ART

[ Georges Braque; Cubism; Catalogue; extensively annotated in pencil by Welsh Artist, John Bromfield Gay Rees ] Georges Braque. An Exhibition of Paintings and Drawings from collections in England: with lithographs 1909-1953

Author: 
[ICA Gallery] Georges Braque [(1882–1963), 20th-century French painter, collagist, draughtsman, printmaker and sculptor.]
Publication details: 
ICA Gallery, 17-18 Dover Street, W1, 15 May-3 July 1954
£250.00

Catalogue, 12 unnumbered pages, illustrations, 16 x 17 cm, front cover (with Braque drawing he has sent specially for use as a poster and on the cover of the catalogue) grubby, staples rusty, ow fair. John Bromfield Gay Rees has covered the inside covers and back cover with rough drawings of what he has seen (2) with colours indicated, and every page of the catalogue including inside covers and back cover, has, usually, a substantial number of notes in his minute hand, giving responses and details. See image.

[ Carl Haag, painter ] Autograph Letter Signed Carl Haag to Sir Richard Temple, administrator in British India and a British politician, about Temple's stay in Brittany, other [un]interesting matters, including (briefly) current work.

Author: 
Carl Haag [ (1820-1915), Bavarian-born painter who became a naturalized British subject and was court painter to the duke of Saxe-Coburg and Gotha.]
Publication details: 
[Headed] Rother Thurm, Oberwesel a/Rh, 12 October 1897.
£45.00

Two pages, obl. 8vo, fold marks, closed tear along fold, remnants of sellotape, some marking, text clear and complete. He appreciates Temple's enjoyment of Brittany, and his and his description of prehistorical remains so enticing that it makes me wish to visit the same spot. He is holding a letter addressed to Temple. He then reveals what his wife is doing (visiting their son). I am now doing a little work in the studio for it is probable that we may prolong our stay till after the end of Oct. when we hope to see you in full possession of your usual good health.

[ Mervyn Levy, Welsh Artist ] Autograph Letter Signed MERVYN LEVY to My dear old boy [John Bromfield Gay Rees, Welsh artist] about his activities; a meeting; Welsh Art Exhibition. WITH: Two autograph copy letters of Rees's letters to Levy.

Author: 
Mervyn Levy [(1914 – 1996), Welsh artist, art teacher and writer on art].
Publication details: 
3 Army College, Chisledon, Wilts, 21 April 1847. In original envelope.
£200.00

Two pages, 12mo, fold marks, good condition. Text: Faed [fellow-artist] wrote me a letter some little while ago, which I only received on Saturday on my return from Berlin, & the conclusion of a German lecture tour, I am simply delighted to hear of your existence & whereabouts & hope we can soon meet. Please write, and if you could come up to this part of the world, even this coming week-end, I might see you more quickly then i[?] we would until I can get to Bristol. I am going to Gibraltar next month, so let's try & fix something up as soon as possible.

[ Beatrice Webb, social reformer et al ] Typed Letter Signed illegibly Beatrice Webb | [typed] (Mrs Sidney Webb) to [Thomas Lloyd] Humberstone , touching on the authorship of some articles, Sidney's poor health et al.

Author: 
Beatrice Webb [Martha Beatrice Webb, Baroness Passfield, (née Potter; (1858 -1943), sociologist, economist, socialist, labour historian and social reformer]
Publication details: 
[Headed] Passfield Corner, Liphook, Hants, 17 March 1938.
£180.00

One page, 8vo, fold marks, good condition. Text: I regret that my husband's serious breakdown in health prevents him from answering your note of March 14th. He tells me that the aticles in The Times quoted in the book were written by himself: he was very fond of writing unsigned articles in newspapers and then quoting them, as he knew the quotations wouyld be apt! | I fear that he is quite unable to see you, as he is not strong enough to see friends, and especially those who wish to discuss serious questions with him. Do you happen to know Mr. R.W. Bell, an official of the L.C.C.?

[Meredith Frampton, 'the forgotten genius of British art'.] Autograph Letter Signed , thanking portraitist Maurice Codner for 'a most enjoyable evening'.

