ART

[ William Sowerby, artist and botanist. ] Autograph Signature ('Wm. Sowerby | Secty') as Secretary, Royal Botanic Society of London, on communication to 'The Proprietors of "Scientific Roll"'.

Author: 
William Sowerby (1827-1906), Secretary, Royal Botanic Society of London, artist and botanist [ [ Alexander Ramsay, editor of the 'Scientific Roll' ]
Publication details: 
On letterhead of the Royal Botanic Society of London, Gardens, Regent's Park, London. 24 January 1883.
£120.00

1p., 4to. In fair condition, lightly aged and worn. A somewhat grand and expansive printed form, completed in manuscript by Sowerby. He thanks the 'Gentlemen' who are 'The Proprietors of "Scientific Roll"' for 'the continuation, as published, of The "Scientific Roll"'. From the papers of Alexander Ramsay, editor of the 'Scientific Roll'.

[ Neville Bulwer-Lytton, 3rd Earl of Lytton, British military officer, Olympian and artist. ] Autograph Letter Signed ('Neville Lytton') to Digby la Motte, describing the 'magnificent' appearance at a Bach concert of Sir Claude Phillips.

Author: 
Neville Bulwer-Lytton (1879-1951), 3rd Earl of Lytton, British military officer, Olympian (Real Tennis) and artist [ Sir Claude Phillips; Richard Alexander Streatfeild ]
Publication details: 
On letterhead of Crabbet Park, Poundhill, Crawley, Sussex. 18 March 1911.
£65.00

1p., 12mo. In fair condition, on aged and worn paper. He apologises for being unable to 'get out of' his 'other engagement' after his committee the following next Wednesday, and asks for 'another opportunity of coming to see you.' He continues: 'I saw Streatfield [sic] from afar the other night at Bach's mass in B. Minor. He was magnificent in evening dress next to Claude Phillips even more magnificent.' He concludes: 'I expect you Wednesday afternoon at Rossetti Studios, Flood St.

[ The Game of Minims, invented by Edmond X. Kapp. ] Galley proof or offprint in which Kapp gives the eight rules of the game, under an explanatory introduction and the title 'Rules for the Game of Minims reprinted from "The Weekly Westminster."'

Author: 
Edmond X. Kapp [ Edmond Xavier Kapp (1890-1978), portrait painter and caricaturist, inventor of the Game of Minims [ The Weekly Westminster, London periodical; Faber & Gwyer, publishers ]
Publication details: 
Unattributed and undated. [ The Weekly Westminster, London? 1925 or 1926. ]
£50.00

Galley proof or off print of a single column. In fair condition, heavily aged and on brittle high-acidity newspaper stock. Headed: 'Rules for the Game of | Minims | reprinted from | "The Weekly Westminster." | The announcement in The Weekly Westminster Competitions of a prize for a new parlour game, suggested to Mr. Kapp that there was a game to be made out of Minims, a little book published by Faber and Gwyer a few weeks earlier. Mr. Kapp entered the competition and carried off first prize.

[ The New Society of Painters in Water Colours, London. ] Engraved invitation to the 'Evening View of their 14th. Annual Exhibition', made out and signed by the Society's secretary, the watercolour painter James Fahey.

Author: 
James Fahey (1804-1885), watercolour painter, Secretary (1838-1874) of the New Society of Painters in Water Colours, London
Publication details: 
[ The New Society of Painters in Water Colours, 53 Pall Mall [ London ]. For an 'Evening View' on 17 May 1848.
£80.00

Printed in black on one side of a 10 x 13 cm piece of grey-blue paper. In good condition, lightly aged, laid down on part of a leaf from an album. A tastefully-presented piece of London artistic ephemera, reading (with manuscript text in square brackets): 'THE NEW SOCIETY OF PAINTERS IN WATER COLOURS. | The Committee solicit the honor of | [The Editor of the Gentleman's Magazine and friend] Company at their Gallery 53, Pall Mall, on Wednesday the 17th. of May, to an Evening View of their 14th. Annual Exhibition. | from 8 o'Clock to 11. | 1848 | [James Fahey] Secy. | NOT TRANSERABLE'.

