ENGLISH

A multi-talented figure, Denis Johnston was a protégé of W. B. Yeats and Bernard Shaw, and had a stormy friendship with Seán O'Casey. Jonathan Swift was a preoccupation of Johnston's (see his 1959 book 'In Search of Swift'), and his play about him, 'The Dreaming Dust', was first produced at the Gaiety Theatre, Dublin, in 1940. It was published in collections of Johnston's plays in 1954, 1960, 1977 and 1983. This 1988 version remains unpublished. Both typescript and letter in fair condition, lightly aged.

9pp, 8vo. Complete carbon typescript. On nine leaves, stapled together. Title at head of first page: 'THE BOAT THAT MOOED.' Fry's signature in blue ink at top left of first page: 'Christopher Fry:'. Fry has cut down the story by deleting and removing a passage. The lower part of the leaf carrying the sixth page of the story has been cut away, and the original seventh page has been removed, hence the typescript pagination 1-6, 8-10 has been amended in manuscript to 1-9. A lighthearted faux-naive story, replete with symbolism. Begins: 'Tom Crunch lived on a boat. All round the boat was water.

3pp, 4to, each page on a separate leaf. In fair condition, lightly aged and worn. Folded once. There is no indication that either item was published, nor even that the poem is connected to the 'programme'. (If unpublished the poem may have found its way into Fry's papers from Hassall's.) The 'programme' - with no title or heading - is two pages long (with slight damage from a small staple to corners of both leaves) and complete, being divided into six numbered sections.

The two items are from the playwright's own papers. FIRST EDITION: [8] + 113pp, 8vo. A good tight copy in lightly-aged brown cloth and price-clipped cream dustwrapper with attractive design by Edward Blakeney in brown and black on front cover, and slight chipping to bottom edge at back. Label with English price on back of dustwrapper. No autograph interpolations. PROOFS: 96pp, 8vo. Duplicated printed pages, each page on a separate leaf. Paginated 1-96.

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand lifted the veil'.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Having found among her correspondence an unanswered letter from her cousin she apologises for the apparent rudeness, before accepting her 'kind invitation to luncheon when next we are in your neighbourhood'. She hopes that they 'may be in the Forest some time in the summer'. She ends by stating that she is enclosing an autograph for her cousin's friend.

1p, 12mo. In good condition, on lightly aged paper. Folded twice, resulting in offset ink smudging. Reads: 'Dear Rylands, | I am writing to you in case Noel is away. I have asked Mr Greene to show you my letter to Noel, if this is should [sic] be so. Anything you could do to help, would be kind and good, I think.

2pp, 16mo. In fair condition, on aged paper with ruckling caused by glue from mount, traces of the paper from which adhere to blank reverses of both leaves. In a crabbed difficult hand, addressed to 'Mrs [Pugh?]', regarding his forthcoming book 'Sophia', a copy of which he will be sending the recipient, with reference to his wife, 'anxiety', and something 'characteristic'.

4pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Having found among her correspondence an unanswered letter from her cousin she apologises for the apparent rudeness, before accepting her 'kind invitation to luncheon when next we are in your neighbourhood'. She hopes that they 'may be in the Forest some time in the summer'. She ends by stating that she is enclosing an autograph for her cousin's friend.

4pp, 12mo. Bifolium. In good condition, lightly aged, with two smudges on second page. Folded once. With reference to her letter 'to Mr. Somerset of March 11th. re the portrait of Charles II (as Prince) in academic robes', he has had the picture by William Dobson photographed and encloses a copy (not present). He discusses Charles's dress in the picture in some detail, adding that 'The portrait (27 x 28 1/2 inches) has been in my possession since 1918 when it was bought at Christie's Nov. 29 lot.

On one side of a slip of laid paper cut from the end of a letter: roughly 4 x 17 cm, the reverse being blank. In good condition, lightly aged. Good neat signature to the valediction of a letter. Reads: 'I am my d [Phippen?] | (in great haste | Yours very truly | Jos: S: Munden'. Munden eas the subject of one of the "Essays of Elia" (Charles Lamb).

3pp, 12mo. Bifolium. Fifty-one lines of text in a close neat hand, the last page written lengthwise. In good condition, lightly aged, with traces of white paper mount adhering to blank reverse of second leaf. Folded once. The letter is signed 'Barry Pain'. The recipient is not named, but is James Payn, editor of the Cornhill Magazine, who had just published the story that made Pain's name, 'The Hundred Gates'.

Stanford's study of Fry in the British Council's 'Writers and their Work' series was re-published several times, and the early letters in the present collection refer to the preparation of the fourth edition, published by Longmans in 1971 (the bibliography to which Stanford refers as 'CHRISTOPHER STATE PAPERS'). A total of twenty-six items. The material in good condition, lightly aged. Stanford's nineteen letters total 65pp, 12mo. In an undisciplined hand, in different-coloured ink, on different-coloured paper. Stanford's 19 letters between 17 February 1970 and 31 October 1978.

See the appreciative obituary of Lowbury by Christopher Hawtree, Guardian, 15 October 2007. Nineteen items, five of which are accompanied by envelopes addressed to Fry at his home The Toft, East Dean, Chichester, Sussex. The material is in good condition, lightly aged. ONE: Edward Lowbury's ten ALsS and one ACS, 1972-1989, with one undated Christmas card. A total of 17pp, 12mo.

Tiller's entry in the Oxford DNB explains the background to this poem. In 1939 he 'went to Cairo to teach English literature and history at Fuad I University. During the Second World War he became closely associated with the group surrounding Personal Landscape, a review in the Middle East that had been founded and was edited by Lawrence Durrell, Robin Fedden, and Bernard Spencer'. Two items, both in good condition, lightly aged. ONE: Autograph Draft of the poem, in pencil, with numerous deletions, emendations and rubbings-out. 1p, folio.

