ENGLISH

2pp., 12mo. In good condition, lightly aged. The 'Gentlemen' are clearly the publishers of a book which they wish Bell to review. She writes that she is greatly obliged to them for offering her 'a copy of your beautiful book on Japan', and has written 'to 4 editors to ask for space for early notices of it'. The book is 'indeed a marvel of technical skill in reproduction & it would be a pleasure to me to speak as highly of it as it deserves'.

1p., 16mo. In fair condition, lightly aged. With neat central vertical and horizontal folds. Reads: 'My dear Seymour | Will you direct an early copy to be sent to Lady Herbert. | Ever truly yours | A. Hayward'.

12mo, [viii] + 210 pp, together with four unpaginated pages before p. 79 and two unpaginated pages before p. 165. With fold-out list of Knights of the Garter. Includes a "Catalogue of the Nobility of Ireland". On aged paper, in worn eighteenth-century binding, modern rebacking. Ownership inscription, at head of p.1, 'Mary Standish of Standish - Her Book' (suggesting a relationship with Myles Standish, pioneer American); and a couple of ownership initials on title-page.

On 6.5 x 12 cm slip of thin laid paper, cut from the end of a typed letter. Signature in blue ink. In fair condition, lightly aged, with tissue labels from mount adhering to the blank reverse. Reads: '[...] | Yours sincerely, | [Graham Greene] | Graham Greene. | The Lord Iddesleigh, | Pynes, | Exeter.'

On 8 x 12.5 cm piece of paper, torn from the end of a letter. In fair condition, aged and lightly spotted. On one side of the slip is the conclusion of the letter: '[...] | Yours very sincerely | Edith Sitwell'. On the other side is the following autograph fragment: '[...] kind of you to invite me to your lumcheon party on Tuesday, and I am looking forward to it so much. I have not seen you for [...]'.

6pp., 12mo, on six leaves. In good condition, lightly aged. He begins by thanking him for his 'most charming letter; and an inspiration to a young man', before commenting: 'Nothing pleases me more than your letters, which occur like intellectual milestones, epitomizing, where we have lately come from and where we are going.' The rest of the letter discusses the recipients use of the Greek word '[daimon]', of which Mond approves. He begins: 'Modern languages hardly have a translation of it.

According to one source: 'Known as Daisy, American-born Rosalie Gill arrived in St Ives in 1887. She spent much time in Newlyn, where she enjoyed the theatrical productions of the Newlyn artists, contributing an oil painting to the West Cornwall Art Union exhibition in Penzance in September that year. She eventually returned to St Ives in 1890, and exhibited a St Ives title at the 1893 Chicago World Columbian Exposition. She died in Paris in 1898.' 2pp., 12mo. Oddly laid out on one side of a folded 4to leaf. In good condition, lightly aged and creased.

2pp., 12mo. In good condition, lightly aged. Craft and his wife have 'just heard with surprise of the great loss' Forbes has 'so suddenly sustained', and send their 'sincere sympathy for you in so sudden a bereavement'. They extend their condolences to Forbes's mother, and Craft explains that his wife has not written to her personally, as she did not wish 'to add to the burden that unfortunately she is now compelled to bear'. From the Forbes papers, from which other Newlyn items are offered separately.

2pp., 12mo. Bifolium. In good condition. Addressed to 'Dear Mrs Forbes', and expressing his 'sincerest sympathy' in her 'present affliction'. Her sorrow will be 'shared by all who knew your late husband & appreciated his genial disposition'. From the Forbes papers, from which other Newlyn items are offered separately.

3pp., 12mo. Bifolium. In good condition, lightly aged. The letter begins: 'My dear Forbes | It is impossible to tell you how shocked and grieved I was at receiving such sad news this morning. | It came to me as the greatest surprise and I can hardly realize that it is true that this terrible blow has come upon you all.' He had wanted to write to Forbes's mother, but could only 'say again what I have already said'. He continues: 'My thoughts go back to Newlyn and I think of the many pleasant hours I spent with your Mother and Father and I can hardly believe that one is gone.

4pp., 12mo. Bifolium. In good condition, lightly aged. A splendid long letter in a close hand, revealing and informative, written a year after Fletcher had completed his masterpiece 'Evicted', painted at Steventon, and the first painting acquired by Queensland Art Gallery in 1895. Addressed to 'My dear Forbes', the letter begins: 'Your letter reached me yesterday having been sent on from home to the above address | Yes! Indeed you have my deepest sympathy.

1p., 12mo. In good condition, lightly aged. Addressed to 'W. H. Allchin Esq'. The 'arrangements for the intended Exhibition of the works of the old Masters have already progressed too far' for 'any further works offered [...] on loan' to be considered for acceptance.

2pp., 12mo. Bifolium. In good condition, lightly aged. The recipient is an unnamed man and the subject is Queen Victoria's Golden Jubilee Procession, London, 21 June 1887. Asking for tickets, if there are 'any good places left', 'to view the procession of the 21st.'

On 22.5 x 6.5 cm slip of paper, ruled in red and blue. In good condition, lightly aged. Beneath the line of sheet music and the accompanying words 'Unless you can think when the Song is done,' is the good firm signature: 'Alfred J. Caldicott | Mus. Bac Cantab'.

8pp., 8vo. On two bifoliums, unstitched and unbound. Aged and worn. A spoof of an Act of Parliament, priced at threepence, with parody of the royal coat of arms at the head of the first page, with motto 'Throw Physic To The Dogs | The Mixture As Before'. Paragraph synopses in the margins, with around 40 caricature illustrations. A lighthearted satire on drunken seaside revelry ('The Popular Revolutionary Air of “We won't go Home till Morning” to be forthwith suppressed.' and 'Cheap Cigars and the Snobs who smoke them, to be put down.').

