KING

See his entry in the Oxford DNB. The letter is 1p, 16mo. In good condition, lightly aged, with slight discoloration to margin at head and light rust spot. Reads: ‘Dear Mr. Haynes King, / It was extremely kind of you to write & congratulate me on my election as R.A. & I appreciate the attention very much.

A very nice print in grey tones. Landscape: 7.5 x 13 cm. With the words ‘POST CARD’ printed on the reverse. Image in very good condition; traces of black paper mount adhering to the reverse. A head and shoulders shot of the future king, taken from the left, with right shoulder slightly forwards, face turned to the right and eyes staring vacantly ahead over the viewer’s right shoulder. Clean-shaven with parting on left; arms folded across chest, smartly attired in double-breasted check lounge suit with white shirt and ‘oriental-knot’ tie.

See his entry in the Oxford DNB. 1p, 4to. In good condition, lightly aged. Folded twice for postage. Addressed to 'The Provost of Oriel' and with sprawling signature 'Yours vy trly / Cosmo Cantuar:'. Reads: 'Dear Provost, / I have received your letter of November 20th about Mr. Randall Cooper. I am sorry to say that your letter came too late for the appointment of the first batch of Assistant Cataloguers. They have now been appointed but I am informed that there may be further appointments in the Spring.

See Bloomfield’s entry, and that of Norton, in the Oxford DNB. The fragment of the letter bearing his signature is 5 cm x 4.5 cm. It is dated at one corner ‘1845’, and reads ‘R. Bgham / Bloomfield’. It is laid down on one side of a 4to leaf extracted from an album and paginated 58.

From the autograph album of the novelist George Meredith's daughter Marie Eveleen (Mariette; 1871-1933), later the wife of Henry Parkman Sturgis (1847-1929), American-born banker and Liberal politician. Queen Victoria lent Claremont House to the Count of Paris’s father Louis-Phillipe, after his abdication and flight from France. On one side of an 11 x 7.5 cm piece of grey paper. In good condition, lightly aged. Written in a neat hand, it reads: ‘With the compliments of the Count de Paris and his thanks for the books send [sic] by Mr. Meredith. / Claremont 31/5/63’.

See her entry in the Oxford DNB. 3pp, 12mo. 31 lines of text. In fair condition, lightly aged. Folded twice for postage. Signed ?Mary Adelaide?. She has seen Russell's ?envoy??, who had ?planned a road, which he assures me cannot be objected to, and can easily be intro-duced [sic] into and carried out with your proposed alterations?.

See the entries on Robert and Sylvia Lynd, and Clement Shorter, in the Oxford DNB. (Shorter’s first wife, the Irish nationalist poet Dora Mary Shorter (née Sigerson), had died in 1918.) Both items are in good condition, lightly aged. Both 1p, 12mo, and each folded once for postage. ONE: SL to CS, 18 January 1922. Signed 'Sylvia Lynd'. Begins: 'My dear Clement, I hear that you have a little daughter. Many many congratulations & good wishes. It is very nice to know that you are so happy.' She turns to her own family: ‘We are all well down here & very busy. Sheila & B. J.

See his entry in the Oxford DNB, together with those of his uncles and other members of the newspaper dynasty of which he was a member. The recipient Philip Dosse was the proprietor of the London publishers Hansom Books. Beginning in 1950 with ‘Dance and Dancers’, Dosse built up a stable of seven monthly arts magazines, produced from offices in Artillery Mansions, London, the most influential of which were ‘Books and Bookmen’, ‘Plays and Players’ and ‘Films and Filming’. An elusive figure, Dosse certainly merits a full-length study.

Not only an unusually intimate letter for a member of royalty to write, but also an interesting communication from a poet to her mentor.

See image. A nice item, linking two important figures in French history. 1p, foolscap 8vo, on the recto of the first leaf of a bifolium of unwatermarked gilt-edged wove paper. Aged and lightly creased, with short closed tears and wear at the head. The ten lines of neatly written text are neatly and clearly signed ‘Louis’, and there is a wavy and almost vertical line from the king’s signature to that of ‘Chateaubriand’ at bottom right of the page.

See image. It is hard to see how this collection could be bettered, the range of signatures from sanity to madness being of particular interest. All seven examples laid down on a folio leaf extracted from an album. The leaf is in poor condition, creased and with closed tears, but the parchment and paper bearing the signatures themselves in good condition, the six parchment items having the usual discoloration, but the example on paper in excellent condition.

