ART

[ Fernand Gampert, Swiss artist, friend of Christian Dior. ] Autograph Letter Signed, in French, to Captain C. W. Townsend, with reference to the painter Lucien Monod.

Author: 
Fernand Gampert (1898-1989), Swiss artist, friend of Christian Dior; his sister Edith Gampert [ later Edith Arnaud ] (1897-1987) [ Captain Cecil William Townsend ]
Publication details: 
9 Rue Bellot, Geneva [ Switzerland ]. 16 November [ no year, but dating from the First World War ].
£75.00

8pp., 12mo. On two bifololiums with mourning borders. In good condition, lightly aged and worn. Addressed to 'monsieur Townsend'. From the papers of Captain Cecil William Townsend of the Warwickshire Yeomanry, Dunsterforce and Norperforce, and the British Military Mission to South Russia. Gampert is still at college as he writes, and the reference to the 'boches' dates the letter to the First World War. Gampert begins by explaining the reason for the delay in writing, with reference to 'Mlle Trithen'.

[ 'Edward Carrick', i.e. Edward Craig, art director, author and illustrator. ] Page proofs of his 'Designing for Moving Pictures'.

Author: 
'Edward Carrick' [ Edward Craig (1905-1998), art director, author and illustrator, son of Edward Gordon Craig (1872-1966) ]
Publication details: 
The Studio Publications, London & New York. Printed in England n Fosh & Cross Ltd., Mansell Street, London (Blackmore Press Ltd.).
£450.00

104pp., 4to. Unbound page proofs. In good condition, lightly aged and worn. In worn envelope with printed details of 'The Studio Publications', addressed to 'Edward Carrick, Esq., | G.P.O. Film Unit, | Soho Square, | London, W.C.', amended to '20 Gordon Place', 'W.8.' This was Craig's foremost work, highly influential. Comprising eight signatures of text, each initialled by him with the date 6 March 1941, seven of them with stamp in red ink: 'MARKED PROOF'; together with two signatures of illustrations on art paper, included in the pagination, one of them also signed and initalled.

[ Sir Hubert von Herkomer, painter, film director and composer. ] Autograph Letter Signed ('Hubert Herkomer') to 'Lady Wynn', regarding a 'word portrait' of his 'splendid wife', who has just died.

Author: 
Sir Hubert von Herkomer [ originally Hubert Herkomer ] (1849-1914) German-born British painter, pioneering film director and composer
Publication details: 
New York. 23 December 1885.
£90.00

1p., 16mo. With mourning border. In good condition, lightly aged. Begins: 'Dear Lady Wynn | I thank you from the depths of my heart for your kind letter. I enclose you a word portrait of my splendid wife. More I dare not write or I shall not regain the strength I need to carry out her wishes in life.' As the Oxford DNB explains, after the death of his first wife in 1883 'Herkomer married, on 14 August 1884, a Welsh nurse, Lulu Griffiths (b. 1849), who had been a member of his household since 1874. He was devastated by her sudden death a year later.'

[ William Powell Frith invites Sir Edwin Landseer to 'tea-supper smoke-whist'. ] Autograph Letter Signed ('W. P. Frith') from Frith to Landseer, inviting him to an evening with 'a few artists & others'.

Author: 
W P. Frith [ William Powell Frith ] (1819-1909), RA, Victorian genre painter [ Sir Edwin Landseer (1802-1873), painter and sculptor, mainly of animals
Publication details: 
On his letterhead, 10 Pembridge Villas, Bayswater, W. [ London ] 13 March 1862.
£80.00

2pp., 12mo. On bifolium. In fair condition, lightly aged, with minor damage in margin at the gutter of the second leaf caused by removal from stub. Addressed to 'Sir Edwin Landseer RA | &c &c'. A week from the writing of the letter Frith is expecting 'a few artists & others to tea-supper smoke-whist &c'. He explains that the group usually meets 'about eight supper at ten or half past. We should all be pleased if you can be induced to give us the pleasure of your company.

[ W.M. Rossetti; Art Exhibition; (German Athenaeum), London. ] Printed catalogue - annotated by Rossetti - of 'Fourth Annual Exhbition of Paintings in Oil and Water Colours, and Drawings in Black and White. 1878.'