[ Dieulafoy;Women at War;archaeologist; Persia; cross dressing ] Autograph Letter Signed "Dieulafoy" to unnamed correspondent, his eminent wife's initiative (training women to do jobs of men who became soldiers (1913). and the circumstances of her death.

Author: 
Marcel-Auguste Dieulafoy (1844-1920), French archaeologist, noted for his excavations at Susa, author of L'Art anti
Publication details: 
"Secteur Postal 205 | 23 Janvier 1917".
£500.00

Three pages, 8vo, black border, fold marks, small closed tears, text complete and clear. With official printed stamp next to signature, "Le Lt-Colonel DIEULAFOY | Charge du Service du Genie des Etapes". He has received an article in "L'Eveil" by his correspondent concerning his "chere compagne" [ Jane Dieulafoy, distinguished archaeologist, explorer and feminist, who died in May 1916, hence the black border to this letter ]. He specifies the putting in relief of the "initiative prise par ma chere compagne au printemps le 1913 [conscription of women, conference 1913 - see notes below].

[ Edward Caruana Dingli; Art and the War in Malta ] Autograph Letter Signed E Carnana Dingli to Mr Tuckwell

Author: 
Edward Caruana Dingli, Maltese artist.
Publication details: 
52 South St | Valetta, 2 Dec. 1943.
£950.00

Four pages, 12mo, a word for a part of a destroyed building cut out (text runs, including part of the [...cut out, in fact CENSORED]), otherwise clear and in good condition. He begins by discussing Tuckwell's recent operation, praising doctors,concluding that it's no wonder your nation heads the world in all that pertains to civilization, science, art, politics, &c. He continues, It gives me great pleasure to know that my pictures are still a source of pleasure to you [...]. He refers to Tuckwell's loss of his wife and his kindnesses when Dingli was in England.

[ H. Irene Champernowne, pioneer in the field of art therapy. ] Typescript of her Jungian paper 'Woman and the Community', with a personal reminiscence of the Jung circle.

Author: 
H. Irene Champernowne, pioneer in the field of art therapy, founder with her husband Gilbert Champernowne of the Withymead Therapeutic Centre, Oxfordshire [ Karl Gustav Jung; Toni Wolff ]
Publication details: 
Undated. 'A paper read to the Analytical Psychology Club, London, on 26th September, 1955.'
£600.00

Much of Tessa Adams's paper on Toni Wolff in 'The Feminine Case: Jung, Aesthetics and Creative Process', ed. Adams and Duncan (2003), concerns the 'remarkable woman' Irene Champernowne and her relations with Wolff and Jung, with a discussion of Champernowne's Withymead Therapeutic Centre in Oxfordshire, which operated from 1942 to the late 1960s.

[ Christ's Hospital (the Bluecoat School). ] Original photographs, reports, correspondence, from the papers of C. W. Carey, regarding his work on the removal and renovation of paintings by Verrio and others, on the move from London to Horsham. ]

Author: 
Charles William Carey (1862-1943), Curator of Picture Gallery, Royal Holloway College, Egham, Surrey [ Christ's Hospital (the Bluecoat School), successively of London and Horsham, Sussex ]
Publication details: 
[ Christ's Hospital, London and Horsham. C. W. Carey, Egham. ] Between 1900 and 1926.
£2,000.00

53 items, in good overall condition, with light signs of age and wear. An interesting collection, not only recording an interesting event in the history of a national institution, but also recording the practices of art restoration in Edwardian England. Including forty original photographs by Carey himself (one of them, signed, a splendid image of the school in Horsham under construction), a long draft report and correspondence between Carey and R. L. Frank's, the school's 'Clerk'. The following description is divided into seven sections.

[ Charlotte Nasmyth, landscape artist. ] Autograph Note Signed [ to W. G. Herdman, Secretary, Liverpool Academy ], asking for information regarding her family's paintings in an exhibition.

