JAMES

See his obituary in the Gentleman's Magazine, September 1839. B. Dulau & Co. was a firm of foreign language booksellers in Soho Square, London, founded by a Benedictine monk, Armand Bertrand Dulau, who had fled France during the revolution. 2pp, 4to. Thirty-two lines of text. In good condition, lightly aged, with stub from mounting adhering to one edge, and negligible damage at a corner. The letter begins: 'Sir James Craufurd prie M.

6 + [1]pp, folio. Stab stitched. In good condition, on lightly-aged paper, with punch-hole at inner margin. An official copy, with 'Northbrook Society' at top right of first page. On four leaves, with the details printed on reverse of last leaf for folding into the customary packet: 'Dated 15th October 1914.

2pp, 18mo. In fair condition, lightly aged and creased. Folded once. Written in a close, elegant hand. Written on receipt of a presentation copy of MacQueen-Pope's latest book, the letter begins: 'My dear Popie, | Thank you so very much for St James's, Theatre of Distinction. I think I am enjoying it even more than I usually enjoy your individual-theatre books, because the St James's meant so much to me. It was the first London theatre I ever went to - long before I could read or went to a school.

Both in good condition, lightly aged, with thin strip from mount adhering, and crease lines from folding. Two excellent long letters in Spedding's neat and close hand, full of content regarding the relationship between Victorian author, publisher and reader. The topic is Spedding's preparation for the publication of his pamphlet 'Publishers and Authors' (London: J. R. Smith, 1867). Both letters addressed to 'My dear Mervivale'. ONE: 3 September 1866. 4pp, 18mo. On a bifolium.

1p, 4to. In fair condition, on aged and lightly-creased paper. Addressed to 'Sir Arthur Cope | London'. The letter reads: 'My dear Sir Arthur: | This will introduce Mr. William Edward Cope of New York, a member of the National Press Club, who is going abroad to do some newspaper work. He desires a brief interview with you and I bespeak for him such courtesies as you may find it convenient to render him.' The subject of the letter W. E. Cope would appear to have been a government agent.

1p, 12mo. In good condition, lightly aged. The recipient is not named. An interesting letter, indicating the relationship between two major theatrical figures in Victorian London. The main body of the letter reads: 'Dear Sir, | You really must excuse my incurring any such responsibility as that you would impose upon me. I am unable to controul Mr.

Depressed and paranoid, Lever spent his last days in Italy. For the Villa Morelli, see his Downey's 'Life in his Letters' (1906). 2pp, 12mo. On aged and creased paper, with closed tears to edges, but no loss. Folded twice. The handwriting is neat and controlled, but not always entirely legible. He begins with the news that he is returning 'the books you so kindly lent me'. Presumably referring to Charles Reade's 1866 novel 'Griffith Gaunt', Lever writes: 'Mr Reade is all you said of him, - often very amusing, & oftener very [?]'. A reference to 'the pleasanter reading' follows.

1p, 4to. In fair condition, on aged and lightly-creased paper. Addressed to 'Sir Arthur Cope | London'. The letter reads: 'My dear Sir Arthur: | This will introduce Mr. William Edward Cope of New York, a member of the National Press Club, who is going abroad to do some newspaper work. He desires a brief interview with you and I bespeak for him such courtesies as you may find it convenient to render him.' The subject of the letter W. E. Cope would appear to have been a government agent.

1p, 4to. In fair condition, aged and creased. Folded twice. Headed by Macleod 'Physiological Laboratory' and addressed to 'Professor Luigi Luciani'. He begins by explaining that '[t]hrough Dr G. A. Barricelli [i.e. Giovanni Alfonso Barricelli (1873-1934)] of this city' he has received 'the most interesting collection of "researches on Physiology and allied Sciences" published in honour of your 25th year as Professor in Rome'.