Author: 
Deutsche Verein für Kunst und Wissenschaft (German Athenaeum), London [ William Michael Rossetti (1829-1919), art critic and member of the Pre-Raphaelite Brotherhood ]
Publication details: 
Deutsche Verein für Kunst und Wissenschaft (German Athenaeum), London. London: Printed by Aug. Siegle, 110, Leadenhall Street, E.C. [ 1878. ]
£400.00

[ 8 ] pp., 8vo. Modern marbled boards and label. In good condition, lightly aged and worn. Containing 85 items by various artists (from William Kümpel, R. A. Came and J. Wolf, to Edouard Frère, John Varley, James Price and Count Gleichen), and an appendix of five 'Battle Pieces, by Christian Sell'. Features two items by Burne Jones and several by Alma Tadema, the latter being named at the head of an initial list of twenty-four 'owners of pictures' who have contributed items to the exhibition. The item was previously bound by Rossetti in a volume with two, unrelated others.

[ George Allen, London publisher and associate of John Ruskin. ] Sale catalogue of 'Books and Pictures from the Estate of the Late Mr. George Allen', containing a large number of books and pictures by Ruskin.

Author: 
[ George Allen (1832-1907), London publisher, craftsman and engraver associated with John Ruskin [ Allen and Unwin ]
Publication details: 
'For Sale | May be seen at 156, Charing Cross Road | London | December 1908'.
£400.00

12 pp., 8vo. Modern marbled bds. In good condition, lightly aged and worn. This interesting item is of significance to Ruskin scholars, containing a whole page describing 24 drawings and engravings by him, as well as a number of interesting books from the library of a close associate. The item was previously bound by Rossetti in a volume with two, unrelated, others. It then passed into the collection of the art historian Rose Sketchley, whose sister C. J. Sketchley presented it to Fulham Public Libraries in 1949. It is scarce: no copy has been traced on either OCLC WorldCat or COPAC.

[ Arthur Hacker RA, English artist. ] Autograph Letter Signed, responding to the flattery of an admirer.

Author: 
Arthur Hacker (1858-1919) RA, versatile and popular English artist who trained at the Royal Academy Schools and in the Paris atelier of Léon Bonnat
Publication details: 
On letterhead of 7 Cavendish Buildings, Old Cavendish Street, W. [ London ] 29 July 1899.
£90.00

1p., 4to. In good condition, on lightly-aged paper. The letter reads: 'Dear Sir/ | I am very pleased to hear you like my pictures and seem so well acquainted with them - | I hope you will go on taking an interest in Art. | I am | Yours Sincerely | Arthur Hacker'.

[ Orlando Greenwood, Lancashire artist. ] Two Autograph Letters Signed (both 'Greenwood') to J. Cuming Walters, describing his background (having been born 'between Pendle and Boulsworth'), reminiscing on his childhood, and commenting on dialect.

Author: 
Orlando Greenwood (1892-1989), Lancashire artist and creator of London Underground posters [ J. Cuming Walters [ John Cuming Walters ] (1863-1933), editor of the Manchester City News ]
Publication details: 
Both on letterhead of 9 Hillmarton Road, Camden Road, N.7. 8 December 1929 and 31 October 1930.
£200.00

Both items in fair condition, on lightly aged and worn paper. ONE: 8 December 1929. 4pp., 12mo. Bifolium. He begins by stating that he has read Walters' 'Charm of Lancashire' with great enjoyment, and considers it one 'of which every Lancashire family and lover of the county should possess a copy'. He continues: 'I myself was born between Pendle and Boulsworth. My Father's stock farmed around Trawden and the Boulsworth side, and my mother's around Blacko and the Pendle slopes, so your section devoted to this locality has an especial attraction for me.

[ Herbert Hampton: a monumental sculptor in the Raj. ] Thirteen items relating to Hampton's Indian commissions, including correspondence (including letters from Sir Jamsetjee Jajeebhoy and Phirize C. Settina), telegrams, a printed seating plan.

