LONDON

An interesting letter, providing a mass of interesting incormation relating to the stage in Georgian England, while responding to a request from London solicitors for information about the whereabouts of a provincial actor. See his entry in the Oxford DNB. 3pp, 4to. Forty lines of text, on bifolium addressed on reverse of second leaf ‘For / Messrs. Dowson, Capron and Rowley / Savile Place / near / Burlington Street / London’, and signed ‘S. Kemble.’ In fair condition, on discoloured and worn paper with minor damage at head, but text clear and entire.

See his entry in the Oxford DNB. 1p, 16mo. In good condition, lightly aged, with thin band of discoloration beneath the last line. Addressed to ‘J M Swan Esq R.A’. Reads: ‘My dear Mr Swan / Will you dine with me on Thursday June 1st. to meet Mr Leslie and some few artists? / I should be glad if you will. / Yours faithfully / Wm. Agnew’.

See her entry in the Oxford DNB. 1p, 12mo. In good condition, lightly aged and worn, but with traces of grey paper and glue from mount adhering to the blank reverse. Folded once. In her neat controlled hand, with good firm signature, the letter reads: 'Dear Mr. Courtney / I shall be so grateful if you will put this in to the Telegraph, to morrow: / Yours sincerely / Mary A. Ward'.

See the two men's entries in the Oxford DNB. The three items are in good condition, lightly aged and worn; the second is lightly spotted. Each is folded once. All three signed 'Bryce'. ONE: 13 February 1914. No place. 3pp, 12mo. On bifolium. Begins: 'My dear Ross / I should like [to] help in so good a cause, but cannot possibly venture to make any promise for a date so distant as Nov. next. It would be a tempting of Providence as we say in Scotland.' He is not even certain whether he will be in England then, 'and there is nothing one has more to avoid than the breaking of promises'.

See his entry in the Oxford DNB. From the Piffard papers. Marshall’s handwriting is hurried and in places difficult to decipher. 2pp, 12mo. In good condition, lightly aged. Folded once. Addressed to ‘Dear Mr. Piffard’ and signed ‘John Marshall’. Piffard’s gift of ‘the Box of flowers, with [?]’ leads him to opine: ‘The Daffodils are lovely. - Why is Nature so beautiful? Can it be merely to please the Eye of Man?

See the two men’s entries in the Oxford DNB. Plain postcard, with stamp printed in red. In fair condition, discoloured and worn. Addressed by Gore to ‘W. D. Ross Esq / 6 Charlbery Road / Oxford’. Begins: ‘Will you forgive a p. c.? I have no secretary & am rather overwhelmed with applications. You may not know that I did the thing you suggest at the meeting for Oxford House in Magd. Hall last summer. But besides this I must respectfully say that I cannot undertake any more work than I have already on hand up to next Easter. Forgive me. I have the best will. / Charles Gore’.

Waterhouse and his two younger brothers were all entomologists. He was named after his godfathers, Charles Darwin and Richard Owen. See his father’s entry in the Oxford DNB. From the Piffard papers. 2pp, 12mo. Addressed to ‘B. Giffard Esq’ and signed ‘ Chas. O. Waterhouse’. Begins: ‘Dear Sir, / Of Cicada haematodes we have several British examples in the Stephensian Cabinet. [i.e. [i.e. Robert Stephenson's cabinet of microscopic specimens] I have no doubt these specimens are British, and we have also two examples taken in the New Forest.

Williamson is notable for his work on the formation of ether, and for furthering Anglo-Japanese relations by welcoming the 'Choshu Five' and later members of the Satsuma han into his home. See his entry in the Oxford DNB. From the Piffard papers. Signed ‘Alexr W. Williamson’ on ticket engraved in copperplate on one side of 15.5 x 10.5 cm card. In fair condition, a little worn and somewhat discoloured with age. Central horizontal fold. Blind-stamped with ‘Treasury Seal’. The signature is at bottom right, with number of ticket (40) and the initials of the secretary ‘’ at bottom left.

Three pieces of ephemera from a golden period of English children’s book illustration. All three items printed on shiny paper, and all worn and discoloured. ONE: ‘Hodder & Stoughton’s Christmas List’, with advertisement for Edmund Dulac’s edition of A. T. Quiller-Couch’s ‘The Sleeping Beauty’ on cover. 20pp, folio. With rusting staples. Folded once. Undated, but containing items published in 1910, apart from the cover item, which appears to have been published in 1912.

For more than a century the firm of John Brumfit Ltd of the City of London was one of Britain's leading cigar and tobacco merchants, its reputation international. The firm was founded in 1864 by John B. Brumfit, son of Charles Brumfit of No. 1 Pall Mall West. The items offered here are the journal and cash book written out by the founder at the firm's inception, together with two related items (Items Three and Four below).