Author: 
Meredith Frampton [George Vernon Meredith Frampton], English artist, 'the forgotten genius of British art' [Maurice Frederick Codner (1888-1958), portraitist]
Publication details: 
16 May 1938. On his letterhead, 92 Carlton Hill, NW8 [London].
£30.00

Alistair Sooke, on the BBC website, makes the case that 'Meredith Frampton is the forgotten genius of British art'. See Frampton's entry in the Oxford DNB, and also those of Codner and of Frampton's father Sir George Frampton, who executed the celebrated statue of Peter Pan in Kensington Gardens (not modelled on his son, who was eighteen when it was made). 1p, 4to, in fair condition, aged and worn. Folded once. Writing to 'My dear Codner', he apologises for 'keeping you up till such a late hour last night'.

[Martin Hardie, artist, engraver, art historian, and a Victoria & Albert Museum Keeper.] Autograph Card Signed to C. H. Whitby, regarding an engraving by the disciple of William Blake, Samuel Palmer.

Author: 
Martin Hardie (1875-1952), artist, engraver, art historian and Keeper of Painting, Engraving, Illustration, and Design at the Victoria and Albert Musem, London [Samuel Palmer; William Blake]
Publication details: 
4 June 1925; with London postmark of the same date.
£35.00

See Hardie's entry in the Oxford DNB. 11.5 x 9 cm card. Printed with penny stamp in red; no illustration. In fair condition, discoloured and a little worn. Addressed by Hardie to 'C. H. Whitby | 82, Crofton Park | Yeovil.' (Whitby is the author of a handful of books of reglious poetry.) Whitby would appear to be offering for sale, or at least asking for advice about, an impression of Palmer's celebrated engraving 'The Bellman'.

[ James Lord Bowes; Japanese Art ] Two Autograph Notes in the third person consigning copies of his books (Japanese interest) to the editor of The Academy.

Author: 
James Lord Bowes (1834–1899), wealthy Liverpool wool broker, art collector and patron of the arts, author and authority on Japan and its art, and benefactor.
Publication details: 
[Printed heading, both] Japanese Consulate, Liverpool, 24 June 1890 AND 26 June 1895.
£120.00

NOTE 1: One page, 12mo, very good condition. Mr. James L. Bowes presents his compliments to the Editor of The Academy and has pleasure in forwarding for his acceptance copy of his new work on the Art of Japan entitled 'Japanese Pottery' and he ventures to draw attention to the Notes with which the volume concludes. Letter 2: Mr. Bowes presents his Compliments to the Editor of The Academy and begs to say that he has sent a Copy of his Monograph on Japanese Enamels entitled 'Notes on Shippo' for review in the Columns of his journal.

[ Stanley Anderson artist ] Autograph Letter Signed Stanley Anderson to Maurice declining at length social engagement through tiredness.

Author: 
Stanley Anderson [ Alfred Charles Stanley Anderson CBE RA (1884–1966), engraver, etcher and watercolour painter. ]
Publication details: 
[Headed] St. Paul's Studios, 55 Colet Gadens, London, W14, 24 Nov. 1938.
£45.00

One page, cr. 8vo, fold marks, small stain in margin, text clear and attractive (a neat hand). He appreciates the invitation to Dover Street to dine. I[t] gave me great pleasure to have this expression of your friendship and it was great ill-lcuk that the wretched teaching shoulkd have prevented me from enjoying your company - I teach all day on Tuesdays and Wednesdays. | On wednesday nights I feel so exhausted mentally and physically that I am glad to crawl back home to bed.

[ Pictures; Sumners of Kelbarrow, Grasmere ] Typescript List of Pictures in Kelbarrow, Grasmere, former home of the Family of the Rev. J.H.R. Sumner, with prices in pencil.

