ENGLISH

In addition to his distinguished career as a playwright, Fry had some success in Hollywood. He completely rewrote (uncredited) the screenplay of 'Ben-Hur' (1959), and was responsible for the screenplay of the Dino De Laurentiis epic 'The Bible: In the Beginning' (1966), directed by John Houston. The present item is a treatment for a film that did not make it into production. It is [1] + 71pp, 8vo. Each page on a separate loose leaf. With thin card covers, also loose, the front cover carrying a duplication of the title-page, and the back cover blank. In good condition, lightly aged.

43 letters in 8vo and 12mo, making a total of 44 pp. Signed 'Rolando Pieraccini' and (latterly) 'Rolando'. Thirteen of the letters (1984-1986; all 8vo) on 'Eurographica' letterhead, the others (1986-1996; 27 in 12mo and 3 in 8vo) on Pieraccini's personal letterhead. Also present is a carbon copy of a two-page letter from Pieraccini to Penny Eckley of Oxford University Press, regarding copyright matters. The collection in good condition, lightly-aged.

1p, 8vo. In good condition. Folded twice. With secretarial note in blue pencil, recording response by 'C.F.' The letter concerns Fry's screenplay for the 1966 film 'The Bible: In the Beginning...', produced by Dino De Laurentiis and directed by John Huston, which recounts the first 22 chapters of the Book of Genesis. Stallworthy wonders whether Fry remembers 'that, “in the dark backward and abyss of time”, the OUP wanted to publish your screen-play for the film of Genesis, but the film company's lawyers wouldn't allow it.

Five items in good condition, all lightly aged. ONE: ACS. Signed 'Kathy'. 1 March 1990. Clearly a covering note on sending the other material. Simply reads: 'Good to speak – | love | Kathy'. TWO: Duplicated copy of typescript of speech by 'Fr. John Gilling'. Headed: 'REQUIEM MASS: St. Mary the Virgin, Bourne Street. 7th February 1990. | JONATHAN GRIFFIN'. 2pp, 8vo.

Both items in good condition, but the postcard (of a Viennese street scene) with stamp torn off. ONE: ALS. Signed 'Walter (Rilla)'. Vienna; 7 November 1966. 1p, 8vo. Twenty-six lines of text, in a neat close hand.

Both items in good condition, lightly aged, as is an enclosure to the second letter, a photocopy of Lowbury's pamphlet 'A Letter from Hampstead'. ONE: 24 September 1969. 2pp, 12mo. In envelope addressed to Fry at his East Dean home The Toft. He is grateful for Fry's letter praising his collection of poems 'Figures of Light'.

All three items in good condition, with both letters lightly-creased at the foot. ONE: TLS. Signed 'John Mortimer'. 11 November 1995. 1p, 8vo. He was delighted to receive Fry's letter and would 'like to visit a writing group with which you're connected. If I'm free on May 10th I'll come. I'm just waiting to hear about a trip to Florida – so do let the committee write to me. I'll know by then more clearly what I'm doing.' TWO: TLS. Signed 'John', with Mortimer deleting the typed word 'sincerely'. 1 March 1997. 1p, 8vo. He found it 'a delight' to hear Fry's 'lecture at the RSL'.

2pp, landscape 12mo. In good condition, lightly aged. Begins: 'Dear Christopher Fry, | I am sorry to contradict you, but I showed my co-editor, the poet Rodney Pybus, your poem “For Edmund Blunden”, and we both [last word underlined] feel it should be published, and that we would like to publish it. Please.' In the hope that Fry will agree, he asks him to 'sign and return an acceptance form and send us the biog. note you would like to print alongside the poem'. He continues: 'I do hope you'll agree.

One page, 4to, small closed tears on folds, sl. chipped and worn, text in bold hand clear and complete. "I am interested to know why you wish to have my handwriting, however, you will find it does not compare with your own."

3pp, 12mo. Bifolium. In good condition, lightly aged. Each page numbered by Fry. An Unsigned document from the Christopher Fry archive. Warm personal recollections, entertaining and evocative. Unpublished.

