MUSIC

[Dudley Moore, comedian and jazz musician, interviewed by Les Tomkins for 'Crescendo'.] Typescript of 'The Serious Side of Dudley Moore', with second part ('More Music and Moore'), gig review, and carbon of Tomkins letter to editor Victor Graham.

Author: 
Dudley Moore, comedian and musician, half of the 'Pete and Dud' duo with Peter Cook; Les Tomkins, Features Editor of the jazz music magazine 'Crescendo'
Publication details: 
The interview appeared in the July and August 1966 numbers of 'Crescendo' magazine [London].
£50.00

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud” – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging. ONE: Carbon typescript of first part of interview, with title (replaced on publication): 'The Serious Side of Dudley Moore | A Les Tomkins Interview'.

[ W. Macqueen-Pope, theatre historian; Marie Lloyd ] Typescript of Marie Lloyd - as I knew her

Author: 
W. Macqueen-Pope, theatre historian [Marie Lloyd]
Publication details: 
BBC, Broadcast 1951; Printed Version in London Calling, Issues, 615-640, p.48.
£100.00

Typescript (carbon), Seven pages, 4to, good condition. the text as Macqueen-Pope typed it had a good crop of typos (for example, we justvcllaed for we just called), some elision, but just two annotations (the correction of the spelling of weasels, and change of a pub name from the Kings Head to the Cromwell Arms). A comprehensive and enthusiastic biography. With two Typed Letters Signed Kay Fuller, Talks Producer, General Overseas Service, (29 March 1951) acknowledging receipt of he script which I greatly look forward to reading She has given up the idea of inserting a song into your talk.

[Arthur Henry Fox Strangeways, English musicologist.] Two Autograph Letters Signed (both 'A. H. Fox Strangeways') to an unnamed recipient, declining to print an article in 'Music and Letters', and providing information about the composer Rauzzini.

Author: 
A. H. Fox Strangeways [Arthur Henry Fox Strangeways] (1859-1948), English musicologist, music critic of the 'Observer' and founder of the magazine 'Music and Letters'
Publication details: 
Both on letterheads of 'Music and Letters', 38 Lansdowne Cresent, W11 [London]. 13 January and 3 February 1934.
£56.00

Both items in good condition, on lightly-aged paper. ONE (13 January 1934): 1p., landscape 12mo. The 'proposed article sounds the sort of thing', but Strangeways cannot accept it until he sees it. TWO (3 February 1934): 2pp., landscape 12mo. He thanks him for sending the article, regarding which he writes: 'if the musicians mentioned in it had been more important or there had been more about them, it wd. have been worth printing; but as it is I am afraid it is not of sufficient interest.' The writer's reference to 'Ranzini' is, Strangeways points out, 'almost certainly' a mistake for 'V.

[ Scott & Whaley; music hall duo ] Photograph inscribed Yours sincerely | [Signed?] Scott & Whaley in Cuthbert's hand, and signed individually over their images, Pussyfoot and Cuthbert.

Author: 
Pussyfoot and Cuthbert (Scott & Whaley), African-American music hall and radio comedians.
Pussyfoot
Publication details: 
No place or date.
£45.00
Pussyfoot

14 x 13.5cm, laid down on slightly larger leaf extracted from an Autograph Album, very good condition. Pussyfoot is at the piano, blacked up (with thick whitened lips!).See image/

[ Roger Quilter; composer ] Autograph Letter Signed Roger Quilter to Mrs Havell regretting not to be able to make it to a play.

Author: 
Roger Quilter [ Roger Cuthbert Quilter (1877–1953), composer ]
Publication details: 
[Headed] 7 Montagu Street, W1, 5 Sept. 1932.
£35.00

Two pages, 12mo, a generous hand, good condition. He thanks her for sending tickets for a play (the play) but is sorry that he can't make it because of commitments elswhere. He hopes it is a great success and has sent the circular to his sister-in-law who has just gone to Scotland.

[ Nat Travers; Cockney Singing Comedian ] Autograph Note Signed Nat Travers to theatre historian, W.J. MacQueen-Pope (Popie).. WITH: [Printed] Community Singing Choruses headed NAT TRAVERS, (The King of Coster Comedians, etc.).

Author: 
Nat Travers, The Pearly King Cockney Singing Comedian.
Publication details: 
Printed heading (self-advertisement - see below) Guest turn: Trocadero: 2-2-5[1?].
£250.00

NOTE: One page, sm. folio, fold marks, eccentric spelling, omissions, and grammar included: Dear Popie I heard you a few Times on Wirless Real good. I Wrote to you years ago. I enclose your letter I enclose I knew if They gave you a chance they will Want you : fo good.

