EPHEMERA

The three items are in good condition, lightly aged and discoloured. Slight traces of glue from mount to the blank last page of the second item. Each with neat creases from folding. ONE: ‘St Giles’ Cathedral / Solemn Thanksgiving to Almighty God / for / Victory in Europe / WEDNESDAY, 16th MAY 1945 / This is the Lord’s doing; it is marvellous in our eyes.’ (‘ORDER OF DIVINE SERVICE’.) [4]pp, 12mo. Bifolium.

See his entry in the Oxford DNB. The ‘Old Empire Club’, presided over by Field-Marshal Lord Roberts of Kandahar, was part of Imre Kiralfy’s ‘Empire of India’ exhibition. The voucher, printed in red, is an attractive item, 13 x 7.5 cm, with perforated edge. In good condition, laid down on leaf carrying typed biographical details. Signed ‘Fredk. Sandys.’ with stamped number 732. Reads: ‘Name and Address of the Holder must be filled in / OLD WELCOME CLUB, / EARL’S COURT. / FRIDAY, 27th AUGUST, 1897. / Gentlemen’s Voucher, No. [732] / Admit ... / of ... / Signed [Fredk.

The Peace with Ireland Council was founded in November 1920 by Lord Henry Cavendish Bentinck, following a meeting at the House of Commons by a group concerned at the deteriorating situation in Ireland following the introduction of the Black and Tans, and spurred on by the treatment of former MP Annan Bryce and his wife Violet. Among those involved were the historian Basil Williams, who acted as treasurer, and the suffragette Margaret Buckmaster (daughter of Lord Buckmaster) who served as honorary secretary. From the Sylvia and Robert Lynd papers.

The Peace with Ireland Council was founded in November 1920 by Lord Henry Cavendish Bentinck, following a meeting at the House of Commons by a group concerned at the deteriorating situation in Ireland following the introduction of the Black and Tans, and spurred on by the treatment of former MP Annan Bryce and his wife Violet. Among those involved were the historian Basil Williams, who acted as treasurer, and the suffragette Margaret Buckmaster (daughter of Lord Buckmaster) who served as honorary secretary. From the Sylvia and Robert Lynd papers.

From the papers of Sylvia and Robert Lynd. A scarce piece of Pearse ephemera: no other copy traced. 1p, 12mo. On a piece of discoloured laid paper, worn, with crease to one corner. The full title of the book, which was edited by Desmond Ryan, was ‘The story of a success, being a record of St. Enda's College, September 1908 to Easter 1916’.

Although large numbers of Irishmen had willingly signed up to fight for the British cause in the First World War, by April 1918 a shortage of troops moved the British government to propose conscription in Ireland. This was violently opposed by republicans, and O’Neill convened an Irish Anti-Conscription Committee which met at the Mansion House in Dublin. Strikes and protests followed, and although a law was passed, conscription was never implemented in Ireland. These two items are now extremely scarce.

From the Sylvia and Robert Lynd papers, and presumably connected to her mother the nationalist Nannie Dryhurst (1856-1930), who like the Lynds lived in Hampstead. Scarce: no other copy traced. 4 pp, 12mo. Bifolium on thickish light-green paper. In fair condition, lightly aged, and with central horizontal fold. Cover headed by three lines in Gaelic. Reverse of cover carries a cast list. Recto of second leaf has a long synopsis, concluding: ‘The play ends with a powerful exhortation against emigration’.

Two items from the Robert and Sylvia Lynd papers. The first item is well represented in academic libraries, no copy of the second has been found. Item Two below asserts that ‘Under these Acts the Home Minister of Northern Ireland is furnished with what are practically dictatorship powers’, which are ‘now a permanent part of Northern Irish law’. (Robert Lynd’s interest in the matter was no doubt heightened by the fact that he was himself an Ulsterman.) ONE: Printed pamphlet.

From the Sylvia and Robert Lynd papers. A scarce piece of Abbey Theatre ephemera: the National Library of Ireland has a copies of the programmes for later revivals of the play in the Joseph Holloway collection (1918-1920), but does not have this one. ‘The Prodigal’ was Riddall’s only play. It ran for five performances between 30 September and 3 October, Riddall having died earlier in the year. It was revived in 1916, 1919 and 1923. 4pp, 12mo. Stapled into grey Abbey Theatre wraps. In fair condition, aged and worn, with one vertical fold.