Author: 
[ Rev. John Henry Robertson Sumner, son of J.B. Sumner, Archbishop of Canterbury, & Family; John Ruskin; Pictures ]
Publication details: 
Undated. Presumably sold (auctioned?) at the death of the surviving member of the family. Margaret L. Sumner, Ruskin's correspondent, who died in 1919.
£220.00

Nine pages, folio, fold marks, browning, sl. chipped, text complete and clear. It comprises a list of paintings, drawings, lithographs , prints in many areas and rooms of the house, from the Top of Staircase to Library to Best Bedroom to Dining Room, etc. Several items are associated with the Sumner Family: a lithograph of Archbishop Sumner on the Principal Staircase; a Pastel coloured drawing - Family Group of Mrs. John Bird Sumner (four daughters and son) by Hastings, 1827; Water colour drawing - The four Miss Sumners, by Geo. Richmond, R.A.

[Robert Anning Bell, artist, book designer and illustrator.] Autograph Letter in the third person to the President of the Royal Literary Fund, declining to become a steward at its anniversary dinner.

Author: 
Robert Anning Bell (1862-1933), Royal Academy artist, book designer and illustrator, Professor at Royal College of Art, associated with Della Robbia Pottery in Birkenhead
Publication details: 
20 June 1921, on embossed letterhead of 28 Holland Park Road, Kensington, W14 [London].
£30.00

1p, 12mo. In good condition, lightly aged. Folded once. Reads: 'Mr. Robert Anning Bell regrets that he is unable to accept the kind invitation of the President of the Corporation of the Royal Literary Fund to become a Steward at the Anniversary Dinner on July 6th.'

[Lord Derby [Edward Henry Stanley, 15th Earl of Derby], Tory politician.] Autograph Letter Signed ('Derby') to 'G. Norbury. Esq.' (i.e. artist Richard Norbury), explaining his reluctance to be patron to the proposed Liverpool Watercolour Society.

Author: 
Lord Derby [Edward Henry Stanley, 15th Earl of Derby] (1826-1893), Tory politician, Foreign Secretary and Colonial Secretary [Richard Norbury (1815-1886), artist; Liverpool Watercolour Society]
Publication details: 
5 December 1871. On letterhead of Galloway House, Garliestown, N. B. [i.e. Scotland].
£35.00

2pp, 12mo. In fair condition, lightly aged. A daughter from Lady Derby's first marriage was married to the Earl of Galloway, from whose seat Derby writes. Addressed to 'G. [sic] Norbury. Esq.' Having received the letter of the unnamed male recipient, he feels he 'must decline to give my name as patron of the now proposed society of water colour painters in Liverpool: not because I do not approve of the formation of such a society, but because your invitation to join it is the first intimation I have received of any such project being in contemplation'.

[Charles Robert Cockerell, architect, archaeologist and author.] Autograph Note Signed ('C. R. Cockerell') to 'Roberts' [the Scottish painter David Roberts], accepting an invitation to a 'meeting' with 'Distinguished Guests'.

Author: 
C. R. Cockerell [Charles Robert Cockerell] (1788-1863), architect, archaeologist and author [David Roberts (1796-1864), Scottish painter]
Publication details: 
12 February 1858. No place.
£45.00

1p, 12mo. In good condition, lightly aged. Folded twice. The letter reads: 'My Dear Roberts. | I shall have great pleasure in accepting your kind invitation for Friday next, & in meeting such Distinguished Guests as you propose to gather round you. | Ever my Dear Roberts | Sincerely yours | C. R. Cockerell.' From the Roberts papers.

[Louis Desanges; Artist ] Autograph Note Signed L. Desanges to an unnamed female correspondent, encouraging her to view a picture.

Author: 
Louis W. Desanges [ Louis William Desanges (1822 - 1887), artist ]
Publication details: 
[ Printed heading ] 16 Stratford PLace, W, 21 Feb. 1883.
£45.00

One page, 12mo, one edge rough, good condition. Should you care to see my picture of 'Egypt 1882' I shall be happy to show it to you when you may be pleased to honour my Studio with a visit. Note: Desanges's picture represented an equestrian group of all the commanders in Egypt with Wolseley in the centre. The picture was published by Henry Graves and Co. in 1884 under the title Egypt 1882.

[Alma Tadema [Sir Lawrence Alma-Tadema], artist of the 'Victorian Olympus' school.] Autograph Letter Signed ('votre dévoué | L Alma Tadema').], in French, regarding the subscription to 'votre estimable journal'.

