THEATRE

Sir Thomas Noon Talfourd (1795-1854), dramatist, judge, Radical politician.] Autograph Letter in third person [as 'Mr. Serjeant Talfourd'] to the actress Helen Faucit, sending best wishes on her illness while describing his contribution to her album.

Author: 
Sir Thomas Noon Talfourd (1795-1854), dramatist, judge, Radical politician, friend of Charles Dickens and Charles Lamb [Helen Faucit [Helena Saville Faucit, Lady Martin] (1817-1898), actress]
Publication details: 
3 Serjeant's Inn [London]. 9 January 1841.
£45.00

1p, 16mo. On 14 x 11 cm piece of paper, with margins apparently cut down. Aged, and with slight damage to two words of text caused by removal from mount.At the time of writing Faucit's successful career had been interrupted by the recurrence of a lung condition, necessitating recuperation at a seaside resort. She has evidently asked Talfourd to contribute to an autograph album, soliciting the following response: 'Mr.

[Yvonne Arnaud, French actress and musician.] Autograph Letter Signed, in English, at the time of her first triumph ('Suzanne' in 'The Girl in the Taxi'), to a 'Cher Monsieur', regarding having her picture taken by 'Mess. Foulsham and Banfield'.

Author: 
Yvonne Arnaud (1890-1958), French actress and musician who settled in London [Lyric Theatre; Foulsham & Banfield, London photographers]
Publication details: 
'11th. 7bre. [11 September] 1912. Lyric [i.e. The Lyric Theatre, Shaftesbury Avenue, London].
£45.00

2pp, 16mo. Bifolium. In good condition, lightly aged. At the time of writing Arnaud was delighting audiences at the Lyric in her first leading role, that of 'Suzanne' in the musical 'The Girl in the Taxi'. Good firm signature. She writes: 'Cher Monsieur | Thanks [sic] you very much for your nice letter. Certainly I will go to Mess. Foulsham and Banfield for a picture, perhaps next week, and then, when they will be ready I give you one with great pleasure. | Mes bien sincères salutations.

[Charlotte Dolby [Charlotte Helen Sainton-Dolby], celebrated English contralto singer.] Autograph Letter Signed ('Charlotte H Dolby') giving a list of four pieces she will be 'happy to sing' for the recipient.

Author: 
Charlotte Dolby [Charlotte Helen Sainton-Dolby] (1821-1885) (1821-1885), celebrated English contralto singer, singing teacher and composer
Publication details: 
'Scarbro' [i.e. Scarborough, Yorkshire]. 'Thursday' [no date]
£38.00

2pp, 12mo. Bifolium. In good condition, lightly aged. Folded twice. She writes that she will be 'happy to sing the following songs on the 16th inst', and lists pieces by Meyerbeer, Linley and Mendelsohn, as well as 'Scotch song “Bonnie Dundee”'. In a postscript she writes: 'After tomorrow may I trouble you to address me at Dilstone [i.e. Dilston, Northumberland]'. Endorsed on second leaf: 'Sans date | Miss Charlotte H. Dolby | Will be happy to sing the within mentioned songs &c'.

[Ruby Miller, actress, one of George Edwardes' 'Gaiety Girls'.] Autograph Letter Signed ('Ruby') to 'Popie, darling', i.e. W. J. MacQueen-Pope, reminiscing about Gertie Millar and Gabrielle Ray, before the Gaiety Theatre is pulled down by 'vandals'.

Author: 
Ruby Miller [Ruby Laura Rose Miller] (1889-1976), actress, one of George Edwardes' 'Gaiety Girls' [W. J. MacQueen-Pope (1888-1960), theatre historian; Gertie Millar; Gabrielle Ray]
Publication details: 
10 Harvard Court, Honeybourne Road, Hampstead, N.W.6. 20 August 1956.
£35.00

2pp, 12mo. On grey paper with deckled edges and her 'RUBY MILLER' letterhead in green. She writes her telephone number at head, and beneath this, in another hand: 'Keep for me'. In fair condition, lightly aged and creased, with light marking from paperclip at head. Folded once. She was 'weeping at the end' of his 'lovely article in the “Evening News”': 'How sweet of you to mention me!

