ART

[Edward Lear, Victorian nonsense poet and artist.] Autograph Signature cut from letter.

Author: 
Edward Lear (1812-1888), nonsense poet and populariser of the Limerick, artist, author
Publication details: 
No date or place.
£75.00

On slip of grey paper, roughly 4 x 13.5 cm. In fair condition, lightly aged, with traces of paper from mount adhering to the blank reverse. With two unobtrusive vertical fold lines. Reads: 'Kindest regards | Yours sincerely | Edward Lear.'

[Wilfrid Ball, artist and etcher.] Autograph Letter Signed ('Wilfrid Ball') to 'Mrs. Barnard', giving news of his work, including '"slogging" away at water-colours', and submitting 'an oil to the Academy' which 'they are sure to kick [...] out'.

Author: 
Wilfrid Ball [Wilfrid Williams Ball] (1853-1917), landscape and marine painter and etcher, President of the Society of British Artists
Publication details: 
On letterhead of 4 Albemarle Street, W. [London] 3 April 1894.
£120.00

2pp, 12mo. In good condition, lightly aged. He thanks her for remembering him and sending 'that splendid photograph of yourself – I really think it is the best I have seen'. He continues: 'I have been “slogging” away at water-colours for a shew in Manchester and so have kept pretty busy.' He is sending 'a Nile water colour to the New Gallery', and has sent 'an oil to the Academy – they are sure to kick it out so I shan't mind'. He hopes that she and her sister 'are all right' and 'enjoying this lovely weather'.

[ Henry Moore, Sculptor ] Autograph Letter Signed "Henry Moore" (boldly) to a "Miss Wilson" of a "Sketch Club" [London Sketch Club?]

Author: 
Henry Moore, Sculptor
Publication details: 
"As from; 11A Parkhill Road, London, NW3", 29 Sept. 1936.
£500.00

One page, cr. 8vo, fold marks, smudges (ink?), minor foxing and damage NOT affecting text. He thanks her for her letter, but apologises that "I do not feel able to come & criticize at the Sketch Club meeting in December. | I have just recently written [elision] letters refusing to give two lectures, & although a criticism is not exactly the the same, it's very similar - I am constantly being asked to give lectures & criticisms & if agree [sic] to do it for you I should have to accept others.

[Two Scottish artists: William McTaggart to John Henry Lorimer.] Autograph Letter Signed ('William Mc.Taggart') to 'Dear Lorrimer [sic]', emphatically stating that he does not wish to 'Exhibit in the Paris Ex[hibitio]n. next year'.

Author: 
William McTaggart (1835-1910), Scottish landscape and marine painter influenced by Impressionism [John Henry Lorimer (1856-1936), Scottish portrait and genre painter]
Publication details: 
Broomie Knowe [Broomieknowe near Lasswade in Midlothian]. 3 November 1899.
£150.00

4pp, 12mo. Bifolium with mourning border. In fair condition, lightly aged and worn. Folded once. Addressed to 'J. H. Lorrimer [sic] Esq'. He begins emphatically: 'Dear Lorrimer [sic] | I wish to state clearly, that I do not Exhibit in the Paris Exn. next year and that you are not to try to get any Picture of mine to send there.!!! | I think it necessary to write this, after yesterday's over-much talk on my part I think.

[Sir John Lavery, Irish artist, to Sir Arthur Stockdale Cope, portraitist.] Autograph Letter Signed ('John Lavery'), regarding the Artists' General Benevolent Institution and a man who has 'pestered' him 'by his visits and letters'.

Author: 
Sir John Lavery (1856-1941), RA, Irish painter [Sir Arthur Stockdale Cope (1857-1940), RA, portrait painter; Artists' General Benevolent Institution, London]
Publication details: 
On letterhead of 5 Cromwell Place, S.W.7 [London]. 30 January 1918.
£300.00

2pp, 4to. In good condition, lightly aged. Folded twice. Addressed to 'My dear Cope'. After thanking him for his letter Lavery writes: 'Our “friend” [Braynard?] when he called to ask for my signature told me many things, amongst others that the A. G. B. I. had already given him a grant some time back and that [Charleton?], Brangwyn and I were his sponsors | I had a hazy recollection of him and made up my mind that I would sign his paper and let the Secretary of the A. G. B. I. know the circumstance, which I did do that same day.