Author: 
Alma Tadema [Sir Lawrence Alma-Tadema, born Lourens Alma Tadema] (1836-1912), English-based Dutch artist of the 'Victorian Olympus' school
Publication details: 
27 December 1882. On letterhead of Townshend House, North Gate, Regents Park, N.W. [London]
£45.00

2pp, 18mo. Bifolium. In good condition, lightly aged. Addressed to 'Monsieur', with no other indication of the identity of the recipient. He has always had pleasure in reading his 'estimable journal', but as it has not always been properly addressed it has arrived 'que très rarement'. He is sending 'la petite somme', 'pour quatre année d'abonnement', although 'c'est si difficile à transmettre'.

[Mortimer Menpes, Australian-born British painter.] Autograph Letter Signed ('Mortimer Menpes'), giving good practical advice to a young female painter whom he is convinced has 'a future'.

Author: 
Mortimer Menpes [Mortimer Luddington Menpes] (1855-1938), Australian-born British painter, author, and horticulturalist
Publication details: 
No date. On letterhead of the Esplanade Hotel, Bombay [India].
£180.00

2pp, 12mo. In good condition, on aged paper with several fold lines. Twenty-one lines of text, written lengthwise on both sides of the leaf. The name of the recipient ('Miss Haziel'? 'Miss Hajrel'?) is unclear. He offers his sincere congratulations on her picture, which is 'work which shows great promise - There is a sense of tone in the picture that was sadly missing in nearly all the other work in the show'. He urges her not to be 'sad about the work', but to 'begin working with energy from now, for I am convinced you have a future'.

[Mathias Sandor, Hungarian-born American artist.] Original artwork: miniature graphite drawing of an attractive fin-de-siècle woman, heading an Autograph Note Signed ('Mathiás Sándor') to 'Mr Howes Norris Jr', responding to request for autograph.

Author: 
Mathias Sandor [Mathiás Sándor] (1857-1920), Hungarian artist who settled in the United States [Howes Norris Jr, autograph collector]
Publication details: 
Without date or place.
£150.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on blank reverse. Central horizontal fold, not affecting the drawing. Sandor was clearly a generous fellow, and Norris was a lucky one. Sandor has responded to a request for an autograph by sending a note topped by an attractive miniature graphite drawing of the head and shoulders of an 1890s young lady, more subtle than a 'Gibson Girl', staring quizzically with the distinctive hairstyle of the period.

[Frank Miles, artist, friend of Oscar Wilde, and Jack the Ripper suspect.] Autograph Note Signed ('Frank Miles') to an autograph hunter, gracefully supplying his own.

Author: 
Frank Miles [George Francis Miles] (1852-1891), artist and friend of Oscar Wilde, architect, gardener and Jack the Ripper suspect
Publication details: 
No date. 26 Tite Street, Chelsea [London].
£90.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on reverse. Folded once. Reads: '26 Tite St. | Chelsea | Pray forgive me for not having answered before | If you are glad to have my handwriting, then I am gladder to send it to you. | Frank Miles'. The house in Tite Street which Miles had E. W. Godwin build for him, and at which his friend Oscar Wilde lived as a 'boarder', was originally numbered 1, then 26, and now 44.

[Mortimer Menpes, Australian-born British painter.] Autograph Letter Signed ('Mortimer Menpes'), giving good practical advice to a young female painter whom he is convinced has 'a future'.

Author: 
Mortimer Menpes [Mortimer Luddington Menpes] (1855-1938), Australian-born British painter, author, and horticulturalist
Publication details: 
No date. On letterhead of the Esplanade Hotel, Bombay [India].
£180.00

2pp, 12mo. In good condition, on aged paper with several fold lines. Twenty-one lines of text, written lengthwise on both sides of the leaf. The name of the recipient ('Miss Haziel'? 'Miss Hajrel'?) is unclear. He offers his sincere congratulations on her picture, which is 'work which shows great promise - There is a sense of tone in the picture that was sadly missing in nearly all the other work in the show'. He urges her not to be 'sad about the work', but to 'begin working with energy from now, for I am convinced you have a future'.

