TWENTIETH

4to: 4 pp. Unbound bifolium. On lightly discoloured and spotted paper, lightly worn at extremities. Central horizontal fold. Gives details of eight lectures, by, successively, H. Finer ('Impressions of America'), Montague Fordham ('The Rural Problem'), R. B. Forrester ('Co-operative Marketing'), Professor R. Peers ('Can we educate the Community?'), Arthur Greenwood, M.P. ('The Present Position and Future Policy in regard to Housing'), C. S. Orwin ('Land Tenure'), Rt. Hon. [sic] Sidney Webb, M.P. ('Poor-Law Reform'), and (with the 'syllabus' covering an entire page) H. St. J. B.

On blue paper 10 x 18 cms. Good, with trace of previous white paper mount on reverse. Printed receipt, filled in in manuscript. Reads 'No. [32] 5, VIGO STREET, | W.1. | [June 2nd 1937] | Received a DONATION of [One Guinea] | from [The Misses Ruck] | for the ARTISTS' GENERAL BENEVOLENT INSTITUTION. | £[1] : [1] | [-] | [next word deleted] Secretary | [next two lines cyclostyled in purple ink] most gratefully | Laura Knight'.

Good, in felt-tip pen on piece of blue paper, roughly 8 x 13 cms, with the slightest discoloration at extremities.

8vo: 8 pp. Stapled and unbound. In original grey printed wraps with rusted staples. Grubby and dogeared. Signed ('L. Conrad Hartley') presentation inscription dated 31 May 1915. No copy of the offprint of this short story on COPAC.

8vo: 11 pp. Unbound and stapled. In original beige printed wraps. Grubby and dogeared, with rusted staples. Signed (L. Conrad Hartley') presentation, dated 31 May 1915. No copy of the offprint off this short story on COPAC.

4to: 3 pp. Text clear and entire on creased, chipped airmail paper. A chatty, vivacious and entertaining letter, casting light on the state of mind of an English colonial wife. Thanks her for her 'kind remarks about my stories.

Octavo: 8 pp. Unbound, stapled pamphlet of six leaves. Dogeared, with rusted staples and with horizontal band of discoloration and two vertical closed tears (2 cm and 1 cm) at head.

The collection is in good condition, with very occasional minor creasing, staining and loss. Majority of items quarto. Milne was a leading Fellow of the Society, a Chairman of Council in 1959-61 and Vice-President. The collection provides a valuable insight into the day-to-day workings of the Society, from the first letter discussing the R.I.B.A., and whether the Society might set up 'a somewhat similar organisation with similar prestige could be built up for industrial artists', to the last letter commending G. C. H.

Sizes range from quarto (nine items) to 12mo (two items). Very good. Subjects include a request for 'a photograph of the winning design for the petrol filling station', the award of a Hyde Travelling Scholarship ('Mr. Mitchell appears to have so greatly distinguished himself'), 'Mr. Bossom's suggestions for the wording and particulars for the Proscenium opening for Cinema', the drafting of a reply to Morley Horder's comments ('he errs when he declares the screen is not of the period as I think only a small section of it was added by Mr.

One one side of a piece of laid paper, 26.5 x 21 cms. Aged and creased, with chipping to extremities and staining on reverse from repair to one of two closed tears. Thirty-six lines, with facsimile of Housman's signature at foot. An appeal for 'money for the Library - your Library'. Somewhat poignant, considering the present neglected state of the British library service. '[...] The question is - do you want to give money to your Library? [...] But, for my own part, I ask - why, why Libraries? What are they for? What there do you read?

On one side of the card. Dimensions, 8.5 x 11 cms. Very good. Neat inscription reading 'For Charles Wilson | with Alec Waugh's best wishes | July. 31. 1948 /.'