The daughter of the fifth Duke of Argyll, Lady Charlotte bore eleven children to her two husbands, and was forced to write novels by her first husband’s death and second husband’s profligacy. See her entry in the Oxford DNB. 4pp, 16mo. Bifolium. In good condition, lightly aged. Neatly attached by a paper hinge to part of a leaf from an album. Begins: ‘Lady Charlotte Bury presents her Compts to Sir William Hamilton, & takes the liberty of soliciting for the honor & favor of his name, as a subscriber to a work by Lady Charlotte of which the enclosed Prospectus gives every particular.

On one side of a 12mo a piece of grey-green paper; creased, worn and torn at the bottom. A fifteen-line poem in five three-line stanzas, titled ‘REST’. At end: ‘JOHN GAWSWORTH’. Proof directions in pencil to convert a full-stop at the end of the fourth stanza to a comma. While the poet's attempt at direct simplicity verges on triteness, one should recall that he served manfully in the RAF: ‘Beneath the oaks the soldiers lie / Staring at the open sky / Drowsily, lazily. / Like England is this plot of green / But in the mountains all unseen / The guns’ complaint affects the scene.

A nice piece of London ephemera, the subject being Rotten Row, which runs along the south side of Hyde Park. 2pp, 4to. On wove paper with watermark ‘J WILMOT / 1823’. Forty-one lines of text. Having been torn in two vertically (presumably by the irate recipient) the item has been repaired in an unusual way: with the two pieces sewn back together from top to bottom. Otherwise in fair condition, lightly aged and creased, with slight loss to one edge from breaking of seal or wafer. Folded for postage.

From the Macqueen-Pope papers. (See his entry in the Oxford DNB.) 1p, foolscap 8vo. In fair condition, lightly aged and creased. Begins: ‘Dear Mac, Im going great and I dont use THE MIKE. I enclose Bill of Last Week / I first Worked 60 Years ago. Mac I want to get. to Broadcast. THIS. IS. Your. LIFE / I Started when I was 9 Year Old. Im now 82. Can anyone beat my Record.’ He gives details of booking at the ‘Metropoliton [sic] Music Hall Edgware Rd. I was first there. 1901. NOVEMBER 4 Weeks / Of cours [sic] I was There many Times. Mac you ought to try and get me on Television. or. Radio.

Craig, Theatre historian, wood engraver, etc. four pages, 8vo, (250 copies, numbered in pencil)with a poem by John Gawsworth and a device including Block's name on the front cover by Edward Carrick (pseud. for Edward Anthony Craig). Three copies, EACH,

See his entry in the Oxford DNB. On one side of 19 x 5.5 cm piece of laid paper. In good condition, lightly ruckled and with traces of mount on reverse. Clearly cut from a letter for an autograph hunter. Reads: ‘Captain Wynguard who has [...] is fit to succeed to that situation. / I am, Dear Mr Harrison, / Yours most sincerely / Frederick / Colonel 2d. L. Gds.’ The ‘2’ of ‘2d.’ looks like a ‘1’, but the signature is certainly his.

See his entry in the Oxford DNB. 1p, 4to. On aged and worn paper; folded four times. Signed ‘Clement Shorter’. The letter is headed with Sayers’ Totnes address. He begins by explaining that the Sphere’s ‘Children’s Supplement’ has been abandoned due to ‘the high cost of paper’. Turning to Sayers’ other letter, he thanks him for offering to lend him a copy of Baring Gould’s ‘Strange Survivals’, but that he will obtain his own copy. He ends by thanking him for ‘the various information’.

The recipient is not named (the salutation is to ‘Mylord’), but William ends with compliments to ‘Lady Auckland’, and the letter also contains a reference to Eden Park. 1p, landscape 12mo. In fair condition, on aged paper, laid down on part of leaf cut from album. Signed ‘G. F. Pr Hed.d’Orange’. The mount is captioned, in a contemporary hand, ‘George [sic] Prince of Orange (Holland) date 1798’.

On 22 x 14 cm piece of laid paper, cut from the foot of a document. In fair condition, lightly aged and creased, with tiny closed tear to one edge. Folded three times. At head, in the kings hand: ‘[...] terrattelse lander. Stockholms Slott den 6 Maj 1847. / Oscar’. Directly beneath the firm, clear signature, is the embossed circular seal, under paper, 6 cm in diameter, with motto ‘OSCAR SVER NOR GOTH OCH W KONUNG / RATT OCH SANNING’.

