DRAMA

See his entry in the Oxford DNB. Stuart was at the time actor-manager of the Adelphi Theatre, London. Both items in good condition, lightly aged, and folded for postage. ONE: 3pp, 12mo (the third page carrying a postscript written lengthwise). Bifolium. Begins: ?Dear Sir / I have a new play which I should like to read to you if you would care to hear it.

See his entry in the Oxford DNB. 2pp, 12mo. Bifolium. In fair condition, on aged and worn paper, with rusting from a paperclip to both leaves. Addressed to 'Mr Texeira [sic] de Mattos' and signed 'S John E. C. Hankin'. He thanks him for the cheque and is sorry to hear that the recipient's 'great project has come to nought - at least for the moment'. He expects that de Mattos saw 'the Bankruptcy of the New Saturday duly chronicled? You were a true prophet. I gather it will pay nothing in the ?'. The New Saturday was a short-lived newspaper, going to the wall after a few issues in 1897.

See his entry in the Oxford DNB. In good condition, lightly aged. Folded for postage. Recipient not named (addressed to 'Dear Sir'). Signed 'Joseph Knight' and neatly written. He is sending the 'cheque as promised', and asks whether a book was 'a very nice copy', since he was 'disposed to order it'. One of his purchases is 'a disappointing work. Its title presumes what is not found. If you can get any thing extra for it out of your customers you can have it back.'

See his entry, and hers, in the Oxford DNB. From the papers of her relation Lady Theresa Lewis. 2pp, 8vo. On the first leaf of a bifolium, the recto of the second leaf being addressed by him to ‘Countess of Jersey / &c &c &c’. In good condition, lightly aged and worn. Folded for postage. Written in high eighteenth-century style.

1p, 4to. In good condition, lightly aged and creased, with thin stub from previous mounting neatly adhering to inner edge. He explains that his request for an audience is ‘exclusivement littéraire’, and that it is as a ‘titre d’honneur de lettres’ that he hopes to obtain ‘la haute faveur’ of consideration of various factors ‘soumis à ces attributions’. From the celebrated collection of Baron Houghton (in Lot acquired at Chiswick Auctions)

Draper inspired characters in two of Agatha Christie?s books. Among others impressed by her work were Bernard Shaw, Thornton Wilder, John Gielgud, Katharine Hepburn, Maurice Chevalier, Laurence Olivier, Henry James, Henry Adams, Edith Wharton, Joyce Grenfell, Emma Thompson, David Mamet and Maureen Lipman. See Ross?s entry in the Oxford DNB. 3pp, 12mo, on bifolium of light-grey paper. In good condition, lightly aged. Folded once for postage. Addressed to ?Dear Sir David? and signed ?Ruth Draper.? Presumably written during Ross?s Vice-Chancellorship, 1941-1944.

One page, 35 x 24cms, extracted from a Family Album (see Note below) assembled almost certainly by George Meredith's daughter, Marie. The text, written directly onto the Album page (see Image) is an extract from Fortunatus the Pessimist, in the drama read by Urania to April (pp.85-6 in the Second Edition if not the First - latter not available on Google), 3 four-line verses: A summons to my slumbering spirit came [...] Past me there swept the coronated Night. One small variation from the published text (second verse, l.3 Choiring for Quiring). See Image.

One page, 35 x 24cms, extracted from a Family Album (see Note below) assembled almost certainly by George Meredith's daughter, Marie. The text, written directly onto the Album page (see Image) is an extract from Fortunatus the Pessimist, in the drama read by Urania to April (pp.85-6 in the Second Edition if not the First - latter not available on Google), 3 four-line verses: A summons to my slumbering spirit came [...] Past me there swept the coronated Night. One small variation from the published text (second verse, l.3 Choiring for Quiring). See Image.

See the two men’s entries in the Oxford DNB. In good condition. 11.5 x 9 cm card, without illustration. Printed in red at head: ‘MICHAEL REDGRAVE.’ The message concerns the London production of Fry’s ‘The Lark’ (a translation of Anouilh’s ‘L’Alouette’), which opened at the Lyric Theatre, Hammersmith, on 11 May 1955. Redgrave would star in Fry’s next play, ‘Tiger at the Gates’ (a translation of Giraudoux’s ‘La guerre de Troie n'aura pas lieu’), which premiered in New York on 3 October 1955.

There were around thirty ‘Paul Temple’ radio serials between 1938 and 1968, along with four films, a dozen books, a television series and a newspaper cartoon strip. Despite obituaries in the major British newspapers Durbridge has not been granted an entry in the Oxford DNB. On 14 x 5.5 cm piece of light-blue laid paper, cut from a typed letter. In good condition, lightly aged. Good clear signature. Reads ‘Thank you for your nice poem - / Best wishes to Dave. / Francis Durbridge’.

