ENGLISH

2pp, 4to. 34 lines of closely-written text. In good condition, lightly aged. Folded twice. Addressed to ‘Mr. Poole’. After expressing a hope that they will be meeting Poole now that they are both on the council of the Royal Historical Society, he explains that he is writing in relation to his redrafting of ‘the early part of Percy for the Complete Peerage’, noting that ‘the present draft is certainly alarming’. He is taking it ‘down to 1245’ and finds it ‘full of snags’. He has ‘just finished a draft of Jocelin, Agnes de Percy’s husband’, and L. C.

Boehm had executed a bronze bust of Wolseley two years before. It may be that the present letter is in response to congratulations from Boehm on his forthcoming elevation to the viscountcy, with occurred 28 September 1885. 1p, 12mo. Folded once. In good condition, with unobtrusive folds to two corners. Reads: ‘Dear Lord Wolseley | Many thanks for your kind note & the Norfolk jaquet which arrived safely this morning | Yours sincerely & obliged | J. E. Boehm’.

Dupré is thinking of retaining Brett as architect in the rebuilding of a house on an attractive site, and the two items deal with the practicalities. Both signed 'Lionel Brett', and both in fair condition, lightly aged. ONE: TLS. 2pp, 4to, Folded three times. Forty-two lines of text. Addressed to Dupré at The Lodge, Windlesham, Withyham, Sussex. Deals firstly with ‘the estimate for demolition’, with comments ‘On the technical side’, before moving on to the question of ‘salvage materials’.

Gertrude Ward trained under Florence Nightingale at St Thomas’s Hospital in London (see below), after which she became a district nurse, and then sister at the Medical Mission, Zanzibar. She was appointed to the position of Matron at Eton in 1901. 2pp, 12mo. Bifolium, folded twice. In good condition. Nineteen lines of text. Signed ‘Gertrude Ward.’ She confirms the day of an appointment, but wishes to change the hour, as ‘unfortunately another UMCA Candidate has arranged to come at 3.30 on that day’.

1p, 12mo. On laid paper, folded once. Informing her that ‘Fanny’ will be returning in a few days, and that ‘we shall be very happy to come to your Garden Party on Thursday 10th. which is one of my chief pleasures of the Season’.

On one side of slip of laid paper, with watermark date ‘1811’. Dimensions: 18.5 x 7.5 cm. In good condition, folded three times. Good firm signature. Reads: ‘Received Feby: 18th: 1814. of Mrs. Campbell One Hundred & fifty Pounds for a Monument to the Memory of Coll. Campbell - including cases - Inscriptions - &c | £150 | Henry Westmacott.’ For Westmacott's work on Nelson's tomb, see the Archaeological Journal, 1894, vol. 51 (2nd series no. 1), p.161..

2pp, 12mo. Bifolium with mourning border (her mother had died the previous December). In good condition, lightly aged, with traces of paper to which the item was glued still adhering to reverse of second leaf. Having been informed by her sister ‘Miss Kingsley’ (her elder sister Rose) that Combe is ‘kind enough to wish for my autograph’, she has ‘much pleasure in sending it you - but I wish my pen was a better one, more befitting this serious occasion!’

All signed ‘George C: Oke’. At the time of writing Oke was Assistant Clerk to the Lord Mayor, a position he had held since 1855; in 1864 he would assume the Chief Clerkship. For details of the recipient, barrister and F.R.S, elder brother of Sir Bartle Frere and nephew of Canning’s friend the satirist John Hookham Frere, see the Law Times, 31 December 1887. The four letters total 10pp, 12mo, all on letterheads with engraved arms of the City of London. All in good condition; very lightly aged; with folds. Closely and neatly written.

4to, 4 pp. Bifolium. Good, on lightly-aged paper. First page carries the decorative title beneath the Queensland crest.The central two pages carry a long text, in small type, under the headings 'AGRICULTURE SELECTIONS', 'GRAZING SELECTIONS', 'GROUP SETTLEMENT' and 'OTHER MODES', and the subheadings 'AGRICULTURAL FARMS', 'AGRICULTURAL HOMESTEADS', 'GRAZING FARMS' and 'GRAZING HOMESTEADS'. The final page advertises 'FREE PASSAGES [...] TO Female Domestic Servants of Good Health and Character, between 17 and 35 years of age. Plenty of Work!

Small piece of paper, 6.5 x 1.5cm, good condition, clipped from something (perhaps the end of a letter) with a clear signature.

[8]pp. including card covers, 12mo, some damp- staining not interfering with text, faint foxing. Verso of front cover signed: Stephen Spender and Wystan Auden, with the signatures of seven others (presumably the undergraduate members whose guests Auden and Spender were).

Three pages, 12mo, bifolium, good condition, docketed on p.[4] 1852 | C R Leslie RA. He extends an invitiation for Mrs Gardiner to visit before two oclock when he will with pleasure give her such information and assistance as I can respecting models. He continues with insights into his own works: My faces & figures are sometimes painted from firends, sometimes from members of my own family but [some?] often from hired models, who do not, however, supply [dresses?]. These I make up as I can, & sometimes borrow them from Nathan in [?] Street [theatrical costumier?].

Four pages, 4to, fold marks, good condition, closely written, pages joined at top. He thanks Davis for writing at such length. But as you still attribute to me ideas wh[ich] I repudiate, you must put up with a rejoinder.

See Long's entry in the Oxford DNB. On 7 x 17 cm piece of paper, laid down on slightly larger piece of thick paper cut from an album. In good condition, lightly aged. Three lines of text by Long in clerk's hand, reading 'Registred accordinge to Ex Art within [mentioned?] ye [?] day of July 1667[.] And to be paid in coarse [?] after 397338 16 1'. A good example of Long's neat signature, larger and underlined with a tight flourish, beneath the text and towards the right.