The first item is fairly witty, while the second exhibits the sort of ‘excruciating puns’ for which Jekyll is, according to his entry in the Oxford DNB, largely remembered. See also Agar-Ellis’s entry in the same work. The two items are in good condition, lightly aged. ONE: Letter of ‘Sunday Morning’ to ‘Dear Ellis’. 2pp, 12mo. Signed ‘Joseph Jekyll’. Folded twice. Minuted by recipient at head of first page: ‘May 1825 / Jekyll’.

1p, 4to. Salutation and valediction in the princess’s autograph. Stylized signature with Roman lettering. Addressed to ‘The Viscountess Monckton of Brenchley’ at her estate in Maidstone, Kent. They are all ‘delighted’ with the ‘Comfrey roots’ which she sent as promised, and ‘look forward to seeing the results on the horses’. ‘My niece, Her Royal Highness Princess Alia was also pleased to receive her share for the Royal Stables’. The letter ends with the usual courtesies. See image.

See the two men’s entries in the Oxford DNB. 1p, 12mo. In good condition, lightly aged. Folded twice. ‘Many many thanks, my dear Ellis, for the kind present of your book, which, as soon as I am released from a torment of which you have had some experience, - correcting the press, I promise myself much pleasure and instruction in perusing. /As soon as my doggerel is printed, you may rely on having a copy. My best remembrance if you please to Lady Georgiana / Ever faithfully Yours / Henry Luttrell.’ Which of Luttrell’s or Ellis’s books are referred to here is unclear.

See his entries in the Oxford DNB and History of Parliament. On 11 x 6 cm slip of paper, laid down on thicker paper cut from album. In good condition, lightly aged. Reads: ‘9th Dececmr. 1715 / Receit in full / Edw Northey’. See image.

20 x 25 cm colour print. Suitable for framing. In good condition, with a few light dinks. Head and shoulders shot of Ford in jacket and tie, standing in front of an American flag, arms folded and with his trademark toothy smile. Large signature ‘Gerald R. Ford’ on a white stripe of the flag, downwards and slightly over Ford’s right shoulder. It was Lyndon Johnson who said of the subject of this photograph: ‘Jerry Ford is so dumb he can’t fart and chew gum at the same time’ (the word ‘fart’ being altered by the press to ‘walk’). See image.

See her entry in the Oxford DNB, which states that ‘During his periods of ‘madness’, George III imagined that he was married to Lady Pembroke. Apparently, 'his infatuation went back to the days when he was only seventeen and she, of the same age, was Elizabeth Spencer'. The king went so far as to make 'her handsome offers if she would be his mistress.’ [...] In 1804 the king suffered another attack of dementia and again announced his desire for Lady Pembroke. This situation aroused some amusement among younger courtiers since she was by this time almost seventy years old.” 1p, 12mo.

See his entry in the Oxford DNB. From 1821 to the end of his life Barnard served as a courtier, notably as Equerry to King George IV, and it would appear that the present item is written in response to an enquiry made to the recipient of the letter regarding paintings in the royal collection. He writes from Camford House, where Queen Adelaide, widow of William IV, had taken up residence. 4pp, 12mo. On bifolium with thin mourning border. In fair condition, on aged paper. Folded twice.

1p, 4to. In fair condition, lightly aged. Folded twice. The typed text of the letter is in French, but the following autograph text is in English: the address (‘Dear Lord Monckton,’), the valediction (‘With the hope of seeing you here soon! | Liliane de Belgique’), and the dating (‘21st. of February 1988’). She has been deeply touched by the ‘émouvant hommage’ which, thanks to Monckton, Eton has just rendered to the memory of the king. Monckton is aware ‘combien celui-ci était resté attaché à son ancien collège, auquel le liaient tant de souvenirs, et dont l’empreinte a marqué toute sa vie’.

Written while his brother Maximilian II was on the throne. (Following Maximilian’s death in 1864 Bavaria would be ruled by the celebrated ‘mad king’, Adalbert’s nephew Ludwig II.) The recipient is Lady Ann Cullum (1807-1875), widow of Rev. Sir Thomas Gery Cullum (1777-1855), 8th Baronet, of Hardwick House, Bury St Edmunds, who is referred to as ‘botanist and antiquary’ in his eponymous father’s entry in the Oxford DNB. 2pp, 4to. Thirty-six lines, neatly and closely written. On first leaf of bifolium. In good condition, lightly aged and creased. Folded twice.

Three pages, 12mo, bifolium, remnants of the paper it was laid down on on page 4. He looks forward to seeing his correspondent and his dogs at Fetcham [home of the Surrey Union Hunt kennels]. He'd like to know where nous elevons mettre le meet [word underlined]. He talks about the pack of 12 dogs peniblement reunis apres l'ouverture de la saison. He elaborates. See image for the remaining text.