[William Farren, leading Georgian actor.] Joint (William & John) Autograph Letters Signed (both 'W. Farren') to George Smith of Yarmouth Theatre & his brother John, encouraging John to work on a play for J. R. Planché at the Olympic Theatre, London.

Author: 
William Farren (1786-1861), leading Georgian actor [James Robinson Planché (1796-1880), dramatist, antiquary and Somerset Herald; Olympic Theatre, London; George and John Smith of Yarmouth]
Publication details: 
30 Brompton Square [London]. 3 September [1838].
£120.00

Farren's entry in the Oxford DNB concludes by describing him as 'a theatrical sophisticate, equally at home in period comedy and modern plays; he was, besides, one of the finest actors of his century'. From around 1821 Farren lived with the actress Mrs Faucit (Harriet Elizabeth Savill, née Diddear, 1789-1857), with whom he had two sons. An excellent item, casting vivid light on the Olympic Theatre of Madame Vestris and J. R. Planché in its late-Georgian heyday.

[Thomas Anstey Guthrie ['F. Anstey'], Punch humorist and novelist.] Autograph Letter Signed 'Anstey Guthrie' to the actor-manager Arthur Chudleigh, sending a present and commenting on the success of 'Pinero's brilliant play'.

Author: 
Thomas Anstey Guthrie ['F. Anstey'] (1856-1934), Punch humorist, novelist and journalist, author of 'Vice Versa' and 'The Tinted Venus' ['Arthur Chudleigh' [Arthur Lillies], actor-manager]
Publication details: 
On letterhead of 16 Duke Street Mansions, Grosvenor Square, W [London]. 18 February 1911.
£45.00

1p, 12mo. Letterhead in green. In good condition, lightly aged, with minor traces of glue from mount adhering to blank reverse. Addressed to 'My dear Chudleigh'. He asks him to accept 'the accompanying volume', which he ordered to be bound for him 'weeks ago but it has only turned up this morning'. He is 'delighted to know that Pinero's brilliant play seems to he having the great success it deserves'.

[Charles Kean and his wife Ellen Tree prepare to return from America.] Autograph Letter Signed ('Rt. Clarke.') from Robert Clarke to Benjamin Webster, asking on Kean's behalf for 'information respecting Theatres in England', discussing Kean and wife.

Author: 
Robert Clarke, actor-manager, Theatre Royal, Liverpool [Charles Kean (1811-1868), actor-manager, son of Edmund Kean, husband of Ellen Tree (1805-1880); Benjamin Webster (1797-1882), actor, dramatist]
Publication details: 
2 Bladud Buildings, Bath. 27 December 1846.
£80.00

2pp, 12mo. Bifolium, endorsed 'Clarke' on reverse of second leaf. In fair condition, lightly aged and worn. Folded three times. The letter begins: 'My dear Webster, | Charles Kean has requested me to give him information respecting Theatres in England, in which it is probable he may form engagements on his return from America, as he wishes his plans to be arranged if possible previous to his departure from the United States, so as he may see his way clearly on his arrival in England.' He asks whether it would answer Webster's purpose 'to make any proposal to him'.

[Joyce Grenfell, comedian.] Autograph Letter Signed ('Joyce Grenfell') to 'Mr Chipp', gracefully explaining her reasons for having to refuse for a second time his 'kind invitation'.

Author: 
Joyce Grenfell [Joyce Irene Grenfell, née Phipps] (1910-1979), comedian, monologist, actress and singer
Publication details: 
On letterhead of Flat 8, 34 Elm Park Gardens, Chelsea, SW10 [London]. 27 May 1960.
£30.00

1p, 16mo. In fair condition, folded once, with two punch holes at margin, one affecting a word of text. She states that it is kind of him to ask her again, and she feels 'very churlish in having to say NO a second time', but her 'autumn-winter plans are complicated by a big concert tour & a lot of other [pro]bable dates', so she must reluctantly refuse his invitation.

[Joyce Grenfell, comedian.] Autograph Letter Signed ('Joyce Grenfell') to 'Mr Willmot', discussing her religious faith ('being a believer') and answering a question about a music hall recitation.

