actress

Sepia studio portrait on 8.5 x 13.5 cm postcard, stamped on reverse 'MANNELL LONDON'. In good condition, lightly aged. She signs 'Winifred Shotter' at foot. A soft-toned head and shoulders portrait of a wistful Shotter, with Marcel wave, staring at the camera in a fashionable frock. Scan on application.

A black and white publicity photograph on an 11 x 15 cm collotype print. Signed at bottom right: ‘Yours sincere / Mary Ellis / Feb. 1844’. A head and shoulders portrait of a dreamy-looking Ellis in front of netting, staring downwards to her right, with her head cradled in her right hand, which is clasped by her left. In good condition, lightly aged. Scan on application

Anderson spent six years in England in the 1880s, acting to much acclaim at venues including the Shakespeare Memorial Theatre in Stratford-on-Avon. In 1887 she was the first actress to take on both roles of Perdita and Hermione at once in the Winter’s Tale. On 14 x 9 cm postcard, addressed (by the recipient) to ‘Norman Wetton / 7, Claremont Road, / Forest Gate, / Essex.’ Slightly grubby and worn, but in fare condition overall. On the blank side she writes: ‘Broadway / Worc / Mary Anderson de Navarro / Auto Graph only’. Scan on application

9 x 14.5 cm glossy publicity photograph. On reverse: “A Gaumont-British Star / Raphael Tuck and Sons’ “Real Photograph” Postcard No. 66”. In fair condition, lightly aged, with a couple of indentations. Inscribed at bottom right: ‘Best Wishes / Jessie Matthews’. A black and white head-and-shoulders shot of a wide-eyed Matthews staring at the viewer over her left shoulder, with short hair, in a white feather hat and white fur coat, against a black background. Scan on application.

Sepia portrait on 10 x 15 cm photographic print, on card. In good condition, lightly aged. Good bold inscription across foot: ‘Best wishes / Joan Barry’. A soft-toned head-and-shoulders portrait of a Marcel-waved Barry, staring dreamily to the left, with pursed made-up lits, in a sleeveless white gown with pearls and bracelet, left hand to chin and right hand supporting left elbow. Scan on application.

Glossy publicity portrait (‘Real Photograph’) on 8.5 x 14 cm post card with publication details on reverse. In good condition, lightly aged. Inscribed diagonally at bottom right: Best wishes / Julie Suedo.’ A black and white head-and-shoulders shot of an Mediterranean-looking Suedo, with curled hair with flower jewellery in it and toothy smile, looking joyfully to her left, with bright necklace and pearl bordered sleeveless gown.

Glossy black and white publicity photograph on 8.5 x 13 cm postcard, embossed with studio details at bottom right. ‘MISS DOROTHY WARD’ in white print at foot. Autograph inscription across foot: ‘Best wishes / Dorothy Ward / 1926’. In good condition, lightly aged. A head-and-shoulders image of Ward with right shoulder slightly forwards, looking upwards, with a laurel wreath around her head and frizzy short hair, in pearls and a white sleeveless gown. With stamp and Liverpool postmark on reverse, which is addressed to ‘F. J. Clare / 5 Delamere Grove / Leacombe / Wallasey’. Scan on application

Publicity photograph on 8.5 x 13.5 postcard. In good condition, lightly aged, with a tiny piece worn away from bottom left. Inscription diagonally at bottom left: ‘Best wishes / Elizabeth Allan’. A black and white head-and-shoulders portrait of a young Allan, against a white background, with short wavy hair and side parting gazing to her left with beatific smile.

7.5 x 11.5 cm black and white publicity photograph by ‘ “Philco” London W.C.1.’ Expansive genuine signature ‘Gladys Cooper’ across bottom part of image, in addition to facsimile signature in white at bottom right. In good condition, on postcard with border trimmed. Dark sepia-toned image. A head-and-shoulders portrait, with Cooper staring to her right, with short frizzy hair, in fashionable gown. Scan on application

See her entry in the Oxford DNB. Good bold signature ‘Gracie Fields’, underlined and rising upwards. On 11.5 x 9 cm piece of thin light-grey card. In good condition, lightly aged, but with border of discoloration created by tape, a tiny part of which has encroached on the initial ‘G’ of the signature.

Hale is best-remembered for singing ‘Spread a Little Happiness’ in the musical ‘Mr. Cinders’ (1929), and for strarring in ‘No, No, Nanette’ (1925). 9 x 13 cm postcard, printed in light-brownish grey. In good condition. Nice signature ‘Binnie Hale’ running diagonally across lower right-hand corner. She looks wistfully at the camera, with a Marcel wave and pursed made-up lips. Not among the 32 images of Hale list on the National Portrait Gallery website. Scan on application.

