JAMES

From the Macqueen-Pope papers. His entry in the Oxford DNB describes how, in the 1950s, he was ‘in demand as a lecturer on the theatrical subjects he loved, and he appeared often in the same capacity on radio and on television. Ironically he regarded these two forms of public entertainment, and television in particular, as representing a serious threat to the survival of theatre, about which he cared passionately’.

From the Macqueen-Pope papers. See his entry in the Oxford DNB. Known by his nickname ‘Popie’, Macqueen-Pope was widely regarded as the leading theatre historian of his day. His many books (from histories of individual theatres to a biography of Ivor Novello) sold well, and his broadcasts on the BBC were extremely popular. Eighteen items, providing something a glimpse of his working methods. The last two of the eighteen items are TLsS to MP: one from the editor of ‘Everybody's’ Greville Poke (also see his Oxford DNB entry), and the other Pauline Carter, ‘EDITORIAL’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The Clan Chattan Association is a confederation of highland clans. 2pp, 4to. In fair condition, lightly aged, with slight creasing to one corner, and rust staining from paperclip. Folded twice for postage. Addressed to MP’s London address in Coventry Street. ‘I’ve heard about your James MacQueen. His name appears in quite a few locally published papers &c. on Culloden. His new teeth are quite famous up here.’ He accepts the proposal for an article: ‘if you could go to 900-1000 words I’d be happy’.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) The subject of MP’s article is the press agent and publicist Guido Orlando who came to the United States from Italy with his family in 1917. (MP may have come into contact with Orlando in his own position as press agent for Drury Lane and other theatres.) He was most active in Hollywood from the 1930s to 1960s. His papers are in the Academy of Motion Picture Arts and Sciences Margaret Herrick Library.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, 4to. Aged and creased, on discoloured high-acidity paper. Folded twice for postage, and with closed tear at head of vertical fold. Slight damage and rust staining from removal of staple. The letterhead incorporates two photographic portraits of Lauri, with press comment from ‘Everyone’s Magazine’ and career resume beginning: ‘Ernest Lauri / (The Singing Anzac) / STARRED IN AUSTRALIAN PICTURES / Versatile Vocalist and Monologist’. Macqueen-Pope is not named, but is presumably the recipient.

From the Macqueen-Pope papers. See his entry and hers in the Oxford DNB. Caird was Northcliffe’s right-hand man, and mainly associated with the Daily Mail. The four items are in fair condition, lightly aged and creased, with slight rust spotting from a paper clips. Items Two to Four are on carbon paper. ONE: ACS from Tutin to MP. Small unillustrated postcard, signed ‘Dorothy Tutin’. Reads: ‘I remember you very well - your fascinating letures at the Academy [i.e. London theatre school RADA, the Royal Academy of Dramatic Art] - and shall be very happy to meet you for this article.

From the Macqueen-Pope papers. See both their entries in the Oxford DNB. The four items in good condition, lightly aged and creased, with slight spotting to one corner of Item. Folded for postage. ONE: ALS dated 28 December 1950. 2pp, 12mo. Before sending seasonal greetings she begins: ‘My dear Popie / I returned home to find your wonderful book waiting for me.

From the papers of W. Macqueen-Pope. See the two men’s entries in the Oxford DNB. The National Portrait Gallery holds McBean’s portrait of MP, but not the present item, of which no other copy has been traced. 17.5 x 25 cm. In fair condition, with two corners dogeared; the reverse, carrying McBean’s stamp, is rather discoloured. Also on the reverse, in pencil is ‘Moya Macqueen-Pope’. Plain background.

One page, 12mo, laid down on l. larger stiff paper, some staining but text clear and complete. I would willingly be of service to Mrs Evans & attend the sale; but I wish not to buy books in quires - I am besides so very deaf that it is a pain to me to be in company - | Mrs Evans & you may depend upon my doing what little service is in my power when y[ou]r bound stock is sold [...] | P.S. I am delighted greatly with y[ou]r Travels ['Voyages' excised] of Mr. Coxe - He is a most accomplished Gentleman & I am sure has a most excellent heart..

See his entry, and that of his sister, in the Oxford DNB. 4pp, 12mo. Fifty-eight lines of text. Signed ‘James Martineau.’ On biofolium. In good condition, lightly aged and folded twice for postage. A very good letter, filled with matter. He begins by conceding that there is ‘ground for displeasure of some of my fellow-believers’ in his ‘paper in the “Christian Reformer”: ‘that the description it gives of the Unitarian modes of thought does not invariably fit to the more recent phases of feeling & conception’.