See Anna Gurney's entry in the Oxford DNB. The recipient and her husband had spent some time in Rome in 1842, and in 1838 had befriended the Alpinist Henriette d'Angeville at Geneva. 4pp, 4to. Bifolium with mourning border and watermark year 1840. In good condition, lightly aged, with minor traces of glue from label on outsides of gutter. The letter begins: 'My dear Lady Cullum | I think You & Sir Thomas may be home by this time & I must wish to enquire how you both are after your long wanderings.

70pp, on thirty-six leaves of a worn 16.5 x 10.5 late-Victorian album, bound in black cloth. An additional seven pages at the end of the volume carry an index, divided into 'China', 'Furniture' and 'Silver Pages'. In fair condition, aged and worn. The compiler is unidentified. The first nineteen pages of the volume carry a total of thirty-six 5.5 x 3.5 cm silk labels, each with a coloured illustration of an item of porcelain (from 'Astbury' to 'Zurich'), with the manufacturer's name and marks beneath, each accompanied by a strip of paper carrying a caption printed in blue.

1p, 12mo. In good condition, lightly aged. Folded once. Only the salutation ('Dear Mrs. Russell,') and the valediction ('Yours very sincerely | Edward German :' are in German's hand; the rest is by a secretary. He writes that he would 'have liked to write you [sic] personally, but it is a little more than I can manage at present'. Nevertheless he assures her that he is 'most grateful' for her 'very kind message'.

Both in good condition, lightly aged. ONE: 2pp, 12mo. He 'must bear the entire blame' for 'an indiscretion', and is 'exceedingly sorry'. 'Nothing was said between us in regard to the giving or withholding of addresses, & I had not at that time considered the point.

This item appears to relate to the efforts of Sir William Parkhurst to raise money in order to pay fines and other demands made on him as a royalist by the Commonwealth. Parkhurst had served as Warden of the Royal Mint from 1623 until its seizure by Parliament in 1642, being deprived of his post the following year. By the time of the present letter his circumstances become so straitened that he was obliged to sell his family’s Kent estates, to which he had retired after the fall of Oxford in 1646.

1p, 12mo. In fair condition, lightly aged and creased. Folded once. The salutation 'Dear B. J.' and valediction 'Yours | Jack' are in Priestley's autograph; the rest is typed. Maire Lynd's letter was 'a delight surprise', Priestley being unaware that her son was 'in the film business'.

Busieness Card, 9 x 6cm, rounded corners, sl. battered but text clear. Printed detail includes name, James Kirkup, and celebrate his membership of the RSL, his professorship at the UNiversity of Nagoya, and Visiting Professorship at the Japan Women's University. The text (see image) is as follows: Many thanks for the books and your beautiful bill | James Kirkup". "AB [?], the recipient presumably has written the date 3 Dec. 1970 with these initial. The verso of the card has Kirkup's printed details (presumably) in Japanese.

The four items in good condition, lightly aged. None of the four found on OCLC WorldCat. The three items loosely inserted in the prospectus each neatly folded once. ONE: Prospectus. [8]pp, 4to. With nine photographs on seven plates on four leaves of shiny art paper. Stapled into brown wraps with title and device of school printed in red ink on cover.

In folding box, dark blue, gt. 79pp, 8vo. In plain white card wraps, in blue dustwrapper printed in black, with red border to cover. Ownership inscription in blue ink on front free endpaper: 'Christopher Fry | 1930'. Hardly the best of copies, but a good association between two of the three giants of the twentieth-century English verse play (Eliot being the other). Internally tight, on lightly-aged paper, in aged and worn wraps. The dustwrapper is in poor condition, stained, chipped, and separated into several loose parts along the folds, with spine and back cover tipped-in onto the wraps.

[4] + 78 + [1]pp, 8vo. In printed wraps. Internally in fair condition, on lightly discoloured paper, in worn and stained wraps. Verse translation of the French source of Shakespeare's Richard II, 'Histoire du Roy Angleterre Richard'.

21pp, 12mo. In unpaginated stapled booklet of twelve leaves, in light-blue wraps. Printed on front cover: 'London Gliding Club | PROGRESS LOG BOOK', with space for the trainee's name and no. In fair condition, aged and worn, in worn covers, with one central horizontal fold. The trainee has written his name on the front cover, but this has been worn away, and it appears to read 'L Sennett' or 'L Bennett'. Printed on the first page is a list of twenty-four 'Flying Training Exercises'.

4pp, 12mo. Bifolium. In good condition, lightly aged, with the conclusion and signature ('Juliana Horatia Ewing. | (Not an elegant signature!)') of the letter cross-written at the head of the first page. Drawing of a 'round chess board', with explanation, on second page. An excellent intimate letter, to a family member or friend whose name is not clearly written (Marion? Marnie?). She begins by acknowledging her 'very delightful' letter, and expressing pleasure at 'the prospect of our "play" in town'.

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. He begins by thanking him for his 'kindness in the matter of the plate at New'. He called there that morning and has 'sent on Dr Russells letter of introduction', and has 'written to Dr Moyle', explaining his object, and he hopes he will give him permission to have the [?] photod. wh: I consider about the finest piece of dated H English Plate in existence -'.

2pp, 12mo. Bifolium with mourning border. In good condition, folded twice. Explaining that as it was a week-end he was not able to answer her letter sooner, he writes, evidently on the subject of a painting she has commissioned: 'I should be very pleased to see any of your friends to show them the portrait on Friday or Saturday next at 3.30 or on any other day at that time which may be more convenient.' He concludes: 'Do not hesitate to send anyone you think would like to see the picture'.