On one side of a 12mo leaf. In good condition, lightly aged. Howitt's seal in red wax is at the head, and beneath it, in a firm clear hand, is written: '"The tempest, says , belongs to God's weather." | Mary Howitt'.

On 3.5 x 8.5 cm slip of paper, cut from a letter. In good condition, lightly aged, laid down on part of a leaf from an autograph album. Reads: 'faithfully yours | Mary Cowden Clarke'.

The three items in good condition, lightly aged. ONE: ALS. 'Saturday' [no date]. Burlington House. 1p., 12mo. On grey paper with mourning border. Addressed to 'Dear Doctor'. Allchin arranged to go to see him on the following Monday or Tuesday. 'I find I shall be receiving new students from 9.30 to 11 on Monday - Can you therefore keep your visit for Tuesday?' TWO: ANS. Addressed to 'Dear Dr Allchin'. Monday, 23 April [ no year ]. On Athenaeum letterhead, and clearly concerning Allchin's election as a member.

1p., 12mo. In good condition, lightly aged. Reads: 'My dear Sir | I have great pleasure in accepting your invitation to dinner on Tuesday next. | Yours very faithfully | C. L. Eastlake'.

1p., 12mo. In good condition, lightly aged. He begins: 'Any time after Jany 7th will suit me perfectly for making the drawing, before Xmas day I am afraid I could not begin it.' He has 'too great fellowship with those who labor, not to respect all holy days as very sacred things'.

1p., 4to. In fair condition, lightly aged and worn. A circular appeal for donations and a well-printed facsimile. Galsworthy writes that he is taking the chair at 'the 139th Dinner of the Royal Literary Fund, on May 9th: in the Edward VIIth Room of the Hotel Victoria. | The beneficial work of the Fund must be well known to you; nor is it needful for me to stress the urgent nature of the many appeals that tax its resources to the utmost.

The only writing on an 8vo leaf, clearly sent in response to a request for an autograph. In fair condition, lightly aged and worn, with slight evidence of mount on reverse. In a large firm hand, reading: 'Yours faithfully | Carrie Tubb Oliveira'. Tubb was principally known for work in oratorio, but sang in opera (Elektra, Hänsel und Gretel etc.) under Sir Thomas Beecham at Covent Garden from 1910. She taught at the Guildhall for more than thirty years from 1930.

S1p., 4to. In good condition, lightly aged, with minor traces of mount on reverse. Addressed to 'Frederick I. Cowles, Esq., F.R.S.L., F.R.S.A., F.S.A.' Reads: 'Dear Sir, | In reply to your letter, I should have liked to oblige you but it is impossible for me to do so. The matter would require much more time than I have to spare.'

1p., 4to. In good condition, lightly aged and worn. The letter reads: 'Sir | Having mislaid your letter of 14th. March last, you have doubtless considered me a very discourteous person - this day, in turning over a parcel of letters which had been put aside as answered, I fortunately discovered yours among the rest, requesting my Autograph, which I hasten to send you; and with many apologies for the delay, I am, Sir, | Your obedient servant | C. Kemble'.

1p., 12mo. In good condition, lightly aged. Tipped in onto paper mount. Reads: 'Mr Gally Knight requests Mr Radley to let him have a Room for a few Hours on Monday Morning - He & Mrs Knight purpose to be at Liverpool about twelve oclock & will go to Manchester by the 1/2 p 2 Train. - They wish to have some Luncheon between one & two oclock.' Scott's Ivanhoe is set near to Firbeck Hall, and Knight may have been his source of local information.

On one side of an 11.5 x 17.5 cm page removed from an album, dated 2 March 1934 and headed 'THE NEW ENGLISH SINGERS'. In good condition, lightly aged. To the right of the page are the signatures of 'Dorothy Silk' and 'Nellie Carson' (sopranos), and 'Martin ' and 'Mary Morris'; to the left are those of 'Vernon and 'Cuthbert Kelly' (bass). According to Chapter One of 'The Travel Diaries of Peter Pears, 1936-1978' (1999), titled 'American Tour with the New English Singers (1936)', the ensemble was 'a vocal sextet specializing in Elizabethan madrigals and English folksongs.

1p., 16mo. With mourning border. In good condition, lightly aged. Begins: 'Dear Lady Wynn | I thank you from the depths of my heart for your kind letter. I enclose you a word portrait of my splendid wife. More I dare not write or I shall not regain the strength I need to carry out her wishes in life.' As the Oxford DNB explains, after the death of his first wife in 1883 'Herkomer married, on 14 August 1884, a Welsh nurse, Lulu Griffiths (b. 1849), who had been a member of his household since 1874. He was devastated by her sudden death a year later.'

1p., 12mo. In good condition, lightly aged. Evidently responding to an order from an exhibition catalogue for one of her sculptures, she thanks her for her 'note and enclosed cheque which was quite right - Number 16 is not yet taken so I will put it down to your name'.

1p., 4to. In good condition, on lightly-aged paper. The letter reads: 'Dear Sir/ | I am very pleased to hear you like my pictures and seem so well acquainted with them - | I hope you will go on taking an interest in Art. | I am | Yours Sincerely | Arthur Hacker'.

On one side of a 6 x 11.5 cm slip of grey paper. In good condition, lightly aged, with small strip of glue staining along right-hand edge. Reads: 'A mile of daughters - | Family of Furlongs having 8 girls | 8 furlongs = 1 mile. - | T. Hood.' A joke on the surname of the person who requested Hood's autograph, as explained in Walter Jerrold's 'Thomas Hood, his Life and Times' (1907), which states that in 1838 Hood wrote to his friend Wright: '[…] only think of a mile of daughters! There is a family of Furlongs coming to live here, whereof eight are daughters – 8 furlongs = 1 mile.'