As a result of her pioneering work at the Child Welfare Centre at St Andrews, Simpson was appointed to a sub-committee of the Scientific Advisory Committee set up by the Department of Health (see Jaqueline Jenkinson, ‘Scotland’s Health 1919-1948’, 2002). Waterston was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax.

See his entry in the Oxford DNB. David Waterston (1871-1942) was Bute Professor of Anatomy at the University of St Andrews from 1914 to 1942. In 1913, while Professor of Anatomy at King's College, London, he was the first authority to debunk the Piltdown Man hoax. 2pp, 12mo. Sixteen lines of text. In fair condition, lightly aged, with slight ruckling and bleeding due to removal from mount. Signed ‘Sholto Mackenzie’ and addressed to ‘Dear Professor Waterston’.

In addition to acting as editor of the works of his colleague James Clerk Maxwell, Niven was the teacher of one of the greatest mathematicians and philosophers of the twentieth century, Alfred North Whitehead. The item is from the papers of the presumed recipient, Mrs Evelyn Julia Allan of the Chelsea Red Cross. 2pp, 12mo. In fair condition, lightly aged and worn. Signed ‘W. D. Niven’ and addressed to ‘Dear Mrs Allen’. He was pleased to receive her letter, ‘reminding me of old times’, but he had not forgotten her, as he has ‘sometimes heard Dr. J. M Bruce speak about you & your family’.

See his entry in the Oxford DNB, which characterizes him as ‘the most remarkable pulpit orator of his time’, and that of his father. 3pp, 12mo. On bifolium. Somewhat aged and with the recto of the first leaf grubby, but with text clear and complete, with thirty-three lines of text in Parsons’ close and neat hand. Signed ‘James Parsons’ and addressed to ‘Revd. J. Rawlinson’. He ‘must, reluctantly, decline to comply’ with Rawlinson’s request. He wonders whether he has ‘seen, or heard of an announcement in “the Leeds Mercury” with reference to my intended retirement from my Pastorate in York’.

See the two men’s entries in the Oxford DNB. In good condition, lightly-aged, with small triangle cut away from letter in opening red wax seal, of which minor traces remain. Folded and addressed in the customary manner. Franked to ‘Right Honble / Robert S: Dundas &c &c &c / Downing Street / Montrose’, sent from ‘Grosvr: Sq: 5th Jan 1809’ and signed ‘Montrose’. Begins, without salutation: ‘I wish you would look to this act, as it appears to require attention.

The present item gives the text of the poem described by Byron as 'the most perfect ode in the English language' before its first publication in the Newry Telegraph in April 1817. See Wolfe’s entry in the Oxford DNB. The source of the present item is unclear. It is a photographic facsimile, many decades old, on both sides of a 4to leaf. In fair condition, slightly creased on browned paper, with negligible loss to margin at head. With five creases from folding. Addressed to ‘John Taylor Esqe / at the Revd Mr. Armstrong’s / Clonoully / Cashel’.

Publishing history does not get more vivid than this. See Flower’s obituary in The Times, and Wells’s in the New York Times. The three items in good condition, lightly aged. All three folded once and signed ‘Newman Flower’. First TLS (3 January 1928): 1p, 12mo. He writes that although ‘a very apologetic letter from Mr. Wells of Harpers’ has ‘cleared the air entirely’, ‘a reply from Holt’ received at the same time is not very satisfactory’, and ‘in view of the fact that Cassell’s and Harpers will be coming together again, it would, perhaps, be as well not to do anything at present’.

The fourteen items are laid down on three pages, on two leaves of grey paper, removed from an album, on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott, one featuring a highwayman. The overall condition is fair, with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p., landscape 8vo. With letterhead of Beaumont Lodge, Shepherd's Bush, featuring an illustration by Crane of a shepherd and sheep. 20 September 1892.

See his entry in the Oxford DNB. ‘Rambles in Ireland’ was published in 1912, with illustrations by Jack B. Yeats. On one side each of four 4to leaves of aged and worn paper. The first leaf carries a covering page on which is the typed word ‘KINSALE’; above this Lynd has written in pencil: ‘26 / Rambles in Ireland / (By Robert Lynd) / Chapter VII’. The three pages which follow carry the text: title and 21 lines on the first, and twenty-five lines apiece on the second and third.

See his entry in the Oxford DNB. Unsigned, but in Lynd’s hand and from the Lynd family papers. 6pp, 4to, on six leaves of ruled paper, twenty-six lines to a page. In fair condition, lightly aged, with dog-eared corners. Lynd’s handwriting is execrable, and he employs a number of abbreviations of common words, such as ‘and’, ‘the’, ‘of’. Begins: ‘[...] found expression in literature. / As I have suggested, however, it is in the art of conversation rather than the art of literature that the Irish comic spirit has found its fullest expression.