Author: 
Charlotte Nasmyth (1804-1884), landscape artist, one of the daughters of the Scottish artist Alexander Nasmyth (1758-1840)
Publication details: 
Richmond Terrace, Pendleton, Manchester. 1 January [ no year ].
£220.00

1p., 16mo. In good condition, lightly aged. On a bifolium, with the blank second leaf neatly laid down on a grey card mount, with a slip of paper carrying the address laid down on it: 'W. G. Herdman Esqr. Secy. | Liverpool Academy | Post Office Place | Liverpool'. She writes: 'Sir/ | Will you Oblige me with a line by return to say when the Exhibition is likely to close, and if any of our Pictures are as yet Sold. Apologising for this trouble | I remain | Sir | Your's [sic] respectfully | Charlotte Nasmyth'.

[ Frederick William Fairholt, artist and antiquary. ] Autograph Letter Signed to '<Mayland?>, suggesting an appointment to discuss an individual who 'seems very anxious to come to some arrangement'.

Author: 
Frederick William Fairholt (c.1813-1866), artist and antiquary
Publication details: 
'Wednesday'. [ No place or date. ]
£50.00

1p., 12mo. In good condition, lightly-aged, with fold to one corner. Fairholt's handwriting is legible, but unfortunately the names of the recipient and subject of the letter are not so. It begins: ' seems very anxious to come to some arrangement. Can we meet on the point. I do not know if you are in London, if you are will you give me a call on Thursday evening'. He gives a few other options, before concluding.?>

[ Sir Charles Holroyd, Director of the National Gallery. ] Two Autograph Letters Signed (both 'Charles Holroyd') to Sir Henry Trueman Wood, Secretary, Royal Society of Arts, declining to take the chair for two lectures.

Author: 
Sir Charles Holroyd (1861-1917), artist and curator, Keeper of the Tate, 1897-1906, and Director of the National Gallery, 1906-1916 [Sir Henry Trueman Wood, Secretary, Royal Society of Arts, London]
Publication details: 
First letter on letterhead of Sturdie House, Beechwood Avenue, Weybridge. 26 January 1915. Second letter on letterhead of the National Gallery [ London ]. 1 April 1915.
£45.00

Both items in good condition, lightly aged, and both bearing the Society's stamp. ONE: 26 January 1915. 1p., 12mo. He is obliged by a previous engagement to decline the invitation 'to take the Chair for Mr. F Vincent Brooks lecture on Lithography on the 10th.', but feels the honour 'all the same'. TWO: 1 April 1915. 1p., 12mo. He would like, 'for every reason', 'to take the chair for M. Paul Lambottes lecture on C Meunier', but he will probbably be 'out of London during the first two weeks in May'.

[ William Roscoe of Liverpool, historian, art collector and abolitionist. ] Autograph Letter Signed ('W: Roscoe.'), giving various instructions to an unnamed London bookseller.

Author: 
William Roscoe (1753–1831) of Liverpool, historian, patron of the arts, and leading abolitionist
Publication details: 
Liverpool. 17 September 1808.
£300.00

2pp., 4to. In fair condition, on aged and worn paper with spike hole. The recipient is unidentified. He asks him to 'forward the few books which Mr. Clark & I laid out when we had the pleasure of calling on you in London, with my Account including Mr. Clarkes, when I will remit you the balance -'. He asks him to send 'to Mr. Lunn's in Oxford St. for a Copy of D<?>'s Lexicon which I bot. there, & paid for, & which you'l [sic] please to include with the rest of your parcels'. The letter ends: 'I have concluded for the present to keep my own Copy of the Edns;,?>

[ John Edward Carew, sculptor. ] Autograph Letter Signed ('J. E. Carew') to Henry Howard, Secretary of the Royal Academy of Arts

Author: 
John Edward Carew (1785-1868), sculptor responsible for one of the panels on the base of Nelson's column [ Henry Howard (1769-1847), artist, Secretary of the Royal Academy of Arts, London ]
Publication details: 
4 Somers Place, Hyde Park [ London ]. No date [ 1842 ].
£56.00

1p., 12mo. Bifolium. In fair condition, lightly aged, with unobtrusive spike hole at centre. Addressed on second leaf to 'Henry Howard Esqr'. The letter reads: 'Sir | Not knowing the day that the works were to be removed from the Royal Academy I fear mine has remained inconveniently long - | Have the goodness to give the bearer my little figure of a girl trapping a bird - | No 1<2>90 -'. In the Royal Academy Exhibition catalogue, 1842: '1290 Unfinished figure in marble of a girl trapping a bird J. E. Carew'.