Author: 
Herbert Hampton (1862-1929), English sculptor [ Sir Jamsetjee Jajeebhoy (1878-1931), 5th Baronet; Phirize C. Settina, President of the Bombay Municipality ]
Publication details: 
Bombay, Bankipur, Burdwan, and other locations in India. One item from 1914, one from 1916, the rest from 1915.
£500.00

Hampton was one of the most successful British public artists of the late Victorian period. See his obituary, 13 February 1929, followed by letters from Reginald Hallward and Frank Gibson (16 February), J. R. K. Duff (19 February) and A. T. Sheppard (21 February). The present collection casts light on the practice of public art in the last days of the Raj. The thirteen items are in good condition, lightly aged and worn. ONE: TLS from Sir Jamsetjee Jajeebhoy (1878-1931), 5th Baronet. On letterhead of Mazagon Castle, Bombay. 29 November 1915.

[ Sir Claude Phillips, art critic and first Keeper of the Wallace Collection. ] Autograph Letter Signed ('C. P.') to 'Dearest Dick' [ i.e. the art critic R. A. Streatfeild ], regarding the obituaries of 'H. H.' and Elgar's 'wonderful' new 'things'.

Author: 
Sir Claude Phillips (1846-1924), art historian and critic for the Daily Telegraph and Manchester Guardian, first keeper of the Wallace Collection, 1900-1911 [ Richard Alexander Streatfeild ]
Publication details: 
On letterhead of 40 Ashburn Place, S.W. [ London ] 4 May 1916.
£40.00

2pp., 4to. In fair condition, on aged, worn and creased paper. Written in a hurried, difficult hand. He begins by saying he was 'just thinking' of him, 'and wondering!' He then invites him to dine the following Sunday in the 'usual way'. He continues: 'No, I didn't write about H. H. . There was a <?> ordinary notices in the D[aily]. T[elegraph]., but by whom written I can't say. I didn't really know enough about him.' He is 'going with Mr. Crawshay to the Elgar performance: it appears the new things are wonderful.?>

[ Lord Hobhouse on Titian. ] Autograph Letter Signed ('Hobhouse') [ to Sir George Newnes, editor the Strand Magazine ], offering an article inspired by W. P. Frith's comments on 'Titians exquisite work' [ Sacred and Profane Love ].

Author: 
Arthur Hobhouse, 1st Baron Hobhouse [ Lord Hobhouse ] (1819-1904), judge and legal reformer [ William Powell Frith (1819-1909), artist; Sir George Newnes (1851-1910), editor of the Strand Magazine ]
Publication details: 
Charlton House, Portbury, Bristol. 8 August 1900.
£50.00

4pp., 12mo. Bifolium on grey paper. In good condition, lightly aged. Although unnamed, the recipient Sir George Newnes, editor of the Strand Magazine, which in August 1900 had published William Powell Frith's comments on Titian's 'Sacred and Profane Love' in its 'World's Greatest Paintings' series. Hobhouse begins: 'Sir, | My eye has been caught by the interesting and finely illustrated article in your August number on Paintings. With regard to the popular title of Titians exquisite work (p. 193) I am glad to see that Mr. Frith is as dissatisfied as I could wish.

[ Charles Robert Cockerell, architect, archaeologist, and author. ] Two Autograph Letters Signed (both 'C. R. Cockerell') to the connoisseur Henry Smedley, one regarding a paper he has read regarding 'the works of Phidéas'.

Author: 
C. R. Cockerell [ Charles Robert Cockerell ] (1788-1863), architect, archaeologist, and author [ Henry Smedley (1785-1832), connoisseur ]
Publication details: 
Neither with place or date. One 'Saturday -' and the other 'Monday'.
£180.00

See Cockerell's entry in the Oxford DNB, and Smedley's obituary in the Gentleman's Magazine, April 1832. The two letters are in good condition, on lightly aged and worn paper. Each letter is of 1p., 12mo. On bifoliums addressed to Smedley at Broad Sanctuary on reverse of second leaf. ONE: 'Monday'. 1p., 12mo. Indistinct seal of head in red wax. Begins: 'My Dear Smedley. | You will hear with pleasure that I read my MS: on Saturday; no dissent cast but G. B. who has started a doubt as to this being the works of Phidéas.' He is going out of own for a week and hopes to see Smedley on his return.

[ William Sowerby, artist and botanist. ] Autograph Signature ('Wm. Sowerby | Secty') as Secretary, Royal Botanic Society of London, on communication to 'The Proprietors of "Scientific Roll"'.