[Ivor Novello, composer, playwright and actor.] Autograph Signature on front cover of the 'Magazine Programme' of his comedy 'I Lived With You'.

Author: 
Ivor Novello [born David Ivor Davies] (1893-1951), Welsh composer, playwright and actor [W. J. Macqueen-Pope]
Publication details: 
The Magazine Programme [London: Prince of Wales' Theatre], No. 893. 4 April 1932.
£45.00

[24]pp, 12mo. Stapled programme, in shiny covers. Strip torn away from back cover, and with staples slightly rusted, otherwise in fair condition. Large signature 'Ivor Novello' diagonally across title on front cover: 'Richard D. Rose | presents | Ivor Novello | in | I Lived With You | A comedy in three acts | by | Ivor Novello'. An illustrated 'magazine' programme, containing articles and advertisements. No copy on OCLC WorldCat. From the papers of Novello's friend and biographer, the theatre historian W. J.

[Eric Coates, composer of 'The Dam Busters March'.] Autograph Signed Inscription to May Hirst, on reverse of a 'Photograph of Original Full Score of The Three Bears.

Author: 
Eric Coates [Eric Francis Harrison Coates] (1886-1957), English composer of light music, best-known for 'The Dam Busters March'
Publication details: 
No date (but 1926 or after) or place.
£80.00

On reverse of 11.25 x 8.25 cm card carrying a black and white print of the autograph score of Coates's second 'phantasy', 'The Three Bears' (1926). In good condition, lightly aged. Reads: 'To May Hirst | with best wishes | from | Eric Coates | Photograph of | Original Full Score of | The Three Bears'.

[ Herbert Trench, Irish Poet ] Autograph Letter Signed Herbert Trench to Douglas Jerrold, author and editor., discussing the imminent performance of Apollo and his other favourite works.

Author: 
Herbert Trench [ Frederic Herbert Trench (1865 – 1923), Irish poet ]
Publication details: 
5 Mansfield PLace, Richmond, Surrey with Printed heading Board of Education Library. and its embossed stamp , 12 November 1907.
£90.00

Three pages, 12mo, bifolium, sl. grubby with remnants indicatiing it was formerly tipped in an album, mainly good. He thanks him for his letter and kind expressions. I am sure to profit by your criticism, whatever it is: & I am very glad indeed to hear you approve of the book. | The first piece 'Apollo & the Seaman' is to be done at the Queen's Hall, in the dark, to 100 instruments: & 100-200 mle voices : the words to be cast upon a sheet. It is an experimental development of the Strauss programme music idea: & will be very unusual.

[ George Thomson, friend of Burns ] Autograph Letter Signed G. Thomson to W.F. Watson, bookseller of Prince's Street, with a sportive invitation to dinner. (also invited David Scott(

Author: 
[George Thomson [(1757–1851), noted collector of the music of Scotland, music publisher, and a friend of Robert Burns.]
Publication details: 
Leith Links, 3 John's Place, Tuesday 4 Jany (docketed, adding 1848).
£180.00

Two pages, 12mo, bifolium, formerly in an album, tipped onto strip of album page, as is the addressed envelope (no postal marks), good condition. My dear Sir | If as I hope you are disengaged on Friday [underlined] next come and partake of a quiet family dinner with us at 5 o'clock, you will confer much pleasure on us, and will I trust meet honest David Scott with whom we will discuss high & important matters. As an inducement to him to do me that favour I have ventured to tell him that I hope he will meet you. | Prytheee then let us not be disappointed. Postscript, asking What of Mr Black?

[Peter Opie, folklorist, with wife Iona Opie, of children's games and nursery rhymes.] Two Typed Letters Signed to W. J. MacQueen-Pope, on the music hall, John Dunn and 'Jump Jim Crow', the Great Macdermott and 'Jeremiah, blow the fire'.

