VIENNA

See his entry in Encyclopaedia Britannica. The programme is 12mo, and consists of eight printed pages, stapled into covers printed in black on shiny paper, with a lion rampant on the front printed in red. The sprawling signature 'Bruno Walter' is written diagonally in the top-left quarter of the front cover. In good condition, lightly aged, but with the back cover damaged by removal from mount. Central vertical fold.

In fair condition, lightly aged and creased, laid down on part of page from album. Folded for postage. Neatly written. Reads: ‘6 Oct 1867 / Mr Pauer begs to inform Mrs Paget that the Austrian Piano maker will attend to her Piano tomorrow or Wednesday / In haste.’

See Richard Wollheim’s appreciative entry on Ayer in the Oxford DNB. From the archives of Philip Dosse, proprietor of Hansom Books, publisher of the ‘Seven Arts’ group of magazines, including ‘Books and Bookmen’ and ‘Plays and Players’. See ‘Death of a Bookman’ by the novelist Sally Emerson (editor of ‘Books and Bookmen’ at the time of Dosse’s suicide), in Standpoint magazine, October 2018. The three items are each 1p, small 4to. All three in good condition, each folded twice. All three signed ‘A. J. Ayer’, with typed name beneath, ‘Sir Alfred Ayer’.

Grafe’s putative intelligence work during the war is referenced in Helen Fry’s ‘The Walls Have Ears | The Greatest Intelligence Operation of World War II’ (2019). He worked as translator and editor from as early as 1950 (for Phaidon) and 1986 (for Thames and Hudson). Nigel Spivey, in his ‘Phaidon 1923-98’ (1999), describes how, during the ‘Harvey Miller period’ at the firm, ‘Steady editorial continuity within the workforce at Cromwell Place was provided by an ex-Viennese scholar called Innocenz Grafe (who for a perhaps obvious reason preferred to be known as simply ‘Dr G.’ ’.

1p, 4to. In good condition, lightly aged. Written in a clear and attractive hand. The recipient is not named. Begins: 'My dear & ever-honoured Friend! | Some business of great importance kept me nine days absent from this Capital. At my return I found your most obliging Letter of the 7th. instant, & was exceedingly delighted with your Kindness. You are indeed a matchless Nobleman.' He asks if the recipient is acquainted with Prince Charles of [Cunandia?], adding: 'I swear you knew the strangest varlet that ever was. It is pity.

2pp., 12mo. On bifolium. In good condition, lightly aged. Reads: 'Lord Londonderry presents his compliments to Mr Watson and begs to forward to him a letter and book which he has been requested by Monsieur de Martens to present to His Majesty'. Londonderry was considered a repressive figure by the radicals. In a poem Byron called on travellers to piss on his grave, and in 'The Masque of Anarchy' Shelley wrote: 'I met murder on the way, | He had a mask like Castlereagh.' Within months of the present communication Londonderry would commit suicide.

The three items in fair condition, on aged and worn paper. ONE: TLS by 'Douglas Woodruff'. 1p., 4to. The letter begins testily: 'Dear Sir, | I was rather puzzled to receive your letter in the form of a carbon copy. As you may imagine, we are not fond of letters that are circulated. I have now read it in Truth, although presumably the opening paragraph refers to the Tablet.

1p., 12mo. In fair condition, on lightly-aged paper. The receipt reads: 'Pour l'exposition de M. Gambart: | un tableau par T. Schmitson de Vienne representant des chevaux sortant de l'abreuvoir | prix (nette) frcs. 1500. - | Londre, le 30: Juin 862 | Charles Sedelmeyer | m[archan]d. de tableaux de Vienne'. Sedelmeyer has written some calculations in the bottom right-hand corner, and at the foot: 'Received back the above | Sedelmeyer'.

Letter: 1p., 4to. Good, on blue paper. Addressed to 'Dear Gerry', it reads: 'Please accept the enclosed book. I hope you & your family are well & flourishing. We have to soldier on - with some hope in our hearts - despite the molestations of a dark age. | The best there is | [signed] Hugo'. Book: 34 + [i] pp., 8vo. Very good copy; in fair dustwrapper, with slight spotting at head. Limited to 550 copies. Inscribed on half-title 'To Gerald & Anne Long | wishing them peace & all good things | [signed] Hugo Manning | 1976'.

The four prints are in good condition, on aged paper. Each of the four engravings is on india paper, laid down on a piece of good thick laid paper of dimensions 19.5 x 28 cm. Printed beneath each image is 'Photogravure R.

On rectangle of pink paper, removed from autograph album. In good condition. Reads 'Wolfi Schneiderhan | 1930.'

12mo, 1 p. Good, on lightly-aged and ruckled paper. He explains that the 'remaining dates of the 4tett Class had to be alterered', given the alternatives. 'I hope you will not be inconvenienced by that change and that you kindly will assent to it.' He gives the date of her next lesson, to which he looks forward.

Director of the Topographical Department at the War Office (1836-1905)(see DNB). Two pages, 8vo, fold marks but good condition. "I send you today the remainder of the plans you left with me; and a translation of the letter press on those of the environs of Vienna. The plans of the defences of Vienna during the war of /66 are very interesting and I should be glad to have them for the Topo: if you will present them to the Dept: after you have finished with them.

The sepia photograph, 11 x 4 cm, is a full-length shot of a radiant Jeritza, posing stylishly in Grecian décolleté dress and sandals. It is neatly mounted in the top left-hand corner of a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a large, bold hand Jeritza has written, diagonally across the paper and upwards towards the photograph, 'With best wishes | [signed] Maria Jeritza | 1923.'

The sepia photograph, 10 x 7 cm, is a head and shoulders shot of Aslan staring at the viewer in the character of Hamlet holding Yorick's skull. It is neatly mounted on a leaf of cream paper (24 x 20 cm) removed from an album. The whole attractive and in good condition. In a firm, bold hand Aslan has written, across the page beneath the photograph: '"Zu was für schnöden Bestimmungen | wir doch kommen, Horatio"! - | (Hamlet) | Ein Erinnerung | [signed] Raoul M. Aslan: | Wien, Oktober 1923. -'

Quarto: 40 pp. In original printed wraps, decorated with various facsimiles. Facsimiles in text, and portrait of Beethoven on rear inner wrap. Good, on browned paper. Sections on painters, writers, poets, architects, sculptors, musicians. Nods towards the American market, with some entries in English and Dollar conversions. Together with Nebehay's attractive bifoliate trade card, carrying a photograph of his premises.

Dimensions roughly 14 x 9 cm. Very good. The photograph, captioned 'Anneliese Rothenberger', is a head and shoulders shot of a smiling Rothenberger. The note on the reverse, in green ink, reads 'dir, liebe Liesel, alles ! | diese | [signed] Anneliese | 1956'.

Four pages, 4to, incomplete, fold marks, some tears on folds, complete and legible, as follows: "It is perfectly true. I am indeed, my dear Wellesley, the most faithless of correspondents. And towards you too! You, who deserved so different a treatment at my hands. . . . My time has passed away for the last four months in such an odd sort of bustling, hurrying, half occupied, half dissipated way . . . Will you believe that till yesterday I had not written a syllable to Gally Knight [see DNB] for the last four months?

12 pages, octavo. Unbound. Folded once, down the centre, vertically. Good, though grubby, and with marks from paperclip. Each of the three contributes a section. PRESENTATION COPY, with slip from Samuel, on his notepaper '32, PORCHESTER TERRACE, W.2.' on which is typed 'WITH LORD SAMUEL'S COMPLIMENTS'.