Author: 
William Sowerby (1827-1906), Secretary, Royal Botanic Society of London, artist and botanist [ [ Alexander Ramsay, editor of the 'Scientific Roll' ]
Publication details: 
On letterhead of the Royal Botanic Society of London, Gardens, Regent's Park, London. 24 January 1883.
£120.00

1p., 4to. In fair condition, lightly aged and worn. A somewhat grand and expansive printed form, completed in manuscript by Sowerby. He thanks the 'Gentlemen' who are 'The Proprietors of "Scientific Roll"' for 'the continuation, as published, of The "Scientific Roll"'. From the papers of Alexander Ramsay, editor of the 'Scientific Roll'.

[ Neville Bulwer-Lytton, 3rd Earl of Lytton, British military officer, Olympian and artist. ] Autograph Letter Signed ('Neville Lytton') to Digby la Motte, describing the 'magnificent' appearance at a Bach concert of Sir Claude Phillips.

Author: 
Neville Bulwer-Lytton (1879-1951), 3rd Earl of Lytton, British military officer, Olympian (Real Tennis) and artist [ Sir Claude Phillips; Richard Alexander Streatfeild ]
Publication details: 
On letterhead of Crabbet Park, Poundhill, Crawley, Sussex. 18 March 1911.
£65.00

1p., 12mo. In fair condition, on aged and worn paper. He apologises for being unable to 'get out of' his 'other engagement' after his committee the following next Wednesday, and asks for 'another opportunity of coming to see you.' He continues: 'I saw Streatfield [sic] from afar the other night at Bach's mass in B. Minor. He was magnificent in evening dress next to Claude Phillips even more magnificent.' He concludes: 'I expect you Wednesday afternoon at Rossetti Studios, Flood St.

[ The Game of Minims, invented by Edmond X. Kapp. ] Galley proof or offprint in which Kapp gives the eight rules of the game, under an explanatory introduction and the title 'Rules for the Game of Minims reprinted from "The Weekly Westminster."'

Author: 
Edmond X. Kapp [ Edmond Xavier Kapp (1890-1978), portrait painter and caricaturist, inventor of the Game of Minims [ The Weekly Westminster, London periodical; Faber & Gwyer, publishers ]
Publication details: 
Unattributed and undated. [ The Weekly Westminster, London? 1925 or 1926. ]
£50.00

Galley proof or off print of a single column. In fair condition, heavily aged and on brittle high-acidity newspaper stock. Headed: 'Rules for the Game of | Minims | reprinted from | "The Weekly Westminster." | The announcement in The Weekly Westminster Competitions of a prize for a new parlour game, suggested to Mr. Kapp that there was a game to be made out of Minims, a little book published by Faber and Gwyer a few weeks earlier. Mr. Kapp entered the competition and carried off first prize.

[ The New Society of Painters in Water Colours, London. ] Engraved invitation to the 'Evening View of their 14th. Annual Exhibition', made out and signed by the Society's secretary, the watercolour painter James Fahey.

Author: 
James Fahey (1804-1885), watercolour painter, Secretary (1838-1874) of the New Society of Painters in Water Colours, London
Publication details: 
[ The New Society of Painters in Water Colours, 53 Pall Mall [ London ]. For an 'Evening View' on 17 May 1848.
£80.00

Printed in black on one side of a 10 x 13 cm piece of grey-blue paper. In good condition, lightly aged, laid down on part of a leaf from an album. A tastefully-presented piece of London artistic ephemera, reading (with manuscript text in square brackets): 'THE NEW SOCIETY OF PAINTERS IN WATER COLOURS. | The Committee solicit the honor of | [The Editor of the Gentleman's Magazine and friend] Company at their Gallery 53, Pall Mall, on Wednesday the 17th. of May, to an Evening View of their 14th. Annual Exhibition. | from 8 o'Clock to 11. | 1848 | [James Fahey] Secy. | NOT TRANSERABLE'.

[ Dieulafoy;Women at War;archaeologist; Persia; cross dressing ] Autograph Letter Signed "Dieulafoy" to unnamed correspondent, his eminent wife's initiative (training women to do jobs of men who became soldiers (1913). and the circumstances of her death.