Author: 
Peter Opie (1918-1982), folklorist who, with his wife Iona Opie (1923-2017), worked on children's games and literature, donating their collection to the Bodleian [W. J. MacQueen-Pope (1888-1960)]
Publication details: 
Opie's two letters on letterhead of 'IONA OPIE | PETER OPIE', Rockbourne House, 100 High Street, Alton, Hampshire. 20 and 25 January 1951. With carbon copy of a reply from MacQueen-Pope, 23 January 1951.
£150.00

The three items (two letters from Peter Opie to MacQueen-Pope and carbon copy of his reply to the first of these) are in fair condition, on aged and lightly-creased paper, with a slight nick at the head of the first letter. Inspired by the recent publication of MP's 'The Melody Lingers On: The Story of Music Hall' (1950), Opie writes to MP via his publishers W. H. Allen & Co, and signs both letters 'Peter Opie.' MP writes to Opie at Rockbourne House. ONE: TLS from Opie to MP. 20 January 1951. 1p, 4to.

[Richard Kayne [William Sydney Kuttner], composer and author.] Signed Autograph Score of 'The Lady Theme' for the 1972 Chichester Festival production of 'The Lady's not for Burning', framed for Christopher Fry.

Author: 
'Richard Kayne', pseudonym of William Sydney Kuttner (b.1928), Scottish composer, novelist and journalist, resident composer at the Chichester Festival Theatre
Publication details: 
Inscribed by Kayne: 'The Lady's Not For Burning. | Chichester, 1972.'
£180.00

Evidently written out as a gift for Christopher Fry, from whose papersit derives. A 10.5 x 24 cm piece of printed manuscript paper, on grey mount in glazed black wooden 17.5 x 31 cm frame. In good condition. Signed at top right 'Richard Kayne.' Towards top left: 'The Lady's Not For Burning. | Chichester, 1972.' Within the uppermost of three lines of staves Kayne has written and underlined 'THE LADY THEME'. The central stave contains the opening bars, for alto flute.

[Sir Robert Mayer, musical patron, writing in his hundredth year.] Autograph Letter Signed ('R M.') to 'Russell', boasting of being 'young & venturesome', describing plans for an American lecture tour, asking if he could use Lady Drogheda as pianist.

Author: 
Sir Robert Mayer (1879-1985), German-born British musical patron and philanthropist
Publication details: 
10 September 1979. On letterhead of 2 Mansfield Street, London W1.
£60.00

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

[Sir Robert Mayer, musical patron, writing in his hundredth year.] Autograph Letter Signed ('R M.') to 'Russell', boasting of being 'young & venturesome', describing plans for an American lecture tour, asking if he could use Lady Drogheda as pianist.

Author: 
Sir Robert Mayer (1879-1985), German-born British musical patron and philanthropist
Publication details: 
10 September 1979. On letterhead of 2 Mansfield Street, London W1.
£60.00

2pp, 8vo. In fair condition, lightly aged and worn. Folded twice. The content is remarkably sprightly and the handwriting firm. The letter begins: 'My dear Russell, | Telephone: no good. So I guess that you are holiday-making. | Lord Drogheda is my close friend & collaborator. His wife Joan is a pianist[.] I have heard her only when she gave her services. But she appears to practice daily, like a professional trooper.' He has advised her to 'play chamber music.

[Sir Alexander Campbell Mackenzie, Scottish composer, Principal of the Royal Academy of Music.] Autograph Text of notes for speech given by him on the retirement of Mrs Florence Russell; and inscribed programme of a 'Social Evening' on his own.

Author: 
Sir Alexander Campbell Mackenzie (1847-1935), Scottish composer, for 36 years Principal of the Royal Academy of Music, London
Publication details: 
[Royal Academy of Music, London.] Speech circa 1924. Programme for 'Social Evening' on 26 March 1924.
£180.00

See Mackenzie's appreciative entry in the Oxford DNB, which points out that in his day he was 'regarded as the finest ever Scottish musician'. The recipient Mrs Florence Russell worked for Mackenzie as an administrator at the Royal Academy of Music, to which he acted as principal between 1887 and his retirement in 1924, and of which she was herself a former student.

[Sir Alexander Campbell Mackenzie, Scottish composer, Principal of the Royal Academy of Music.] Nine Autograph Letters Signed, with another from his daughter Maimie Mitzakis, to Mrs Florence Russell, filled with personal and professional information.

Author: 
Sir Alexander Campbell Mackenzie (1847-1935), Scottish composer, for 36 years Principal of the Royal Academy of Music, London
Publication details: 
Between 1914 and 1925. Most from his London address, 15 Regent's Park Road, N.W.; some on letterheads of the Royal Academy of Music. One from Fern Nook, Ilkley, Yorkshire.
£450.00

See Mackenzie's appreciative entry in the Oxford DNB, which points out that in his day he was 'regarded as the finest ever Scottish musician'. The recipient Mrs Florence Russell worked for Mackenzie as an administrator at the Royal Academy of Music, to which he acted as principal between 1887 and his retirement in 1924, and of which she was herself a former student.