Author: 
Joyce Grenfell [Joyce Irene Grenfell, née Phipps] (1910-1979), comedian, monologist, actress and singer
Publication details: 
19 December 1968. No place.
£80.00

2pp, 12mo. In good condition, lightly aged. Folded once with two punch holes in margin, one affecting two words of text. A fascinating letter, in which Grenfell discusses her faith with great seriousness. She begins by stating that she is going to give the answers to the questions in his letter. Firstly she apologises for not knowing 'the recitation from which you quote.

[Joyce Grenfell, comedian.] Two Autograph Letters Signed ('Joyce Grenfell' and 'Joyce') to Sheridan Russell, one regarding the Bermondsey 'settlement' Time and Talent, the other from New York, on the city, her audiences and the reception of her show.

Author: 
Joyce Grenfell [Joyce Irene Grenfell, née Phipps] (1910-1979), comedian, monologist, actress and singer [Sheridan Russell (1900-1991), husband of social worker Kit Russell [Kit Stewart] (1909-1998)]
Publication details: 
ONE: 149 King's Road, S.W.3. [London] 9 April 1949. TWO: Laurelton Hotel, West 55th St., New York City. 29 November 1955.
£56.00

For information on Russell see the Oxford DNB entry on his wife from 1957, the social worker Kit Russell [Katherine Frances Russell, née Stewart] (1909-1998). Both letters are in fair condition, lightly aged and creased. ONE: Signed 'Joyce Grenfell'. 2pp, 12mo. She begins the letter with a question: 'Dear Sheridan Russell. | What is Time and Talents?

[John Van Druten, dramatist.] Typed Letter Signed ('John van Druten') to W. J. Macqueen-Pope, discussing his memories of Ivor Novello, and his new play 'I am a Camera', based on Christopher Isherwood, and Julie Harris.

Author: 
John Van Druten [John William Van Druten] (1901-1957), English playwright and theatre director [Walter James Macqueen-Pope (1888-1960),; Ivor Novello; Christopher Isherwood; Julie Harris]
Publication details: 
On letterhead of the A. J. C. Ranch, Thermal, California. 15 January 1952.
£150.00

2pp, 8vo. In fair condition, lightly aged and worn. A very good and informative letter. Written from the A. J. C. Ranch, which Van Druten had purchased with his former lover Carter Lodge (now his business manager) and the British actress Auriol Lee. Van Druten left his interest in the ranch to Lodge, together with the rights to his work, including the play discussed here, 'I am a Camera', an adapatation of Christopher Isherwood's stories. (For the relationship between Van Druten and Isherwood, see Peter Parker's biography of the latter.) This entitled Lodge to income from the film 'Cabaret'.

[Edward Laman Blanchard, playwright.] Autograph Letter Signed ('E. L. Blanchard') to 'C. Osborne', explaining his plans for the Era Almanack, while regretfully declining his offer of literary assistance.

Author: 
E. L. Blanchard [Edward Litt Laman Blanchard] (1820-1889), playwright and author, for 37 years writer of the Drury Lane pantomimes
Publication details: 
London Road, Rosherville, Kent. 27 August 1867.
£80.00

1p, 12mo. In good condition, lightly aged. Folded twice. 'My dear Sir | The Era Almanack will entirely consist of Theatrical information and general literature is not contemplated in the plan. Otherwise I need hardly say I should have been most happy to have availed myself of your aid.' The Era Almanack ran from 1868 to 1919, and was one of the more reliable theatrical annuals.

[Marsha Hunt, Hollywood and Broadway actress.] Autograph Letter Signed ('Marsha Hunt') to the English playwright Christopher Fry, describing her admiration for, and association with, his work, with reference to Richard Burton and Vincent Price.

Author: 
Marsha Hunt [Marcia Virginia Hunt] (born 1917), Hollywood and Broadway actress [Christopher Fry (1907-2005), playwright]
Publication details: 
On her letterhead, Sherman Oaks, California. 28 February 2005.
£220.00

3pp, 4to. In good condition, lightly aged. A long and entertaining letter, beginning: 'Dear Mr. Fry, | Probably late in 1949, in a New York City duplex living room, two married couples lay prone on the floor, fanned out around a single copy of “The Lady's Not for Burning”, the better to read aloud all its colorful roles. The couples were Alfred Drake (with whom I had played the previous season in my first Broadway play), his wife, my writer husband [i.e. Robert Presnell Jr] and I.