One page, quarto. On aged and creased paper. Letterhead illustrated with engraving of the paper's headquarters. Thanks him for the copy of Rowney's 'Artists' Almanac'. 'Like yourselves, we are an old family firm and as such have always taken a live interest in the Arts.' Endorses the Empire Art Council, feeling that '[t]here is a great deal that can be done in the exchange of art exhibitions, etc., between the various parts of the Empire'. Docketed with London address on reverse.

Eight pages, quarto. Unbound and stitched on six leaves. Good, with recto of first leaf and verso of last somewhat more aged. With company and tax stamps. 'Mortgage, [a leasehold plot of land and messuage Numbered 26 in Barker Street Oldham in the County of Lancaster to secure £450 and interest.' Typewritten acknowledgment of payment, 25 February 1929, signed by company secretary W. Harvey and director J. Brown.

Two pages, on letterhead of roughly 13.5 x 17.5 cms. He has sent a wire accepting the 'kind invitation'. '[A]s you can imagine we are rehearsing all day and every day at the present [...] The only thing thaht could stop me being with you is that we are, I understand, to record the "Fanny" music for a long-playing record on that Saturday'.

Dimensions roughly nine inches by three and a half wide. Creased and somewhat aged, with traces of previous blue paper mount on reverse. The cartoon, which occupies just under the top half, shows three hillbillies watching a fourth chalk crosses onto a farmyard wall, with the caption 'Somebody told him 'bout a old age pension . . . he's practicin' to sign up fer it.' Beneath this 'ATTENTION! | C. A. STONEHILL, Inc. | Rare Books and Manuscripts | IS NOW LOCATED AT | 198 1/2 YORK ST. | SECOND FLOOR | NEW HAVEN, CONNECTICUT | Come In and Browse'.

Beautifully printed bifolium on thick wove paper. Dimensions of leaf roughly thirteen inches by ten; dimensions of illustration roughly nine and a half inches by eight. Tissue guard. Recto of first leaf and verso of second blank. Letterpress on verso of first leaf reads 'Fernand De Nobele, libraire pres St-Germain-des-Pres, vous adresse ses meilleurs voeux pour l'annee 1969. | [L'abbaye en 1368]'. Illustration signed at foot 'Josephine Beaudouin', with the limitation '190/200'. For De Nobele - President of ILAB between 1965 and 1967 - see Anthony Rota's 'Books in the Blood' (2002).

Arranging the three in what appears to be chronological order, the first (good, roughly four inches by two and three-quarters wide) has 'Josiah C. Wedgwood' in copperplate beneath a straightforward Victorian armorial design, with shield, coronet and motto 'OBSTANTIA DISCINDO'. The second (three and a half inches by three wide) dates from after Wedgwood's election as a Member of Parliament in 1906, having 'EX-LIBRIS JOSIAH C. WEDGWOOD, M.P.' on a scroll beneath a more modern armorial design, with helmet and leaves. It has slight damage to the bottom right-hand corner.

Chairman of Unwin Brothers (born 1870). One page, quarto. Good, but discoloured and lightly creased, and with staple stain at head. Docketed and bearing the Society's stamp. He is sorry not to have answered sooner, but 'some very important business has engaged my attention during the last few days with the result that I put your letter into my private drawer without acknowledging it.

American-born British journalist (1864-1948), editor of the Daily Express, 1904-32. One page, quarto. Good, but on slightly discoloured paper, with slight staining to the four corners from previous mounting. Reads 'As one printer to another I want to tell you what I think of your magazine "Change". It does you all great credit. It is exceedingly well produced, presented with remarkably good taste, and I am astonished at the knowledge and technique.

Small octavo: 31 pages. Unbound and stapled. Very good, in grubby original pink printed wraps. According to one authority McGowan is the 'first fully qualified actuary in South Africa of whom there is record [becoming] Cape Government Actuary of the former Cape Colony in 1890'. COPAC (under mispelt name "MacGowan") only recordds the BL copy.