[Pamphlet] Sir Hugh Lane's French Pictures

Author: 
[Lady Gregory and others]
Publication details: 
London: Printed at the Chiswick Press, 1917
£125.00

[26]pp., 8vo, facsimiles, printed wraps, closed tears on front wrap, back wrap chipped, dusted edges, faint foxing throughout, contents good. Author's name from p. 6, Augusta Gregory. She seeks to have a codicil to Sir Hugh Lane's respected, and pictures transferred to the City of Dublin.Appendices: I. [Statutory declarations by Ruth Shine, and others] -- II. [Codicil to will of Hugh Lane] -- III. A list of the pictures -- IV. [Letters addressed] "To the Trustees of the National Gallery, London."

[Sir William Orpen, Irish artist.] Autograph Signature ('William Orpen') to circular, in facsimile of his autograph, 'begging' for money, as steward of the Arts Club, with printed humorous self-portrait of Orpen sitting on the pavement begging.

Author: 
Sir William Orpen [Sir William Newenham Montague Orpen] (1878-1931), RA, Irish artist based in London [The Arts Club; The Artists' General Benevolent Institution]
Publication details: 
On letterhead of 8 South Bolton Gardens, S.W. [London] Undated [circa 1928].
£300.00

1p, 4to. In good condition, folded twice. A printed facsimile letter by Orpen, including a reproduction of a humorous self-portrait, depicting him sitting on the pavement, with legs splayed and hat in right hand, begging in front of a floral portrait leaning on the wall behind him. Orpen's actual signature is appended, and he words 'Dear Sir' are also in his hand. The text of the circular reads: 'Please forgive me, I am writing for money. I am begging! I know it, and I don't like it!

[John Singer Sargent, American artist.] Autograph Note Signed ('John S. Sargent') to 'Cope', presumably Sir Arthur Stockdale Cope, who is the recipient of other letters in the source collection, accepting his 'last invitation'.

Author: 
John Singer Sargent (1856-1925), American artist who settled in Britain, the leading portraitist of the Edwardian period
Publication details: 
On letterhead of 31 Tite Street, Chelsea, S.W. [London] 'Friday' [no date].
£120.00

1p, 12mo. In good condition, lightly aged, with one fold. Written in a hurried painterly hand. Reads 'My dear Cope | Many thanks for your last invitation which I accept with pleasure – for Jan 21st at 8.15 | With best regards | Yours sincerely | John S. Sargent'.

[John Galsworthy, Nobel Prize winning novelist, author of the celebrated 'Forsyte Saga'.] Autograph Note Signed ('John Galsworthy') to Basil Oliver of the Art Workers' Guild, declining an invitation.

Author: 
John Galsworthy (1867-1933), Nobel Prize winning novelist, author of the celebrated 'Forsyte Saga' [Basil Oliver (1882-1948), architect, Master of the Art Workers' Guild]
Publication details: 
On letterhead of Grove Lodge, The Grove, Hampstead, London, N.W.3. 29 March 19
£28.00

1p, 12mo. In fair condition, lightly aged. Explaining, with 'regret', that he will not be able to accept an invitation.

[Sir William Orpen asks Sir Arthur Stockdale Cope to help make a doll's house for the Daily Mirror characters Pip, Squeak and Wilfred.] Autograph Letter Signed ('William Orpen') to 'Sir Arthur', explaining the project on behalf of the Daily Mirror.

Author: 
Sir William Orpen [Sir William Newenham Montague Orpen] (1878-1931), RA, Irish artist based in London [Sir Arthur Stockdale Cope (1857-1940), RA, portraitist; Daily Mirror; Pip, Squeak and Wilfred]
Publication details: 
On letterhead of 8 South Bolton Gardens, S.W. [London] 1 March 1929.
£200.00

1p., 8vo. In good condition, lightly aged, with small tissue mounts adhering to blank reverse. The subject is the dolls house 'Mirror Grange', made for the Daily Mirror's comic characters Pip, Squeak and Wilfred. The letter begins: 'Dear Sir Arthur – I have been asked by “The Daily Mirror” to write to you to find out if you would help them with their Dolls House which is to tour the country to collect money for charity. | The House is designed by Maxwell Ayrton | Decorations by Sherringham [sic, for George Sheringham]'.

[Charles Napier Hemy, RA, marine artist.] Autograph Letter Signed ('C. Napier Hemy') to 'Cope' [i.e. Sir Arthur Stockdale Cope], featuring two humorous self-portraits, complaining about 'family uproar' over his new beard and doctor's orders.