[Sir Tom Stoppard, playwright.] Autograph Signature ('Tom Stoppard') to a limited edition printed handbill of a passage about the merits of a cricket bat, from his play 'The Real Thing'.

Author: 
Tom Stoppard [Sir Tom Stoppard, born Tomas Straussler] (b.1937), Czech-born British playwright [the game of cricket]
Publication details: 
No place or date (but after 1982). At foot: 'Printed by permission of Faber & Faber Ltd' and 'Of an edition limited to 500 this is no. 401'.
£50.00

1p, 8vo. In fair condition, lightly aged, with creasing at edges. Signed at bottom right in red ink. Limited edition numeration added with a stamp. Beneath the heading 'The Real Thing' in block capitals, a characteristically-quirky eighteen-line quotation of a speech made by 'Henry', while 'holding his cricket bat', ending: 'This isn't better because someone says it's better, or because there's a conspiracy by the MCC to keep cudgels out of Lords. It's better because it's better.'

[Sir Arnold Wesker, playwright.] Two Typed Letters Signed (both 'Arnold Wesker') to Israeli author Aubrey Hodes, regarding his touring festival Centre 42, the English attitude to 'culture outside the commercial framework' and Israeli arts funding.

Author: 
Sir Arnold Wesker (1932-2016), playwright and author [Aubrey Hodes, Israeli author; Centre 42; New Wave; Kitchen Sink Drama; Angry Young Men; Jewish writers]
Publication details: 
20 Fitzroy Square, London, N1. 17 October 1962.
£220.00

Both 1p, 4to, and in good condition, lightly aged and folded once. Both letters addressed to Hodes at Beit Rosenberg, Keron Heyesod Street, Herzlia-on-Sea, Israel. The subject of the letters is Centre 42, the touring arts group Wesker formed to bring culture to the masses on his release from prison, following a sentence for civil disobedience with the Committee of 100 in opposition to nuclear weapons. The group moved to the Roundhouse in London in 1964.

[Sir Arnold Wesker, playwright.] Typed Letter Signed ('Arnold') to playwright Bernard Kops, appealing for copies of his plays to send to Cuba, which he has visited, finding that they have 'very bad theatre', due to 'their intolerable isolation'.

Author: 
Sir Arnold Wesker (1932-2016), playwright and author [Bernard Kops (b.1923), playwright; New Wave; Kitchen Sink Drama; Angry Young Men; Jewish writers]
Publication details: 
27 Bishop's Road, London, N6. 24 November 1964.
£120.00

1p, 4to. In fair condition, aged and lightly creased. Folded twice. The letter begins: 'Dear Bernard, | You probably know that I have just returned from Cuba and it was an exciting trip. | Unfortunately, one of the most depressing things was their very bad theatre; this is particularly because it is new and has no tradition, but also, to a great extent, due to their intolerable isolation.' Although there is little that they can do, Wesker promised to 'send as many plays and books' as he can.

[Peter Ustinov, film and theatre actor.] Autograph Card Signed ('Peter (USTINOV)'), describing himself as a 'lousy correspondent', regarding his mother's death and his own 'shyness'.

Author: 
Peter Ustinov [Sir Peter Alexander Ustinov] (1921-2004), Academy Award winning film and theatre actor, author [his mother the artist Nadia Benois [Nadezhda Leontievna Ustinova] (1896-1975)]
Publication details: 
Paris. 23 June 1975.
£120.00

Seventeen lines of text, on both sides of a piece of grey card. In good condition. Written in felt-tip pen, and difficult to decipher in places, as for example the Paris address and name of recipient. Begins: 'Surprise, surprise, dear [?], it is no longer true that I have not answered a single letter. Dear Nadia was so popular a person that I am still struggling with an Everest of condolences, and this far happier event has given me a momentary pause in my labours'.

[Joe Orton the Actor ] Programme Signed by members of the Cast of "The Agamemnon of Aeschylus" (Vaughan Players, Leicester), 1950, including "John" [Joe Orton].