[ William Gilpin, art critic and educationalist. ] Autograph Letter Signed ('W. Gilpin') to his son William Gilpin the younger, Headmaster of Cheam School, with reference to Thomas Gisborne and William Farish.

Author: 
William Gilpin (1724-1804), writer on art and headmaster of Cheam School, Surrey [ Thomas Gisborne (1758-1846), religious writer; William Farish (1759-1837), chemist ]
Publication details: 
No place. 22 May 1795.
£600.00

2pp., 12mo. In good condition, lightly-aged, with slight damage on removal from album. Addressed to 'Revd. Mr. Gilpin | Cheam'. (In 1777, on becoming vicar of Boldre in the New Forest, Gilpin handed over the headmastership of Cheam School to his second son William Gilpin the younger (1757-1848).) Written with a freshness reflecting 'the particular interest' Gilpin paid to 'the theory and practice of epistolary writing', noted by Alain Kerhervé in his edition of Gilpin's letters to his grandson ('William writes to William', 2014).

[ Sir Francis Seymour Haden, surgeon and etcher. ] Autograph Letter Signed to 'Mons <Jules Saignait?>, sending payment from the South Kensington Museum, through 'Mr. Chapman', for 'two splendid etchings (the large groups of flowers').

Author: 
Seymour Haden [ Sir Francis Seymour Haden ] (1818-1910), surgeon and etcher
Publication details: 
On letterhead of 62 Sloane Streety, S.W. [ London ] 10 April 1863..
£120.00

3pp., 12mo. Bifolium. In good condition, lightly aged.. Addressed at start to 'Cher Monsieur', with indistinct name of recipient following Haden's signature. He is sending him, 'by the hands of Mr. Chapman the sum of 50 francs wh. I have received on yr. behalf from the authorities of South Kensington Museum – and have obtained the promise of this office that yr. Two splendid etchings (the large group of flowers) that he suspended among the Chefs D'Oeuvres of the Establishment.' He concludes: 'Mr. Chapman will explain the hurry in wh. I write'.

[ Edward Bocquet, historical engraver. ] Autograph Letter Signed ('E Bocquet') to the London booksellers Messrs. Lackington & Co.', regarding his engraving for them of a portrait of the Earl of Southampton.

Author: 
Edward Bocquet, historical engraver [ Lackington & Co., London booksellers; Joseph Harding ]
Publication details: 
Without place. 11 January 1816.
£250.00

2pp., 12mo. In fair condition, aged and rather dusty, with small closed tear at head. He begins by explaining that he has been 'prevented by ill health from finishing the plate confided to my care, & of waiting upon you to make you acquainted with the cause of the delay. The engraving is 'in a state of forwardness', and he is willing to let 'Mr Satchwell' give his opinion of it before he sends it to them. 'I shall prove the plate again next week, after which I shall be enabled to state the time of its completion'.

[ Samuel Carter Hall and his wife: their fifty-fourth wedding anniversary. ] Printed keepsake poem by Hall titled '54! | Anniversary', with autograph signatures 'S. C. Hall.' and 'Anna Maria Hall'.

Author: 
Samuel Carter Hall [ S. C. Hall ] (1800-1889), editor of the of the Art Journal and New Monthly Magaziner, his wife Anna Maria Hall [ née Fielding ] (1800-1881)
Publication details: 
Without date or place. [ Firfield, near Addlestone, Sussex; 1878. ]
£120.00

Printed in lilac on one side of a 12 x 8,5 cm piece of thin card, with serated edges and rounded corners, and with glue staining to one edge and on blank reverse. The card is embossed with tiny stars, with decorative edges and the text enclosed within an oval border, with the autograph signatures above one another in a rectangular box beneath it. The twelve-line poem (signed in type 'S. C.