Author: 
Marcel-Auguste Dieulafoy (1844-1920), French archaeologist, noted for his excavations at Susa, author of L'Art anti
Publication details: 
"Secteur Postal 205 | 23 Janvier 1917".
£500.00

Three pages, 8vo, black border, fold marks, small closed tears, text complete and clear. With official printed stamp next to signature, "Le Lt-Colonel DIEULAFOY | Charge du Service du Genie des Etapes". He has received an article in "L'Eveil" by his correspondent concerning his "chere compagne" [ Jane Dieulafoy, distinguished archaeologist, explorer and feminist, who died in May 1916, hence the black border to this letter ]. He specifies the putting in relief of the "initiative prise par ma chere compagne au printemps le 1913 [conscription of women, conference 1913 - see notes below].

[ Edward Caruana Dingli; Art and the War in Malta ] Autograph Letter Signed E Carnana Dingli to Mr Tuckwell

Author: 
Edward Caruana Dingli, Maltese artist.
Publication details: 
52 South St | Valetta, 2 Dec. 1943.
£950.00

Four pages, 12mo, a word for a part of a destroyed building cut out (text runs, including part of the [...cut out, in fact CENSORED]), otherwise clear and in good condition. He begins by discussing Tuckwell's recent operation, praising doctors,concluding that it's no wonder your nation heads the world in all that pertains to civilization, science, art, politics, &c. He continues, It gives me great pleasure to know that my pictures are still a source of pleasure to you [...]. He refers to Tuckwell's loss of his wife and his kindnesses when Dingli was in England.

[ H. Irene Champernowne, pioneer in the field of art therapy. ] Typescript of her Jungian paper 'Woman and the Community', with a personal reminiscence of the Jung circle.

Author: 
H. Irene Champernowne, pioneer in the field of art therapy, founder with her husband Gilbert Champernowne of the Withymead Therapeutic Centre, Oxfordshire [ Karl Gustav Jung; Toni Wolff ]
Publication details: 
Undated. 'A paper read to the Analytical Psychology Club, London, on 26th September, 1955.'
£600.00

Much of Tessa Adams's paper on Toni Wolff in 'The Feminine Case: Jung, Aesthetics and Creative Process', ed. Adams and Duncan (2003), concerns the 'remarkable woman' Irene Champernowne and her relations with Wolff and Jung, with a discussion of Champernowne's Withymead Therapeutic Centre in Oxfordshire, which operated from 1942 to the late 1960s.

[ Christ's Hospital (the Bluecoat School). ] Original photographs, reports, correspondence, from the papers of C. W. Carey, regarding his work on the removal and renovation of paintings by Verrio and others, on the move from London to Horsham. ]

Author: 
Charles William Carey (1862-1943), Curator of Picture Gallery, Royal Holloway College, Egham, Surrey [ Christ's Hospital (the Bluecoat School), successively of London and Horsham, Sussex ]
Publication details: 
[ Christ's Hospital, London and Horsham. C. W. Carey, Egham. ] Between 1900 and 1926.
£2,000.00

53 items, in good overall condition, with light signs of age and wear. An interesting collection, not only recording an interesting event in the history of a national institution, but also recording the practices of art restoration in Edwardian England. Including forty original photographs by Carey himself (one of them, signed, a splendid image of the school in Horsham under construction), a long draft report and correspondence between Carey and R. L. Frank's, the school's 'Clerk'. The following description is divided into seven sections.

[ Charlotte Nasmyth, landscape artist. ] Autograph Note Signed [ to W. G. Herdman, Secretary, Liverpool Academy ], asking for information regarding her family's paintings in an exhibition.

Author: 
Charlotte Nasmyth (1804-1884), landscape artist, one of the daughters of the Scottish artist Alexander Nasmyth (1758-1840)
Publication details: 
Richmond Terrace, Pendleton, Manchester. 1 January [ no year ].
£220.00

1p., 16mo. In good condition, lightly aged. On a bifolium, with the blank second leaf neatly laid down on a grey card mount, with a slip of paper carrying the address laid down on it: 'W. G. Herdman Esqr. Secy. | Liverpool Academy | Post Office Place | Liverpool'. She writes: 'Sir/ | Will you Oblige me with a line by return to say when the Exhibition is likely to close, and if any of our Pictures are as yet Sold. Apologising for this trouble | I remain | Sir | Your's [sic] respectfully | Charlotte Nasmyth'.