Pepys's house at Brampton is the subject of an article by Chris Partridge in the Observer, 30 May 2004, which states that 'The first earl, Edward Montagu, was Pepys's cousin and patron, giving him the political clout to further his career in the Navy Office. In 1927 the then earl gave the Pepys House Trust a 100-year lease at a peppercorn rent, and it has been open to the public ever since. All three items in good condition, lightly aged. Drinkwater's second letter and Chappell's draft reply pinned to one another. ONE: Drinkwater to Chappell, 31 May 1933. TLS. 2pp, 4to.

On one side of square of paper cut from a 12mo leaf. In fair condition, aged and lightly creased. Folded twice. Reads: 'For Coals and the School | With Lord Tennyson's | Compliments and best Wishes | May 1 / 85'. Presumably 'the School' is the Blue Coat School at Aldworth, and it seems that Tennyson was sending a cheque for the purchase of 'Coals', possibly as part of a tradition.

2pp, 8vo. In good condition, lightly aged, with thin strip of paper from mount adhering to edge on reverse, which is endorsed '14 Febr. 1811 | T Denman'. Folded several times. The recipient is not named, but was clearly an individual of some standing, as Denman appears keen to dine with him.

On one side of 7.5 x 12 cm panel cut from front of envelope. In fair condition, lightly aged, with thin strip of paper from mount adhering to blank reverse. Frank laid out in the prescribed fashion, with the red postal stamp ('FREE | 28AP28 | 1835'). Denman's signature ('Denman') is at bottom left, and he addresses as follows: 'London Apl twentyeight | 1835 | The Rev W Plucknett | Wincanton | Alresford | Somerset', with the last three lines deleted by Denman and replaced by 'Alresford | Hampshire.

Proctor was a much loved individual in literary circles, from the days of the London Magazine to the mid-Victorian period, in which he was the dedicatee of both Thackeray's 'Vanity Fair' and Wilkie Collins's 'Woman in White'. His reputation as a poet was international: he was thought highly of by Pushkin. 1p, 12mo. In good condition, lightly aged, with thin strip of paper from mount adhering to blank reverse. The letter reads: 'Dear [Harris?] | Pray tell me where [?] I can have some conversation with you about some patients of the name of [Lealer? Lester?], whom you know.

Nine letters (eight ALsS and one TLS) totalling 16pp, 12mo, in close and neat autograph; and 2pp, 4to, typed. One from 1932 and the other eight from 1933. All signed 'Arthur Bryant'. In good condition, on lightly-aged paper, with slight rust-staining from paperclips to a couple of the letters. An interesting correspondence, in which Bryant gives an assessment of Pepys, and describes his approach to writing his biography. In one long letter (5 May 1933) Bryant describes his wider approach to the writing of history.

1p, 12mo. In fair condition, lightly aged. Folded twice. Addressed to 'R Bentley Esqre.' Reads: 'My Dear Sir | I this day received the note which you directed to be sent to me and will do myself the pleasure of calling upon you on Friday Morning at eleven'. Having previously appeared as a serial, Cockton's first novel 'Valentine Vox' was published in book form by Robert Tyas in 1840. Bentley commissioned Cockton's second novel 'Stanley Thorn' for 'Bentley's Miscellany', and published it in book form in 1841.

The letters are in fair condition, lightly aged; the card is discoloured and stained. Loosely inserted in a copy of Williams's 'Thomas Cranmer of Canterbury', 75 + [1]pp, 8vo, with the ownership signature 'Christopher Fry' on the front free endpaper, in worn binding with fraying at head of spine. Delightful and revealing letters, mixing personal and business (Williams worked for the Oxford University Press and Fry was published by them). ONE: ALS from Southfield House, 17 December 1941. 2pp, 12mo. Thirty lines of closely-written text, on a leaf of ruled paper torn from a notebook.

115pp, 12mo. In good condition: sound and tight, on browning War Economy paper, in green cloth with slight bloom, and in slightly worn and chipped browning dustwrapper. (The subtitle 'A Play in Three Acts' features on the dustwrapper, but not on the title-page.) Fry's ownership inscription 'Christopher Fry' is in blue ink at the top right-hand corner of the recto of the front free endpaper. A verse drama from the library of the leading twentieth-century English exponent of the genre, after T. S. Eliot.