[Sir John Stainer, composer and organist at St Paul's Cathedral, Professor of Music at Oxford.] Autograph Letter Signed ('J. Stainer') to Sir W. J. Colville, giving his conclusions on examining a volume of 'Canadian songs' which Colville lent him.

Author: 
Sir John Stainer (1840-1901), composer and organist at St Paul's Cathedral, Professor of Music at Oxford [Col. William James Colville (1827-1903), Comptroller of the Duke of Edinburgh's Household]
Publication details: 
12 April 1892; on letterhead of South Parks Road, Oxford.
£120.00

4pp, 12mo. Bifolium. In fair condition, lightly aged and worn. He begins by thanking him for sending him 'the Canadian songs to look at', which he finds 'most interesting'. He adds: 'I can see that you have been through them very carefully, but did you happen to find our old friend "For he's a jolly good fellow" on p.252? a tune called Malbrough. [sic]' He writes out the opening seven bars of the song, with words 'Malbrough s'en va-t-en guerre &c'.

[Maud Stewart-Baxter, English composer and actress.] Autograph Letter Signed [to fellow member of the Women's Institute], offering to 'take charge of a side-show' after her 'blood-poisoning followed by a bad nervous break down'.

Author: 
Maud Stewart-Baxter (fl.1930), English composer and actress
Publication details: 
10 August 1921. On letterhead of 6 Eastern Terrace, Brighton.
£45.00

4pp, 12mo. Bifolium. In fair condition, lightly aged, with pin hole to one corner. Folded once. The recipient is not named, but would appear to be a fellow member of the Women's Institute. She apologises for having been 'unable to attend the former meetings, as I am just convalescent from blood-poisoning followed by a bad nervous break down'. She will 'certainly come on Friday at 3-30.

[Sir Edward German, composer.] Autograph Signature ('Edward German :') to secretarial letter to Mrs Russell, apologising for not writing 'personally'.

Author: 
Sir Edward German (1862-1936), composer of incidental music and comic opera, best remembered for 'Merrie England'
Publication details: 
5 January 1928. On letterhead of 5 Biddulph Road, Elgin Avenue, W.9.
£25.00

1p, 12mo. In good condition, lightly aged. Folded once. Only the salutation ('Dear Mrs. Russell,') and the valediction ('Yours very sincerely | Edward German :' are in German's hand; the rest is by a secretary. He writes that he would 'have liked to write you [sic] personally, but it is a little more than I can manage at present'. Nevertheless he assures her that he is 'most grateful' for her 'very kind message'.

['Pam Chelsea', 1920s London entertainer.] Autograph Magazine Article, signed ('(MR) Pam Chelsea'), titled '"On Tour" | A Magic Phrase - & what It means to The Small Theatrical Artiste' (on those working in small revues, concert parties, road shows).

Author: 
'Pam Chelsea', 1920s 'Small Theatrical Artiste' from London [revues, concert parties, road shows, music hall, variety]
Publication details: 
No date, but 1920s. Author: '(MR) Pam Chelsea | 9 Redburn Street | Chelsea SW3' [London].
£180.00

No information regarding 'Pam Chelsea' (female impersonator?) has been discovered, but the appearance of the document, and its presence in a batch of material relating to 1920s entertainment and broadcasting, date it to that period. 5pp, folio. 'No. of words. 1,063.' Written in a bold hand. In fair condition, on lightly aged and worn paper. The article was clearly accepted for publication, as '£1 11. 6 paid' is written at the top of the first page, and '5 line drop cap' at the start of the article.

[ Busch Quartet; Adolf Busch ] Autograph Signatures of the Busch Quartet, Adolf Busch, Gösta Andreasson, Karl Doktor, Hermann Busch

Author: 
Busch Quartet [Adolf Georg Wilhelm Busch (1891–1952), German-Swiss violinist, conductor, and composer].
Busch
Publication details: 
Dated 4 March 1936.
£100.00
Busch

Green card,12.5 x 8.5cm, edge faded, signatures bold, card formerly tipped into album (edges of reverses show wear).

[Ignaz Moscheles, Bohemian composer and piano virtuoso.] Three bars of an Autograph Musical Score, from piece 'Etude', signed 'I. Moscheles' and dated.