[Mathias Sandor, Hungarian-born American artist.] Original artwork: miniature graphite drawing of an attractive fin-de-siècle woman, heading an Autograph Note Signed ('Mathiás Sándor') to 'Mr Howes Norris Jr', responding to request for autograph.

Author: 
Mathias Sandor [Mathiás Sándor] (1857-1920), Hungarian artist who settled in the United States [Howes Norris Jr, autograph collector]
Publication details: 
Without date or place.
£150.00

1p, 12mo. In good condition, lightly aged, with minor traces of glue from mount on blank reverse. Central horizontal fold, not affecting the drawing. Sandor was clearly a generous fellow, and Norris was a lucky one. Sandor has responded to a request for an autograph by sending a note topped by an attractive miniature graphite drawing of the head and shoulders of an 1890s young lady, more subtle than a 'Gibson Girl', staring quizzically with the distinctive hairstyle of the period.

[Sir William Rothenstein, artist.] Autograph Card Signed ('W. Rothenstein') to Rachel Kay-Shuttleworth, announcing that 'with some regret' he will be changing his name to 'W. Rutherston'.

Author: 
Sir William Rothenstein (1872-1945), painter, printmaker, draughtsman, lecturer, and writer on art [Rachel Kay-Shuttleworth (1886-1967)]
Publication details: 
'Sunday' [no date, but circa 1914]; card with letterhead of the Civic Arts Association, 28 Prince's Garden, London, S.W.
£180.00

Twelve closely-written lines, on 8.5 x 11.5 cm card addressed by Rothenstein to 'The Hon. R Key-Shuttleworth | 28 Princes Garden | SW'., this being the same address as on the letterhead. In good condition, lightly aged. He begins by discussing 'Mr Booth' and his offer concerning 'the second prize', before expressing a hope that she is 'not overtiring' herself.

[Sigismund Goetze, English artist.] Autograph Letter Signed to 'Mrs. Poole', regarding a portrait of King Charles II, as prince and in Oxford robes, in his Grove House collection.

Author: 
Sigismund Goetze [Sigismund Christian Hubert Goetze] (1866-1939), English artist and art patron at Grove House, who painted the Foreign Office 'Empire Murals'
Publication details: 
20 October 1932; on letterhead of Grove House, Park Road, Regent's Park, N.W.8 [London].
£80.00

4pp, 12mo. Bifolium. In good condition, lightly aged, with two smudges on second page. Folded once. With reference to her letter 'to Mr. Somerset of March 11th. re the portrait of Charles II (as Prince) in academic robes', he has had the picture by William Dobson photographed and encloses a copy (not present). He discusses Charles's dress in the picture in some detail, adding that 'The portrait (27 x 28 1/2 inches) has been in my possession since 1918 when it was bought at Christie's Nov. 29 lot.

[Edmond Xavier Kapp, artist and caricaturist.] Two Autograph Letters Signed to Holbrook Jackson, complaining about payment for work for the magazine 'To-day', and 'contributor's copies'. With carbon copies of Jackson's forthright replies.

Author: 
Edmond X. Kapp [Edmond Xavier Kapp] (1890-1978), British artist and caricaturist, of German-Jewish extraction [George Holbrook Jackson (1874-1948), author, journalists, publisher and bibliophile]
Publication details: 
Kapp's two letters: 20 and 25 January 1920; each on letterhead of The Studio, 32A Queen's Road, St. John's Wood, N.W.8 [London]. Holbrook Jackson's replies: 22 and 28 January 1920; neither with place.
£280.00

A splendidly intemperate correspondent between contributor and publisher, almost worthy of one of Jackson's own bibliophile volumes. The four items are in fair condition, on aged and worn paper, one with paperclip stain, another with brass stud, and a third with staple holes; creasing to carbon copies. Kapp's handwriting is 'artistic', and his letterheads are unusually long 8vos. ONE: Kapp to Jackson, 20 January 1920. Signed 'E X Kapp'. 1p, 8vo. Begins: 'My dear Holbrook-Jackson, | Don't you feel you'd like to send me a copy or two of "To-Day" each time? I buy one or two as well, you know!