A prescient note regarding his projected history of the Glorious Revolution, in which Mackintosh expresses the desire to ‘leave the ground somewhat more clear to a successor of greater talents’. And this is indeed what he did: his history was not published during his lifetime, but his voluminous notes proved invaluable to Thomas Babington Macaulay in writing his great history. See the two men’s entries in the Oxford DNB. 2pp., 12mo. Twenty-four lines of text. In fair condition, on lightly aged paper, with short closed tear to one edge. Signed ‘James Mackintosh’.

See both men’s entries in the Oxford DNB. 4pp, 12mo. Bifolium. In good condition, lightly aged, with slight spot from previous mount at one corner. Folded twice. Signed ‘H. H. Armstead’. In reply to a letter of Dafforne, he reports that ‘the Statues I have made for the “Colonial Office” Niches are not yet in situ - but are now being raised to the niches, and they will be in their places within the next few days.’ He gives the names and positions of the statues, adding: ‘The eight men are there as Secretaries of State for the Colonies’.

See Glaisher’s entry in the Oxford DNB. The story of Glaisher’s balloon flights is travestied in the 2019 film ‘The Aeronaut’, with his co-pilot Henry Tracey Coxwell being replaced by the fictional female character ‘Amelia Wren’. The object of the ascents, made on behalf of the British Association between 1862 and 1866, was to carry out scientific observations in such matters as the variation in temperature and humidity of the atmosphere at high elevations.

The princess was the third daughter and fifth child of Queen Victoria and Prince Albert. See her entry in the Oxford DNB. Colville, who was ‘Master of the Ceremonies’ to Queen Victoria, was a talented amateur watercolourist. 3pp, 12mo. Bifolium with mourning border. In good condition, lightly aged. Folded once. She apologises for the delay in thanking him for ‘the Sketch you so kindly have sent me. Believe me I am not ungrateful. I have had the house full for the last 10 days have not had a moment to myself.’ She considers the sketch ‘excellent’.

For information on Cleverdon, see his entry in the Oxford DNB. The recipient is the subject of an obituary by Nicolas Barker in the Independent, 18 March 1997. 2pp, 8vo. On tastefully-printed letterhead (Cleverdon’s shop sign was by Eric Gill) headed ‘DOUGLAS CLEVERDON / WISHES TO BRING TO YOUR NOTICE’, and printed in the same font (as is the order form on the reverse) at foot: ‘The order form on the reverse of this sheet should be sent to / THE BOOKSHOP OF DOUGLAS CLEVERDON / 18 CHARLOTTE STREET, BRISTOL, ENGLAND’. in fair condition, a little creased.

See the entries on author and recipient in the Oxford DNB. The subject of the letter Alan Dent, began his career as a prot?g? of James Agate. Although a somewhat histrionic figure, Wolfit's reputation rivalled that of Gielgud and Olivier, and his influence was acknowledged by both Harold Pinter and Peter O?Toole, and Ronald Harwood based his play and film ?The Dresser? on him. 1p, 4to. In fair condition, on lightly-aged and wrinkled paper, with slight nick to bottom-right, and evidence of paper clip. Folded once.

2pp, 12mo. Bifolium with mourning border (her mother had died the previous December). In good condition, lightly aged, with traces of paper to which the item was glued still adhering to reverse of second leaf. Having been informed by her sister ‘Miss Kingsley’ (her elder sister Rose) that Combe is ‘kind enough to wish for my autograph’, she has ‘much pleasure in sending it you - but I wish my pen was a better one, more befitting this serious occasion!’

1p, 8vo. On bifolium endorsed in two hands on reverse of second leaf, one reading: 'Papier d'antoine Joignar anglois recu Le 29e. Fever. 1676'. In good condition, lightly aged and worn, with stub from mount adhering. Beneath Hamilton's signature at the foot of the document is a fair impression of his seal in red wax. The document reads: 'Nous le Sieur d'Hamilton Capn.

The context is explained in Hamilton's entry in the Oxford DNB: 'Anthony Hamilton joined his brother George in France in 1667, and was given a captain's commission in the French army. In 1671 he and his younger brother Richard joined a regiment of foot which George raised in Ireland for the service of Louis XIV. They served in the Franco-Dutch War of 1672–8.' On 12 x 19 cm piece of vellum. In good condition, with spike hole and bottom corners snipped. Entire document in French.

Four pages, 12mo, bifolium, damaged at join not affecting text, remnants of being tipped in somewhere at 'spine', text clear and complete. He accepts an invitation from the Committee of the Railway Orphanage at Derby to open the completed buildings on a specified day.