Author: 
Joe Orton [ John Kingsley Orton (1933–1967), playwright, author and diarist. And actor ]
Publication details: 
Vaughan College, Leicester, 11-14 October 1950.
£1,250.00

Printed programme, Four pages, 8vo, bifolium, signed, often with comments by members of the cast (from Robert Buist and 20+ others) including Joe Orton as follows: ""As Paris said the Helen "Virtue wont [sic] hurt you | But Vice is nice." | John (ist youth)". [First Youth ......... John]. Note (Wiki): "Orton became interested in performing in the theatre around 1949 and joined a number of dramatic societies, including the prestigious Leicester Dramatic Society.

[Theatre Royal, Williamson Square, Liverpool: details of benefits.] Autograph Letter from 'Edwd. Murray' to Vernor & Hood, proprietors of ''The Monthly Mirror', giving a 'correct Statement of Benefits at the Liverpool Theatre (this season)'.

Author: 
Theatre Royal, Williamson Square, Liverpool [Edward Murray; Vernor & Hood, London publishers]
Publication details: 
[Theatre Royal, Williamson Square] Liverpool. 20 September 1800.
£120.00

1p, 4to. Bifolium. In fair condition, lightly aged and worn, and folded several times. The main text reads: 'Gentn | By inserting the following correct [last word underlined] Statement of Benefits at the Liverpool Theatre (this season) in your next Mirror you'll particularly oblige your most obt. Servt. | Edwd. Murray'. Beneath this is a list of the names of 15 individuals, with the amount of money made by each one's benefit, coming to a total of £2665. The list begins with 'Miss Murray £263' and ends with 'Mr Simmons 101'. The penultimate entry is for 'Mr Wild (Prompter) 103'.

[John Fawcett, actor and playwright.] Autograph Letter Signed ('John Fawcett'), as Treasurer of the Covent Garden Theatrical Fund, to 'C Perkins Esq', regarding money 'intended for the Widow Paulo', and the sending of account books.

Author: 
John Fawcett (1769-1837), actor and playwright associated with the Theatre Royal, Covent Garden
Publication details: 
'Botley Southampton | (The proper way to direct to me) | 9 Sepr 1835'.
£50.00

1p, 4to. In fair condition, lightly aged, with slight wear at head repaired on reverse with archival tape. The context of the letter is explained in Fawcett's entry in the Oxford DNB: 'In September 1829 Fawcett was superseded in the management of Covent Garden […] the theatre in which he had been a main prop for thirty-nine years. With a salary of £100 a year allowed him as treasurer and trustee of the Covent Garden Theatrical Fund he retired to a cottage at Botley, near Southampton.' The letter begins: 'Some weeks back I enclos'd you a draft for £10 intended for the Widow Paulo.

[Marie Lohr, Australian film and stage actress.] Autograph Card Signed ('Marie Löhr') to 'Miss Johnson'

Author: 
Marie Lohr [Marie Löhr] (1890-1875), Australian film and stage actress
Publication details: 
Bexhill-on-Sea postmark; 27 August 1920.
£45.00

Postcard with printed stamp. In good condition, on aged paper. Address by her to 'Miss Johnson [identified in pencil as Isa Johnson] | 23 Weltje Road | Hammersmith | London - W'. The card reads: 'My thanks for your letter - I am sorry I did not see you to speak to the other day. I hate leaving here in next few days it has done me such a lot of good.'

[Sir John Hare, actor-manager, to Willy Clarkson, theatrical wigmaker and homosexual blackmailer.] Autograph Letter Signed ('John Hare'), giving instructions on a wig 'of great importance', required for an American tour.

Author: 
Sir John Hare (1844-1921), actor and manager of the Garrick Theatre, London [Willy Clarkson [William Berry Clarkson (1861-1934), theatrical wigmaker and costume designer, homosexual blackmailer]
Publication details: 
On letterhead of 'Mr. John Hare's Autumn Provincial Tour, 1900' (Birmingham, Liverpool, Manchester). 15 September 1900.
£80.00

2pp, 12mo. In good condition, lightly aged. The letter casts an interesting sidelight on the practicalities of the late-Victorian theatre. He begins by explaining that he is sending back a wig he made for him, which was 'an admirable one in every way', and asking that he make him 'one like it for America & to bestow your best skill on it as it is of great importance to me'. He instructs him to 'make the wig a shade darker, something of the color it is dyed behind, & put a little natural white hair on the temples each side'.