[Jean-François Raffaëlli, French realist painter associated with the Impressionists.] Autograph Letter Signed ('J. F. Raffaëlli'), proposing a meeting with the recipient's friends, and thanking her for her defence of his work to the 'gens raffinés'.

Author: 
Jean-François Raffaëlli (1850-1924), French realist painter, sculptor, and printmaker who exhibited with the Impressionists, admired by Huysmans and Degas
Publication details: 
'Dimanche'. 19 rue de la Bibliothèque, Asnières.
£90.00

1p, 8vo. In good condition, on lightly aged and worn paper. Folded once. The female recipient is not named. The letter begins: 'Chère Mademoiselle, | J'ai recu votre aimable lettre, et, demain Lundi, j'aurai le plaisir de rendre visite à vos amis Mr. & Mme. Palmer, au "Grand Hotel" à 6 heures du soir.' If the recipient could also be present at that time Raffaëlli would be 'fort heureux de vous y rencontrer et de vous remercier de vive voix de l'amabilité que vous voulez bien mettre à defendre mes oeuvres aupres des gens raffinés de votre belle Patrie'.

[German and English Victorian wood engraving.] Album containing 'Geo. F. Tabram's Specimens of Wood Engraving 1842-8', including grotesque figures and chivalric scenes, with an original drawing and two German specimens loosely inserted.

Author: 
[German and English Victorian wood engraving.] George Frederick Tabram (1825-1891) of Gloucestershire
Publication details: 
[German and English engravings, collected in Gloucestershire, between 1842 and 1848.]
£150.00

An attractive collection of 76 engravings, laid down over 34pp, on the first seventeen brown-paper leaves of a 22.5 x 29 cm landscape album. Also laid down, on the rear pastedown, is a nice original drawing (by Tabram himself?) of two girls, one in a bonnet and the other (her daughter or sister?) with ringlets. Loosely inserted are two German engravings, each laid down on a piece of coloured paper and each with caption on reverse.

[Oxford Circuit in the 1880s.] 27 sketches and caricatures by Lauriston Leonard Batten of barristers (including Lord Loveburn; C. J. Darling), judges and others, including several court scenes; for fellow barrister the future Sir Richard Harington.

Author: 
Lauriston Leonard Batten (1863-1934) [the Oxford Circuit in the late nineteenth century; Sir Richard Harington (1861-1931), Puisne Judge in the High Court of Justice at Fort William in Bengal]
Legal sketches
Publication details: 
The Oxford Circuit [Gloucester, Reading, Shrewsbury Assizes; Birmingham Assizes]. A few items dated to 1887, 1888, 1891, 1894.
£950.00
Legal sketches

Lauriston Leonard Batten studied at Trinity College, Cambridge (see his entry in Alum. Cantab.). He was admitted at the Inner Temple in 1882 and called to the bar four years later. KC, 1905. Bencher, 1914. The present collection is from the papers of his colleague on the Oxford Circuit, Sir Richard Harington (1861-1931), 12th baronet, who was educated at Eton and Christ Church, Oxford. Called to the Bar in 1886, he practised on the Oxford Circuit before taking up an appointment as a Puisne Judge in the High Court of Justice at Fort William in Bengal in 1899.

[Robert Gibb, Scottish painter.] Autograph Letter Signed ('Robert Gibb') to the publisher of 'Black and White Budget', W. J. P. Monckton, re. 'the incident depicted in "Saving the Colours" ["Saving the Colours: The Guards at the Battle of Inkerman"]

Author: 
Robert Gibb (1845-1932), Scottish painter; Keeper of the National Gallery of Scotland and Painter and Limner to the King [W. J. P. Monckton, publisher of the London magazine 'Black & White Budget']
Publication details: 
8 May 1901. On letterhead of 2 Bruntsfield Crescent, Edinburgh.
£45.00

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. Addressed: 'To W. J. P. Monckton Esq. | Publisher | "Black & White," | London'. He has just received Monckton's letter, and is enclosing a 'little pamphlet', which will give him 'a full account of the incident depicted in "Saving the Colours"'. If all is well Gibb hopes to be in London on the Monday or Tuesday of the following week, and will 'have the pleasure of calling upon you as promised'. His address will be the Thackeray Hotel, Great Russell Street.

