KYLLACHY

Although he later repudiated his position, Mackintosh is notable for having defended the French Revolution from Edmund Burke's strictures. See the two men’s entries in the Oxford DNB. With regard to Maurice's oriental studies, it is worth noting that Mackintosh was Recorder of Bombay, 1804-1811. The three items are in good condition, lightly aged and worn and folded for postage. The last two show slight evidence of the breaking of the wafer, and the last has minor traces of brown paper mount. All three are bifoliums, and all are signed ‘James Mackintosh’.

A prescient note regarding his projected history of the Glorious Revolution, in which Mackintosh expresses the desire to ‘leave the ground somewhat more clear to a successor of greater talents’. And this is indeed what he did: his history was not published during his lifetime, but his voluminous notes proved invaluable to Thomas Babington Macaulay in writing his great history. See the two men’s entries in the Oxford DNB. 2pp., 12mo. Twenty-four lines of text. In fair condition, on lightly aged paper, with short closed tear to one edge. Signed ‘James Mackintosh’.

On both sides of a 9 x 11 cm piece of paper. Very good, with a piece of mount adhering to one corner. Recto reads: 'Neither Fanny nor I can resist the great kindness of your note. If what you write be so consolatory it is natural to expect still more gratification from seeing you. I cannot go till Monday after Lectures. But unless I should be prevented by a relapse which I hope is not probable [...]'. Verso reads: '[...] Afftly | J Mackintosh'.

On piece of paper roughly 5.5 x 12 cm. Neatly laid down on a quarto leaf removed from an autograph album. Autograph and mount both damp-stained. Reads 'Mr Tierney presents his Compts to the Lord Mayor elect and the Sheriffs. will have the honor of waiting upon them Monday 9th Inst.' The leaf on which the autograph is mounted carries thirteen lines of biographical information in a nineteenth-century hand. Laid down on the reverse of the mount is an oval engraved portrait (not stated, but by William Ridley, published by Vernor & Hood, after John Opie), c.