[ Henry Howard, 4th Earl of Carnarvon, Conservative politician. ] Autograph Letter Signed ('Carnarvon') to an unnamed recipient (the Secretary of the British Academy?), reaffirming his decision not to send pictures.

Author: 
Henry Howard Molyneux Herbert, 4th Earl of Carnarvon (1831-1890), Conservative politician [ Highclere Castle art collection ]
Publication details: 
On letterhead of The Coppice, Henley on Thames. 1 November 1879.
£35.00

2pp., 12mo. Bifolium on grey paper. In fair condition, lightly aged and creased. He writes: 'It really costs me a great deal to say no to any wish that you and the Academy may express: but I do not like to alter my conclusion, at all events at present, in regard to the pictures. I hope you will not think me illiberal, but I have so great an objection to their incurring the risk of an unnecessary journey that I hope you will not ask me.'

[ With presentation inscription from the subject of the book. ] Frank Lascelles "Our Modern Orpheus"

Author: 
Right Honourable the Earl of Darnley, ed. [ Frank Lascelles [ Frank William Thomas Charles Christian Culpeper Lascelles ] (1875-1934), pageant master and artist ]
Publication details: 
Printed by John Johnson at the Oxford University Press, 1932.
£45.00

X + 256pp., 4to. Frontispiece. In blue buckram binding, gilt. A good tight copy, in lightly aged binding. Presentation inscription on front free endpaper: 'To | Mr: Oliver Hooper, | in much appreciation and with every kind wish. | Frank Lascelles. | Sibford Gower Manor. 1926.' Tributes from a large number of individuals, ranging from the Prime Minister Ramsay MacDonald to the Poet Laureate Robert Bridges.

[ Cecil Lawson, landscape painter. ] Autograph Note Signed ('Cecil Lawson') to London art dealer C. W. Deschamps, regarding the Melbourne International Exhibition.

Author: 
Cecil Lawson [ Cecil Gordon Lawson ] (1849-1882), English landscape painter [ Charles William Deschamps (1848-1908), London art dealer ]
Publication details: 
Bolton Bridge, Skipton, Yorkshire. 21 July 1880.
£45.00

1p., 16mo. In fair condition, on aged paper with traces of mount adhering to reverse. Reads: 'Dear Sir | Will you kindly let me know the latest date for sending pictures to the Melbourne International Exhibition and Oblige | Yours very sincerely | Cecil Lawson.'

[ George Denholm Armour, English artist. ] Autograph Letter Signed ('G Denholm Armour'), a letter of condolemce to the widow of composer Herman Finck.

Author: 
George Denholm Armour (1864-1949), English artist associated with Phil May and Joseph Crawhall, and horse breeder [ Herman Finck [ born Hermann Van Der Vinck ] (1872-1939), composer and conductor ]
Publication details: 
On letterhead of The Old Court House, Tetminster, Dorset. 22 April 1939.
£35.00

1p., 12mo. In good condition. He is writing 'as an old brother savage' (i.e. a member like Finck of the Savage Club), and asks her to accept his 'most sincere sympathy in the loss' of her husband, and his regret that he cannot be present at his funeral. Headed by Mrs Finck 'Answered'. Finck's 'In the Shadows' was one of the last songs played as RMS Titanic went down.

[ Frederick Kill Harford, poet and hymnologist. ] Autograph Letter Signed ('Frederick K Harford') to the artist Eric Forbes-Robertson, regarding the 'Te Deum Committee'.