Unbound. Large Octavo bifolium on grey wove paper. Good only, with creasing to corners (that would carefully iron out), and some marking to front cover. Title in large gold letters on front, details of edition on versos of both leaves, and specimen page on recto of second leaf. Illustration ('The author | A reproduction of Tegetmeier's frontispiece') on Arches paper (twelve and a half inches by nine wide) loosely inserted, together with printed 'Book order' leaf.

Thirty-six broadsheet pages. On aged paper, with chipping to extremities and first and last leaves detached, but with text clear and entire. Articles on 'The Four New Railways', with photographs, by Sir Herbert Walker, Felix J. C. Pole, Arthur Watson and R. L. Wedgwood. Other articles include 'Electrification - The Metropolitan's Experience' by R. H. Selbie, 'Railways - Their Position and Prospects' by Sir Sam Fry, 'Railway Rates under the New Regime' by Sir W. M. Acworth and 'Finance of British Railways' by W. J. Stevens.

One page, quarto. On lightly creased, aged paper with a few closed tears. Rust marks from paperclip at head. Reads 'Il triangolo della perfezione arte scienza ad amore | [signed] F Matania'.

Postcard with painting of Rialto Bridge by Canaletto. Postmarked 1970. Ruckled with damp but entirely legible. An amusing communication, beginning 'Thought I would let you know that we were not involved in the great tornado that sunk a voporetto [sic] on Lirica 4, and that the Hotel alla Fava is still very comfortable.' Refers to the Lambs' 'self-contained eyrie' and 'the weak fast coffee which tastes of mud; but clearly and obviously isn't'.

One page, 12mo. Good. Docketed and bearing the Society's stamp. Concerns 'Sir Alexander Redler's being brought up by Crookes for election to the Athenaeum by the Committee under Rule II [...] you [...] intimated that you knew Redler & that I need not descant on his virtues: he is a most clubbable man & I trust you may be able to support him'.

One page, quarto. Very good, with staple holes in one corner. He thanks Samson for his letter 'about the enquiry from the Esso Petroleum Company concerning a sculptured commemorative tablet. I should be pleased to take part in any limited competition for this project and could carry out the work this year if I were commissioned to do so within the scheme of my existing commitments.' The context is explained by an accompanying photocopy of a carbon of a typed letter (one page, quarto) of 5 May 1960 from Samson to the sculptor Professor R. Y.

Two pages, quarto. Very good, with a little wear and light creasing. 'I often think of those days, & how timid & shy & stupid I was! Yet I enjoyed myself too, & shall never forget your great kindness, & the help you gave me. Since then I've had many adventures & experiences. I am not the thing I was!' She has been in London for the winter, and hopes they will be able to meet. 'We're so glad you like "Yellow Sands" - & I'm very pleased you like "Tomek". She has 'just finished another novel & play'. Asks what has become of a number of common acquaintances.

One page, 12mo. Very good; lightly creased with staple holes to one corner. 'I beg you to publish the letter which I have addressed to the Journal. There is no point in withholding it.' Horder, who designed Lloyd George's house, as well as Mallory Court and Greys, is, according to one authority, 'one of a group of early twentieth century architects who were highly influential in re-introducing the romantic vernacular styles of the Elizabethan period. Many of his homes were in the style of Edwin Lutyens, having gables, stone dressings, mullioned windows and inglenooks.'

Two pages, 12mo. Very good on aged paper, with small closed tear at head not affecting text. Appears to concern an exhibition of women painters. Wants to 'personally thank' her for 'the privilege of having seen the International & in particular, your charming pictures. 'Early Morning' has quite carried away my heart! But the others are very fine. it must be so difficult, & so interesting to paint grey darkness. [...] Nothing of Miss Lister's there having in my opinion come up to her 'Builth Bridge' which we have. [...] Next to it I like 'A lonely Tree'.

Three pages, small octavo. Good, though a little aged. He is having an exhibition of his 'new Mexican things [...] and teaching a small class' in Savannah. He is pleased that Woodward is going to Chapel Hill ('They need a breath of fresh air.'). The rest of the letter consists of an interesting assessment of the artistic situation in the area, beginning, 'In N.