Foyle and Mackenzie, in the Oxford DNB.) Apart from damage and rust staining from paperclips, the seven items are in good condition. The correspondence mainly concerns a Foyles Literary Lunch for Macqueen-Pope, which Mackenzie was unable to chair because of an attack of bronchitis. All items 1p, 8vo. Mackenzie’s two letters signed ‘Compton Mackenzie’ and Foyle’s signed ‘Christina Foyle’. ONE: Foyle to MP, 26 February 1951. She is forwarding a letter from Mackenzie.

From the papers of theatre historian Walter James Macqueen-Pope (1888-1960). (See his entry in the Oxford DNB.) The three items are in fair condition, lightly aged and worn. Her two letters are pinned together. The letter to Kerby has the large and firm signature ‘Suzette Tarri’; the letter to Horsfield is evidently signed ‘Suzette Terri’ on her behalf by her husband. ONE (ST to P. W. Kerby): 23 January 1944. Letterhead of ‘“Suda” / 25 Manor Drive, Southgate, N. 14’ (‘SUZETTE TARRI / RADIO COMEDIENNE / WITH / DAVID JENKINS / THE POPULAR PIANIST-VOCALIST’). 1p, 4to.

From the Macqueen-Pope papers, and evidently received by him. (See his entry in the Oxford DNB.) Of Dunn an online source states: ‘On the 10th of November 1917, the Stage Gossip feature in the Yorkshire Evening Post recounted the career of Finlay Dunn, a stage actor. According to the report, Dunn performed as what he refers to as a stand-up comedian.

From the Macqueen-Pope papers. (See MP's entry in the Oxford DNB.) Nash made around 70 films between 1912 and 1927, and was a key figure in the creation of Elstree Studios. His career as a film maker was effectively ended following the screening of his 1921 film 'How Kitchener was betrayed'. See Bernard Ince, ' “For the Love of the Art”: The Life and Work of Percy Nash, Film Producer and Director of the Silent Era’, ‘Film History’, September 2007. Both items in good condition, lightly aged, each with light rust staining at one corner from paper clip. LETTER: 1p, 4to. Signed ‘Percy Nash’.

From the Macqueen-Pope papers.. See his entry, and that of Matheson Lang, in the Oxford DNB. As the latter states, Britton and Lang had married in 1903 (she had been an actress with him in the Benson company since 1901). They toured together in Lang’s company, with Britton usually as his leading lady. ‘In 1914 they helped to inaugurate Shakespeare productions at the Old Vic under Lilian Baylis, for which Lang personally lent costumes and scenery.’ Britton was for many years a member of the Old Vic's governing board. Both items are signed ‘N. Matheson Lang’. ONE: ALS, 28 April 1948.

From the Macqueen-Pope papers (see his entry in the Oxford DNB). 2pp, 8vo. In good condition, lightly aged and worn, and folded three times for postage. She asks him to send ‘3 or 4 more copies’ of his ‘nice write up in the “Sunday Chronicle” March 13th.’, as she would like to send ‘a copy to Australia, Canada & America, as there is some talk about my going to America in the near future’. She has ‘tried all over Streatham and Brixton and it seems impossible to get a copy anywhere’, and will be happy to pay the cost.

An idiosyncratic letter, revealing something of his working practices, and the relations between client and bookseller in the early nineteenth century. See his entry in the Oxford DNB. 1p, 12mo. From the collection of a painstaking Victorian autograph collector, who has unobtrusively repaired slight damage to a central fold. On lightly discoloured paper, with a thin neat strip from the windowpane mount adheres to the edges. The letter is signed ‘Sh.n Turner’ and the recipients are not named.

1p., 12mo. Good, on lightly-aged paper, with minor traces of mounting on the blank reverse. The letter reads: 'I shall be happy to execute your orders, and shall be obliged if you kindly forward me the blocks and Copy, with your directions upon what style you wish these drawings to be done: to my address as above.'

See her entry in the Oxford DNB. 2pp, landscape 12mo. In good condition, lightly aged. Folded once for postage. Signed ‘Marie Belloc Lowndes’ and addressed to ‘My dear Mrs Doubleday’. Begins: ‘This is only a line of very very grateful thanks for our delightful stay with you and the Great Effendi!’ They ‘enjoyed every minute’ of their visit, and she wants the recipient to have their ‘London address and telephone no. so that we may meet at once when next you are in England!’ She will write if she has ‘any authentic news as to Lord Grays book’.