Autograph Letter Signed ('Ch. Fechter.') to an unnamed 'dear Friend', describing himself as 'so young a fellow as your devoted comrade, now writing', and expressing 'profound and hearty friendship'

Author: 
Charles Fechter [Charles Albert Fechter] (1822-1879), French actor and playwright who found enormous success in Britain and America
Publication details: 
No place. 25 October 1861.
£50.00

1p, 12mo. In good condition, lightly aged. Begins: 'My very dear Friend, | I lack words to express my real gratitude for your heartfelt kindness to so young a fellow as your devoted comrade, here writing'. He hopes for an opportunity to show proof of his 'profound and hearty friendship'. He ends with renewed thanks, and 'sincere loves [sic] to your good Wife and dear self'.

[Cosmo Hamilton and his 'Eugenic play'.] Autograph Letter Signed to J. L. Garvin, editor of the Pall Mall Gazette, regarding his play 'The Blindness of Virtue', with reference to eugenicist Caleb Saleeby.

Author: 
Cosmo Hamilton [born Henry Charles Hamilton Gibbs] (1870-1942), playwright and novelist [James Louis Garvin (1868-1947), editor of the Pall Mall Gazette; Caleb Saleeby (1878-1940); eugenics]
Publication details: 
On letterhead of Whiteleaf, Princes Risborough, Buckinghamshire. 'Monday' [1914]
£45.00

2pp, 12mo. In fair condition, aged and worn. Folded twice. The letter begins: 'When my Eugenic play “The Blindness of Virtue” was first produced at the Little Theatre two years ago [i.e. in 1912] (about which Dr Saleeby [i.e. eugenicist Caleb Saleeby (1878-1940)] wrote very kindly & in great agreement in the P. M. G) you were kind enough to send a member of your staff to see me for a talk.' He explains that since that time he has had the play 'in the United States & Canada where it is still running & I have many more things to say about it & those places'.

[Charles Fechter, Anglo-French actor and playwright.] Two Autograph Letters Signed to 'Mr. Osborne', the first regarding his itinerary and the choosing of a plot suited to Osborne's style; the second regarding his busy life and examining a play.

Author: 
Charles Fechter [Charles Albert Fechter] (1822-1879), French actor and playwright who found enormous success in Britain and America
Publication details: 
Letter One: on letterhead of 30 Park Road, Regent's Park, N.W. [London] 17 August 1869. Letter Two: no place, on monogram letterhead (with motto 'Faiblesse vaut vice'). 19 April 1872.
£120.00

Both items are 2pp, 12mo, and bifoliums. Both in good condition, lightly aged, and each folded once. The second has rust marks to margin from a paperclip. Given the sunbject-matter, the recipient may be a relation of the actress Mrs William Barry (1739-1771), whose maiden name was Osborne. ONE: 17 August 1769; on Park Road letterhead. Signed 'Ch. Fechter.' He begins by announcing: 'I have, by no means, altered my mind; but have been – and am still – strolling about the country'.

[Walter Starkie, Irish author, Hispanic and Romany scholar.] Three Autograph Letters Signed to Christopher Fry regarding Spanish translation, W. B. Yeats and Abbey Theatre; with five letters from Geoffrey Cumberlege of OUP, two from G. W. S. Hopkins.

Author: 
Walter Starkie (1894-1976), Irish author, Hispanic and Romany scholar; Geoffrey Cumberlege (1891–1979); Gerard Walter Sturgis Hopkins (1892-1961) [Christopher Fry (1907-2005); Oxford University Press]
Publication details: 
All items dating from 1955. Two of Starkie's three letters from Madrid, the other on letterhead of the Athenaeum, London. Seven letters on letterheads of the Oxford University Press, London.
£1,350.00

Fourteen items, including three letters from Starkie and seven letters from the Oxford University Press – five of them from Geoffrey Cumberlege and two from G. W. S. Hopkins – and copies of two letters from Cumberlege to Fry's agent Emanuel Wax, and a copy of a letter from the OUP to Starkie. All dating from 1955. The collection is in fair condition, lightly aged and worn. The three Starkie letters are all in autograph, and total 7pp. The first two are written from Madrid, and the last from the Athenaeum in Pall Mall.