Black and white photographic portrait, on 4.5 x 6.5 cm piece of shiny card. Signature 'Doris Keane' across bottom of image. In fair condition, lightly aged and worn, with strips of tape around the edges to make a border, but hardly discoloured. Printed at head: 'SUPPT. TO GREAT NOVELS.', and at bottom 'DORIS KEANE / BASSANO'. A head and shoulders portrait, in which Keane faces the viewer, in fur hat and coat with fur collar. Scan on application.

See her 18 October 2006 obituary in Variety, which states that 'Bigley had been playing Laurey in the London production of “Oklahoma!” when she was offered the role of Sarah Brown, the “mission doll” who entrances gambler Sky Masterson in the show based on Damon Runyon’s characters.' She won a Tony Award for her performance. A 10.5 x 13.5 black and white photographic image, printed on an 11.5 x 16.5 cm piece of matt card. In good condition, lightly aged. A head and torso shot of a seated Bigley dressed as Laurey, smailing over her left shoulder against a plain and shadowy background.

See her entry in the Oxford DNB. On two 11 x 9 cm cards, plain but for the letterhead. Both in good condition, lightly aged. The recipient is not named. The card is signed 'E. T:' and is written in her forceful hand. Begins: 'I have no time - nor words - to tell you what I think - The boys health indeed! - if there's any use in talking, if signing petitions will do any good one would talk & sign all day! but in spite' - here the reverse of the first card begins, and the side is entirely deleted, except for the last line'.

She was the daughter of the impressario Hugo Görlitz and the Australian soprano Amy Sherwin; and goddaughter of Paderewski. She married the actor James Thomas Jolley in New York (where the couple were based) in 1923, dying of consumption in England several years later. The present item is 2pp, small 4to, in bifolium, with the valediction written lengthwise and downwards on a third page. In fair condition, lightly aged and worn. Printed on the first page is the name ‘Jeannette’ within a small bow. The letter is addressed to ‘Dear Mr. Rubinstein’, and signed ‘Jeannette Sherwin Gorlitz’.

Clearly given in response to a request for an autograph. Neatly written and centred on one side of a 12 x 7.5 cm piece of pink paper. In good condition, lightly aged and worn, with vertical crease close to the left-hand edge. Reads: ‘Best wishes - / Deanna Durbin’. See Image.

Draper inspired characters in two of Agatha Christie?s books. Among others impressed by her work were Bernard Shaw, Thornton Wilder, John Gielgud, Katharine Hepburn, Maurice Chevalier, Laurence Olivier, Henry James, Henry Adams, Edith Wharton, Joyce Grenfell, Emma Thompson, David Mamet and Maureen Lipman. See Ross?s entry in the Oxford DNB. 3pp, 12mo, on bifolium of light-grey paper. In good condition, lightly aged. Folded once for postage. Addressed to ?Dear Sir David? and signed ?Ruth Draper.? Presumably written during Ross?s Vice-Chancellorship, 1941-1944.

Edward Knobloch’s play ‘My Lady’s Dress’ (‘in which’, as one newspaper wrote at the time, ‘the heroine’s dream takes her to the foreign [and London] scenes surrounding the manufacture of a costly gown’) premiered at the Royalty Theatre in London in 1914 and was revived several times through the 1920s.

See her entry in the Oxford DNB. After a stint as one of George Edwardes’ Gaiety Girls, she made her name in a number of revues, her performance in the lead role of the 1929 Broadway production of ‘Bitter Sweet’ prompting Coward to praise her grace and charm and assurance, which he said provoked one of the most prolonged outbursts of cheering I have ever heard in the theatre. She was less successful in Hollywood, starring in the Romberg/Hammerstein musical ‘One Heavenly Night’ (1931), a failure for Samuel Goldwyn.

See her entry in the Oxford DNB. The inscription, firmly-written in pencil, reads, ‘With best wishes / Deborah Kerr.’, and is written beneath a pencil portrait of a smiling Kerr’s face and shoulders, competently-executed in typical fifties style. On recto of 10 x 12.5 cm leaf of a tracing paper bifolium, the verso of the second leaf carrying, upside-down, an outline sketch of Kerr. The paper is somewhat creased and worn.

See her entry in the Oxford DNB. An attractive and unusual item of correspondence, neatly written out in her distinctive handwriting. 1p, 12mo. On leaf of onion paper, carefully laid down on thicker backing. In good condition, slightly discoloured. Folded three times for postage. Reads: ‘A little little heart! So little! but anything “in the way of” a heart should not be flouted, nor scouted, & so I pray you to accept my very little heart - / It’s not worth the thanking for, only don’t send it back to me. / Nellaline. / March 17: 89:’.

