nineteen-sixties

[Peter Blake, English pop artist who did the cover of the Beatles' 'Sergeant Pepper' album.] Autograph Name and Address, with pre-1990 phone number, on leaf torn from an address book or diary.

Author: 
Peter Blake (b. 1932), much-loved English pop artist, responsible for the cover of the Beatles' album 'Sergeant Pepper's Lonely Hearts Club Band'
Publication details: 
Without date or place. The telephone number dates from before the introduction in 1990 of the 071 and 081 prefixes.
£85.00

See his entry in the Oxford Dictionary of Art. 1p, 16mo. On a leaf, with curved corners, extracted neatly from an address book or diary. In good condition. A n oddly attractive item. Apart from the word 'MEMO' printed at the head of the page above a thick-thin rule, the only writing on the leaf is the name 'PETER BLAKE', with his address and phone number (both withheld), written in black ink a neat and childlike hand. See Image (onitting address and phone number).

[Roger McGough, one of the ‘Liverpool Poets’ and presenter of BBC Radio ‘Poetry Please’.] Autograph Letter Signed to Paul Furness giving information on the pubs and venues he was ‘associated with during those poetry-reading days’ in sixties Liverpool

Author: 
Roger McGough (born 1937), one of the celebrated ‘Liverpool Poets’ associated with the Beatles in the 1960s; presenter of the BBC Radio 4 programme ‘Poetry Please’ [Adrian Henri]
Publication details: 
‘307 Fulham Rd / LONDON SW10 / 19 April 83 [1983]’.
£80.00

1p, foolscap 8vo. In good condition, lightly aged. Folded for postage. Addressed to ‘Dear Paul Furness’ and signed ‘Roger McGough’. On the subject of Furness’s ‘fascinating pub study’, he names ‘the ones I was associated with during those poetry-reading days’: ‘O’Connors Tavern in Hardman Street (Liverpool all), The Philharmonic (corner of Hope St. & Hardman Street), The Grapes, Pilgrim Street’. In addition there were ‘clubs which we took over on quiet nights i.e. Monday at Chauffeurs Club, Hope Street’.

[A young Englishman in 1960s Japan.] Typescript of an untitled novel by an unnamed individual, regarding the cultural and personal adventures in Japan of character Christopher Peter Butterworth, with numerous emendations, additions and corrections.

Author: 
[Japan in the 1960s; Japanese culture; English expatriate; unpublished typescript of novel]
Publication details: 
No place or date. But clearly written by an English writer, and containing references dating it to the late 1960s.
£450.00

The present item - presumably autobiographical and definitely unpublished - is in a disordered state, and certainly not in the best of condition, with some parts apparently missing; but it is certainly worthy of attention, as a well-written production over which the author has taken some pains, with numerous manuscript additions and emendations in green and black felt-tip pen, describing from the point of view of a young Englishman 1960s Anglo-Japanese culture shock. 239pp, all but two of which are 4to, the two being foolscap.

[Anti-Vietnam War movement, UK.] Mimeographed pamphlet issued by the ‘Committee for Communist Unity & Vanguard’, titled ‘Vietnam’.

Author: 
[Anti-Vietnam War, UK.] Committee for Communist Unity; ‘Vanguard’ edited by Arthur Henry Evans (b. 1902), Anti-Revisionist Maoist Welsh communist and poet, proprietor of David-Goliath Publications
Publication details: 
No date [1964 or 1965]. ‘Issued by the: - / COMMITTEE for COMMUNIST UNITY / & / VANGUARD. / Flat 3, 33 Anson Road, / London. N.7.’
£120.00

The Committee for Communist Unity and Vanguard were both mouthpieces of the Maoist Welsh Communist A. H. Evans, who was born in the village of Aber Clydach, near Talybont on Usk, Breconshire. He gives biographical information in his ‘English Historians and Welsh History’ (1975). The only copy of the present item traced is at the British Library, which dates it to 1964 or 1965. 8pp, small 4to. Mimeographed on two bifoliums, one loosely inserted in the other. A lo-fi production. The full title reads: ‘VIETNAM / OPPOSE “NEGOTIATIONS AT ANY PRICE!” / OPPOSE A CEASEFIRE WHILE U.S.

[Braham Murray, in his Century Theatre Company's inaugural season at the University Theatre, Manchester.] Autograph Notes for his production of Eugene O'Neill's 'Long Day's Journey into Night'.

Author: 
Braham Murray [Braham Sydney Murray, born Braham Goldstein] (1943-2018), director, one of five founding Artistic Directors, Royal Exchange Theatre, Manchester [Eugene O'Neill]
Publication details: 
[1965. The Century Theatre at] the University Theatre, Manchester.
£450.00

An interesting artefact of what was to become the Royal Exchange Theatre, Manchester. See Murray's Guardian obituary, 3 August 2018: 'Murray left Oxford in 1964 without sitting his finals but with a starry reputation.

[Mimeographed pamphlet.] No Right to a Hearing. The Deportation Proceedings Against Bert Bensen. By Bert Bensen.

Author: 
Bert Bensen, American psychology lecturer and supporter of the Campaign for Nuclear Disarmament
Publication details: 
'Published by: Friends of Bert Bensen, Top Flat, 127, King Henry's Road, London NW3'. February 1965.
£120.00

16pp., 4to, with additional yellow cover leaf carrying title, with 'Introduction' on reverse. In good condition, on aged and worn paper, with slight damage to the fore-edge of the cover leaf. Neat ownership inscription of John H. Shaw. According to the introduction 'Bert Bensen's account of his attempts to stay in Britain - and of the determination of two successive Home Secretaries that he shall not - reads like something out of Kafka. The Sense of unreality that permeates the Bensen affair should not be allowed to hide the serious questions it raises. Why was Mr.

Original 45rpm record of 'South African Freedom Songs', sung by Pete Seeger, Robert Harter, Garrett Morris, Guy Carawan, Ned Wright, with booklet of words and music, with 'Notes by Peter Seeger'.

Author: 
Peter Seeger; Folkways Records, New York [South African; Pete Seeger, Robert Harter, Garrett Morris, Guy Carawan, Ned Wright]
Publication details: 
Folways Records and Service Corp., 117W. 46th St. NYC USA. [1960.]
£280.00

In black 19.5 cm square sleeve, with striking cover design showing the aftermath of Sharpeville, and notice 'The American Committee on Africa receives royalties from the sale of this record.' The four songs are Tina Sizwe (We, The Brown Nation); Nkosi Waqcine (God Save the Volunteers); Asikatali (We Do Not Care If We Go To Prison); Liyashizwa (Pass-Burning Song). Very good, lightly-aged, with the record itself (in brown paper sleeve) seemingly unplayed. The twelve-page booklet is stapled, with illustrated cover and three photographs of the Sharpville Massacre.

Contracts, agreements and Autograph and Typed Letters Signed relating to the publication of "The New London Spy", including twenty-one contracts with the Autograph Signatures of most of the contributors.

Author: 
The New London Spy, ed. Hunter Davies
Publication details: 
London, 1965-71.
£200.00

Most of the documents are typewritten on A4, some are creased and torn but the overall condition is good. A fascinating glimpse into the world of sixties publishing. Three-page typewritten contract between Hunter Davies and Anthony Blond Ltd initialled on each leaf by Davies and with his autograph signature on the last leaf, together with agreements relating to foreign and paperback rights with Holt-Blond Ltd, Corgi and Bantam Books, Sugar Editore and Editions Robert Laffont. Five Autograph Letters Signed, Three Typed Letters Signed and twenty-one contracts.

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