Author: 
Frederick K. Harford [ Frederick Kill Harford ] (1832-1906), cleric, poet and hymnologist [ Eric Forbes-Robertson (1865-1935), artist ]
Publication details: 
'On letterhead of Purcell House, Dean's Yard, Westminster. 28 August 1902.
£56.00

3pp., 12mo. Bifolium. In good condition, lightly aged. In envelope addressed by Forbes-Robertson at 79 Netherwood Road, Shepherd's Bush. He thanks him for letting him have his address, and requests a pass for his servant for the following evening's performance of the play 'Mice and Men'. He hopes the servant will return with 'the news I desire viz that you will consent to being pro tem - one of the Hon Secs of the Te Deum Committee.

[ John Samuel Agar, portrait painter and engraver. ] Autograph Letter Signed ('J. S. Agar') to Rudolph Ackermann, apologising for the poor quality of 'Fashions' [ie. fashion plates] executed on his behalf by 'Mr. Cheesman', and discussing Pistrucci's

Author: 
John Samuel Agar (1773-1858), painter and engraver [ Rudolph Ackermann (1764-1834), London book and print seller; John Vendramini (1769-1839), engraver; Benedetto Pistrucci (1793-1855), medallist ]
Publication details: 
Stafford Place [ 59 Stafford Place, Pimlico, London ]. 24 January 1822.
£220.00

2pp., 4to. Bifolium. Addressed on reverse of second leaf, with two postmarks (one of Pimlico), to 'R. Ackermann Esqre | 101. Strand -'. On aged and worn paper, with one short closed tear. A good letter, full of content revealing of Ackermann's business and the art trade in general. The first paragraph reads: 'I am extremely sorry the last Fashions have not met your approbation. The inflamed state of my eye rendered it impossible for me to engrave them myself, and I calculated on the known talent of Mr. Chsman [i.e. Thomas Cheesman (1760-1834)] to be my substitute.

[ Edward Lucie-Smith, poet and art critic. ] Two mimeographed typescripts: one with five poems (first, 'A Tropical Childhood'; last, 'To be justified'), the other a commentary on each poem, signed at head: 'one of 24 | No 2: Edward Lucie-Smith'.

Author: 
Edward Lucie-Smith (born 1933), wrtier, poet and art critic
Publication details: 
Without place or date. [ Mid-sixties? ]
£200.00

Each of the two typescripts is on two leaves of foolscap stapled together. The two in good condition, lightly aged and worn. ONE: First page headed 'Poems by Edward Lucie-Smith'. 4pp., 8vo, paginated [1]-4. The five poems are: 'A Tropical Childhood' (p.1), first line: 'In the hot noons I heard the fusillade'. 'On looking at Stubbs's “Anatomy of the Horse”' (pp.1), first line: 'In Lincolnshire, a village full of tongues'. 'Rubens to Helene Fourment' (pp.2-3), subtitle: 'The picture is La Pelisse, now in Vienna', first line: 'Now sinking towards age, I paint your rising,'.

[ James Faed, Scottish artist. ] Autograph Note Signed to 'G. Ashley Dodd Esqre', thanking him for a 'great favour' and 'privilege'.

Author: 
James Faed (1821-1911), Scottish artist
Publication details: 
'<GlenCoe'?> 23 July 1870.
£25.00

1p., 16mo. On bifolium. On aged paper with small strip of damp at foot, affecting the signature. Reads: 'Dear Sir | I beg you will accept my sincere thanks for the great favour you have conferred upon me, this morning, a privilege I cannot here sufficiently acknowledge | I am your obedient | James Faed'.

[ The John Hassall Correspondence Art School. ] Sixteen Typed 'Lessons', being personalised anonymous assessments of the work of Miss E. Elderton of Teignmouth.

Author: 
The John Hassall Correspondence Art School, London [ John Hassall (1868-1948), artist and poster designer; E. Elderton of Teignmouth ]
Publication details: 
The John Hassall Correspondence Art School [ London ]. Lessons I to XVI, 17 November 1932 to 24 May 1934.
£450.00

The 16 'lessons (I-XVI)' total 31pp., 8vo., with Lesson XIV on 1pp., and the other 15 on 2pp. In fair condition, on aged paper with slight rusting and pin holes at the corner where the sixteen have been attached. All 16 are anonymous, but each carries a set of initials at the end: the last 12 ending with 'JH/W', and of the first four two with 'JH/D', and two with 'JH/MW'.. 'JH' presumably stands for 'John Hassall', with 'D', 'MW' and 'W' the name of the writer of the response.