See McCulloch's entry in the Oxford DNB. He was appointed Comptroller of H.M. Stationery Office in 1838. 1p, 16mo In good condition, lightly aged. Folded once. Reads: 'Mr. McCulloch presents compts to Sir James and Lady Em. Tennent, and begs to thank them for their kind invitation to dine with them on the 5th proxo, which he has much pleasure in accepting.'

A nice piece of Oxford Union ephemera, with the three signatures - 'James Robertson-Justice.', 'Compton Mackenzie' and 'Michael Maclagan' - printed in a row on the otherwise blank reverse of the 25.5 x 20.5 cm leaf, which is aged and worn, with closed tears to extremities and a fold line. Printed beneath the text of the advertisement on the other side of the paper is an attractive illustration in imitation of infant drawing, printed in brown, red, green black and white on a pink ground. The entire text reads: 'OXFORD UNION SOCIETY | Thursday, May 26th, 1955, at 8.15 p.m.

The subject of the letter is a sketch which Mrs Roosevelt wishes the recipient to make on a scroll, depicting the library which she and her son the future president Franklin Delano Roosevelt are endowing in the 'village' of Hyde Park, in memory of her husband James Roosevelt I (1828-1900). (The library opened in 1927, and is still in use.) 4pp, 8vo. Bifolium. In good condition, lightly aged. Folded once, with short closed to one edge of the fold. She begins: 'My dear Peggy | I received your parcel just before I came up here so have a few days of country air with my son [F. D.

For the context see Halliwell-Phillipps's entry in the Oxford DNB, which states that in 1852 he 'offered by subscription the most elaborate Works [of Shakespeare] ever attempted: published between 1853 and 1865 in sixteen thick folio volumes, lavishly illustrated by F. W. Fairholt and limited to 150 copies, it was initially priced 2 guineas a volume.

1p, 12mo. In good condition, lightly aged. Folded twice. The recipient is not named, but the item derives from the papers of James Payn, the editor of the Cornhill Magazine, London. Gallenga begins: 'My dear Sir. | The last time I saw you - it may be 20 years ago - you were leaving London to write for Chambers in Edinburgh.

3pp, 12mo. Bifolium. Fifty-one lines of text in a close neat hand, the last page written lengthwise. In good condition, lightly aged, with traces of white paper mount adhering to blank reverse of second leaf. Folded once. The letter is signed 'Barry Pain'. The recipient is not named, but is James Payn, editor of the Cornhill Magazine, who had just published the story that made Pain's name, 'The Hundred Gates'.

1p, 12mo. In good condition, lightly aged. Folded once. Referring to her son Francis Romano ('Cecco') Oliphant (1859-1894), she writes: 'Dear Mr. Payn | I send you with this in a registered packet by book post a story written by my youngest son, called "The Grateful Ghosts" which he wishes me to submit to you.' Her opinion is that the story 'would bear compression but that is usual to youthful productions'. She will be 'much gratified' if Payn likes it 'and can use it', and feels sure he will give it his consideration.

1p, 12mo. In good condition, lightly aged. Folded twice. He writes that he has 'received the memorial to the Postmaster General, which you have done me the honor to transmit for the joint transmission of Mr Ross & myself'. He will arrange with Ross to have the memorial 'presented on the earliest possible opportunity'.

4pp, 4to. Bifolium. Panel, a little under one-sixth of total area, missing from bottom outside corner of second leaf, with attendant loss to text, otherwise in good condition, lightly aged and worn. Folded three times. A good long letter in a neat and stylish hand, with a firm underlined signature. He begins by writing that he has that morning 'received the Petition from Belfast which I was pleased to expect from having seen in the Report of your meeting that you had done Mr Dunbar and myself the honor to entrust its presentation to us'.

On 12.5 x 11.5 cm piece of paper, trimmed at edges, laid down on part of leaf from album. In fair condition, aged and worn, with central spike hole (made by the chemist?). Six-line prescription in the usual medical Latin, ending: 'J C | Mr Carpenter | 24 Sepr. 1804'. At foot of page, in a contemporary hand, 'Dr J Currie author of Life of Burns'.