The Clarendon Hotel was once - as ‘Routledge’s Popular Guide to London’ stated in 1862 - ‘the most fashionable place in London’, and the present collection of autograph signatures from its guestbook, all of them said to date from 1831, bear witness to the fact that - as ‘Gilbert’s Visitor’s Guide to London’ (1851) states - it was ‘frequented by the Nobility and Gentry, and Foreigners of rank’. Its reputation had been made during the Regency period, and in 1820 ‘Leigh’s New Picture of London’ stated that it ‘and Jaquiers are now one hotel’.

See his entry in the Oxford DNB, with that of his namesake. (It is the the present Sir William Cubitt who owned ‘the famous Gray's Inn Road works ’.) 2pp, 12mo. In good condition, lightly aged with two pin holes at one corner, and traces of mounts. Folded twice for postage. Addressed to ‘Dear Sir’ and signed ‘William Cubitt’. Begins: ‘In working out the details of the roof, we find certain modification of the construction desirable which with your permission, the bearer Mr.

Lodington would be ‘appointed naval officer at Dominica’ in 1814, and the last heard of him is in a letter of 1824 from the same place (offered separately), where ‘Lieut. Col. Lodington’ is awaiting trial, having been abandoned by the Governor, the Earl of Huntingdon. The three items are in good condition, lightly aged, and each is docketed on the reverse, with the usual folds for postage. ONE: Lodington to ‘Charles E. Cox Esqr | For Cox & Son’, 25 May 1808, ‘Royal Marine Barracks’. 1p, 4to. Signed ‘John Lodington / Major Royal Mars’.

xiv + [1] + 38pp, 12mo. No.16/500. In blue cloth binding, titled in gilt on cover and spine. No dust wrapper. Printed on thick paper. In good condition, lightly aged. Annotated in pencil throughout, and with a page of annotations at the end. The handwriting is distinctive (and certainly not Block’s), with the capital N in particular. Some of the annotations give dates from the 1970s, but the handwriting is that of someone from an earlier generation. As an example, one of the longer pencil annotations, on p.5, listing an additional item: ‘Caught Napping. / c. 1883.

Henley?s poem ?Invictus?, with its conclusion ?I am the master of my fate, / I am the captain of my soul?, is one of the most popular in the English language, and has inspired individuals as diverse as Nelson Mandela and Ron Kray. See Henley?s entry in the Oxford DNB. He was a friend of both Sylvia Llewelyn Davies and J. M. Barrie, and his daughter Margaret inspired the ?Peter Pan? character ?Wendy?. 1p, 8vo. In fair condition, lightly aged and worn. Folded three times for postage. The letterhead has a thin black mourning border. Henley?s poem featured as the ?Envoy?

See the entries on Thornycroft and Allingham in the Oxford DNB. The letterhead is also of interest: 'One-Oak' is a notable example of the work of the Arts and Crafts architect A. H. Mackmurdo. 1p, 12mo. On grey paper. In fair condition, lightly aged and worn, with traces of mount adhering to blank reverse. Folded twice. Initial ?H? of signature slightly smidged. Reads: ?Dear Mrs Allingham / I have only [?] got your note. / I enclose two cards for RA. Hoping to see you there / Yours very sincerely / Hamo Thornycroft?. See Image.

See his entry in the Oxford DNB. The National Portrait Gallery possesses a carte-de-visite another portrait of Manns by Negretti & Zambra, which it dates to 1898, but does not hold the present item, which is a head and shoulders shot showing a white-haired Manns, bald on top, with bushy eyebrows and walrus moustache looking to one side in dark jacket and white shirt and tie. A 10 x 14.5 cm albumen print, presented in the customary style on a grey cabinet card, with the firm?s details embossed in white at foot, and the usual photographers? details printed on the reverse.

Captain Hill was the son of Vice-Admiral Henry Hill (1775–1849). In 1845 Captain Hill married Amelia Jane Boyce (1821–1895), granddaughter of the Duke of Marlborough, with whom he had ten children. Hill’s letter is written on the back of the pedigree, and addressed to ‘The Revd / The Warden / New College / Oxford’. It reads: ‘Mr. Warden, / I have the honour of transmitting herewith for your information the Copy of a Pedigree which I have received from the Heralds Office shewing the consanguinity of my Family to William of Wickham the Founder of New College Oxford and of the College of St.

See the entries for Morrison and Ross in the Oxford DNB. The three items are in good condition, lightly aged and folded for postage. The second item has a punch hole centred at the head of the leaf. All three 1p, 12mo, and each with Morrison’s sprawling signature ‘Yrs sincerely / Herbert Morrison /’, the first in green ink. ONE (25 November 1941): Addressed by Morrison in green ink to ‘Dear Sir David’. Thanking him for a note ‘in which you assure me of the appreciation of the Nuffield College Committee at my action in agreeing to release Mr.

See his entry in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. 2pp, 4to. The letterhead, on both leaves, is topped by a pleasing 10 x 6 cm woodcut of Combe Florey House. The paper is creased, otherwise in good condition, and entirely legible.

See Thiselton-Dyer’s entry in the Oxford DNB. Printed on one side of a 10 x 13 cm piece of paper, and made out in manuscript to ‘Sir William Thistleton [sic] Dyer (and Lady)’. Text size in good condition, lightly aged, with the blank reverse of the card with slight damage from mounting. The recipient has written in a close hand in red ink at top left: ‘accepted. / 18. 7. 02.’ The text reads: ‘The Chelsea Physic Garden.