Author: 
Charles Napier Hemy (1841-1917), RA, marine artist, leader of the Falmouth School [Sir Arthur Stockdale Cope (1857-1940), RA, portrait painter]
Publication details: 
On letterhead of Churchfield, Falmouth. 8 December 1912.
£350.00

4pp., 12mo. Bifolium. In good condition, lightly aged. A gentle, humorous and characteristic letter to a friend, featuring two self-portraits. (Hemy and Cope had been elected to the Royal Academy on the same day, 4 May 1910.) The letter begins with some doggerel by Hemy, dressed up by him as a quotation from a '16 Cent[ur]y song': 'My youthful years are past | My dining days are done | My life it may not last | For me there's no more fun.

[James Sant, RA, portrait painter.] Autograph Letter Signed ('Jas: Sant') to 'Miss Nolan', requesting to see the daughter of 'Mrs Horsfall', whom he has arranged to paint.

Author: 
James Sant (1820-1916), RA, portrait painter noted for his images of women and children, and studies of childhood
Publication details: 
On letterhead of 43 Lancaster Gate, Hyde Park, W. [London] 10 May [no year].
£50.00

1p., 12mo. In fair condition, lightly aged. Presumably written to the governess of a child he had arranged to paint. Reads: 'Madam | I have Mrs. Horsfall's permission to ask if you could make it convenient that I should see her little daughter tomorrow at ¼ past 2 oC – for the purposes of arranging sittings for her portrait.'

[Marion Harry Alexander Spielmann, art critic, editor of the Connoisseur and Magazine of Art.] Autograph Signature ('M. H. Spielmann') on letter in secretarial hand to E. O. Sachs, regarding articles on his book on opera houses.

Author: 
M. H. Spielmann [Marion Harry Alexander Spielmann] (1858-1948), art critic and scholar, editor of the Connoisseur and Magazine of Art [E. O. Sachs [Edwin Otho Sachs] (1870-1919), author]
Publication details: 
On letterhead of the Magazine of Art, La Belle Sauvage, Ludgate Hill, London, E.C. 3 November 1896.
£45.00

2pp., 12mo. Bifolium. In fair condition, lightly aged, with pin hole at one corner with one-word note in blue pencil. Spielmann has signed in purple ink, and has added the word 'soon' to one sentence. He writes that he has 'an excellent article written on your “Opera Houses”, & soon shall have the pleasure of publishing it together with one or two reproductions of your plates' ['soon' added here].

[Franz von Defregger, Austrian artist.] Autograph Letter Signed ('Defregger'), in German, to Julius Bondi of Salzburg, regarding the high demand for his paintings and his eye problems.

Author: 
Franz von Defregger [Franz Defregger] (1835-1921), Austrian genre and history painter [Julius Bondi (1865-1920) of Salzburg]
Publication details: 
[Munich postmark.] 6 February 1918.
£250.00

2pp., 12mo. In envelope, with postmarks, addressed to 'Herrn Julius Bondi | Sekretär | in Salzburg | Schlachtofgasse 19'. Both items in good condition, lightly aged, with minor staining from mount labels. Both letter and envelope carry Defregger's printed monogram 'F v D'. The item is offered with an English translation, according to which Defregger claims that demand for his pictures 'has never before been so high as in recent years', and that he has 'totally sold out of them apart from my personal collection'. He is also 'very much behind' with commissions as a result of his eye problems.

[Herman Gustave Herkomer, American artist.] Autograph Letter Signed ('Herman Gustave Herkomer'), regarding a photograph of his 'portrait of Mr. Choate'.

Author: 
Herman G. Herkomer [Herman Gustave Herkomer] (1862-1935), American painter, cousin of Sir Hubert von Herkomer
Publication details: 
On letterhead of 6 William Street, Lowndes Square [London]. 1 December 1904.
£90.00

1p., 12mo. In fair condition, lightly aged. The recipient is not named. The letter reads: 'Dear Sir | You can get a copy of the photo. of my portrait of Mr. Choate from M. Van [Duger?] - In case of any difficulty if you will apply to me again I will get one for you.'

[Malcolm Osborne, distinguished British printmaker.] Autograph Letter Signed ('Malcolm Osborne.') to 'Codner' [the artist Maurice Frederick Codner], regarding their ocular afflications, and Codner's need for information about printing an engraving.