Part of leaf from autograph album, cut into an irregular shape. In fair condition, on lightly aged and discoloured paper, with film of dried glue from mount on blank reverse. The passage, which curiously enough does not correspondend with the printed text, reads (with three mistakes scored through): ‘Life of Napoleon III - Vol 2. / The Government, it is true, endeavoured to prevail upon Queen Hortense to request him to give his word that he would remain in America for ten years; but she replied that Prince Louis was master of his own actions & she would not endeavour to influence them.

Interesting content. The recipient Philip Dosse was proprietor of Hansom Books, publisher of a stable of seven arts magazines including Books and Bookmen and Plays and Players. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The six items are in good condition, lightly aged, and one lightly creased with wear to one edge. The four letters are each 1p, 4to, and folded for postage. One of the letters is signed ‘A. Wesker’, the others ‘Arnold Wesker’. ONE: Wesker TLS, 10 September 1972.

See his entry in the Oxford DNB. LETTER: 1p, 12mo. In fair condition, lightly aged, in remains of windowpane mount. Folded twice. Addressed to ‘Dear [Derrick?]’ and signed ‘J: R: Planché’. The year has been supplied in another hand in pencil. He informs him that ‘Charles Dance is out of town’, and that ‘the price would be one guinea - but I am sure that being for a benefit he will make no charges’. Planché is ‘of course not authorized to say so’, but he has ‘no doubt upon the subject’ and will tell Dormer so on his return.

See his entry in the Oxford DNB. 1p, 12mo. On the recto of the first leaf of a bifolium, and addressed in autograph on the reverse of the second to ‘Mr. Raymond / Chester Street / Grosvenor Place / No. 3. / Hyde Park Corner’, with three postmarks and broken wafer. In fair condition, lightly aged, with spike hole through both leaves. Folded twice for postage. He is sorry Raymond had ‘so much trouble’ looking for him: ‘but the truth is I waited at home for you this morning till 12 -’. He explains that ‘the Copy Right of the Comedy’ is ‘purchas’d by Mr.

It is hard to overestimate the impact of ‘Ion’ on Victorian audiences in Britain and America. According to Talfourd’s entry in the Oxford DNB, the play was ‘first performed at Covent Garden Theatre, London, on his birthday, 26 May 1836.

Long and almost universally-appreciative articles, with photographs and cartoons, reflecting the excitement and energy of the period during which Fry was, as Michael Billington writes in his entry on the playwright in the Oxford DNB, ‘a dominant figure in British drama’. Ranging from three continents, with a few articles in foreign languages (Swedish, German, French). Among the material are John Gielgud’s long statement ‘Mr. Gielgud discovers Mr. Fry’, New York Times, 5 November 1950; and Richard L. Coe, ‘ “Lady” Delights A Packed Gayety’, Washington Post, 21 March 1951.

See the account of his life in the entry for his father the serjeant-at-law John Humffreys Parry (1816-1880) in the Oxford DNB. Signed ‘faithfully yours / Edward Parry / April . 1930’, across the headline of a 22 x 21 cm. cutting of a newspaper article, with text in three columns, the headline reading: ‘BREACH OF PROMISE / THE LAW, THE LADY, AND SEX EQUALITY/ By His Honour SIR EDWARD PARRY’. In good condition, on browning high-acidity paper. Folded once and with one crease. Begins: ‘Marriage is not the gilt-edged security that it was. Its stock is not rising.

Chambers is not mentioned in Dame Nellie Melba’s entry in the Oxford DNB. She met him in London in 1895, and their affair ended for unknown reasons in 1904. It is clearly the ‘notorious’ affair in whose fame Chambers ‘rejoiced to the last’, according to Somerset Maugham’s devastating assessment of the man in ‘A Writer’s Notebook’ (1946). Harry de Windt gives a markedly kinder account of Chambers in his ‘My Note-Book at Home and Abroad’ (1923). The recipient would appear to be Chambers’s agent. Regarding the content of this letter, see ‘The Theatre’, 1 November 1894: ‘Mr.

Chambers is not mentioned in Dame Nellie Melba’s entry in the Oxford DNB. She met him in London in 1895, and their affair ended for unknown reasons in 1904. It is clearly the ‘notorious’ affair in whose fame Chambers ‘rejoiced to the last’, according to Somerset Maugham’s devastating assessment of the man in ‘A Writer’s Notebook’ (1946). Harry de Windt gives a markedly kinder account of Chambers in his ‘My Note-Book at Home and Abroad’ (1923).

