[ Dering family; British and European porcelain; ceramics; Duveen; Litchfield; Liverpool; Sir Edward Dering (1732-1798), 6th Bt ]
Stationer's stamp of 'JAS. HEMMIN, LIVERPOOL' Entries dating from between 1882 and 1943.
133pp., 12mo. Two leaves of notes inserted, including one headed 'For identification'. In red leather notebook, with covers ruled in gilt. Internally in fair condition, on aged paper, in worn binding damaged at head of spine. A detailed record of an extensive and impressive collection, assembled with great care and discernment, with an indication that this catalogue was intended to provide the material for a more formal one.
Charles Fairfax Murray (1849-1919), art connoisseur and artist [Sir Joseph Duveen; Rodolphe Kann; Wilhelm von Bode; Elia Volpi; Alessandro Contini Bonacossi]
On letterhead of 'Via Marsilio Ficino 12 | Firenze'. 24 September 1913.
A significant letter, filling gaps in the provenance of Bellini's Crucifixion, now in the Louvre. All that has been known hitherto about the painting's provenance is that at the beginning of the twentieth century it was in the Paris collection of the banker Rodolphe Kann, and that before the Second World War it was owned by the Florentine dealer Alessandro Contini Bonacossi, from whose heirs it was acquired by the Louvre in 1970.
Sir Charles Allom [Sir Charles Carrick Allom] (1865-1947), British architect and decorator, knighted for his work on Buckingham Palace
1914, 1916, 1918 and 1921; all on letterhead of 15, George Street, Hanover Square, London W.
All seven items 4to, 1 p. Each good, on lightly-aged paper. All bearing the Society's stamp, and six docketed. Letter Two to Sir Henry Trueman Wood, Three to Six to G. K. Menzies, and Seven to W. Perry. Letter One: 9 July 1914. Querying whether members of the Society can describe themselves as 'Fellows'. Letter Two: 22 March 1916. Being 'unable to get an earlier passage [to America] owing to cancellation of boats', he will be delighted to preside over a meeting.