[ Frederick William Fairholt, artist and antiquary. ] Autograph Letter Signed to '<Mayland?>, suggesting an appointment to discuss an individual who 'seems very anxious to come to some arrangement'.

Author: 
Frederick William Fairholt (c.1813-1866), artist and antiquary
Publication details: 
'Wednesday'. [ No place or date. ]
£50.00

1p., 12mo. In good condition, lightly-aged, with fold to one corner. Fairholt's handwriting is legible, but unfortunately the names of the recipient and subject of the letter are not so. It begins: ' seems very anxious to come to some arrangement. Can we meet on the point. I do not know if you are in London, if you are will you give me a call on Thursday evening'. He gives a few other options, before concluding.?>

[ Sir Charles Holroyd, Director of the National Gallery. ] Two Autograph Letters Signed (both 'Charles Holroyd') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, declining to take the chair for two lectures.

Author: 
Sir Charles Holroyd (1861-1917), artist and curator, Keeper of the Tate, 1897-1906, and Director of the National Gallery, 1906-1916 [Sir Henry Trueman Wood, Secretary, Royal Society of Arts, London]
Publication details: 
First letter on letterhead of Sturdie House, Beechwood Avenue, Weybridge. 26 January 1915. Second letter on letterhead of the National Gallery [ London ]. 1 April 1915.
£45.00

Both items in good condition, lightly aged, and both bearing the Society's stamp. ONE: 26 January 1915. 1p., 12mo. He is obliged by a previous engagement to decline the invitation 'to take the Chair for Mr. F Vincent Brooks lecture on Lithography on the 10th.', but feels the honour 'all the same'. TWO: 1 April 1915. 1p., 12mo. He would like, 'for every reason', 'to take the chair for M. Paul Lambottes lecture on C Meunier', but he will probbably be 'out of London during the first two weeks in May'.

[ William Roscoe of Liverpool, historian, art collector and abolitionist. ] Autograph Letter Signed ('W: Roscoe.'), giving various instructions to an unnamed London bookseller.

Author: 
William Roscoe (1753–1831) of Liverpool, historian, patron of the arts, and leading abolitionist
Publication details: 
Liverpool. 17 September 1808.
£300.00

2pp., 4to. In fair condition, on aged and worn paper with spike hole. The recipient is unidentified. He asks him to 'forward the few books which Mr. Clark & I laid out when we had the pleasure of calling on you in London, with my Account including Mr. Clarkes, when I will remit you the balance -'. He asks him to send 'to Mr. Lunn's in Oxford St. for a Copy of D<?>'s Lexicon which I bot. there, & paid for, & which you'l [sic] please to include with the rest of your parcels'. The letter ends: 'I have concluded for the present to keep my own Copy of the Edns;,?>

[ John Edward Carew, sculptor. ] Autograph Letter Signed ('J. E. Carew') to Henry Howard, Secretary of the Royal Academy of Arts

Author: 
John Edward Carew (1785-1868), sculptor responsible for one of the panels on the base of Nelson's column [ Henry Howard (1769-1847), artist, Secretary of the Royal Academy of Arts, London ]
Publication details: 
4 Somers Place, Hyde Park [ London ]. No date [ 1842 ].
£56.00

1p., 12mo. Bifolium. In fair condition, lightly aged, with unobtrusive spike hole at centre. Addressed on second leaf to 'Henry Howard Esqr'. The letter reads: 'Sir | Not knowing the day that the works were to be removed from the Royal Academy I fear mine has remained inconveniently long - | Have the goodness to give the bearer my little figure of a girl trapping a bird - | No 1<2>90 -'. In the Royal Academy Exhibition catalogue, 1842: '1290 Unfinished figure in marble of a girl trapping a bird J. E. Carew'.

[ William Gilpin, art critic and educationalist. ] Autograph Letter Signed ('W. Gilpin') to his son William Gilpin the younger, Headmaster of Cheam School, with reference to Thomas Gisborne and William Farish.