[ Lecoq de Boisbaudran's ''méthod de dessin''. ] Manuscript letter, signed by Baron Subervie of the Légion d'honneur, [ to Lecoqde Boisbaudran ] commending the system, with a manuscript report on it, signed by the archaeologist Désiré-Raoul Rochette.

Author: 
Jacques Gervais, Baron Subervie (1776-1856); Raoul-Rochette [ Désiré-Raoul Rochette ] (1790-1854) [ Horace Lecoq de Boisbaudran (1802-1897); Légion d'honneur; Académie des Beaux-arts ]
Publication details: 
Subervie's letter on letterhead of the Chancellerie de la Légion d'honneur [ Paris ], 20 August 1848. Désiré-Raoul Rochette's report of 17 January 1852 on letterhead of the Institut de France, Académie des Beaux-Arts, Paris.
£400.00

Both items in fair condition, on aged and worn paper. Small closed tear on fold of MS Report. Both in French. ONE: Subervie's letter. 1p., 8vo. Subervie considers the 'méthod de dessin', which he suggested should be put before the Légion d'honneur, to be 'infiniment superieure au precédés employé jusqu'a present pour l'enseignement du dessin'. A paragraph on 'les jeunes eleves' follows, and Subervie concludes by urging him to continue his trial, 'deja si heureux'. TWO: 'Rapport sur la méthode d'enseignement de M.

[ Printed item. ] Twelve Extra Illustrations to the Pickwick Papers by Charles E. Brock.

Author: 
Charles E. Brock [ Charles Edmund Brock (1870-1938) ] [ Charles Dickens; Pickwick Papers ]
Publication details: 
Published by Arthur W. Waters 64 Bath St. Leamington Spa & Holland Bros. 21 John Bright St. Birmingham. 1921.
£50.00

Twelve captioned black and white prints, each on a loose 22 x 28 cm. leaf of cream wove paper. All in good condition, lightly aged. In worn paper bifoliate wallet, the leaves of which have become detached from one another, with title printed on front, and two-pages of illustrative quotations from Dickens's book on verso of first leaf and recto of second. Twelve characteristic illustrations by Brock, in his attractive and characteristic style. No copy at the British Library. COPAC lists five copies.

[ Printed item; Jeypore School of Art ] Illustrated Catalogue. School of Art, Jeypore, Rajpootana. [ With twenty lithographic plates carrying 321 illustrations. ]

Author: 
[ Jeypore School of Art, Rajpootana, India; Frederick William Alexander De Fabeck (1830-1912), Principal ]
Publication details: 
[ Jeypore School of Art, Rajpootana, Indias. ] 1897.
£450.00

A quarto volume, with lithographic title, three pages of letterpress, and twenty numbered lithographic plates. Title and plates in black and white. In grey printed wraps, with the cover duplicating the title, and with terms of sale on the back cover. In fair condition, lightly aged and worn, with central vertical fold, and wraps worn and chipped with sunning and closed tears. The title is enclosed in an ornate decorative border representing Indian carving, and including four elephants with their mahouts.

[ William Bruce Ellis Ranken, Scottish artist and aesthete. ] Autograph Letter Signed ('William B E: Ranken.'), submitting his name for election to a 'well-known & important Society'.

Author: 
William Bruce Ellis Ranken (1881-1941), Scottish artist and aesthete
Publication details: 
On letterhead of 14 Cheltenham Terrace, Kings Road, S.W. [ London ] 20 December [ 1927 ].
£65.00

2pp., 12mo. In good condition, on lightly-aged paper. Docketed 'Ackd | 12/12/27 | J F', and with Ranken's name written out in a neat contemporary hand at the foot of the second page. After apologising for the delayed response he writes that he is 'much flattered' by the recipient's suggestion that he join his 'well-known & important Society', and will have much pleasure in submitting his name for election.

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