Author: 
Malcolm Osborne (1880-1963), RA, printmaker and President of the Royal Society of Painter-Etchers and Engravers [Maurice Frederick Codner (1888-1958), artist]
Publication details: 
On letterhead of 44 Redcliffe Gardens, South Kensington, SW10 [London]. 23 July 1939.
£56.00

2pp., 12mo. In good condition, lightly aged. The letter has two themes. First, the condition of Osborne's eye following his departure from the Hospital for Tropical Diseases and treatment for amoebic dysentery. ('I have been away in Worcestershire having a slack time on a fruit farm. On my return I must have used the eye more than it could stand, and it became inflamed badly. […] I do hope your eye is now behaving itself and that you will soon be out of the doctor's hands and able to resume your work.

[Pavel Tchelitchew, Russian surrealist painter.] Autograph Letter Signed ('Pavel') to 'My dear, dear Sweet Stephen' [Stephen Tennant?], regarding his love of Italy, theatre design in America, Lincoln Kirstein and Osbert Sitwell.

Author: 
Pavel Tchelitchew (1898-1957), Russian émigré surrealist painter, set designer and costume designer [Lincoln Kirstein; Osbert Sitwell; Stephen Tennant]
Publication details: 
'Lecourbe 43 – 65, 2 rue Jacques Mawas, Paris.' 23 April 1953.
£850.00

2pp., 4to. Aged and worn, but legible. A splendid effervescent letter, highly characteristic, written in demotic English in a close unruly hand. Tchelitchew was a close friend (lover?) of Edith Sitwell, and in addition to her brother Osbert, the letter contains references to Lincoln Kirstein (1907-1996), influential figure in New York culture, founder with George Balanchine of the New York City Ballet and the School of American Ballet, and the book he was writing on Tchelitchew, as well as to Tchelitchew's partner the writer Charles Henry Ford (1908-2002).

[Sir Richard Wallace, creator of the Wallace Collection with his father the Marquis of Hertford.] Autograph Note Signed ('Richard Wallace') to 'Dr Chepmell' [i.e. the society homeopathist Edward Charles Chepmell], regarding an election and 'Dr Grigg'

Author: 
Sir Richard Wallace (1818-1890)[, son of Richard Seymour-Conway, 4th Marquis of Hertford (1800-1870), founders of the Wallace Collection, London [Edward Charles Chepmell (1820-1885), homeopathist]
Publication details: 
On letterhead of 105 Piccadilly, W. [London] 20 May 1874.
£50.00

1p., 12mo. In good condition, lightly aged. Reads: 'Dear Dr Chepmell, | I received your note yesterday afternoon & have in consequence had much pleasure in giving my votes in favour of your friend Dr Grigg. | Your's very sincerely | Richard Wallace'.

[Jules Dalou, French realist sculptor.] Autograph Letter Signed ('J Dalou') to 'Mr. Chepmel' [society homeopathist Edward Charles Chepmell], in French, asking him to accept a small terracotta sculpture as a mark of gratitude for his efforts.

Author: 
Jules Dalou [Aimé-Jules Dalou] (1838-1902), French realist sculptor [Edward Charles Chepmell (1820-1885), society homeopathist]
Publication details: 
217a Glebe Place, King's Road, Chelsea [London]. 10 July 1876.
£120.00

2pp., 12mo. Aged and worn. He is extremely grateful for Chepmell's efforts on his behalf, and hopes he will accept 'cette petite terre cuite comme un faible temoignage de mes reconnaissances'. Dalou's association with the Paris Commune forced him into exile in England in 1871. He returned to France eight years later.

[Lady Eastlake, art historian, on the 'abominably bad english spoken by most women & especially by young ladies at the present time'.] Autograph Letter Signed ('Eliz Eastlake') to 'Miss Parish', giving examples of female 'slip slop'.

Author: 
Elizabeth, Lady Eastlake (1809-1893, born Elizabeth Rigby), author, art critic and art historian, wife of Sir Charles Eastlake (1793-1865), artist and Director of the National Gallery, London
Publication details: 
'7 F. Sqre' [i.e. 7 Fitzroy Square, London] 8 February 1889.
£95.00

4pp., 16mo. Bifolium. In good condition, lightly aged. The letter begins: 'A press of necessary writ[in]g has retarded my acknowledgmt. of yr kind letter, & of the Copy of “Work & Leisure”.' She assures Parish 'most sincerely' that she thinks her 'little paper excellent - & that the true tribute to my dear, never-forgotten [?] goes both to my heart & to my judgment'. She is sure Parish's “Companion in travelling” will be entirely to the point'. She does not 'abound in suggestions for subjects.