See his father’s entry in the Oxford DNB. 2p, 12mo. Neatly written over 26 lines. With mourning border. In good condition, lightly aged. Folded twice for postage. Signed ‘E. G. Marsh’. Recipient not named (‘My dear Sir’). He explains that, having happened on the previous day to be in the chair ‘at the monthly meeting of our clerical society in Maidstone’, he was present when the recipient’s ‘two letters to Dr. Maitland’ were presented, and is requested to convey the meeting’s gratitude, not only for the letters, but for his history of Rome, ‘received by them on a former occasion’.

See his entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded for postage. Signed ‘W Harrison Ainsworth’. Signed ‘W Harrison Ainsworth’ and reads: ‘Dear Mrs Barlow / My Daughters return on the 30th. May[.] I therefore hope to have the pleasure of seeing you and Mr. Barlow at Dinner at a quarter after 9 o’clock on Saturday, 30th?’ See image.

See his entry in the Oxford DNB. Rectangle of paper, evidently cut from a letter for an autograph hunter. Reads: ‘Yours truly / Tom Hood’. See image.

See his entry in the Oxford DNB. For Gauntlett see the excellent article on the ‘Semibrevity’ blog: ‘Ambrose Gauntlett, forgotten gamba player and continuo cellist’, beginning: ‘Although Ambrose Gauntlett (1889–1978) spent most of his career as a full-time orchestral principal, he was the most sought-after continuo cellist and gamba player in the UK for many years. In his obituary, published in The Times, Sir Anthony Lewis mentions “his beautiful playing of the important 18th-century viola da gamba obbligato roles”.’ Both items in good condition, lightly aged. ONE: Letter, 1 June 1972.

Of the five copies on JISC only that at the BL is from one of the deposit libraries. 21pp, 4to. Collotype of engraving of Caxton as frontispiece. Sewn into grey card wraps with Yapp-style edges and title repeated on cover. In good condition, lightly aged.

See her entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. On bifolium with her current address in autograph on the reverse of the second leaf, which has slight traces of paper from a previous mount at its head. The recipient is not named. Reads: ‘Dear Sir / Will you give me some idea of the subscriptions made by the Committee, so that I may be [?] the amount to send, as I do not ish to send a cheque equal with the highest or below the lowest. / Faithfully yrs. / E. Lynn Linton’.

Four pages, 8vo, foxed but text clear and complete. I am so forgetful for I have no recollection of saying I would send for Mapp & Lucia. But here it comes to you, with many regrets that I did not send it before. I hope it may amuse you (this is the American edition) and I haven't got an English one). Anyhow our minds must have been moving (like all great ones0 in parallel lines, for I too am being as patriotic as you, & am trying to get together money which I shall devote to helping to pay off the National Debt & to balance the budget.

See Mellanby’s entry in the Oxford DNB. David Waterston (1871-1942) was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. 1p, 4to. Signed ‘E. Mellanby’. In fair condition, lightly aged an slightly ruckled. He will be happy to see Dr Simpson on her visit to London, and has ‘raised the matter of the Mackenzie Institute with Professor Greenwood again and arranged to send a statistician, Dr. Teleky, to St.

See his long entry in the Oxford DNB. 1p, 12mo. In good condition, with negligible remnants of windowpane mount adhering at edges of blank reverse. Reads: ‘Mr. Romilly presents his compliments to Mr. Williams and informs him that he is obliged to go out of Town tomorrow & that he has not been able to finish the Bill in this Cause but he will take it with him into the Country & send it to Mr. W. in two or three days’.

See the two men’s entries in the Oxford DNB. 1p, 12mo. With mourning border. In good condition, with negligible remnants of windowpane mount adhering at edges of blank reverse. Written with a light touch, making the dating doubtful. Signed ‘F Egerton’ and addressed to ‘O. Blewitt Esq.’ Reads: ‘Sir / In reply to your letter I beg to state that it is my intention to vote for you in the election to the Secretaryship of the Literary Fund Society.’

2pp, 12mo. In fair condition, lightly aged, fold marks. Twenty-nine lines of text in Kipling's neat and close hand. Text: Many thanks for your letter & enclosed slip. As you say, your competition is the First step in the right way: next comes the unknown range for the disappearing man. I am afraid you will find [masses?] of opposition from the 'crack' shots &c to whom the solemn ritual of [?] paint-box and all the rest of it has all the dignity of a 'sport'. Also the meagre scores will not 'look well in the papers'.