From the papers of Sylvia and Robert Lynd. Eight copies on JISC, but now scarce. 16pp, 12mo. Stapled. In fair condition, on aged high-acidity paper. With heavily-worn remains of front cover, of brittle green paper, carrying the title and publication details. Drophead title ‘THE / GOVERNMENT OF IRELAND’ on p.1. The first part titled ‘Historical’, with subtitle ‘The Rule of a Nation by a Nation’. The second part titled ‘Four Suggested Plans’, with subsections ‘The Home Rule Act of 1914’, ‘The Government of Ireland Act of 1920’, ‘Dominion Status’ and ‘The Republic’.

Fifteen items. On heavily aged paper. All but two clear and complete, but a few items in pieces. Titles include 'Descent or Ascent? Monkey Trial in America' (and two others on the same subject), 'An Epoch Man. Darwin and his work.', 'Darwin's Centenary Celebration' (and others on the same subject), and 'Darwin. (By H. N. Brailsford.)'.

A scarce item. See Somerville's entry in the Oxford DNB, for the controversy, involving Churchill. 8pp, 8vo. With two plates of maps, the first a fold-out extending to the width of three pages. Stapled. In fair condition, on lightly worn and discoloured paper. In the customary double column. Begins, despite the date of the number, 'Wednesday, 5 May 1948 / Action between British and Italian Forces off Cape Spartivento on 27th November 1940. / The following Despatch was submitted to the Lords Commissioners of the Admiralty on the 18th December, 1940, by Vice-Admiral Sir James F.

Sepia studio portrait on 8.5 x 13.5 cm postcard, stamped on reverse 'MANNELL LONDON'. In good condition, lightly aged. She signs 'Winifred Shotter' at foot. A soft-toned head and shoulders portrait of a wistful Shotter, with Marcel wave, staring at the camera in a fashionable frock. Scan on application.

7 x 9 cm photographic print. 6 x 7 cm black and white head-and-shoulders portrait of Oliver looking intently leftwards, in a double-breasted suit and tie. Facsimile of signature ‘Vic Oliver’ at foot. In good condition, lightly aged. Scan on application.

See W. Moister, ‘A History of Wesleyan Missions in all Parts of the World’ (1871). Each item 4pp, 12mo bifolium. All three with engraved illustration on first page, which has a drophead title. The three are worn and discoloured, with loss of text in caption in Item One (see below), and the first two items with cover illustrations crudely hand-coloured. ONE: No. LXXII, June 1838. Mostly consisting of ‘An appeal to the sympathy of the Christian public, on behalf of the cannibal Fejeeans’.

A black and white publicity photograph on an 11 x 15 cm collotype print. Signed at bottom right: ‘Yours sincere / Mary Ellis / Feb. 1844’. A head and shoulders portrait of a dreamy-looking Ellis in front of netting, staring downwards to her right, with her head cradled in her right hand, which is clasped by her left. In good condition, lightly aged. Scan on application

8 x 11 cm collotype print on 9 x 14 cm postcard, with caption (‘Richard Tauber / als Schubert / im “Dreimädlhaus”’) and publication details in blank space at foot. Tauber has signed emphatically, between two lines, at the foot of the card: ‘Richard Tauber / 1931 / London’. In good condition, lightly aged, but with dink to bottom-left corner, affecting neither image nor signature. Depicts Tauber, in the character of a bespectacled Franz Schubert, seated before a dark background. Scan on application.

Anderson spent six years in England in the 1880s, acting to much acclaim at venues including the Shakespeare Memorial Theatre in Stratford-on-Avon. In 1887 she was the first actress to take on both roles of Perdita and Hermione at once in the Winter’s Tale. On 14 x 9 cm postcard, addressed (by the recipient) to ‘Norman Wetton / 7, Claremont Road, / Forest Gate, / Essex.’ Slightly grubby and worn, but in fare condition overall. On the blank side she writes: ‘Broadway / Worc / Mary Anderson de Navarro / Auto Graph only’. Scan on application

Lauder was the highest-paid entertainer in the world in 1911, and the first British artist to sell a million records (by 1928 he had sold two million). See his entry in the Oxford DNB. 14 x 9 cm plain postcard, addressed (by the recipient) to ‘Norman Wetton / 7 Claremont Road / Forrest Gate.’ On the blank reverse Lauder has written: ‘ “D’you Know this ” / Yours very truly / Harry Lauder’. A little grubby and discoloured, but in fair condition. Scan on application.