Scarce: no other copy traced. The only similar material are the volumes for 1851, 1852 and 1853 in the Bishopsgate Institute. Stitched booklet. 16pp, 8vo. With card cover and frontispiece, both ornately engraved. Text and illustrations complete and undamaged, on aged paper worn at edges and with front cover detached. The cover carries the royal arms beneath the engraved words: ‘FIELD MARSHAL / His Royal Highness / The Prince Albert / K.G. K.T. G.C.B. K.P. G.C.M.G. &c. &c. &c. / Captain General and Colonel.’ At foot of page: ‘Honourable Artillery Company.

Conyers is curiously absent from the Oxford DNB. The present item is a frail survival. It is the customary form, printed under the heading ‘Annuities, 3700 l. per Week.’ Completed in manuscript with date, amount and record of payment to ‘Sr Gerard Conyers - Asignee of ye Execr. of S. [Leshieuller? Lechienller?] & Attorney to Jno. Burkin, Esqr Assignee of ye same’. Signed at bottom right ‘Gerard Conyer[s]’ and with the signature of ‘Witness E Clarke’ at bottom left. On aged, creased and worn paper, with one hole from wear, and the last letter of Conyer’s surname worn away. See Image.

Strongitharm’s entry on the British Museum website is the main source of information about him. In 1841 ‘John Strongitharm’ is listed in the Royal Calendar among the ‘Queen’s Tradesmen’, ‘In the Department of the Lord Chamberlain’, as ‘Seal Engraver’. The present item is an well-executed and carefully hand-coloured steel engraving of the royal arms (lion and unicorn), topped by a banner with ‘LORD CHAMBERLAIN’S OFFICE’. Engraved in small letters beneath the image: ‘Strongitharm, Waterloo Place’. Printed on a somewhat-aged and lightly worn piece of thickish laid paper, 11.5 x 6.5.

Edward Knobloch’s play ‘My Lady’s Dress’ (‘in which’, as one newspaper wrote at the time, ‘the heroine’s dream takes her to the foreign [and London] scenes surrounding the manufacture of a costly gown’) premiered at the Royalty Theatre in London in 1914 and was revived several times through the 1920s.

The writer is presumably a member of the prominent aristocratic family, but none of the parties has been positively identified. 1p, landscape 12mo. On laid paper. Letter signed ‘T Cecil’ and receipt signed ‘T. Cecil’. The The document reads: ‘Sr / I have just receivd yours, but sd. be obligd to you, if you cd not Send me forty Pounds, you wd. Twenty: as I am to go out of Town to morrow & have not money to Carry me, I have wrote a Receipt, & hope as it so [sic] pressing a thing, you’ll Comply, which will very much obilge Yrs. T Cecil / London April 7th: 1745 / Receivd Of Willm Adair Esqr.

Scarce: no other copy traced. Bifolium of laid 1856 Saunders paper. 4pp, 4to. Unpaginated. The front cover carries is headed ‘City of London Piano-Forte Manufactory.’ Beneath this are engraved the royal arms, flanked by the words ‘By Appointment / to the Queen.’ Peachey’s address is engraved beneath the arms in large letters. At the foot of the page, in red ink, are three lines relating to ‘Harmoniums.’, with the second page headed by another two lines in red. The two central pages carry much information in small type.

An interesting autograph in economic history. Newland’s entry in the Oxford DNB states that ‘His signature on Bank of England notes became so familiar that they were known as Abraham Newlands. His fame in this respect was commemorated in several popular jingles’. A good firm signature, ‘A Newland’, with that of the witness ‘R Ettie’, at the foot of printed form, completed in manuscript, paying Newland £33 15s 0d as assignee to an executor.

An interesting agglomeration of ephemera London cinematic information. The author is working-class or lower-middle-class. Two sturdy ruled small 4to exercise books, with black covers of ribbed watered cloth and spine of red cloth. In fair condition, lightly aged and worn. ONE: 150pp. Ownership inscription on inside of front cover: ‘Miss Renee Fish, / 112, Allerford Road / Catford, / S.E.6.’ The first page is headed: ‘31. 12. 29. Films I have seen during 1930.’ Each of the volume’ The entries are numbered from 1 to 272, with an additional numeration for each year from the second year onwards.

See Wendy Trewin, ‘The Royal General Theatrical Fund: a history, 1838-1988’ (1989), and Macqueen-Pope’s entry in the Oxford DNB. ONE: Carbon copy of letter from Macqueen-Pope to Allen, 15 May 1953, with three drafts of advertisement. 4pp, 4to. On four leaves. The letter, on the first page, is somewhat grubby, with rust spotting from paper clip, the other three leaves, each of which carries a proposed version of the advertisment, in good condition, lightly aged. The letter begins: ‘Dear Jack Allen, / Herewith three rough samples for the proposed advertisement concerning the Fund.