[Sir Thomas Lawrence, President of the Royal Academy.] Four manuscript documents from his sister's descendants the Aston family: a pedigree, tracing Lawrence's mother back to William the Conqueror, and three inventories of engravings and books.

Author: 
Sir Thomas Lawrence (1769-1830), President of the Royal Academy and distinguished portrait painter
Publication details: 
Without place or date. (English, nineteenth century.)
£500.00

ONE: Manuscript pedigree. On one side of a 49 x 38 cm piece of thick laid paper, with no watermark. Folded three times. Discoloured and with light damp staining. The greater part of the pedigree is written in ink in a loose hand, and traces the descent of Sir Thomas Lawrence's mother Lucy (née Read) to William the Conqueror.

[Caleb Robert Stanley, English artist.] Autograph communication, with Stanley's name ('C R Stanley') and address, to [T. W. Winstanley] Secretary, Royal Manchester Institution, giving details of two paintings for its 1842 exhibition.

Author: 
Caleb Robert Stanley [C. R. Stanley] (1795-1868), English artist [T. W. Winstanley, Secretary, Royal Manchester Institution; Manchester Exhibition, 1842]
Publication details: 
'C R Stanley | 25 Gt Maddox St | Hanover Sqre. [London]' 9 August 1842.
£45.00

1p., 4to. On bifolium. In good condition, lightly aged. Addressed by Stanley, with red wax seal, on reverse of second leaf, to 'The Secretary | In the Manchester Institution | Moseley [sic] St | Manchester'. The text itself consists of the names and prices of the two pictures to be submitted to the 1842 show, with the date and Stanley's name and address: 'No 1. | Water Mill | North Devon | 25£ with Frame. | No 2 | Lane Scene | Painted from Nature | 25£ with Frame | C R Stanley | 25 Gt Maddox St | Hanover Sqre. | August 9th. 1842'.

[Lithographed Victorian satire on the Royal Academy.] The Dolefulle Ballade of Arthur Scumble, Now First Imprinted From Ye Originalle M.S. Embellished with Drawynges after Ye Quicke. [Drophead title: 'Arthur Scumble or The yonge Probationere.']

Author: 
'I S' [The Royal Academy, London, in the nineteenth century]
Publication details: 
London: Ford & West, Imp. 54, Hatton Garden. 1852.
£450.00

6pp., small 4to. Stitched into brown wraps with lithographed title on cover, in pastiche of Gothic design, including monogrammed initials 'IS' in shield, with the letters picked out in red. In fair condition, aged and worn. An extremely scarce item (no copies found on OCLC WorldCat or COPAC), whose text and illustrations cast light on the practices at the Royal Academy in the mid-Victorian period.

[Leonard Rosoman, artist: not 'a neurotic nut after all'.] Autograph Letter Signed ('Leonard') to 'My dear Hugh', regarding his recent 'weird' health.

Author: 
Leonard Rosoman (1913-2012), artist who taught David Hockney at the Royal College of Art
Publication details: 
On letterhead of 7 Pembroke Studios, Pembroke Gardens, London, W.8. 3 October 1967.
£90.00

1p., 8vo. In good condition, lightly aged. Closely written in red ink. He begins by thanking him for being 'awfully sweet & kind' in writing, before going on to deal with the state of his health, it having been 'a difficult time, especially as I became so ill – but at the moment things aren't too bad'. The results of 'all the horrible tests' in hospital have 'come out first class', and the 'weird symtoms [sic] have now been proved to have been caused by yet another of those unknown viruses which first of all attacked my guts & then my brain'.

[Briton Riviere, RA, Victorian artist.] Autograph Note Signed ('Briton Rivière') to 'Miss Read', responding to a request for an autograph.

Author: 
Briton Rivière [Briton Riviere], RA (1840-1920), British artist of Huguenot descent, noted for his animal paintings
Publication details: 
On letterhead of Flaxley, 82 Finchley Road, N.W. [London] 20 February 1900.
£25.00

1p., 12mo. Mourning border. In good condition, lightly aged. Reads: 'Dear Miss Read | With pleasure I subscribe myself | Yours faithfully | Briton Rivière'.

[ Pierre Alexandre Tardieu, French engraver.. ] Autograph Letter Signed ('Alex're. Tardieu'), in French, to the London printseller W. J. White, responding to an offer for 'les Epreuves avant la lettre du Saint Jérôme'. With autograph note by White.