Glossy publicity portrait (‘Real Photograph’) on 8.5 x 14 cm post card with publication details on reverse. In good condition, lightly aged. Inscribed diagonally at bottom right: Best wishes / Julie Suedo.’ A black and white head-and-shoulders shot of an Mediterranean-looking Suedo, with curled hair with flower jewellery in it and toothy smile, looking joyfully to her left, with bright necklace and pearl bordered sleeveless gown.

9 x 14.5 cm glossy publicity photograph. On reverse: “A Gaumont-British Star / Raphael Tuck and Sons’ “Real Photograph” Postcard No. 66”. In fair condition, lightly aged, with a couple of indentations. Inscribed at bottom right: ‘Best Wishes / Jessie Matthews’. A black and white head-and-shoulders shot of a wide-eyed Matthews staring at the viewer over her left shoulder, with short hair, in a white feather hat and white fur coat, against a black background. Scan on application.

Sepia portrait on 10 x 15 cm photographic print, on card. In good condition, lightly aged. Good bold inscription across foot: ‘Best wishes / Joan Barry’. A soft-toned head-and-shoulders portrait of a Marcel-waved Barry, staring dreamily to the left, with pursed made-up lits, in a sleeveless white gown with pearls and bracelet, left hand to chin and right hand supporting left elbow. Scan on application.

11.5 x 16 cm image on 18 x 12.5 cm card. Signed at foot ‘Herbert Marshall.’ An urbane Marshall is seated, looking over his left shoulder while cradling his hands on his knees, in a grey pin-striped suit, in front of a plain white background. In good condition, but with a horizontal strip of the card trimmed above Marshall’s head. Scan on application.

10 x 13 cm glossy publicity photographic print, on 10.5 x 15.5 cm piece of card, with ‘PHOTO: JOHN VICKERS / COPYRIGHT’ in blank space beneath image. In good condition, lightly aged, with mounts at corners on blank reverse. Black and white head-and-shoulders portrait of McDermott in pub setting, looking sharply to his left in a double-breasted Royal Navy jacket, whiskey tumbler in hand. Scan on applicatioin

Novello’s three decades of unprecedented success began with the First World War song ‘Keep the home fires burning’. See his entry in the Oxford DNB. 8.5 x 13.5 cm publicity photograph on postcard, printed in sepia. In good condition, with tiny dink at top left. Captioned at foot ‘MR. IVOR NOVELLO’. Prim-looking with side-parting in white shirt, tie, and dark double breasted suit, the darkness of which makes the signature ‘Ivor Novello’ rather difficult to make out. Scan on application

Glossy black and white publicity photograph on 8.5 x 13 cm postcard, embossed with studio details at bottom right. ‘MISS DOROTHY WARD’ in white print at foot. Autograph inscription across foot: ‘Best wishes / Dorothy Ward / 1926’. In good condition, lightly aged. A head-and-shoulders image of Ward with right shoulder slightly forwards, looking upwards, with a laurel wreath around her head and frizzy short hair, in pearls and a white sleeveless gown. With stamp and Liverpool postmark on reverse, which is addressed to ‘F. J. Clare / 5 Delamere Grove / Leacombe / Wallasey’. Scan on application

Publicity photograph on 8.5 x 13.5 postcard. In good condition, lightly aged, with a tiny piece worn away from bottom left. Inscription diagonally at bottom left: ‘Best wishes / Elizabeth Allan’. A black and white head-and-shoulders portrait of a young Allan, against a white background, with short wavy hair and side parting gazing to her left with beatific smile.

See his entry in the Oxford DNB. ONE: Five engravings from the ‘Comic Alphabet’. All about 8 x 12 cm. Uncoloured. Originally part of a long single piece of paper, fan-folded. In good condition, lightly aged. Two laid down on pieces of grey paper (cut from an album).

7.5 x 11.5 cm black and white publicity photograph by ‘ “Philco” London W.C.1.’ Expansive genuine signature ‘Gladys Cooper’ across bottom part of image, in addition to facsimile signature in white at bottom right. In good condition, on postcard with border trimmed. Dark sepia-toned image. A head-and-shoulders portrait, with Cooper staring to her right, with short frizzy hair, in fashionable gown. Scan on application

Hale is best-remembered for singing ‘Spread a Little Happiness’ in the musical ‘Mr. Cinders’ (1929), and for strarring in ‘No, No, Nanette’ (1925). 9 x 13 cm postcard, printed in light-brownish grey. In good condition. Nice signature ‘Binnie Hale’ running diagonally across lower right-hand corner. She looks wistfully at the camera, with a Marcel wave and pursed made-up lips. Not among the 32 images of Hale list on the National Portrait Gallery website. Scan on application.