See her entry in Encyclopedia Britannica. 1p, 8vo. In fair condition, lightly aged, with some grubbiness around the top-left corner. The text of the letter and the stylish and assured signature are unaffected. Reads: ‘Dear Neil Hurst, / Thank you very much for your letter. I’m delighted to know that you have enjoyed my work, and it was kind of you to write. / I have pleasure in sending you a signed photograph, with my best wishes. / Yours sincerely, / Judi Dench’. Dench terminates the signature with a diagonal dash through a widely-spaced colon.

Written during the 1984-5 Old Vic production of Arthur Schnitzler’s ‘The Lonely Road’, in which Eggar starred opposite Anthony Hopkin, with a young Colin Firth. 2pp, 12mo. Good bold signature: ‘Sincerely / Samantha Eggar’. Addressed to 'Mr Sephton'. In good condition, lightly aged, folded for postage. She thanks him for his ‘inquiry as to whether I would be able to talk to you about “Whos Who of Hollywood Britons’, and gives the only date that is convenient. ‘The show comes down at 5.15 approx, maybe a call to the theatre to check would be wise’. From the papers of Kenneth Sephton.

Leighton’s entry in the Oxford DNB explains that ‘In 1954 she began a long run (nearly four years in London and New York) as Anne Shankland and Sybil Railton-Bell in the double bill of Terence Rattigan's Separate Tables, co-starring with Eric Portman and winning a Tony award as best actress.’ 2pp, 4to. Addressed to ‘Dear Mr Sephton’, with good bold signature, ‘Margaret Leighton.’ In good condition, lightly aged, folded for postage.

Watford?s obituaries noted her sensitive acting style, and ranked alongside Peggy Ashcroft. On both sides of a 14.5 x 10 cm card, with no printing but for the name ?GWEN WATFORD? in red at the head of recto. Addressed to ?Dear Mr Sephton? and with good firm signature ?Gwen Watford?. In good condition lightly aged. Twelves lines of neatly written text. She has ?just finished another mid-week matinee?, and is writing thank him for his ?most encouraging letter?, which she will ?treasure?.

In his entry on Laye in the Oxford DNB, Sheridan Morley describes her as a ?bright, particular star?. 1p, 12mo, on grey-blue paper with monogram of her initials printed at top left. The letter concerns the 1969-70 Palace Theatre production of ?Phil the Fluter?, in which she played Mrs Fitzmaurice. Addressed to ?Dear Kenneth? and with good firm signature ?Evelyn Laye?. In good condition, lightly aged. Folded once for postage. She thanks him for the letter and ?the lovely Shamrock?, which she has planted ?in a little pot, as it was so very thoughtful of you to sentd it to me for Good Luck?.

See her entry in the Oxford DNB. A nice item, printed on shiny card. Bifolium folding to 21 x 14.5 cm. In good condition, lightly aged. On the front is a photograph of Scales and West by Jane Bohn. On reverse of first leaf is the menu, on recto of second the ?Toast List?, and the verso of the second a list of officers. McEwan?s inscription, in a good firm hand is at top left of the menu. It reads: ?With Best Wishes / Geraldine / McEwan?. From the papers of Kenneth Sephton. See Image.

Braden features prominently in his wife?s entry in the Oxford DNB, where it is stated that he ?deserves recognition not only for his extreme versatility, but for his major contribution to broadcasting by pioneering consumer television?. The letter concerns Braden?s autobiography ?The Kindness of Strangers? (1990). 1p, 12mo. On grey paper. In good condition, lightly aged. Folded twice for postage. Twenty-five lines of text. Addressed to ?Dear Ken Sephton? and with good firm signature. ?Your letter made me feel very humble.

In his entry on Laye in the Oxford DNB, Sheridan Morley describes her as a ?bright, particular star?. 1p, 16mo.Good firm signature. In good condition, lightly aged. Folded once for postage. On the otherwise-blank reverse is Laye's monogram, with her initials. Reads: 'My dear Kenneth. / Thank you for your very sweet letter[.] I am so delighted you liked the broadcast[.] It brought back many happy memories to me & when I sat & listened to it all alone I must say I longed for the past. / Bless you. / Evelyn Laye.' From the papers of Kenneth Sephton.

On one side of 15 x 10 cm grey-blue card, with facsimile of her signature at the head. Addressed to ?Dear Kenneth?, and with bold stylish signature at bottom right. The subject of the letter is the Piccadilly Theatre production of ?Gypsy?, which had opened a few days before on 29 May 1973. She thanks him for his ?kind letter?, adding ?Thank god you were right about the show and it has turned into more of a success than I could have ever hoped for.? She is sorry he couldn?t attend the first night, as ?it was a good show and I know you would have enjoyed it?.