See his entry in the Oxford DNB. On one side of a 12 x 11 cm piece of paper. In good condition, lightly aged. Folded twice. Reads: 'Lincoln's Inn Fields | 23d. June 1829 | Sir Wm. Grant will have the honor of joining the Old Fish Dinner party on Saty. the 27th. of June.'

Alistair Sooke, on the BBC website, makes the case that 'Meredith Frampton is the forgotten genius of British art'. See Frampton's entry in the Oxford DNB, and also those of Codner and of Frampton's father Sir George Frampton, who executed the celebrated statue of Peter Pan in Kensington Gardens (not modelled on his son, who was eighteen when it was made). 1p, 4to, in fair condition, aged and worn. Folded once. Writing to 'My dear Codner', he apologises for 'keeping you up till such a late hour last night'.

1p, 8vo. In good condition, on lightly aged paper. Folded once. Salutation ('My dear Popey -') and valediction ('My love to you both - | Anna.') in her autograph; the rest typed. Good bold signature. Reads: 'It was so very kind of you to think of me on Saturday.

See Knox's entry in the Oxford DNB, along with those of his father and three brothers. 8pp, 4to. Paginated and complete; on eight leaves held together with a rusting paperclip. In fair condition, aged and creased. A fair copy, with occasional emendations. There is no indication that this essay was published. A polished piece of writing by an accomplished essayist, lightly humorous but with serious intent, Knox's aim being to put forward the view that modern childhood is more self-indulgent than that of previous generations, and results is the self-deceit of adults who have never grown up.

256pp., 12mo. With frontispiece engraving and vignette on title. In original brown cloth binding, with blind-stamped decorative pattern on the boards, and title and design on the spine. Ownership inscription of 'Arthur Baxter | Runcorn | 1861' on piece of paper laid down on front pastedown. A tight copy, on stained paper (particularly the last few leaves) and aged paper, in worn binding with gilt almost dulled. An interesting production, reminiscent of previous Minerva Press publications, and looking ahead to the yellow-back.

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.

Both letters annotated in pencil in contemporary hand 'To Townsend Warner Historian'. (Warner was a history master and head of the ‘modern side’ at Harrow School, and co-editor of one of the most popular British history textbooks of the period. His only child was the novelist Sylvia Townsend Warner.) Both letters in good condition, each with pin hole from former attachment.

1p, landscape 12mo In good condition, with glue stain to one corner. Folded once. 'Mrs Belloc Lowndes regrets, on the score of ill health, that she cannot have the pleasure of accepting Lord [Treghre?]'s kind invitation.'

2pp, 12mo. On aged and creased paper, with two torn spike holes resulting in loss of a few letters of text. Date stamp on reverse. The recipient is not named, but is presumably the BBC producer Terence Dudley (1919-1988). Writing three months before his death, Strong begins the letter: 'My dear Terence, | How very kind of you! I [d]on't have any dignity in such matters! and I'd love to have a go, whether live or recorded.

On reverse of 11.25 x 8.25 cm card carrying a black and white print of the autograph score of Coates's second 'phantasy', 'The Three Bears' (1926). In good condition, lightly aged. Reads: 'To May Hirst | with best wishes | from | Eric Coates | Photograph of | Original Full Score of | The Three Bears'.

9pp, 12mo. On twi bifoliums and a single leaf, only the first of the bifoliums carrying the letterhead. In good condition, on aged paper. Folded once and in an envelope with 'Whist for 2. | Rules by Miss Stanton.' on cover. The letterhead has the feel of the 1920s, but the handwriting is Victorian, and presumably that of an old spinster. The first bifolium carries a separate set of instructions over four pages, headed 'Whist for two', and concluding: 'Hope you can read it excuse blots for I cant see what I have written'.

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

xv + 179pp, 8vo. Good tight copy in brown cloth, in worn printed dustwrapper. Frontispiece portrait of Fry. Inscribed on front free endpaper: 'To Christopher Fry | from | Glenda Leeming | with love'. In her preface Leeming notes Fry's 'patience and tolerance, as well as his helpful explanations of his plays, his intentions, and their realization'. The volume contains pencil annotations between pp.43 and 73, mostly relating to 'The Lady's not for Burning'. All are marginal indications of passages with vertical lines, apart from two annotations suggesting a degree of impatience with the text.

[6] + viii + 266pp, 8vo. With four-page 'Select Bibliography' and three two-page lists of errata tipped-in at the rear. In plain brown cloth, with green printed dustwrapper glued-down (by publisher) onto the endpapers by the flaps. In good condition, lightly-aged, in lightly-worn dustrapper with closed tear at rear. Inscribed on the front free endpaper: 'To | Mr. Christopher Fry, | With best compliments | from the Author, | S. n. Ray | 7.4.98'. Fry makes around fifty autograph corrections to the text, giving a list of them over the rear endpapers.

120pp, 12mo. No dustwrapper. In fair condition, on lightly-aged paper, tight in lightly-worn green cloth with dulled gilt. Inscribed by Williams in pencil on front free endpaper: 'For Michal'. A collection of around fifty poems, including five addressed to the author's wife: 'To Michal: After a Vigil'. 'To Michal: On Forgiveness', 'To Michal: On Brushing her Hair', 'To Michal meditating a new Costume', 'To Michal: On Disputing outside Church'. Accompanying the volume is an Autograph Letter Signed from 'Neil' to 'Dear Christopher and Dear Phyl', i.e. Christopher Fry and his wife Phyllis.

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.