Author: 
Ignaz Moscheles [Isaac Ignaz Moscheles], Bohemian composer and piano virtuoso of Jewish extraction, friend of Felix Mendelssohn, who found fame in London and Leipzig
Publication details: 
'London 23d. June 1868.'
£120.00

From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and evidently written out by Moscheles in response to a request for an autograph. On 10 x 15.5 cm piece of pink paper. In good condition, lightly aged, laid down on piece of paper cut from an album. Entirely in Moscheles' extremely neat hand. Headed 'Etude', with the direction 'Andante espressivo'. At bottom right beneath the line of music is the elegant signature, underlined with a flourish: 'I. Moscheles'. At bottom left is the date: 'London 23d. June 1868.'

[Ignaz Moscheles, Bohemian composer and piano virtuoso.] Seven bars of an Autograph Musical Score, from piece 'Affection | from Domestic Life Op 140. No. 2', signed 'I. Moscheles' and dated.

Author: 
Ignaz Moscheles [Isaac Ignaz Moscheles], Bohemian composer and piano virtuoso of Jewish extraction, friend of Felix Mendelssohn, who found fame in London and Leipzig
Publication details: 
'London 23d. June 1868'.
£120.00

From the celebrated autograph collection of Richard Monckton Milnes (Lord Houghton), and evidently written out by Moscheles in response to a request for an autograph. On 10 x 15.5 cm piece of paper. In good condition, lightly aged. Entirely in Moscheles' extremely neat hand. Headed 'Affection | from Domestic Life Op 140. No. 2', with the direction 'Andantino espressivo'. At bottom right beneath the line of music is the elegant signature, underlined with a flourish: 'I. Moscheles'. At bottom left is the date: 'London 23d. June 1868.'

[Duke Ellington interviewed in 1964.] Typescript of Les Tomkins 'Crescendo' interview 'That's where the tailoring comes in', with 'The Duke presents a bouquet to our audiences' and 'Duke Ellington's [unpublished] comments on Crescendo'.

Author: 
Duke Ellington [Edward Kennedy Ellington] (1899-1974), jazz musician, composer, band leader and pianist; Les Tomkins, Features Editor of the jazz music magazine 'Crescendo'
Publication details: 
The interview appeared in the April 1964 number of 'Crescendo' magazine [London].
£500.00

The interview – retitled 'Duke looks back – and forward | in an interview with Les Tompkins' – features on pp.6-7 of the April 1964 number of 'Crescendo'. (Sammy Davis Jr features on the cover, with the announcement 'NOT A WORD ABOUT THE BEATLES!') Three items, the typescript of the interview and two accompanying pieces (one not used). All three in good condition, lightly aged. ONE: Carbon typescript, titled 'That's where the tailoring comes in | Duke Ellington talks to Les Tomkins'. 6pp, 4to. On six leaves, stapled together at a corner.

[Dudley Moore, comedian and jazz musician, interviewed by Les Tomkins for 'Crescendo'.] Typescript of 'The Serious Side of Dudley Moore', with second part ('More Music and Moore'), gig review, and carbon of Tomkins letter to editor Victor Graham.

Author: 
Dudley Moore, comedian and musician, half of the 'Pete and Dud' duo with Peter Cook; Les Tomkins, Features Editor of the jazz music magazine 'Crescendo'
Publication details: 
The interview appeared in the July and August 1966 numbers of 'Crescendo' magazine [London].
£50.00

The interview was published in two numbers of 'Crescendo' ('The world's most authoritative music magazine', founded 1962). The first part, retitled 'Music & Moore | Les Tomkins interviews “The Genuine Dud”' – was the leading article (pp.18-19) of the July 1966 number of ), with Moore featuring on the cover. The second part was published in the following number, August 1966, pp.18-19 and 25. Four items, all in good condition, with light aging.

[Jules Massenet, French composer.] Autograph Letter Signed ('M. Massenet') [to husband of Swedish soprano Sigrid Arnoldson-Fischhof?], written on a trip with his wife, regarding a portrait of 'votre “merveille” de femme', and 'notre grand ami Hengel'

Author: 
Jules Massenet [Jules Émile Frédéric Massenet] (1842-1912), French composer [Sigrid Arnoldson-Fischhof (1861-1943), Swedish soprano]
Publication details: 
8 February [no year]. No place.
£200.00

3pp, 12mo. Bifolium. On aged paper, with punch hole through both leaves at head, small closed cut along bottom edge of first leaf, and with paper and part of another letter (from an album) glued onto the reverse of the second leaf. Folded once. The signature 'M. Massenet' is explained in Massenet's obituary in the Musical Times, 1 September 1912, which speaks of 'the composer's known antipathy to the name Jules […] He preferred to be called “M. Massenet” simply'. The recipient of this enthusiastic letter is not named.