Author: 
William Gilpin (1724-1804), writer on art and headmaster of Cheam School, Surrey [ Thomas Gisborne (1758-1846), religious writer; William Farish (1759-1837), chemist ]
Publication details: 
No place. 22 May 1795.
£600.00

2pp., 12mo. In good condition, lightly-aged, with slight damage on removal from album. Addressed to 'Revd. Mr. Gilpin | Cheam'. (In 1777, on becoming vicar of Boldre in the New Forest, Gilpin handed over the headmastership of Cheam School to his second son William Gilpin the younger (1757-1848).) Written with a freshness reflecting 'the particular interest' Gilpin paid to 'the theory and practice of epistolary writing', noted by Alain Kerhervé in his edition of Gilpin's letters to his grandson ('William writes to William', 2014).

[ Sir Francis Seymour Haden, surgeon and etcher. ] Autograph Letter Signed to 'Mons <Jules Saignait?>, sending payment from the South Kensington Museum, through 'Mr. Chapman', for 'two splendid etchings (the large groups of flowers').

Author: 
Seymour Haden [ Sir Francis Seymour Haden ] (1818-1910), surgeon and etcher
Publication details: 
On letterhead of 62 Sloane Streety, S.W. [ London ] 10 April 1863..
£120.00

3pp., 12mo. Bifolium. In good condition, lightly aged.. Addressed at start to 'Cher Monsieur', with indistinct name of recipient following Haden's signature. He is sending him, 'by the hands of Mr. Chapman the sum of 50 francs wh. I have received on yr. behalf from the authorities of South Kensington Museum – and have obtained the promise of this office that yr. Two splendid etchings (the large group of flowers) that he suspended among the Chefs D'Oeuvres of the Establishment.' He concludes: 'Mr. Chapman will explain the hurry in wh. I write'.

[ Edward Bocquet, historical engraver. ] Autograph Letter Signed ('E Bocquet') to the London booksellers Messrs. Lackington & Co.', regarding his engraving for them of a portrait of the Earl of Southampton.

Author: 
Edward Bocquet, historical engraver [ Lackington & Co., London booksellers; Joseph Harding ]
Publication details: 
Without place. 11 January 1816.
£250.00

2pp., 12mo. In fair condition, aged and rather dusty, with small closed tear at head. He begins by explaining that he has been 'prevented by ill health from finishing the plate confided to my care, & of waiting upon you to make you acquainted with the cause of the delay. The engraving is 'in a state of forwardness', and he is willing to let 'Mr Satchwell' give his opinion of it before he sends it to them. 'I shall prove the plate again next week, after which I shall be enabled to state the time of its completion'.

[ Samuel Carter Hall and his wife: their fifty-fourth wedding anniversary. ] Printed keepsake poem by Hall titled '54! | Anniversary', with autograph signatures 'S. C. Hall.' and 'Anna Maria Hall'.

Author: 
Samuel Carter Hall [ S. C. Hall ] (1800-1889), editor of the of the Art Journal and New Monthly Magaziner, his wife Anna Maria Hall [ née Fielding ] (1800-1881)
Publication details: 
Without date or place. [ Firfield, near Addlestone, Sussex; 1878. ]
£120.00

Printed in lilac on one side of a 12 x 8,5 cm piece of thin card, with serated edges and rounded corners, and with glue staining to one edge and on blank reverse. The card is embossed with tiny stars, with decorative edges and the text enclosed within an oval border, with the autograph signatures above one another in a rectangular box beneath it. The twelve-line poem (signed in type 'S. C.

[ Henry Howard, 4th Earl of Carnarvon, Conservative politician. ] Autograph Letter Signed ('Carnarvon') to an unnamed recipient (the Secretary of the British Academy?), reaffirming his decision not to send pictures.

Author: 
Henry Howard Molyneux Herbert, 4th Earl of Carnarvon (1831-1890), Conservative politician [ Highclere Castle art collection ]
Publication details: 
On letterhead of The Coppice, Henley on Thames. 1 November 1879.
£35.00

2pp., 12mo. Bifolium on grey paper. In fair condition, lightly aged and creased. He writes: 'It really costs me a great deal to say no to any wish that you and the Academy may express: but I do not like to alter my conclusion, at all events at present, in regard to the pictures. I hope you will not think me illiberal, but I have so great an objection to their incurring the risk of an unnecessary journey that I hope you will not ask me.'

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