Author: 
Pierre Alexandre Tardieu (1756-1844), French engraver [ William Johnstone White (1780-1844), London printseller, publisher and engraver ]
Publication details: 
'Rue Taranne No. 7', Paris. 7 February 1837.
£80.00

2pp., 4to. Bifolium. Addressed, with seal in red wax and postmark, on reverse of second leaf to 'Monsieur White | Brownlow Street holborn | London'. Thirty-seven lines of text, including a thirteen-line postscript. In responding to an offer for 'les Epreuves avant la lettre du Saint Jérôme', made by White in a letter of 29 September 1836, through' Mr. Chocarne', i.e. the painter and engraver Geoffroy Alphonse Chocarne (1797-c.1857), Tardieu writes: 'deux mille francs, c'est mon Dernier prix, tant pour mon honneur que pour les intérêts de ma femme et ma fille qui doivent me survivre'.

[ Sir George Clausen, RA, to E. V. Lucas. ] Autograph Letter Signed ('George Clausen') from Clausen to Lucas, a letter of introduction for the artist Curmow Vosper.

Author: 
Sir George Clausen (1852-1944), RA, English artist of Danish extraction [ E. V. Lucas [ Edward Verrall Lucas ] (1868-1938), essayist and publisher; Sydney Curnow Vosper (1866-1942), English painter ]
Publication details: 
On letterhead of 61 Carlton Hill, NW8. 14 February 1932.
£45.00

2pp., 8vo. In good condition. Clausen is writing to Lucas in the latter's capacity as chairman of the London publishers Methuen & Co., and the letter is a 'note of introduction' for Clausen's 'friend Mr Curnow Vosper, who has written and illustrated a children's book, which he wishes to submit to you. | Mr. Vosper is a painter, a member of the old Water-colour Society, and I have no doubt his work is known to you. I hope that you may find this his latest work, of interest.' Vosper does not appear to have published any book during this period, either with Methuen or anybody else.

[ Renown Akido Society, Hillingdon, the first Akido society in the UK. ] Duplicated Typed Circular explaining Japanese terms, wiith manuscript annotation (by founder Ken Williams?).

Author: 
Renown Akido Society, Hillingdon, the first society teaching Akido in the United Kingdom, founded by Ken Williams, pupil of Kenshiro Abbe Sensei
Publication details: 
Renown Akido Society [ Hillingdon ]. Between 1966 and 1969.
£50.00

An interesting artefact from the early days of Akido in the United Kingdom. Akido was introduced into the UK 1955 by Kenshiro Abbe Sensei at the Hut Dojo in Hillingdon. His first student was Ken Williams. In 1957 Haydn Foster joined the Hut and continued to teach there until his death in 2011. The Renown Society was formed in 1966 by Williams after Abbe returned to Japan. This was the original society teaching Akido in the UK. The Renown Society broke up in 1969. 4pp., foolscap 8vo.

[ Sir Sydney Prior Hall, Victorian portrait painter. ] Autograph Note Signed ('Sydney P. Hall.') stating that he has written to the Lieutenant Governor of Toronto, J. B. Robinson, and 'Professor Wilson'.

Author: 
Sir Sydney Prior Hall (1842-1922), Victorian portrait painter and illustrator
Publication details: 
On letterhead of the New University Club, St. James's Street, S.W. [ London ] 28 January 1882.
£35.00

1p., 12mo. In good condition, lightly aged. Reads: 'My dear Sir. | I have written to Lt. Governor Robinson [name amended from 'Archibald'] & Professor Wilson as you wished me. | Yours truly | Sydney P. Hall.' John Beverley Robinson (1821-1896) was Lieutenant Governor of Ontario, 1880-1887.

[ William Small, Scottish painter. ] Autograph Signature and part of Autograph Letter to 'H. Roberts, Esq'

Author: 
William Small (1843-1931), Scottish painter and illustrator, belonging to the realist school and depicting the everyday life of the poor
Publication details: 
Date and place not stated.
£20.00

On one side of a 7.5 x 11 cm piece of paper cut from the conclusion of a letter, laid down on another piece of paper. In fair condition, lightly aged and worn. Reads: '[...] I have got in the birds they come all night - I send in either tomorrow or next day. The above is my new address | Yours truly | William Roberts'. Addressed at bottom left to 'H. Roberts, Esq'.

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