For information on Cook see his biography in the Oxford DNB, which points out that the subtlety of his later fiction was lost on his contemporaries, being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death, in Hood’s Comic Annual for 1884 (London, 1883).

Circa 20 items, two printed, others typescript and manuscript, various formats including: a. Autograph Letter en francais Signed Jean Cocteau, 19 Dec. 1952, one page, c.20 x 30cm, to [Edward O. Marsh, translator and adapter], presumably a response to e. below, partly about translation and translators; b. Agreement, one page, folio, signed on behalf of Cocteau on 7 November 1952, on share of revenue between Marsh and Cocteau on adaptation, SIGNED by Marsh and by a representative of the Union Financière Artistique on behalf of Cocteau, appointing Dr Jan van Loewen as exclusive agent; c.

An interesting artefact of what was to become the Royal Exchange Theatre, Manchester. See Murray's Guardian obituary, 3 August 2018: 'Murray left Oxford in 1964 without sitting his finals but with a starry reputation.

It is puzzling that Van Druten, one of the most successful British playwrights of the early 1930s, should not have an entry in the Oxford DNB. The present entertaining and informative letter is written from the A. J. C. Ranch in Coachella Valley, which Van Druten purchased with his then-lover Carter Lodge and the British actress Auriol Lee (it was named after the initals of their first names).

72pp, 8vo. Tight copy on lightly-aged paper, in original blue cloth binding with dulled gilt on spine, panels of sunning to front board, and slight wear at head of spine. Ownership inscription on front free endpaper: 'Christopher Fry'. Auden, along with Eliot, was an inspiration to Fry, one of the foremost twentieth-century English practitioners of verse drama.

xv + 179pp, 8vo. Good tight copy in brown cloth, in worn printed dustwrapper. Frontispiece portrait of Fry. Inscribed on front free endpaper: 'To Christopher Fry | from | Glenda Leeming | with love'. In her preface Leeming notes Fry's 'patience and tolerance, as well as his helpful explanations of his plays, his intentions, and their realization'. The volume contains pencil annotations between pp.43 and 73, mostly relating to 'The Lady's not for Burning'. All are marginal indications of passages with vertical lines, apart from two annotations suggesting a degree of impatience with the text.

[6] + viii + 266pp, 8vo. With four-page 'Select Bibliography' and three two-page lists of errata tipped-in at the rear. In plain brown cloth, with green printed dustwrapper glued-down (by publisher) onto the endpapers by the flaps. In good condition, lightly-aged, in lightly-worn dustrapper with closed tear at rear. Inscribed on the front free endpaper: 'To | Mr. Christopher Fry, | With best compliments | from the Author, | S. n. Ray | 7.4.98'. Fry makes around fifty autograph corrections to the text, giving a list of them over the rear endpapers.

ONE: Marsh to MP. 19 November 1951. 2pp, 8vo. In fair condition, lightly aged, with light rust spotting from paper clip. Folded twice. Pencil note by MP. Marsh begins his letter: 'My dear Popie. | Very many thanks indeed for the book. It came on Saturday, & I read nothing else till I finished it this morning. Very many congratulations too, your Achievement story is itself a big achievement, & everyone who loved Ivor will be grateful to you for it. You can imagine how many memories it revived in me, & how much it added to my Knowledge.

1p, 8vo. On aged and worn paper, with spots of rust staining from paperclip. Folded twice. Addressed to MP at 359 Strand, WC2. Reads: 'Dear Popie, | Children's Theatre | Sound | This is just to acknowledge your rough draft of the article you suggest. I have not had time to look at it yet, but I will do so as soon as I possibly can. Meanwhile, perhaps your secretary will let my secretary know the latest date for returning it.' MP's reason for sending the article to Donat is not immediately apparent. Donat's papers are in the University of Manchester Special Collections.

2pp, 18mo. In fair condition, lightly aged and creased. Folded once. Written in a close, elegant hand. Written on receipt of a presentation copy of MacQueen-Pope's latest book, the letter begins: 'My dear Popie, | Thank you so very much for St James's, Theatre of Distinction. I think I am enjoying it even more than I usually enjoy your individual-theatre books, because the St James's meant so much to me. It was the first London theatre I ever went to - long before I could read or went to a school.

A total of 8pp of closely-typed text. In good condition. Also present are an additional four-page copy on pink paper of the first letter and its enclosure. First letter signed 'Kevin Bailey', two others signed 'Kevin B.' aq2 One letter lacks its last page and signature.