[Augusta, Lady Gregory, leading figure in Irish Literary Revival.] Autograph Letter Signed ('A Gregory') to 'Miss Wheeler', discussing her method of collecting the words of Aran folk songs, and her neglect of the 'folk airs'.

Author: 
Augusta, Lady Gregory [née Persse] (1852-1932), leading figure in Irish Literary Revival, co-founder of Irish Literary Theatre and Abbey Theatre with William Butler Yeats and Edward Martyn, folklorist
Publication details: 
On letterhead of Coole Park, Gort, Co. Galway. 25 October [no year].
£600.00

4pp, 12mo, with postscript crosswritten at head of first page. Bifolium on grey paper. In fair condition, aged and worn, with traces of tape from mount along gutter, which has damage at head.

[Arthur Weigall, Egyptologist.] Autograph Letter Signed to F. Eyles regarding his work as set designer for London revues, referring to Gertie Millar, Fay Compton, Robert Hale, Phyllis Monkman, Raymond Rôze, King of the Belgians, President Roosevelt.

Author: 
Arthur Weigall [Arthur Edward Pearse Brome Weigall] (1880-1934), Egyptologist who succeeded Howard Carter at Luxor as Chief Inspector of Antiquities for Upper Egypt, set designer for the London stage
Publication details: 
'The Studio | 117. Fulham Rd.' [London.] 22 March [1916].
£180.00

3pp, 12mo. Bifolium. In good condition, lightly aged. Folded once. With envelope addressed to 'F. Eyles Esq. | 38 Bedford Place, | Russell Square, | WC'. Year of letter added in pencil. Signed 'Arthur Weigall'. Having made his name in Luxor as an Egyptologist, Weigall was a successful set-designer for the London revues during the First World War, and the present item concerns a magazine article regarding this work.

[Christopher Fry edits, as 'A. H. Harris': the Birth of a Literary Career] Thirteen numbers (1-11, 16, 17) of the 'Bedford Modern School Gazette', with 'B.M.S. Gazette Supplement'.

Author: 
Christopher Fry (1907-2005), playwright, [born Arthur Hammond Harris]; Bedford Modern School
Publication details: 
[Bedford Modern School.] Nos 1-11 (Feb. 1925 to July 1927): Printed by the "Bedfordshire Standard" Newspaper Co. (1913), Ltd, Bedford. Nos 16 (Oct. 1928) and 17 (Dec. 1928): Printed by the County Press (Bedford) Limited. Supplement: 30 March 1926.
£750.00

Fourteen items, all 8vo. Seven numbers (4-9 and 16) are 16pp; number 17 is 26pp; other numbers range from 8 to 12pp, except for the 'B.M.S. Gazette Supplement' (30 March 1926) which has 4pp. The first five numbers on cheap newspaper stock; from the sixth number onwards the paper quality improves. Number 17 ('Special Christmas Number') has lost its back cover. The other thirteen numbers are complete. A frail survival, in fair overall condition, on aged and worn paper. Numbers 4-11 with 'Eagle' masthead, otherwise no settled layout.

[Sir John Pollock and Eugène Brieux: London theatre, censorship, venereal disease.] First separate English and American printings of 'Damaged Goods', the former with Pollock's autograph emendations; copy of 'The Play Pictorial' on London production.

Author: 
Sir John Pollock; Eugène Brieux; The Connecticut Society of Social Hygiene; George Bernard Shaw
Publication details: 
English edition: A. C. Fifield, London, 1914. American Edition: Brentano's, New York, for the Connecticut Society of Social Hygiene, 1912. The Play Pictorial: London, 1917.
£950.00

Three items from the papers of Sir John Pollock, relating to his translation of Eugène Brieux's scandalous play 'Les Avariés'.

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