[Jenny Lind, the 'Swedish Nightingale', opera singer.] Autograph Letter in third person, as 'Mme. Goldschmidt', thanking Lady Cullum for flowers 'which certainly do “enliven” her drawing room at the Hotel'.

Author: 
Jenny Lind [Johanna Maria Lind], 'the Swedish Nightingale] (1820-1887), opera singer, wife of Otto Goldschmidt [Lady Ann Cullum (1807-1875), wife of Sir Thomas Gery Cullum (1777-1855) of Hardwick]
Publication details: 
'Bury St. Edmunds. | Royal Hotel. | Thusday. April 6th. [no year]'.
£200.00

3pp, 12mo. Bifolium. In good condition, lightly aged, with thin strip of paper from mount adhering to blank reverse of second leaf, one corner of which has been slightly damaged by the opening of the wafer. Folded twice. The letter begins: 'Mme. Goldschmidt presents her best Compliments to Lady Cullum and begs to express her sincere thanks for the most beautiful flowers she received this morning from Lady Cullum and which certainly do “enliven” her drawing room at the Hotel'.

[Filippo Marchetti, composer, and Pasquale Villari, historian.] Marchetti's Autograph Signature ('F Marchetti') with a few bars in autograph from the prelude of 'Ruy Blas'. On same leaf as an Autograph quotation, signed 'Pasquale Villari'.

Author: 
Filippo Marchetti (1831-1902), Italian composer of the opera 'Ruy Blas'; Pasquale Villari (1827-1917), Italian historian, politician and Dante scholar
Publication details: 
Marchetti's autograph on letterhead of the R. Accademia di S. Cecilia ('Liceo Musicale'). Rome, 14 September 1892. Villari's autograph on reverse of leaf, dated from Florence, 2 November 1892.
£350.00

1p, 12mo. Leaf of lightly-browned and creased aged paper, with closed tears to one edge. The two men are clearly writing in response to requests for autographs. Marchetti has written out four bars – slightly affected at end by closed tear – from what he states is 'Ruy Blas Preludio'. Beneath this he signs, in a firm attractive hand, 'F Marchetti'. At the head he dates: 'Roma 14 9bre 92'.

Clara Novello [Clara Anastasia Novello; Countess Clara Anastasia Gigliucci], celebrated soprano.] Autograph Letter Signed ('Clara Novello'), giving details of her plans for a concert in Belfast.

Author: 
Clara Novello [Clara Anastasia Novello; Countess Clara Anastasia Gigliucci] (1818-1908), celebrated soprano, daughter of music publisher Vincent Novello [Henry Bussell, Philharmonic Society, Dublin]
Publication details: 
'26 April 1854. Porchester Lodge, 8A Porchester Terrace, Hyde Park [London].
£220.00

4pp, 16mo. Bifolium. In good condition, lightly aged. Folded once. With embossed armorial letterhead. Good firm signature: 'Clara Novello.' An interesting letter, casting light on the practical arrangement of musical concerts in Victorian Britain and Ireland. The recipient is not named, and the letter begins: 'Dear Sir, | I have not heard from Mr. Bussell of your Concert, but on receipt of your favor of the 15th. consider myself engaged to Belfast for the 1st.

[Benno Moiseiwitsch, virtuoso Ukrainian/Russian concert pianist.] Autograph Signature on inscription to an autograph hunter. With signatures on reverse of pianist Irene Kohler and composer Charles Hambourg.

Author: 
Benno Moiseiwitsch (1890-1963), concert pianist born in Odessa (Ukraine) in the Russian Empire, and who settled in England [Irene Kohler; Charles Hambourg]
Publication details: 
The three signatures from 1946. No place.
£65.00

On 7 x 10.5 piece of orange paper, removed from an autograph album. In good condition, lightly aged and worn. Expansive signature, with surname underlined and dots to i's like dashes. Reads: 'Good luck to you! | Benno Moiseiwitsch | Decr. 1946'. Autographs on reverse, dated to 21 July 1946, of composer 'Charles Hambourg' and pianist 'Irene Kohler' (1909-1996).

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