[Marion Spielmann, editor of The Connoisseur and Magazine of Art, art critic.] Autograph Card Signed (' M. H. Spielmann') to author Douglas Sladen, asking for information on Frederic Whyte, 'one of the men I should least like to lose sight of'.

Author: 
Marion Spielmann [Marion Harry Alexander Spielmann] (1858-1948), art critic and art historian, editor of The Connoisseur and Magazine of Art [Douglas Sladen (1856-1947), author]
Publication details: 
24 February 1917. 'G[reat]. W[estern]. R[ailwa]y. Royal Hotel | Paddington.'
£35.00

13.5 x 9 cm post card, unillustrated, and with stamp printed on in green, and postmark. In fair condition, on aged and browned high-acidity card. Addressed by Spielmann to: 'Douglas Sladen Esq. | The Avenue House, | Richmond.' As long as a short letter, with postscript up one side. He has received Sleden's 'p-card' and asks: 'Where is Frederic Whyte? What's his address? - I've long been wanting to meet him again, but he's unfortunately plunged out of my orbit ever since I went abroad in 1913, & he's one of the men I should least like to lose sight of.

[Anne-Louis Girodet-Trioson, French artist; Girodet] Autograph Letter Signed ('Girodet'), inviting 'Monsieur Gros peintre d'histoire', i.e. Antoine-Jean Gros, to 'un diner aux Truffes'.

Author: 
Anne-Louis Girodet-Trioson [Anne-Louis Girodet de Roussy-Trioson] (1767-1824), French painter, pupil of Jacques-Louis David [Antoine-Jean Gros (1771-1835), French artist, from 1824 styled Baron Gros]
Publication details: 
[Paris.] Undated, but apparently from the time of the French Republican Calendar, between 1793 to 1805.
£220.00

1p, 12mo. Bifolium. In fair condition, lightly aged and worn. From the celebrated manuscript collection of Richard Monckton Milnes (Baron Houghton). Addressed by Girodet on reverse 'préssée | A Monsieur | Monsieur Gros peintre d'histoire rue des champs Elissés la 1ere or 2e porte cochere a droite'.

[Rudyard Kipling: rare pamphlet, later titled 'The Claims of Art', with enclosure by A. Forbes Sieveking.] Speech of Mr. Rudyard Kipling, as Chairman at the Annual Dinner of the Artists' General Benevolent Institution, on May the Ninth, 1907.

Author: 
Rudyard Kipling; A. Forbes Sieveking [Artists' General Benevolent Institution, London]
Publication details: 
Pamphlet without publication details. Enclosure by Sieveking dated from 12 Seymour Street, Portman Square, W. [London.] June 1907.
£160.00

Pamphlet: 4pp, 8vo. Bifolium of thick wove paper. In red wraps, with title printed in black on front cover, with words: 'Printed by permission.' The full phrase is printed at the end of the article on p.4. Drophead title on p.1 same as title on cover. In fair condition, lightly aged and worn. The bifolium of text was formerly glued into the wraps, but the glue has become brittle, and the wraps and contents are now detached from one another. There was a report of the meeting, and of Kipling's speech, in The Times, 10 May 1907; and the speech was later collected in 'A Book of Words' (1928).

[ Alfred East, artist; Japanese Art ] Press Notices of an Exhbition of the Landscape of Japan, held at the Galleries of the Fine Art Society, New Bond Street, London, in March and April,1890; to which is added a few words said to the Artists of Tokio

Author: 
Alfred East, Hon. Mem of the Meiji Bijutsu Kai, Japan, etc.
Publication details: 
[ London, 1890/1? ]
£400.00

80pp., 8vo, grey wraps. small closed tears, signs of wear. [Japan Daily Mail, 1891] "The [volume] is a collection of press notices of Mr. Alfred East's exhibition of Japanese landscapes. The notices have been brought together and re-printed by Mr. Lazenby Liberty,[...]" Presumably the Exhibition stimulated a wider interest in Japanese art but no-one on Google (cursory glance admittedly) has seen fit to comment except to exclaim that it was a "spectacular success". No other copy traced on the market or on COPAC/WorldCat.

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