PULMAN

[ Herman Wouk and the making of the 'Winds of War' television series. ] Eighteen Typed Letters Signed and three Autograph Letters Signed from Wouk to screenwriter Jack Pulman, with copies of Pulman letters, and other material relating to the project.

Author: 
Herman Wouk (b.1915), American novelist [ Jack Pulman (1925-1979), British screenwriter; Stanley Kallis; Dan Curtis (1927-2006), director; Paramount Pictures ]
Publication details: 
Washington, Los Angeles and London. Most of Wouk's letters on his Washington letterhead. Between 2 December 1977 and 22 April 1979.
£1,800.00

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website, which descibes the background to this material, although its author us clearly unaware of the increasing tension between Pulman and Wouk revealed by material in the present collection: 'In early 1978 Paramount TV producer Stanley Kallis and author Herman Wouk approached Pulman to write a treatment (to be followed by a screenplay) for Wouk's sweeping World War Two novel 'The Winds of War'.

[ 'The Girl on a Motorcycle', 1968 film starring Alain Delon and Marianne Faithfull. ] Material relating to arbitration by Jack Pulman, for the Writers' Guild of Great Britain, of dispute over credits between Jack Cardiff and Ronald Duncan.

Author: 
Jack Pulman (1925-1979), British screenwriter [ Ronald Duncan (1914-1982), author; Jack Cardiff (1914-2009), film director; The Writers' Guild of Great Britain; 'The Girl on a Motorcycle' ]
Publication details: 
[ The Writers' Guild of Great Britain, 430 Edgware Road, London. ] Two items on Pulman's letterhead, 31 Steele's Road, London. 1968.
£350.00

Six items relating to Pulman's arbitration, including 'a careful breakdown [by him] of scene continuity of the Bourguignon script, the Duncan script and the final shooting script', these three breakdowns (Items Two to Four below) totalling 8pp. In his four-page arbitration, Pulman gives a detailed account of the process of the film's composition, of all the more interest as coming from a master screenwriter and contemporary. All six items in good condition, lightly aged. ONE: Carbon copy of Pulman's signed four-page 'Arbitration - "GIRL ON A MOTORCYLE" | Writers involved - S.

[ The Writers' Guild of Great Britain, London. ] Folder of material from the papers of screenwriter Jack Pulman, containing 43 items relating to his work for the Guild, including arbitration decisions, reports, circulars, correspondence, minutes.

Author: 
Jack Pulman (1925-1979), British screenwriter [ The Writers' Guild of Great Britain, London ]
Publication details: 
Jack Pulman, 31 Steele's Road, NW3. [ The Writers' Guild of Great Britain, London. ] 1966 and 1967.
£950.00

Folder of material from the Jack Pulman papers. 43 items in good condition, lightly aged. The Writers' Guild of Great Britain, established in 1959, is a Trades Union for writers working in television, radio, film, theatre, books and multimedia. Pulman began his career while studying economics, and his understanding of the business side of screenwriting is evident in his arbitration decisions contained in this collection. His distinguished career is well described on the British Film Institute's website.

[ Michael Winner, British film director. ] Typed and Signed 'Memorandum from Michael Winner' to screenwriter Jack Pulman, regarding '"People in the Mist": Meeting November 25th' (a proposed adaptation of the fantasy novel by H. Rider Haggard).

Author: 
Michael Winner (1935-2013), British film director [ Jack Pulman (1925-1979), screenwriter; H. Rider Haggard ]
Publication details: 
No address (letterhead reads 'Memorandum from Michael Winner'). Dated 25 November 1969.
£80.00

1p., 4to. In fair condition, lightly aged and a little ruckled at edges. Winner's signature, in blue ink, is somewhat stylised. The document deals with eleven points raised at the meeting (which relates to a film project which was not realised), the first of which gives a feel of the tone: '1. We could do something in scene 305 with LEONARD who is not too full of character at this point. This applies also through that section to the end of scene 308. In this scene Leonard is a little too on-the-ball and decisive.

[ Jack Pulman, British screenwriter. ] Collection of material from his personal papers, including typescripts, drafts and correspondence relating to various projects including the 1970 film 'The Executioner'; and folders of film industry material.

Author: 
Jack Pulman (1925-1979), British screenwriter [ Charles H. Schneer; Ameran Films; George Peppard; Sam Wannamaker; Columbia Pictures ]
Publication details: 
From London and other locations. Dating from between 1964 and 1975.
£1,500.00

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website. His work for British and American television gained him plaudits as an 'adaptor-extraordinary', beginning with a 1965 version of Thomas Mann's 'Buddenbrooks' for the BBC, and including Henry James's 'Portrait of a Lady' (BBC, 1968) and 'The Golden Bowl' (1972), as well as 'David Copperfield' (NBC, 1970), 'Jane Eyre' (NBC, 1971), 'War and Peace' (BBC, 1973), and the controversial 'I, Claudius' (BBC, 1976).

[ Jack Pulman, British screenwriter. ] Material relating to two Shakespeare adaptations, one a version of Hamlet set in the eastern Europe of the cold war, the other a version of 'Richard III' titled 'Dickon'. With corrected drafts, correspondence..

Author: 
Jack Pulman (1925-1979), British screenwriter [ John Russell Brown (1923-2015), Shakespeare scholar; John Counsell (d.1987); Albert Finney; the Old Vic; the National Theatre ]
Publication details: 
[ London, England. 'Hamlet' material dating from 1963 or before. ] Correspondence relating to 'Dickon' [Richard III] dating from between 1974 and 1979.
£800.00

From the Jack Pulman papers. Pulman's distinguished career is well described on the British Film Institute's website. His work for British and American television gained him plaudits as an 'adaptor-extraordinary', beginning with a 1965 version of Thomas Mann's 'Buddenbrooks' for the BBC, and including Henry James's 'Portrait of a Lady' (BBC, 1968) and 'The Golden Bowl' (1972), as well as 'David Copperfield' (NBC, 1970), 'Jane Eyre' (NBC, 1971), 'War and Peace' (BBC, 1973), and the controversial 'I, Claudius' (BBC, 1976).

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