7pp, folio. On four leaves. In good condition, lightly aged. In worn modern half-binding of brown leather spine and corners and cloth covers, split at hinge. The poem is of 124 lines, arranged in five irregular stanzas. A nauseating exercise in brazen sycophancy, written in the aftermath of the Bloody Assizes. Not mentioned in Barnes's entry in the Oxford DNB, which does state that his 'adulation for the Stuarts [...] probably continued undiminished' with the accession of William and Mary.

vi + 257pp, 8vo. In good condition, tight and clean, on lightly-aged paper. In good modern binding of grey card, with new endpapers, and the title-page reproduced on the front cover.

2pp, 12mo. Bifolium. In good condition, lightly aged and worn. Folded twice. The letter begins: 'My dear Lloyds, | However I may grieve at any misunderstanding between you and James - I cannot interfere.

See his entry in the Oxford DNB. 12mo bifolium, with the two-page letter on both sides the first leaf, and the list of plays on recto of second leaf. In fair condition, aged and worn, with closed tear. Folded three times. Addressed: 'To/ | Chas. Perkins Esqr. | 2 North Place | Hampstead.' The letter begins: 'My dear Perkins, | I have not been able to reply to your last earlier - having been confined to my bed-room ever since the 31st. of July by a most severe attack of inflammation.' He has been obliged to postpone his 'Cork engagement on account of this unseen misfortune'.

Twelve pencil portraits executed in the same extremely capable style, probably for the purposes of engraving. Each on a separate piece of 4to paper. All in good condition, with light signs of age and wear, a couple with minor flecking with red paint. All dated in pencil (between 1811 and 1829), and all but two captioned. (Several of the items with watermark date supporting the pencil dating.) Three of the portraits have the tiny signature at bottom left of 'Bestland', and all would appear to be the work of the same artist, although the last appears to be signed with the initials 'C H'.

3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. The letter begins: 'My dear Hope, I have told Canadian Club you are coming. If I left my spectacles in the Chancery, in their case as I think I did this forenoon, will you please put them into an envelope for me?' He will go over the following morning, 'at Manchester if not'.

[8]pp, 12mo, paginated 45-52. Unbound, on two loose bifoliums, one inserted inside the other. Drophead title.

4pp, 12mo. Bifolium. In fair condition, lightly aged, with traces of glue from tipping-in affecting the lower part and underlining of Wyatt's expansive signature. Folded twice. 71 lines of text. Note in pencil at head of first page states that the letter was 'sent to Saml. Sharpe of Northampton author of The Moabite Stone', but the writer of the note has confused the Egyptologist Samuel Sharpe (1799-1881) with the real recipient, the geologist and antiquary Samuel Sharp (1814-1882), for both of whom see the Oxford DNB.

Three pages, cr. 8vo, bifolium, fold marks, good condition. "I have read your letter with reference to Mr Justice Stephen with care, and I observe that while you throw the whole responsibility on the Government for the continuance of a condition which you describe as 'notorious' and creating 'a general dissatisfaction' you do not advance a single specific allegation as to a failure of justice on which it would be possible to take action.

On 6 x 11 cm piece of paper, laid down on slightly larger piece of grey paper cut from an album. In good condition, lightly aged. The only writing, in a large firm hand, is 'Autograph | Quo Tai-chi'. At the head of the mount, in a contemporary hand: 'Quo-Tai-Chi (Dr) Chinese Ambassador in London'.

3pp, 12mo. Bifolium. In good condition, lightly aged, with a few light stains from mount. Folded once. Having seen the Times announcement of the birth of Cecil's son the previous Saturday, Jellicoe sends his 'Most hearty congratulations' on the birth of Cecil's son, and is 'so delighted that all is going so satisfactorily & that you can come to see us on the 14th.