55pp, 8vo. In fair condition, internally tight and sound, on browning paper, in lightly-worn blue cloth binding. No dustwrapper. Slight dink at head of spine. Ownership inscription 'Christopher Fry' in blue ink at top right-hand corner of recto of front free endpaper. Fry and Williams were on cordial terms, the latter working for Oxford University Press and the former being published by them.

The background to this letter is explained in Simpson's entry in the Oxford DNB which states that he 'took a deep interest in the movement for better elementary education. He was one of the founders of the Edinburgh modern infant school, in which he attempted to solve the problem of religious education by allowing parents to select religious instructors themselves. Failing to receive adequate support, however, the school was ultimately sold to the kirk session of New Greyfriars.

1p, 12mo. On bifolium. Printed on grey-blue paper, with letterhead printed in orange-red, without Landseer's name, but with his stag's head motif. In fair condition, lightly aged and worn, with thin strip from stub mount adhering to blank second leaf. Folded twice. The recipient is not named. Apparently referring to his bronze sculptures of the four lions at the base of Nelson's column (installed in 1867), the letter reads: 'My Dear Sir | Many thanks for your obliging Note and kind attention to the Lions Heads – I can't leave home Tomorrow before 4. oc when I shall go to B.

[12]pp, 8vo. Paginated to 14, but twelve pages on six leaves, comprising half-title, title and eight pages of text. Sewn into raspberry printed wraps. Title with engraving of the church, duplicated on front cover. Internally in fair condition, with slight creasing, but with blue ink (or wine?) stain at foot of outer edge of front cover. Bloomfield & Mendelson A46, which states that the edition was printed in November 1963 and limited to 250 copies, 'sent out to a number of personal friends whose names were mainly suggested by Mrs. MacNeice'. In this case, from the library of Christopher Fry.

1p, 12mo. In fair condition, on browned paper, with glue from mount adhering to blank reverse. The last leaf of a letter, evidently detached for an autograph hunter. Good bold handwriting. Reads: 'I shall be only too glad to avail myself of it | Yours very sincerely | Alfred Gilbert'.

2pp, foolscap 8vo. On the rectos of the leaves of a bifolium. In fair condition, lightly aged and worn. On laid paper with indistinct watermark. The context of the document, with the capitalisation and spelling ('mechanick', 'shou'd', 'Publick', 'tyed down', 'lookt', 'Profitt'), points to a late eighteenth-century origin (certainly before the Speenhamland System and Michael Nolan's 1805 'Treatise of the Laws for the Relief and Settlement of the Poor'). No title or heading. A forthright document, whose rhetorical tone suggests that it was intended for public delivery.

2pp, 12mo. On a bifolium of grey laid paper, with fleur-de-lys 'J M & Co' watermark. In good condition, lightly aged, with creases from having been neatly folded three times, and stub adhering to edge of blank second leaf of bifolium. The item derives from the collection of a notable nineteenth-century autograph collector, Lord Houghton, a friend of both Taylor and Norton.

4pp, 12mo. Bifolium of grey paper. In good condition, lightly aged.

2pp, 12mo. In good condition, lightly aged. Reads: 'I pray your forgiveness. I am sincerely ashamed of my bad behaviours in putting by your letter & forgetting to answer it, especially when it was written for a charitable purpose. With great pleasure I enclose a small donation & am sorry it was not in time for your dinner.'

1p, 12mo. In good condition, on lightly-aged paper. Folded once. Signed 'Rafael Sabatini'. After thanking her for her letter of sympathy, he notes: 'In the past I have had plenty of cause for complaint, but nothing quite so flagrant.' He has been 'avenged by the Press, which described the unutterable scenario from which the film was made in terms similar to those which I employed when I requested that my name be removed from the “author credits”'. He ends with good wishes to her 'laudable enterprise'.

[3] + 210pp, 8vo. Disbound, and wrapped in brown paper. A tight copy, on aged and spotted paper, with small closed tear to title-leaf, which also has manuscript misidentification of the author as 'J Kotz[...]' in one margin. There is no copy of this first edition at Cambridge University Library, and the only two copies found on COPAC at Leeds and the British Library. The same year saw a 'Second edition, with an elegant frontispiece', published in London and 'printed for W. J. and J. Richardson; J. Harding; Shepperson and Reynolds; H. D.